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THE UNDERCROFT We Must Expire in Hope{ of Resurrection to Life Again
THE UNDERCROFT We must Expire in hope{ of Resurrection to Life Again 1 Editorial Illu{tration{ Daniel Sell Matthew Adams - 43 Jeremy Duncan - 51, 63 Anxious P. - 16 2 Skinned Moon Daughter Cedric Plante - Cover, 3, 6, 8, 9 Benjamin Baugh Sean Poppe - 28 10 101 Uses of a Hanged Man Barry Blatt Layout Editing & De{ign Daniel Sell 15 The Doctor Patrick Stuart 23 Everyone is an Adventurer E{teemed Con{ultant{ Daniel Sell James Maliszewski 25 The Sickness Luke Gearing 29 Dead Inside Edward Lockhart 41 Cockdicktastrophe Chris Lawson 47 Nine Summits and the Matter of Birth Ezra Claverie M de in elson Ma ia S t y a it mp ic of Authent Editorial Authors live! Hitler writes a children’s book, scratches his name off and hides it among the others. Now children grow up blue and blond, unable to control their minds, the hidden taint in friendly balloons and curious caterpillars wormed itself inside and reprogrammed them into literary sleeper agents ready to steal our freedom. The swine! We never saw it coming. If only authors were dead. But if authors were dead you wouldn’t be able to find them, to sit at their side and learn all they had to say on art and beautiful things, on who is wrong and who is right, on what is allowed and what is ugly and what should be done about this and that. We would have only words and pictures on a page, if we can’t fill in the periphery with context then how will we understand anything? If they don’t tell us what to enjoy, how to correctly enjoy it, then how will we know? Who is right and who is mad? Whose ideas are poisonous and wrong? Call to arms! Stop that! Help me! We must slather ourselves in their selfish juices. -
Netease Cloud Music and Big Hit Entertainment Team up to Launch BTS' Song Catalog
NetEase Cloud Music and Big Hit Entertainment team up to launch BTS' song catalog HANGZHOU, China, May 4, 2018 /PRNewswire/ -- NetEase Cloud Music, China's leading music platform, entered into a partnership agreement with South Korea-based Big Hit Entertainment, whereby the Chinese platform will launch BTS' repertoire of songs on the platform. Big Hit Entertainment, a South Korea-based entertainment company focused on music, represents and manages BTS, the company's leading all-male group, which debuted in 2013. BTS is comprised of seven male vocalists: RM, Jin, SUGA, j-hope, Jimin, V and Jung Kook. BTS, the abbreviation for Bangtan Sonyeondan, also stands for Bulletproof Boys and Beyond The Scene. Since the group's first appearance, they have received several major awards at music festivals held in South Korea as well as some international events. In 2017, they were named Top Social Artist by Billboard Music Awards, garnering the group worldwide attention. This February, they were again listed as an award candidate, competing with international superstars. Recently, NetEase Cloud Music launched BTS' widely popular catalog of songs on its platform, including MIC Drop (Steve Aoki Remix) (Feat. Desiigner), DNA, Spring Day, Not Today, Blood Sweat & Tears, Fire, Dope and I need U. In addition to music copyright, NetEase Cloud Music will cooperate with Big Hit Entertainment on artist and music promotion, marking the start of a close collaboration that will cover all aspects of the music business. The two parties look forward to jointly driving the popularity of music artists and their works via multiple channels, while offering higher quality music services to wider audiences. -
Petition Requesting Exclusive Use Extension for Pyroxasulfone
TITLE Petition for 3 Years Extension of Exclusive Data Use for Pyroxasulfone as Provided for Under FIFRA Section 3(c) (1) (F) (ii) TEST GUIDELINE None AUTHOR(S) Kimberly Pennino Lisa Ayn Setliff Nobuyuki Hasebe REPORT DATE December 20, 2019 REPORT NUMBER LI-134-2019-05 SPONSOR K-I CHEMICAL U.S.A., INC. c/o Landis International, Inc. P. O. Box 5126 Valdosta, GA 31603-512 SUBMITTER LANDIS INTERNATIONAL, INC. 3185 Madison Highway Valdosta, GA 31605 PAGE COUNT 1 of 91 Extension of Exclusive Data Use for Pyroxasulfone K-I Chemical U.S.A, Inc. STATEMENT OF NO DATA CONFIDENTIALITY CLAIM No claim of confidentiality, on any basis whatsoever, is made for any information contained in this document. I acknowledge that information not designated as within the scope of FIFRA sec. l0(d)(l)(A), (B), or (C) and which pertains to a registered or previously registered pesticide is not entitled to confidential treatment and may be released to the public, subject to the provisions regarding disclosure to multinational entities under FIFRA l0(g). Submitter Signature: ______________________________ Date: ________________ Typed Name of Signer: Lisa Ayn Setliff, Vice Pres., Regulatory Affairs Typed Name of Company: Landis International, Inc. Page 2 of 91 Extension of Exclusive Data Use for Pyroxasulfone K-I Chemical U.S.A, Inc. GOOD LABORATORY PRACTICE COMPLIANCE STATEMENT This document is not a study and therefore is not in accordance with 40 CFR 160. Study Director Signature: N/A – This document is not subject to GLP standards. Sponsor Signature: ____________________________________________ ______ __________________ Date: ______________December 20, 2019 Typed Name of Signer: Nobuyuki Hasebe Typed Name of Company: K-I CHEMICAL U.S.A., INC. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
