Cover Title: Marketing Communication : New Approaches, Technologies

Total Page:16

File Type:pdf, Size:1020Kb

Cover Title: Marketing Communication : New Approaches, Technologies Cover title: Marketing Communication : New Approaches, Technologies, and Styles author: Kimmel, Allan J. publisher: Oxford University Press isbn10 | asin: 0199276951 print isbn13: 9780199276950 ebook isbn13: 9781423771005 language: English subject Communication in marketing, gtt--Marketing, gtt--Communicatie, gtt--Klantgerichtheid. publication date: 2005 lcc: HF5415.123.K55 2005eb ddc: 658.8/02 subject: Communication in marketing, gtt--Marketing, gtt--Communicatie, gtt--Klantgerichtheid. cover Page i Marketing Communication page_i Page ii This page intentionally left blank page_ii Page iii Marketing Communication New Approaches, Technologies, and Styles edited by ALLAN J. KIMMEL page_iii Page iv OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexi co City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Oxford University Press 2005 The moral rights of the authors have been asserted Database right Oxford University Press (maker) First published 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India. Printed in Great Britain on acidfree paper by Biddles Ltd, King's Lynn, Norfolk ISBN 0199276943 9780199276943 ISBN 0199276951 (pbk.) 9780199276950 (pbk.) page_iv Page v In memory of James A. Fasanelli, who taught me how to see. page_v Page vi Preface This book represents one of the first attempts to provide a comprehensive overview and analysis of the rapidly changing world of marketing communication in the twentyfirst century. The fourteen chapters that comprise this volume were written by some of the leading authorities in the field, resulting in a broad tableau of perspectives reflecting the insights and experiences of academics and practitioners from both sides of the Atlantic. It goes without saying that I owe a great debt of gratitude to each of the twentyfive contributors who agreed to participate in this project and I wish to convey to them my heartfelt thanks for a job well done. With its timely and comprehensive focus on contemporary and evolving trends in marketing communication, it is hoped that this volume will be of interest to a diverse audience of academics, students, and professionals. Primarily intended as a supplemental reader for undergraduate, graduate, and MBA courses, I trust that the focus on emerging developments in the field will also be appealing to a broad range of researchers and marketing professionals. AJK Paris, France page_vi Page vii Contents Preface vi List of Figures ix List of Tables ix List of Abbreviations xi Notes on Contributors xiii Introduction: Marketing Communication in the New Millennium 1 Allan J. Kimmel Part I: New Approaches to Marketing Communication 7 1. New Trends in the Promotion of Companies and Brands to Stakeholders: A Holistic Approach 11 Maurice Lévy and Dan O'Donoghue 2. Past, Current, and Future Trends in Mass Communication Research 23 Matthew S. Eastin and Terry Daugherty 3. The TwentyFirst-Century Consumer Society 42 James Fitchett 4. Marketing Communications in a World of Consumption and Brand Communities 63 Albert M. Muñiz, Jr. and Thomas C. O'Guinn 5. Marketing Communications Trends in the Emerging Global Marketplace 86 H. David Hennessey page_vii Page viii Part II: Developments in Marketing Communication Technologies 109 6. The Future of Television Advertising 113 Tina M. Lowrey, L. J. Shrum, and John A. McCarty 7. Electronic Marketing and Marketing Communications: The Role of Technology 133 John O'Connor, Eamonn Galvin, and Martin Evans 8. Recent Developments in Below-the-Line Marketing Communications 154 Chris Fill 9. Integrated Marketing Communications and the Emerging Role of the Website 175 Thomas W. Gruen 10. Word of Mouth: The Oldest, Newest Marketing Medium 193 George R. Silverman Part III: Rethinking Marketing Communication Styles 211 11. Marketing Communications in a Postmodern World 215 A. Fuat Firat and Lars Thøger Christensen 12. Hypermodernity and the New Millennium: Scientific Language as a Tool for Marketing 236 Communications Eric J. Arnould and Elisabeth Tissier-Desbordes 13. Identity in Marketing Communications: An Ethics of Visual Representation 256 Janet L. Borgerson and Jonathan E. Schroeder 14. The Communication of Marketing: A Critical Analysis of Discursive Practice 278 Douglas Brownlie and Michael Saren Index 297 page_viii Page ix List of Figures 4.1. Classic model of the communication process 78 4.2. Social model of brand creation 80 4.3. Computer-mediated environment/brand community model 82 6.1. Advertising minutes per prime time hour on US network television 123 7.1. Framework for electronic marketing 136 7.2. Direct marketing expenditures in the UK by media type 144 7.3. Knowledge management framework 150 7.4. Pyramidal model of relationship interactions 152 List of Tables 3.1 Three eras in the development of consumer society 50 6.1 Minutes of advertising time per hour for