Hypermodernism As Deceleration, Re-Stabilisation and Reconciliation
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Reactionary Postmodernism? Neoliberalism, Multiculturalism, the Internet, and the Ideology of the New Far Right in Germany
University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2018 Reactionary Postmodernism? Neoliberalism, Multiculturalism, the Internet, and the Ideology of the New Far Right in Germany William Peter Fitz University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Fitz, William Peter, "Reactionary Postmodernism? Neoliberalism, Multiculturalism, the Internet, and the Ideology of the New Far Right in Germany" (2018). UVM Honors College Senior Theses. 275. https://scholarworks.uvm.edu/hcoltheses/275 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. REACTIONARY POSTMODERNISM? NEOLIBERALISM, MULTICULTURALISM, THE INTERNET, AND THE IDEOLOGY OF THE NEW FAR RIGHT IN GERMANY A Thesis Presented by William Peter Fitz to The Faculty of the College of Arts and Sciences of The University of Vermont In Partial Fulfilment of the Requirements For the Degree of Bachelor of Arts In European Studies with Honors December 2018 Defense Date: December 4th, 2018 Thesis Committee: Alan E. Steinweis, Ph.D., Advisor Susanna Schrafstetter, Ph.D., Chairperson Adriana Borra, M.A. Table of Contents Introduction 1 Chapter One: Neoliberalism and Xenophobia 17 Chapter Two: Multiculturalism and Cultural Identity 52 Chapter Three: The Philosophy of the New Right 84 Chapter Four: The Internet and Meme Warfare 116 Conclusion 149 Bibliography 166 1 “Perhaps one will view the rise of the Alternative for Germany in the foreseeable future as inevitable, as a portent for major changes, one that is as necessary as it was predictable. -
New Modernism(S)
New Modernism(s) BEN DUVALL 5 Intro: Surfaces and Signs 13 The Typography of Utopia/Dystopia 27 The Hyperlinked Sign 41 The Aesthetics of Refusal 5 Intro: Surfaces and Signs What can be said about graphic design, about the man- ner in which its artifact exists? We know that graphic design is a manipulation of certain elements in order to communicate, specifically typography and image, but in order to be brought together, these elements must exist on the same plane–the surface. If, as semi- oticians have said, typography and images are signs in and of themselves, then the surface is the locus for the application of sign systems. Based on this, we arrive at a simple equation: surface + sign = a work of graphic design. As students and practitioners of this kind of “surface curation,” the way these elements are functioning currently should be of great interest to us. Can we say that they are operating in fundamentally different ways from the way they did under modern- ism? Even differently than under postmodernism? Per- haps the way the surface and sign are treated is what distinguishes these cultural epochs from one another. We are confronted with what Roland Barthes de- fined as a Text, a site of interacting and open signs, 6 NEW MODERNISM(S) and therefore, a site of reader interpretation and of SIGNIFIER + SIGNIFIED = SIGN semiotic play.1 This is of utmost importance, the treat- ment of the signs within a Text is how we interpret, Physical form of an Ideas represented Unit of meaning idea, e.g. -
Theorizing Political Psychology: Doing Integrative Social Science Under the Condition of Postmodernity
Theorizing political psychology: Doing integrative social science under the condition of postmodernity Journal of the Theory of Social Behaviour, (2003), pp. 427- 460 Shawn W Rosenberg Graduate Program in Political Psychology School of Social Sciences University of California, Irvine Email: [email protected] Telephone: (949) 824-7143 ABSTRACT At the beginning of the 21st century, the field of political psychology; like the social sciences more generally, is being challenged. New theoretical direction is being demanded from within and a greater epistemological sophistication and ethical relevance is being demanded from without. In response, direction for a reconstructed political psychology is offered here. To begin, a theoretical framework for a truly integrative political psychology is sketched. This is done in light of the apparent limits of cross-disciplinary or multidisciplinary inquiry. In the attempt to transcend these limits, the theoretical approach offered directly addresses the dually structured quality of social life as the singular product of both organizing social structures and defining discourse communities on the one hand and motivated, thinking individuals on the other. To further this theoretical effort, meta-theoretical considerations are addressed. The modernist- postmodernist debate regarding the status of truth and value is used as a point of departure for constructing the epistemological foundation for a truly political psychology. In this light, structural pragmatic guidelines for theory construction, empirical research and normative inquiry are presented. Political psychology, along with the rest of the social sciences, is at a crossroads. In part, this is an internal matter - the result of the exhaustion of existing paradigms. The product of psychological or sociological theorizing of the early and mid 20th century, these paradigms have oriented political psychological research for most of the last fifty years. -
