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Las Aportaciones Al Cine De Steven Spielberg Son Múltiples, Pero Sobresale Como Director Y Como Productor
Steven Spielberg Las aportaciones al cine de Steven Spielberg son múltiples, pero sobresale como director y como productor. La labor de un productor de cine puede conllevar cierto control sobre las diversas atribuciones de una película, pero a menudo es poco más que aportar el dinero y los medios que la hacen posible sin entrar mucho en los aspectos creativos de la misma como el guión o la dirección. Es por este motivo que no me voy a detener en la tarea de Spielberg como productor más allá de señalar sus dos productoras de cine y algunas de sus producciones o coproducciones a modo de ejemplo, para complementar el vistazo a la enorme influencia de Spielberg en el mundo cinematográfico: En 1981 creó la productora de cine “Amblin Entertainment” junto con Kathleen Kenndy y Frank Marshall. El logo de esta productora pasaría a ser la famosa silueta de la bicicleta con luna llena de fondo de “ET”, la primera producción de la firma dirigida por Spielberg. Otras películas destacadas con participación de esta productora y no dirigidas por Spielberg son “Gremlins”, “Los Goonies”, “Regreso al futuro”, “Esta casa es una ruina”, “Fievel y el nuevo mundo”, “¿Quién engañó a Roger Rabbit?”, “En busca del Valle Encantado”, “Los picapiedra”, “Casper”, “Men in balck”, “Banderas de nuestros padres” & “Cartas desde Iwo Jima” o las series de televisión “Cuentos asombrosos” y “Urgencias” entre muchas otras películas y series. En 1994 fundaría con Jeffrey Katzenberg y David Geffen la productora y distribuidora DreamWorks, que venderían al estudio Viacom en 2006 tras participar en éxitos como “Shrek”, “American Beauty”, “Náufrago”, “Gladiator” o “Una mente maravillosa”. -
Annual Report 2013/14 Contents
ANNUAL REPORT 2013/14 CONTENTS 02 12 Corporate Profile Board of Directors 03 16 Corporate Directory Senior Management 04 18 Executive Chairman’s Review Brand Highlights 06 41 Chief Executive Officer’s Report Corporate Governance 08 50 Geographical Presence Financial Contents 09 125 Corporate Structure Statistics of Shareholdings 10 127 Group Five-Year Financial Summary Notice of Annual General Meeting CORPORATE PROFILE With a rich heritage dating back to 1959, SGX-listed F J Benjamin Holdings Ltd is an industry leader in brand building and management, and development of retail and distribution networks for international luxury and lifestyle brands across Asia. Headquartered in Singapore and listed on the Singapore Exchange since November 1996, F J Benjamin has offices in eight cities, manages over 20 iconic brands and operates 226 stores. The Group employs over 3,000 employees and runs three core businesses: LUXURY AND LIFESTYLE TIMEPIECE DISTRIBUTION FASHION RETAILING AND DISTRIBUTION F J Benjamin exclusively distributes timepiece brands – Alpina, F J Benjamin exclusively retails and Bell & Ross, ChronoSwiss, distributes brands such as Banana Frédérique Constant, Gc, Republic, Catherine Deane, Céline, Guess, Julien Coudray, Nautica, Gap, Givenchy, Goyard, Guess, Superdry, Victorinox Swiss Army La Senza, Loewe, Raoul, Sheridan, and Vulcain across Asia. Superdry, Tom Ford, Valextra and VNC across various territories. CREATIVE AND DESIGN Its retail footprint includes Southeast Asia and Hong Kong. It distributes F J Benjamin’s Creative & Design in-house labels Raoul and Catherine division handles the creation and Deane through points-of-sale across production of Raoul designs. China, Europe, the United States and the Middle East. -