180916 SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Shindong
180916 SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Shindong Qn 1 : Who's the most bravest member ? Ans : The sooner it is for me to give up , feel that If I don't let go easily, this is the bravest person ah. In fact , the other members have so much determination , not to mention 「Giving up」is actually a hard thing to do ah. After all, this is my personal opinion. For Justice and Rejection is my style. I'm the bravest man (Laughs) Qn 2 : The most treasurable object that you kept since young is? Ans : Since Young , I was a teen who loved Robots personally, the most treasurable object was a gift from my father - a notebook , I still remember that it was given during my 3rd year of Junior High school . and I used it for 6 years . When I myself began to explore on many things , research on their specifications, thanks to the knowledge of using laptops, the function can also be expanded and implied. If the members have problems with their laptops, they will also asked me. Qn 3 : At times when there's a difference in the show times for the world tour , during the performance is there any amendments in any areas or sections ? Ans : In the process , an image (VCR) will be inserted into one of the sections ,it will be collaborated with the location of each place ,changes will be made , At Taiwan . it will be related to somewhere of it ,At Philippines , it will be also related to it , for example , In South America , the backdrop was a place with snow that was flying and floating around , so the editing was to be collaborated with the members camera for the images (VCR). -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
September 08,1887
A Startling; Prediction. Ainouff the Mexicans. plank am! haulm! him up. ami with the point Love, and Maine Matters. Letter from Portland. Mount Desert Correspondence. Newspaper Notes. of a da””er at his throat removed the ”a” amt Charity Spirits. < vivo him food, ami thru walked him and m:\vs vni» «;ossir fico.m ai.i. ovkis tiik st.v if. Noimiikast IIakkoi:, Mi:.. All}?. 2!». Tin* ves- Two hundred years nuo in liina Mure w [ I i.W Ml < I M I :\S ill-' .i!' 1 >| I ", I. |\t'l.l Mi.M X up A NTOUY CnMItlMNC Tin: I’llA< I h \I. WITH [Correspondence of the Journal.] Tin* l.’ork land Km- Pre.-s ha- joined tile inerea> ■ down mu li a era/e as we the room awhile for exercise. Ity and sels of the North Atlantic arrix ed here ; 1 J» \ \ MUliNlMi in I UK ju>l ahom natural | H«*W Ml 1»X CI.MI.I.MI.N I s|-;|> l-i K A Is S’, mi*: womwim’. cm.Ai si:\sath>.\ am«*n<; Much has hoe11 said of late regardin'.; the -.[iiadron inu ranks of the Peoiuuiu folios ii. Maine, and he ”re\v so weak as to he of out- hi-'. m j have in this eounlrv has Wells wi ie ill! \U\|»“ ItX MI'MITIXC Iii IIK by incapable m: m m.i n ai.ists. i:i-:roiii»oK tiik twk.ntiktii aim-:. from Uar llarhor la.-t afternoon and .••i to-day. movements of Mr. Maine. The Thursday Ii1 s lo be hetter, as '.veil as than ever Mini, w it as cry or resistance, and then his forced newspaper- bigger, li imM vim and v iuor as the eel. -
Vicarious Reward Response Is Positively Correlated with Functional Connectivity in the Resting State Default Mode Network
Psychology, 2020, 11, 1574-1591 https://www.scirp.org/journal/psych ISSN Online: 2152-7199 ISSN Print: 2152-7180 Vicarious Reward Response Is Positively Correlated with Functional Connectivity in the Resting State Default Mode Network Tsukasa Inomata1, Sotaro Shimada2 1Electrical Engineering Program, Graduate School of Science and Technology, Meiji University, Kawasaki, Japan 2Department of Electronics and Bioinformatics, School of Science and Technology, Meiji University, Kawasaki, Japan How to cite this paper: Inomata, T., & Shi- Abstract mada, S. (2020). Vicarious Reward Response Is Positively Correlated with Functional Con- Some people can easily empathize with others, while others cannot. The neural nectivity in the Resting State Default Mode mechanism underlying individual difference of how much people can em- Network. Psychology, 11, 1574-1591. pathize with others is still not clear. Vicarious reward is the phenomenon by https://doi.org/10.4236/psych.2020.1110100 which we vicariously experience the positive sensations or emotions of others. Received: September 20, 2020 Beta oscillatory activity (BOA) is observed when participants experience vica- Accepted: October 26, 2020 rious reward. Recent studies have reported that the default mode network Published: October 29, 2020 (DMN) is also involved in reward processing and have suggested that indi- Copyright © 2020 by author(s) and vidual differences in the way participants respond to reward stimuli are cor- Scientific Research Publishing Inc. related with DMN functional connectivity during the resting state. In the This work is licensed under the Creative current study, we investigated whether DMN functional connectivity during Commons Attribution International License (CC BY 4.0). the resting state is also correlated with BOA for vicarious reward. -