day parts network television, USA (1992, 2001) 124 6.2 Analysis of commercial break time, network television, USA, for total 3 hours of prime time 124 6.3 Average number of minutes of advertising per hour 124 7.1 Traditional versus electronic marketing 135 7.2 Interactive services 140 10.1 The decision matrix 206 11.1 Changes in the forms of communication 227 11.2 Changes in meaning of communication 231 page_ix Page x 13.1 Recommended websites for ethical analysis of marketing communication 272 14.1 Example of the process of signification and reification in marketing discourse 281 page_x Page xi List of Abbreviations ACORN A Classification of Residential Neighborhoods CEO chief executive officer CRM customer relationship management CME computer-mediated exchange DoJ Department of Justice DTV digital television DRTV direct response television ELM Elaboration Likelihood Model EPOS electronic point-of-sale ESL electronic shelf label ESP emotional selling proposition FMCG fast-moving consumer goods GAM global account management GSM Global System for Mobile Communication GPS global positioning system GSR galvanic skin response GPRS General Packet Radio Service HIPAA Health Insurance Probability and Accountability IIT Information Integration Theory IOC International Olympic Committee IST information systems and technology IMC integrated marketing communications KMS knowledge management systems LCSP Lead Client Service Partners LED light-emitting diode MMS multimedia message service NAB National Association of Broadcasters PDA personal digital assistant PSA personal shopping assistant page_xi Page xii PVR personal video recording RFID radio frequency identification SCT Social Cognitive Theory SFA Sales Force Automation SMS short message service USP unique selling proposition VOIP voice over Internet protocol VOD video on demand WAP Wireless Application Protocol WHO World Health Organization WOM word of mouth page_xii Page xiii Notes on Contributors Eric Arnould is E. J. Faulkner Professor of Agribusiness and Marketing and Interim Director of Agribusiness Programs in the College of Business Administration at the University of Nebraska, Lincoln. He has taught at universities in North America, Europe, Australia, and New Zealand. He received his Ph.D. in Social Anthropology from the University of Arizona in 1982, and pursued postdoctoral work in marketing there. Continuing work begun during his doctoral research, he spent more than ten years working in economic development, conducting fieldwork in more than a dozen West and East African nations for governmental and nongovernmental organizations. Since 1990, he has been a full-time academic, teaching courses in consumer behavior, international marketing, and research employing qualitative data. His research investigates consumer ritual, inalienable wealth, postmodern motivation, magical consumption, service relationships, West African marketing channels, and the uses of qualitative data. His research appears in a variety of marketing and social science periodicals and books. He served for five years as an Associate Editor of the Journal of Consumer Research. Janet Borgerson is Lecturer in the University of Exeter School of Business and Economics. She receiv ed her MA and Ph.D. in Philosophy from the University of Wisconsin, Madison, and completed postdoctoral work
Recommended publications
  • Reactionary Postmodernism? Neoliberalism, Multiculturalism, the Internet, and the Ideology of the New Far Right in Germany
    University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2018 Reactionary Postmodernism? Neoliberalism, Multiculturalism, the Internet, and the Ideology of the New Far Right in Germany William Peter Fitz University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Fitz, William Peter, "Reactionary Postmodernism? Neoliberalism, Multiculturalism, the Internet, and the Ideology of the New Far Right in Germany" (2018). UVM Honors College Senior Theses. 275. https://scholarworks.uvm.edu/hcoltheses/275 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. REACTIONARY POSTMODERNISM? NEOLIBERALISM, MULTICULTURALISM, THE INTERNET, AND THE IDEOLOGY OF THE NEW FAR RIGHT IN GERMANY A Thesis Presented by William Peter Fitz to The Faculty of the College of Arts and Sciences of The University of Vermont In Partial Fulfilment of the Requirements For the Degree of Bachelor of Arts In European Studies with Honors December 2018 Defense Date: December 4th, 2018 Thesis Committee: Alan E. Steinweis, Ph.D., Advisor Susanna Schrafstetter, Ph.D., Chairperson Adriana Borra, M.A. Table of Contents Introduction 1 Chapter One: Neoliberalism and Xenophobia 17 Chapter Two: Multiculturalism and Cultural Identity 52 Chapter Three: The Philosophy of the New Right 84 Chapter Four: The Internet and Meme Warfare 116 Conclusion 149 Bibliography 166 1 “Perhaps one will view the rise of the Alternative for Germany in the foreseeable future as inevitable, as a portent for major changes, one that is as necessary as it was predictable.