Steven Spielberg's Early Career As a Television Director at Universal Studios
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Surugadai University Academic Information Repository Steven Spielberg's Early Career as a Television Director at Universal Studios 著者名(英) Tomohiro Shimahara journal or 駿河台大学論叢 publication title number 51 page range 47-61 year 2016-01 URL http://doi.org/10.15004/00001463 Steven Spielberg’s Early Career as a Television Director at Universal Studios SHIMAHARA Tomohiro Introduction Steven Spielberg (1946-) is one of the greatest movie directors and producers in the history of motion picture. In his four-decade career, Spielberg has been admired for making blockbusters such as Jaws (1975), Close Encounters of the Third Kind (1977), E.T.: the Extra-Terrestrial (1982), Indiana Jones series (1981, 1984, 1989, 2008), Schindler’s List (1993), Jurassic Park series (1993, 1997, 2001, 2015), Saving Private Ryan (1998), Lincoln (2012) and many other smash hits. Spielberg’s life as a filmmaker has been so brilliant that it looks like no one believes that there was any moment he spent at the bottom of the ladder in the movie industry. Much to the surprise of the skeptics, Spielberg was once just another director at Universal Television for the first couple years after launching himself into the cinema making world. Learning how to make good movies by trial and error, Spielberg made a breakthrough with his second feature-length telefilm Duel (1971) at the age of 25 and advanced into the big screen, where he would direct and produce more than 100 movies, including many great hits and some commercial or critical failures, in the next 40-something years. -
WESTCORE TRUST Form N-PX Filed 2016-08-19
SECURITIES AND EXCHANGE COMMISSION FORM N-PX Annual report of proxy voting record of registered management investment companies filed on Form N-PX Filing Date: 2016-08-19 | Period of Report: 2016-06-30 SEC Accession No. 0001003297-16-000810 (HTML Version on secdatabase.com) FILER WESTCORE TRUST Mailing Address Business Address C/O ALPS FUND SERVICES, C/O ALPS FUND SERVICES, CIK:357204| IRS No.: 510263765 | State of Incorp.:MA | Fiscal Year End: 1231 INC. INC. Type: N-PX | Act: 40 | File No.: 811-03373 | Film No.: 161842604 P.O. BOX 328 P.O. BOX 328 DENVER CO 80201-0328 DENVER CO 80201-0328 3036232577 Copyright © 2016 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM N-PX ANNUAL REPORT OF PROXY VOTING RECORD OF REGISTERED MANAGEMENT INVESTMENT COMPANY Investment Company Act file number: 811-03373 WESTCORE TRUST (Exact name of registrant as specified in charter) 1290 Broadway, Suite 1100 Denver, CO 80203 (Address of principal executive offices) (Zip code) Richard C. Noyes, Secretary c/o ALPS Fund Services, Inc. 1290 Broadway, Suite 1100 Denver, CO 80203 (Name and address of agent for service) Registrants telephone number, including area code:800-392-2673 Date of fiscal year end: December 31 Date of reporting period: July 1, 2015 - June 30, 2016 ******************************* FORM N-Px REPORT ******************************* ICA File Number: 811-03373 Reporting Period: 07/01/2015 - 06/30/2016 Westcore Trust Westcore -
Health and Well-Being