Connections Between Gilles Lipovetsky's Hypermodern Times and Post-Soviet Russian Cinema James M
Communication and Theater Association of Minnesota Journal Volume 36 Article 2 January 2009 "Brother," Enjoy Your Hypermodernity! Connections between Gilles Lipovetsky's Hypermodern Times and Post-Soviet Russian Cinema James M. Brandon Hillsdale College, [email protected] Follow this and additional works at: https://cornerstone.lib.mnsu.edu/ctamj Part of the Film and Media Studies Commons, and the Soviet and Post-Soviet Studies Commons Recommended Citation Brandon, J. (2009). "Brother," Enjoy Your Hypermodernity! Connections between Gilles Lipovetsky's Hypermodern Times and Post- Soviet Russian Cinema. Communication and Theater Association of Minnesota Journal, 36, 7-22. This General Interest is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Communication and Theater Association of Minnesota Journal by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Brandon: "Brother," Enjoy Your Hypermodernity! Connections between Gilles CTAMJ Summer 2009 7 “Brother,” Enjoy your Hypermodernity! Connections between Gilles Lipovetsky’s Hypermodern Times and Post-Soviet Russian Cinema James M. Brandon Associate Professor [email protected] Department of Theatre and Speech Hillsdale College Hillsdale, MI ABSTRACT In prominent French social philosopher Gilles Lipovetsky’s Hypermodern Times (2005), the author asserts that the world has entered the period of hypermodernity, a time where the primary concepts of modernity are taken to their extreme conclusions. The conditions Lipovetsky described were already manifesting in a number of post-Soviet Russian films. In the tradition of Slavoj Zizek’s Enjoy Your Symptom (1992), this essay utilizes a number of post-Soviet Russian films to explicate Lipovetsky’s philosophy, while also using Lipovetsky’s ideas to explicate the films. -
Meeting Modernisms in Gdynia
236 studies in History & Theory of Architecture Meeting Modernisms in Gdynia Robert Hirsch, Ana Maria Zahariade, Karol Giełdon PhD, Head of Municipal Office of Monuments Protection, Gdynia and Associate Professor, Gdansk University of Technology, Gdansk, Poland [email protected] PhD, Professor, “Ion Mincu” University of Architecture and Urbanism, Bucharest, Romania [email protected] Architect, Municipal Office of Monuments Protection, Gdynia, Poland Gdynia is a particular place, where, in less than twenty years, political will and Modernism have transformed a small fishing village into a large modern seaport city – Poland’s “window to the world.” Although it was not the only modernist city built in Europe between the two World Wars,1 Gdynia is exemplary for the “extent to which Modernism was assimilated and absorbed,” reaching a dominant position and determining the face of the city. This makes the city stand out from the rest of Poland.2 In an incredible way, Gdynia’s architecture and planning resisted German occupation, the destructions of the war, successive demographic waves, political changes and the new post-1989 economic pressures. Its inhabitants – including investors, scholars and general public – succeeded in developing a strong community spirit around Modernism, giving rise to strategies of conservation that are carefully integrated into present and future urban policies. Nowadays, the white city of the 1930s became a vivid “platform for Modernism.” This spirit secured the continuity of many architectural events, among which the International Scientific Conference Modernism in Europe – Modernism in Gdynia stands out as one of the most important in Poland and constitutes a timely occasion to periodically review the state of research on the modernist architectural development of the 20th century, to compare underlaying contexts, and to learn about state-of-the-art approaches to its preservation, as well. -
Postmillennial Trends in Anglophone Literatures, Cultures and Media