    [Show full text]
  • New Modernism(S)
    New Modernism(s) BEN DUVALL 5 Intro: Surfaces and Signs 13 The Typography of Utopia/Dystopia 27 The Hyperlinked Sign 41 The Aesthetics of Refusal 5 Intro: Surfaces and Signs What can be said about graphic design, about the man- ner in which its artifact exists? We know that graphic design is a manipulation of certain elements in order to communicate, specifically typography and image, but in order to be brought together, these elements must exist on the same plane–the surface. If, as semi- oticians have said, typography and images are signs in and of themselves, then the surface is the locus for the application of sign systems. Based on this, we arrive at a simple equation: surface + sign = a work of graphic design. As students and practitioners of this kind of “surface curation,” the way these elements are functioning currently should be of great interest to us. Can we say that they are operating in fundamentally different ways from the way they did under modern- ism? Even differently than under postmodernism? Per- haps the way the surface and sign are treated is what distinguishes these cultural epochs from one another. We are confronted with what Roland Barthes de- fined as a Text, a site of interacting and open signs, 6 NEW MODERNISM(S) and therefore, a site of reader interpretation and of SIGNIFIER + SIGNIFIED = SIGN semiotic play.1 This is of utmost importance, the treat- ment of the signs within a Text is how we interpret, Physical form of an Ideas represented Unit of meaning idea, e.g.
    [Show full text]
  • Connections Between Gilles Lipovetsky's Hypermodern Times and Post-Soviet Russian Cinema James M
    Communication and Theater Association of Minnesota Journal Volume 36 Article 2 January 2009 "Brother," Enjoy Your Hypermodernity! Connections between Gilles Lipovetsky's Hypermodern Times and Post-Soviet Russian Cinema James M. Brandon Hillsdale College, [email protected] Follow this and additional works at: https://cornerstone.lib.mnsu.edu/ctamj Part of the Film and Media Studies Commons, and the Soviet and Post-Soviet Studies Commons Recommended Citation Brandon, J. (2009). "Brother," Enjoy Your Hypermodernity! Connections between Gilles Lipovetsky's Hypermodern Times and Post- Soviet Russian Cinema. Communication and Theater Association of Minnesota Journal, 36, 7-22. This General Interest is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Communication and Theater Association of Minnesota Journal by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Brandon: "Brother," Enjoy Your Hypermodernity! Connections between Gilles CTAMJ Summer 2009 7 “Brother,” Enjoy your Hypermodernity! Connections between Gilles Lipovetsky’s Hypermodern Times and Post-Soviet Russian Cinema James M. Brandon Associate Professor [email protected] Department of Theatre and Speech Hillsdale College Hillsdale, MI ABSTRACT In prominent French social philosopher Gilles Lipovetsky’s Hypermodern Times (2005), the author asserts that the world has entered the period of hypermodernity, a time where the primary concepts of modernity are taken to their extreme conclusions. The conditions Lipovetsky described were already manifesting in a number of post-Soviet Russian films. In the tradition of Slavoj Zizek’s Enjoy Your Symptom (1992), this essay utilizes a number of post-Soviet Russian films to explicate Lipovetsky’s philosophy, while also using Lipovetsky’s ideas to explicate the films.