NOVEMBER/DECEMBER 2019 FITNESS THERAPY SOLACE + HEALING Health and Well-Being Cover_ND19_V1.indd 1 10/14/19 3:35 PM IFC-005 TOC_Pres Message.indd 2 10/14/19 3:24 PM GETTING PEOPLE IN THE DOOR IS HARD WORK. THESE STUDIES CAN HELP. Taking Out the Guesswork: A Guide to Using Research to Build Arts Audiences Learn about three tasks key to successful audience building: understanding potential audiences, creating effective promotional materials, and tracking and assessing progress. The Road to Results: Effective Practices for Building Arts Audiences Ten arts organizations that took on ambitious audience-building projects. This guide identifies nine practices their most successful efforts had in common. Download these reports and many more free resources to help build audiences: Wallacefoundation.org IFC-005 TOC_Pres Message.indd 1 10/14/19 3:25 PM NOVEMBER DECEMBER 2019 ISSUE CONTENTS PROTECT. SURROUND. KEEP A LOW PROFILE. DEPARTMENTS 5 From the President and CEO 6 By the Numbers 8 First Look FEATURES 14 Point of View Museums as 22 Fitness Never Looked So Fun Public Health The Children’s Museum of Indianapolis Assets has worked with the local children’s 18 Point of View hospital to create an engaging health Becoming and fitness experience. OutGoing By Alli Stitle and Kimberly Harms 46 Tributes and 28 Museum Therapy Transitions The Montreal Museum of Fine Arts 48 Reflection nurtures resilience and renewal through its programs and practices. By Marilyn Lajeunesse and Stephen Legari 34 Sites of Healing The Michigan State University Cover: © Bedelgeuse “master Museum turned to community of the mind,” mixed media collage co-curation to tell survivors’ stories of sexual violence. -
Event Transcript
THOMSON REUTERS EDITED TRANSCRIPT Guess? Inc Investor Day EVENT DATE/TIME: DECEMBER 03, 2019 / 2:30PM GMT THOMSON REUTERS | Contact Us 1 ©2019 Thomson Reuters. All rights reserved. Republication or redistribution of Thomson Reuters content, including by framing or similar means, is prohibited without the prior written consent of Thomson Reuters. 'Thomson Reuters' and the Thomson Reuters logo are registered trademarks of Thomson Reuters and its affiliated companies. DECEMBER 03, 2019 / 2:30PM GMT, Guess? Inc Investor Day CORPORATE PARTICIPANTS Carlos E. Alberini Guess?, Inc. - CEO & Director Fabrice Benarouche Guess?, Inc. - VP of Finance & IR Ilona Cyruli Vice President of Sales Katie Anderson Chief Financial Officer Nicolai Marciano Director of Specialty Marketing & Brand Partnerships Rob Chong Senior Director of Customer Analytics & Relationship Management CONFERENCE CALL PARTICIPANTS Janet Joseph Kloppenburg JJK Research Associates, Inc. - President Janine M. Stichter Jefferies LLC, Research Division - Equity Analyst John David Kernan Cowen and Company, LLC, Research Division - MD & Senior Research Analyst Susan Kay Anderson B. Riley FBR, Inc., Research Division - Analyst Westcott Irvin Rochette Evercore ISI Institutional Equities, Research Division - Associate PRESENTATION Fabrice Benarouche Guess?, Inc. - VP of Finance & IR Okay. Good morning, everybody, and welcome at the Guess? Investor Day. We are really thrilled to be here today and share with you our strategic plan and vision for the next five years. As usual, during those events, we want to start by sharing with you our safe harbor statement, so please make sure you take the time to review that. The deck is going to be available online, so please make sure you review it. -
2017 Pioneer of the Year C H E R Y L B O O N E I S a A