Postmillennial Trends in Anglophone Literatures, Cultures and Media Postmillennial Trends in Anglophone Literatures, Cultures and Media Edited by Soňa Šnircová and Slávka Tomaščíková Postmillennial Trends in Anglophone Literatures, Cultures and Media Edited by Soňa Šnircová and Slávka Tomaščíková This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Soňa Šnircová, Slávka Tomaščíková and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2709-3 ISBN (13): 978-1-5275-2709-6 TABLE OF CONTENTS Introduction ................................................................................................. 1 Postmillennial Trends in Anglophone Literatures, Cultures and Media Soňa Šnircová and Slávka Tomaščíková Part I: Addressing the Theories of a New Cultural Paradigm Chapter One ............................................................................................... 16 Metamodernism for Children?: A Performatist Rewriting of Gabriel García Márquez’s ‘A Very Old Man With Enormous Wings: A Tale for Children’ in David Almond’s Skellig Soňa Šnircová Chapter Two ............................................................................................. -
Hypermodernism
9 Hypermodernism If postmodernism’s objective was to announce the end of modernity, then, according to Gilles Lipovetsky. it is now redundant. Modernity, for Lipovetsky, did not come to an end. Rather, it is undergoing its consummation, and the name Lipovetsky suggests for this new phase of the modern is ’hypermodernity’. Postmodernism was characterized by an essentially liberal impulse - a concerted effort towards deregulation in the aesthetic, philosophical, ethical, and political spheres. But, invigorating though these developments may have been, they have been outstripped by the accompanying trend towards the liberalization and deregulation of the market. The unfettered logic of market forces has put paid to postmodernism’s enthusiastic ambitions, and has even crept into the institutions of state, church, and family that withstood many of the onslaughts of postmodernism. The result, says Lipovetsky, is an endemic and unbridled consumerism, giving rise to a cult of excess - hence his choice of the prefix ‘hyper-’ to designate a culture that is ever demanding more and more. This view is in broad agreement with the position of Jeffrey T. Nealon in Part One, who regards post-postmodernism as deriving from an economic intensification o f the power of the market and o f consumerism. This consumerism does not always manifest itself simply as a naked consumerism, but rather as an extreme form of individualism. The hypermodern individual lives a life characterized by flexibility, adaptability, and a demand for continuous improvement, both in the workplace and throughout his or her general life. But Lipovetsky is quick to point out a paradox here: the drive towards flexibility and improvement is something that is demanded of the hypermodern individual, as well as something that the hypermodern individual demands as a consumer. -
From Modernism to Hypermodernism and Beyond an Interview with Paul Virilio
From Modernism to Hypermodernism and Beyond An Interview with Paul Virilio John Armitage Postmodernism and Hypermodernism JA: Professor Virilio, I would like to begin by charting your place within the contemporary intellectual landscape.1 For instance, your work is closely associated with the cultural movement known as postmodernism. Certainly, your most recently translated study Open Sky (1997 [1995]) is being received as such in the English-speaking world.2 However, you have always been sceptical of the idea of postmodernism. Could you explain the basis of your critique of this concept? PV: Postmodernism is a notion that makes sense in architecture, through the work of [Robert] Venturi (Venturi et al., 1977) and so on. Since I am teaching architecture, to me, postmodernism is a `suitcase' word, a syncret- ism. In architecture it is a clear-cut phenomenon: styles are mixed up, history is ignored, one goes for a `melting pot' of approaches. But as far as thought is concerned, thought as developed in the years 1970±80, I simply cannot understand why people are talking about postmodernism. Post- structuralism? Yes, OK. Postmodernism? It doesn't make any sense to me. Hence, I do not feel linked at all with postmodernity. Moreover, as a teacher in a college of architecture, I believe postmodernism was a catastrophe in the history of modern architecture. Therefore there is no linkage between me and postmodernism. I know that many people tend to associate post- modernism with relativism, especially with cognitive relativism. Well, this is a new polemic that is cropping up, especially here in France, and which does not concern, let alone interest me in the slightest measure. -
Constructive Texts: Theory, Practice, and the "Self" in Composition" (1998)