    [Show full text]
  • Hypermodernism
    9 Hypermodernism If postmodernism’s objective was to announce the end of modernity, then, according to Gilles Lipovetsky. it is now redundant. Modernity, for Lipovetsky, did not come to an end. Rather, it is undergoing its consummation, and the name Lipovetsky suggests for this new phase of the modern is ’hypermodernity’. Postmodernism was characterized by an essentially liberal impulse - a concerted effort towards deregulation in the aesthetic, philosophical, ethical, and political spheres. But, invigorating though these developments may have been, they have been outstripped by the accompanying trend towards the liberalization and deregulation of the market. The unfettered logic of market forces has put paid to postmodernism’s enthusiastic ambitions, and has even crept into the institutions of state, church, and family that withstood many of the onslaughts of postmodernism. The result, says Lipovetsky, is an endemic and unbridled consumerism, giving rise to a cult of excess - hence his choice of the prefix ‘hyper-’ to designate a culture that is ever demanding more and more. This view is in broad agreement with the position of Jeffrey T. Nealon in Part One, who regards post-postmodernism as deriving from an economic intensification o f the power of the market and o f consumerism. This consumerism does not always manifest itself simply as a naked consumerism, but rather as an extreme form of individualism. The hypermodern individual lives a life characterized by flexibility, adaptability, and a demand for continuous improvement, both in the workplace and throughout his or her general life. But Lipovetsky is quick to point out a paradox here: the drive towards flexibility and improvement is something that is demanded of the hypermodern individual, as well as something that the hypermodern individual demands as a consumer.
    [Show full text]
  • Hypermodernism As Deceleration, Re-Stabilisation and Reconciliation
    Marcin TrepczyńskiArtykuły naukowe Artykuły naukowe Edukacja Filozoficzna 66/2018 ISSN 0860-3839 DOI: 10.14394/edufil.2018.0021 ORCID: 0000-0003-0612-2597 Hypermodernism as Deceleration, Re-stabilisation and Reconciliation Marcin Trepczyński (University of Warsaw, Institute of Philosophy) Introduction1 In view of the claims of some thinkers that we can speak about “the end of the postmodern”2 or that postmodernity “is over”,3 it is reasonable to ask about the dominant indicators of today’s times and to ask whether it is accurate to describe them using concepts and labels developed to define the last decades of the 20th century. Such reflection is an element of a broader consideration of the human situation. It is important from the point of view of such questions as: how do we live and think, where do we go, who are we. From this perspective, reflection on the situation of individuals and societies has great philosophical significance. In this article I will try to address the main diagnoses and concepts concern- ing our times provided by thinkers referring to notions such as “postmodernism”, “the postmodern”, “after modernity” or “liquid modernity”. I will show that, at least today, they are insufficient and inadequate. I will also try to point to present attitudes which should be taken into account in any description of our times and to offer a proper name for them. Finally, I will briefly sketch how it is combined with the philosophical questions mentioned above. 1 The key concepts of this article were presented in my talk at the conference Around Hypermod- ernism, held at the Faculty “Artes Liberales” of the University of Warsaw on June 14, 2018.