1947 ADOLPH ZUKOR n 1948 GUS EYSSEL n 1949 CECIL B. DEMILLE n 1950 SPYROS P. SKOURAS n 1951 JACK, HARRY & ALBERT WARNER n 1952 NATE BLUMBERG n 1953 BARNEY BALABAN n 1954 SIMON FABIAN n 1955 HERMAN ROBBINS n 1956 ROBERT O’DONNELL n 1957 JOSEPH VOGEL n 1958 ROBERT BENJAMIN & ARTHUR B. KRIM n 1959 STEVE BROIDY n 1960 JOSEPH E. LEVINE n 1961 ABE MONTAGUE n 1962 MILTON RACKMIL n 1963 DARRYL F. ZANUCK n 1964 HAROLD J. MIRISCH n 1965 ROBERT O’BRIEN n 1966 WILLIAM R. FORMAN n 1967 LEONARD GOLDENSON n 1968 LAURENCE A. TISCH n 1969 HARRY BRANDT n 1970 IRVING H. LEVIN n 1971 SAMUEL Z. ARKOFF & JAMES H . NICHOLSON n 1972 LEO JAFFE n 1973 TED ASHLEY n 1974 HENRY MARTIN n 1975 E. CARDON WALKER n 1976 CARL PATRICK n 1977 SHERRILL C. CORWIN n 1978 DR. JULES STEIN n 1979 HENRY PLITT 2017 PIONEER OF THE YEAR CHERYL BOONE ISAACS n 1980 BOB HOPE n 1981 SALAH HASSANEIN n 1982 FRANK PRICE n 1983 BERNARD MYERSON n 1984 SIDNEY SHEINBERG n 1985 JOHN ROWLEY n 1986 MICHAEL FORMAN n 1987 FRANK G. MANCUSO n 1988 JACK VALENTI n 1989 ALLEN PINSKER n 1990 TERRY SEMEL n 1991 SUMNER REDSTONE n 1992 MIKE MEDAVOY n 1993 STANLEY DUR- WOOD n 1994 WALTER DUNN n 1995 ROBERT SHAYE n 1996 SHERRY LANSING n 1997 BRUCE CORWIN n 1998 BUD STONE n 1999 KURT C. HALL n 2000 ROBERT DOWLING n 2001 ROBERT REHME n 2002 JONA- THAN DOLGEN n 2003 MICHAEL EISNER n 2004 ALAN HORN n 2005– 2006 TRAVIS REID n 2007 JEFF BLAKE n 2008 MIKE CAMPBELL n 2009 MARC SHMUGER & DAVID LINDE n 2010 ROB MOORE n 2011 DICK COOK n 2012 JEFFREY KATZENBERG n 2013 KATHLEEN KENNEDY n 2014 TOM SHERAK n 2015 JIM GIANOPULOS n DONNA LANGLEY 2017 PIONEER OF THE YEAR CHERYL BOONE ISAACS 2017 PIONEER OF THE YEAR Welcome On behalf of the Board of Directors of the Will Rogers Motion Picture Pioneers Foundation, thank you for attending the 2017 Pioneer of the Year Dinner. -
Lari Pittman
LARI PITTMAN Born 1952 in Los Angeles Lives and works in Los Angeles EDUCATION 1974 BFA in Painting from California Institute of the Arts, Valencia, CA 1976 MFA in Painting from California Institute of the Arts, Valencia, CA SOLO EXHIBITIONS 2021 Lari Pittman: Dioramas, Lévy Gorvy, Paris 2020 Iris Shots: Opening and Closing, Gerhardsen Gerner, Oslo Lari Pittman: Found Buried, Lehman Maupin, New York 2019 Lari Pittman: Declaration of Independence, Hammer Museum, Los Angeles 2018 Portraits of Textiles & Portraits of Humans, Regen Projects, Los Angeles 2017 Lari Pittman, Gerhardsen Gerner, Oslo Lari Pittman / Silke Otto-Knapp: Subject, Predicate, Object, Regen Projects, Los Angeles 2016 Lari Pittman: Grisaille, Ethics & Knots (paintings with cataplasms), Gerhardsen Gerner, Berlin Lari Pittman: Mood Books, Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA Lari Pittman: Nocturnes, Thomas Dane Gallery, London Lari Pittman: NUEVOS CAPRICHOS, Gladstone Gallery, New York 2015 Lari Pittman: Homage to Natalia Goncharova… When the avant-garde and the folkloric kissed in public, Proxy Gallery, Otis College of Art and Design, Los Angeles 2014 Lari Pittman: Curiosities from a Late Western Impaerium, Gladstone Gallery, Brussels 2013 Lari Pittman: from a Late Western Impaerium, Regen Projects, Los Angeles Lari Pittman, Bernier Eliades Gallery, Athens Lari Pittman, Le Consortium, Dijon, France Lari Pittman: A Decorated Chronology, Contemporary Art Museum St. Louis, MO 2012 Lari Pittman, Gerhardsen Gerner, Berlin thought-forms, -
LATIFA ECHAKHCH Born in 1974 in El Khnansa, Morocco. Lives and Works in Paris, France, and in Martigny, Switzerland