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Fall 1998 Constructive texts: Theory, practice, and the "self " in composition Deborah Lynne Hodgkins University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Hodgkins, Deborah Lynne, "Constructive texts: Theory, practice, and the "self" in composition" (1998). Doctoral Dissertations. 2043. https://scholars.unh.edu/dissertation/2043 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMt films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Oscillating Towards and Within the Metamodern
Ghent University Faculty of Arts and Philosophy Oscillating Towards and Within the Metamodern Mark Z. Danielewski’s House of Leaves as a Transitional Novel for the New Structure of Feeling within the Contemporary Post-Postmodern Literary Debate Supervisor: Paper submitted in partial fulfillment Dr. Sarah Posman of the requirements for the degree of “Master in de Taal- en Letterkunde: Engels” by Karel Van Ooteghem August 2015 I have seen the future of fiction, and its name is Mark Z. Danielewski. —Larry McCaffery1 1 “Fiction’s Future: Words, Sentences, Quotes.” American Book Review 30.5 (2009): 9. Print. 2 Acknowledgements After four years of studying literature, I wanted my master’s dissertation to be about something that really interested me. Throughout my years as a student at Ghent University, I have developed a taste for the classic American postmodernists and more experimental literature such as Thomas Pynchon and John Barth – definitely not the easiest authors, and I am more than willing to admit that reading those works are often more an endeavour than recreation. When browsing the internet – as we all do, and which is a returning motif in this dissertation – I stumbled upon Mark Z. Danielewski’s work on the one hand and Vermeulen and Van den Akker’s ‘metamodernism’ on the other. After reading House of Leaves, I immediately realized that it might well be one of the books that will be deemed ‘classics’ or ‘turning points’ in about fifty years from now. Truth be said, I primarily recognized its literary qualities, but the work was not really one that I would put on my list of favourites. -
Chile and Poland, 1970–1990
Political Postmodernisms: Architecture in Chile and Poland, 1970–1990 by Lidia Klein Department of Art, Art History, and Visual Studies Duke University Date:_______________________ Approved: ___________________________ Annabel Wharton, Supervisor ___________________________ Esther Gabara ___________________________ Fredric Jameson ___________________________ Neil McWilliam ___________________________ Alan Plattus Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History, and Visual Studies in the Graduate School of Duke University 2018 ABSTRACT Political Postmodernisms: Architecture in Chile and Poland, 1970–1990 by Lidia Klein Department of Art, Art History, and Visual Studies Duke University Date:_______________________ Approved: ___________________________ Annabel Wharton, Supervisor ___________________________ Esther Gabara ___________________________ Fredric Jameson ___________________________ Neil McWilliam ___________________________ Alan Plattus An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History, and Visual Studies in the Graduate School of Duke University 2018 Copyright by Lidia Klein 2018 Abstract “Political Postmodernisms” argues that postmodern architecture can be radically rethought by eXamining its manifestations in Chile and Poland in the 1970s and 1980s. Postmodern architecture tends to be understood as politically indifferent and -
Art in the Age of Emergence
Art in the Age of Emergence Art in the Age of Emergence By Michael J. Pearce Art in the Age of Emergence By Michael J. Pearce This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Michael J. Pearce All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7057-9 ISBN (13): 978-1-4438-7057-3 This book is dedicated to Aihua Zhou. Art is mind. TABLE OF CONTENTS Acknowledgements .................................................................................... ix Preface ........................................................................................................ xi Chapter One ................................................................................................. 1 After Postmodernism Chapter Two .............................................................................................. 17 Emergent Experiences Chapter Three ............................................................................................ 41 Reality Check Chapter Four .............................................................................................. 53 Order under the Sun Chapter Five .............................................................................................