    [Show full text]
  • From Modernism to Hypermodernism and Beyond an Interview with Paul Virilio
    From Modernism to Hypermodernism and Beyond An Interview with Paul Virilio John Armitage Postmodernism and Hypermodernism JA: Professor Virilio, I would like to begin by charting your place within the contemporary intellectual landscape.1 For instance, your work is closely associated with the cultural movement known as postmodernism. Certainly, your most recently translated study Open Sky (1997 [1995]) is being received as such in the English-speaking world.2 However, you have always been sceptical of the idea of postmodernism. Could you explain the basis of your critique of this concept? PV: Postmodernism is a notion that makes sense in architecture, through the work of [Robert] Venturi (Venturi et al., 1977) and so on. Since I am teaching architecture, to me, postmodernism is a `suitcase' word, a syncret- ism. In architecture it is a clear-cut phenomenon: styles are mixed up, history is ignored, one goes for a `melting pot' of approaches. But as far as thought is concerned, thought as developed in the years 1970±80, I simply cannot understand why people are talking about postmodernism. Post- structuralism? Yes, OK. Postmodernism? It doesn't make any sense to me. Hence, I do not feel linked at all with postmodernity. Moreover, as a teacher in a college of architecture, I believe postmodernism was a catastrophe in the history of modern architecture. Therefore there is no linkage between me and postmodernism. I know that many people tend to associate post- modernism with relativism, especially with cognitive relativism. Well, this is a new polemic that is cropping up, especially here in France, and which does not concern, let alone interest me in the slightest measure.
    [Show full text]
  • Constructive Texts: Theory, Practice, and the "Self" in Composition" (1998)
    University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Fall 1998 Constructive texts: Theory, practice, and the "self " in composition Deborah Lynne Hodgkins University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Hodgkins, Deborah Lynne, "Constructive texts: Theory, practice, and the "self" in composition" (1998). Doctoral Dissertations. 2043. https://scholars.unh.edu/dissertation/2043 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMt films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Oscillating Towards and Within the Metamodern
    Ghent University Faculty of Arts and Philosophy Oscillating Towards and Within the Metamodern Mark Z. Danielewski’s House of Leaves as a Transitional Novel for the New Structure of Feeling within the Contemporary Post-Postmodern Literary Debate Supervisor: Paper submitted in partial fulfillment Dr. Sarah Posman of the requirements for the degree of “Master in de Taal- en Letterkunde: Engels” by Karel Van Ooteghem August 2015 I have seen the future of fiction, and its name is Mark Z. Danielewski. —Larry McCaffery1 1 “Fiction’s Future: Words, Sentences, Quotes.” American Book Review 30.5 (2009): 9. Print. 2 Acknowledgements After four years of studying literature, I wanted my master’s dissertation to be about something that really interested me. Throughout my years as a student at Ghent University, I have developed a taste for the classic American postmodernists and more experimental literature such as Thomas Pynchon and John Barth – definitely not the easiest authors, and I am more than willing to admit that reading those works are often more an endeavour than recreation. When browsing the internet – as we all do, and which is a returning motif in this dissertation – I stumbled upon Mark Z. Danielewski’s work on the one hand and Vermeulen and Van den Akker’s ‘metamodernism’ on the other. After reading House of Leaves, I immediately realized that it might well be one of the books that will be deemed ‘classics’ or ‘turning points’ in about fifty years from now. Truth be said, I primarily recognized its literary qualities, but the work was not really one that I would put on my list of favourites.
    [Show full text]
  • Art in the Age of Emergence
    Art in the Age of Emergence Art in the Age of Emergence By Michael J. Pearce Art in the Age of Emergence By Michael J. Pearce This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Michael J. Pearce All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7057-9 ISBN (13): 978-1-4438-7057-3 This book is dedicated to Aihua Zhou. Art is mind. TABLE OF CONTENTS Acknowledgements .................................................................................... ix Preface ........................................................................................................ xi Chapter One ................................................................................................. 1 After Postmodernism Chapter Two .............................................................................................. 17 Emergent Experiences Chapter Three ............................................................................................ 41 Reality Check Chapter Four .............................................................................................. 53 Order under the Sun Chapter Five .............................................................................................