LATIFA ECHAKHCH Born in 1974 in El Khnansa, Morocco. Lives and works in Paris, France, and in Martigny, Switzerland. SOLO SHOWS (selection) 2020 Latifa Echakhch, BPS 22 Charleroi, Belgium 2019 Magnolias, Galerie kamel mennour, London, UK Freiheit und Baum, Kunsthalle Mainz, Germany Romance curated by Francesco Stocchi : Fondazione Memmo, Roma, Italy 2018 Les Figures, kamel mennour, Paris Falling, lovely and beautiful, Latifa Echakhch, KIOSK, Gent Belgium Le jardin mécanique, NMNM, Monaco Sensory Spaces 14 - Latifa Echakhch, Museums Boijmans, Van Beuningen, Rotterdam 2017 Dans la maison vide, Manoir de la ville de Martigny, Switzerland 2016 “Cross Fade”, The Power Plant , Toronto, Canada. “Spring and Fall”, kamel mennour, London, England. 2015 “Zurich Art Prize 2015”, Haus Konstruktiv, Zurich, Switzerland. “All those moments will be lost in time, like tears in rain.” Protocinema, Istanbul, Turkey. “LENTOS”, Kunstmuseum Linz, Linz, Austria. “Latifa Echakhch : there’s tears”kaufmann repetto, Milan, Italy. “Screen Shot”, Museum Haus Konstruktiv, Zurich, Switzerland. 2014 “Hadash”, Dvir Gallery, Tel Aviv, Israel. “L’air du temps”, Centre Pompidou, Paris, France. “All around fades to a heavy sound”, kamel mennour, Paris, France. “L’air du temps”, Cabinet of Curiosities, Dommuseum, Salzburg, Austria. 2013 “The scene takes place”, Galerie Eva Presenhuber, Zurich, Switzerland. “Latifa Echakhch : Laps”, MAC, Musée d’art contemporain de Lyon, Lyon, France. “Latifa Echakhch, Hammer Project”, Hammer Museum, Los Angeles, USA. “Bait/Home”, Dvir Gallery, Tel Aviv, Israel. 2012 “Dialogue : Latifa Echakhch”, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein. “TKAF”, kamel mennour, Paris, France. “Verso”, kaufmann repetto, Milan, Italy. “Latifa Echakhch”, Columbus Museum of Art, Columbus, Ohio, USA. “Die Vögel”, Portikus, Frankfurt-am-Main, Germany. -
Ltc-042-2018-News-Article-Vanity-Fair
From Coast to Toast At opposite ends of the country, two of America’s most golden coastal enclaves are waging the same desperate battle against erosion. With beaches and bluffs in both Malibu and Nantucket disappearing into the ocean, wealthy homeowners are prepared to do almost anything—spend tens of millions on new sand, berms, retaining walls, and other measures—to save their precious waterfront properties. What’s stopping them? William D. Cohan and Vanessa Grigoriadis report on the clash between deep-pocketed summer people and local working folks. by VANESSA GRIGORIADIS AUGUST 2013 SAND CASTLES Left, The coastline of Broad Beach, in Malibu, with a stone seawall protecting the houses. Right, Houses perched on the edge of Sconset Bluff, on Nantucket, Massachusetts., Left, Photograph by Mark Holtzman; right, By George Riethof. arlier this summer, on what passed for a clear morning in Los Angeles, Tom Ford, director of marine programs at the Santa MonicaJe Baynni fRestorationer Lawren Foundation,ce Is went to the SantaPho tMonicaos: EMunicipal AirportPer tofe ccatchtly F ain ridee w upith the Pacific coast in a BeechcraftPhotos: Bonanza G36. (CladThos ine Ba rplaidad P shirtitt D aandtin gchinos, he seemed notVa toni tbey Fair’s related to the designer.)BY ERIKA HA “WhatRWOOD a totally sweet glass cockpit,”B Yhe VA toldNITY FtheAIR pilot, who was donating this flight through LightHawk, a nonprofit group dedicated to helping environmentalists document problems from the air. As Santa Monica drifted by below, its famous boardwalk and Ferris wheel appearing as though they were little pieces on a game board, the minuscule Bonanza headed toward the great blue ocean, which was gently undulating like a fresh duvet being fluffed on a bed. -
[Logo] Common Stock