Country Christmas ...2 Rhythm
1 Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 10. Ja nuar macht De cem ber 23rd to Ja nuary 10th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 10. Janu ar 2005 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. day 10th, 2004. We would like to thank all our custo - Bei die ser Ge le gen heit be dan ken wir uns für die gute mers for their co-opera ti on in 2004. It has been a Zu sam men ar beit im ver gan ge nen Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY CHRISTMAS ..........2 BEAT, 60s/70s ..................86 COUNTRY .........................8 SURF .............................92 AMERICANA/ROOTS/ALT. .............25 REVIVAL/NEO ROCKABILLY ............93 OUTLAWS/SINGER-SONGWRITER .......25 PSYCHOBILLY ......................97 WESTERN..........................31 BRITISH R&R ........................98 WESTERN SWING....................32 SKIFFLE ...........................100 TRUCKS & TRAINS ...................32 INSTRUMENTAL R&R/BEAT .............100 C&W SOUNDTRACKS.................33 C&W SPECIAL COLLECTIONS...........33 POP.............................102 COUNTRY CANADA..................33 POP INSTRUMENTAL .................108 COUNTRY -
Agency in the Afrofuturist Ontologies of Erykah Badu and Janelle Monáe
Open Cultural Studies 2018; 2: 330–340 Research Article Nathalie Aghoro* Agency in the Afrofuturist Ontologies of Erykah Badu and Janelle Monáe https://doi.org/10.1515/culture-2018-0030 Received May 21, 2018; accepted September 26, 2018 Abstract: This article discusses the visual, textual, and musical aesthetics of selected concept albums (Vinyl/CD) by Afrofuturist musicians Erykah Badu and Janelle Monaé. It explores how the artists design alternate projections of world/subject relations through the development of artistic personas with speculative background narratives and the fictional emplacement of their music within alternate cultural imaginaries. It seeks to establish that both Erykah Badu and Janelle Monáe use the concept album as a platform to constitute their Afrofuturist artistic personas as fluid black female agents who are continuously in the process of becoming, evolving, and changing. They reinscribe instances of othering and exclusion by associating these with science fiction tropes of extraterrestrial, alien lives to express topical sociocultural criticism and promote social change in the context of contemporary U.S. American politics and black diasporic experience. Keywords: conceptual art, Afrofuturism, gender performance, black music, artistic persona We come in peace, but we mean business. (Janelle Monáe) In her Time’s up speech at the Grammys in January 2018, singer, songwriter, and actress Janelle Monáe sends out an assertive message from women to the music industry and the world in general. She repurposes the ambivalent first encounter trope “we come in peace” by turning it into a manifest for a present-day feminist movement. Merging futuristic, utopian ideas with contemporary political concerns pervades Monáe’s public appearances as much as it runs like a thread through her music. -
The Representation of Masculinity in South Korean
The Representation of Masculinity in South Korean Reality Show “The Return of Superman” Yanti Praptika Gesang Manggala Nugraha Putra English Department, Universitas Airlangga Abstract The culture of South Korea produces a different breed of masculinity. A breed that is distinguishable from the one born within Western culture. This type of masculinity is spread not just locally, but also globally through various Korean media, such as K-Pop, K-Drama, and reality shows. One of Korean Shows that is popular nowadays is The Return of Superman. This study would like to discuss the representation of masculinity in Korea that is being represented by the celebrity fathers in that show. Using textual analysis, theory of television culture by John Fiske, and the messages of masculinity by Ian M. Harris, this study tries to reveal the way those celebrity fathers represent the South Korean masculinity. The result of the analysis shows that masculinity in The Return of Superman is not all about strength and power but also about how to love their children and take care of their family. The Return of Superman is trying to show the ideology that superman masculinity is not only about strength and power but also about helping and respecting women in their gender role. This could be a part of the government’s effort to realize gender equality in South Korea. Keywords: masculinity, fatherhood, reality show, The Return of Superman, superman masculinity Introduction Masculinity, as a part of gender discourse, is something constructed socially and culturally by the societies. Globally, masculinity is always related to strength and power.