    [Show full text]
  • Literature for the 21St Century Summer 2013 Coursebook
    Literature for the 21st Century Summer 2013 Coursebook PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Sun, 26 May 2013 16:12:52 UTC Contents Articles Postmodern literature 1 Alice Munro 14 Hilary Mantel 20 Wolf Hall 25 Bring Up the Bodies 28 Thomas Cromwell 30 Louise Erdrich 39 Dave Eggers 44 Bernardo Atxaga 50 Mo Yan 52 Life and Death Are Wearing Me Out 58 Postmodernism 59 Post-postmodernism 73 Magic realism 77 References Article Sources and Contributors 91 Image Sources, Licenses and Contributors 94 Article Licenses License 95 Postmodern literature 1 Postmodern literature Postmodern literature is literature characterized by heavy reliance on techniques like fragmentation, paradox, and questionable narrators, and is often (though not exclusively) defined as a style or trend which emerged in the post–World War II era. Postmodern works are seen as a reaction against Enlightenment thinking and Modernist approaches to literature.[1] Postmodern literature, like postmodernism as a whole, tends to resist definition or classification as a "movement". Indeed, the convergence of postmodern literature with various modes of critical theory, particularly reader-response and deconstructionist approaches, and the subversions of the implicit contract between author, text and reader by which its works are often characterised, have led to pre-modern fictions such as Cervantes' Don Quixote (1605,1615) and Laurence Sterne's eighteenth-century satire Tristram Shandy being retrospectively inducted into the fold.[2][3] While there is little consensus on the precise characteristics, scope, and importance of postmodern literature, as is often the case with artistic movements, postmodern literature is commonly defined in relation to a precursor.
    [Show full text]
  • Call for a Hyper-Modernist Educational Theory Through Proactionary Approach
    Bulgarian Journal of Science and Education Policy (BJSEP), Volume 9, Number 1, 2015 EDUCATIONAL SYNCRETISM: CALL FOR A HYPER-MODERNIST EDUCATIONAL THEORY THROUGH PROACTIONARY APPROACH Masoud MAHMOODI-SHAHREBABAKI University of Tehran, IRAN Abstract. Presently, the modernist theory of education is losing its momentum and is superseded by the so-called omnipotent postmodernist theo- ries, which, speciously, claim that have proffered solutions to all educational enigmas. Although the postmodernist educational theory is in its ascendancy, especially in the Western world, the tenets of postmodern educational theo- ries, with their over-permissive and desultory blueprints, are not without obvi- ous pitfalls. I argue that, today, with the rapid circulation of information and sweeping transformations in the nature of education-job interactions, we have passed the postmodern era and stepped into a new era called hyper- modernism. Hence, I remind the necessity of formation of syncretism in our educational theorization and I explain that it has to be built upon a proaction- ary approach since we are, if not within already, one verge of Hyper- modernization. Keywords: hyper-modernism, educational syncretism, educational the- ory, modernism and post-modernism, proactionary approach 5 Modern and post-modern education Education is perhaps the most influential factor which shapes our worldview and identity; it dictates the ways we relate to the world, the ways we attempt to better the world and the lenses through which we analyze our intra and interpersonal relationships. Given the importance of education, many new philosophical and ideological theories have been suggested throughout the history to ameliorate the effectiveness and quality of education (Cahn, 1995).
    [Show full text]
  • Changing Anarchism.Pdf
    Changing anarchism Changing anarchism Anarchist theory and practice in a global age edited by Jonathan Purkis and James Bowen Manchester University Press Manchester and New York distributed exclusively in the USA by Palgrave Copyright © Manchester University Press 2004 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors. This electronic version has been made freely available under a Creative Commons (CC-BY-NC- ND) licence, which permits non-commercial use, distribution and reproduction provided the author(s) and Manchester University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/licenses/by-nc-nd/3.0/ Published by Manchester University Press Oxford Road, Manchester M13 9NR, UK and Room 400, 175 Fifth Avenue, New York, NY 10010, USA www.manchesteruniversitypress.co.uk British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for ISBN 0 7190 6694 8 hardback First published 2004 13 12 11 10 09 08 07 06 05 04 10 9 8 7 6 5 4 3 2 1 Typeset in Sabon with Gill Sans display by Servis Filmsetting Ltd, Manchester Printed in Great Britain by CPI, Bath Dedicated to the memory of John Moore, who died suddenly while this book was in production. His lively, innovative and pioneering contributions to anarchist theory and practice will be greatly missed.
    [Show full text]