PROSPECTUS 7,000,000 SHARES [LOGO] COMMON STOCK ------------------ Of the 7,000,000 shares of Common Stock of Guess ?, Inc. offered hereby, 5,600,000 shares are initially being offered in the United States and Canada by the U.S. Underwriters and 1,400,000 shares are initially being offered outside the United States and Canada by the International Managers. The initial public offering price and the aggregate underwriting discount per share are identical for each of the Offerings. See "Underwriting." Prior to the Offerings, there has been no public market for the Common Stock. See "Underwriting" for a discussion of the factors considered in determining the initial public offering price of the Common Stock. The Common Stock has been approved for listing on the New York Stock Exchange under the symbol "GES," subject to official notice of issuance. SEE "RISK FACTORS" BEGINNING ON PAGE 8 FOR A DISCUSSION OF CERTAIN FACTORS THAT SHOULD BE CONSIDERED BY PROSPECTIVE PURCHASERS OF THE COMMON STOCK OFFERED HEREBY. --------------------- THESE SECURITIES HAVE NOT BEEN APPROVED OR DISAPPROVED BY THE SECURITIES AND EXCHANGE COMMISSION OR ANY STATE SECURITIES COMMISSION, NOR HAS THE SECURITIES AND EXCHANGE COMMISSION OR ANY STATE SECURITIES COMMISSION PASSED UPON THE ACCURACY OR ADEQUACY OF THIS PROSPECTUS. ANY REPRESENTATION TO THE CONTRARY IS A CRIMINAL OFFENSE. PRICE TO UNDERWRITING PROCEEDS TO PUBLIC DISCOUNT (1) COMPANY (2) Per Share........................... $18.00 $1.10 $16.90 Total (3)........................... $126,000,000 $7,700,000 $118,300,000 (1) The Company and certain Principal Stockholders have agreed to indemnify the several Underwriters against certain liabilities, including certain liabilities under the Securities Act of 1933, as amended. -
Steven Spielberg Scrive E Dirige Il Suo Primo Lungometraggio Amatoriale, Firelight (1964), Che Sarà Proiettato in Un Cinema Cittadino
ESORDI DI UNA CARRIERA MOLTO PROMETTENTE • Dopo vari mediometraggi, appartenenti ai generi più disparati (western, noir, avventura), il diciassettenne Steven Spielberg scrive e dirige il suo primo lungometraggio amatoriale, Firelight (1964), che sarà proiettato in un cinema cittadino. Il budget del film è di 500 dollari . • Qui, per la prima volta, Spielberg si confronta con il genere della fantascienza . Il tema di Firelight sarà ampiamente ripreso e approfondito nel successivo Incontri ravvicinati del terzo tipo (Close Encounters of the Third Kind , 1977 ). • È lo stesso Spielberg a comporre la colonna sonora di Firelight , con il suo clarinetto, mentre la madre, Leah , un tempo promettente pianista, aggiunge un brano al piano. La Arcadia High School , la scuola pubblica frequentata da Steven e dalle sorelle a Phoenix , ha poi ricreato l’intera colonna sonora. • Il film è realizzato durante i week-end . Molte scene saranno girate a casa di Spielberg e nel suo garage. • Nel cast, compare anche la sorella del futuro regista, Nancy Spielberg. Oggi, Firelight è purtroppo considerato un film perduto. • O meglio, ci sono rimasti soltanto alcuni frammenti dell’intera pellicola. Tali estratti testimoniano già un precoce, seppure ancora grossolano, talento visivo da parte dell’esordiente regista . Firelight (1964) • Il giovane Spielberg attende l’inizio della premiere del suo primo lungometraggio . • Circa 500 persone assisteranno alla prima del film. Il costo del biglietto sarà di un dollaro. Alcune immagini dal film… • Durante il periodo trascorso in Arizona a causa del lavoro di Arnold, l’unione tra i coniugi Spielberg si deteriora . In un tentativo di salvare il matrimonio dal naufragio, la famiglia decide di trasferirsi a Saratoga, in California .