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MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014
MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014 Ammerman Grant Eastern Rosalie Muccio Lynn McCloat Paul Turano 451-4189 851-6742 548-2542 [email protected] [email protected] [email protected] 8 Women/8 Femmes. A wealthy industrialist is found murdered in his home while his family gathers for the holiday season. The house is isolated and the phone lines have been found to be cut. Eight women are his potential murderers. Each is a suspect and each has a motive. Only one is guilty. In French with subtitles in English or Spanish and English captions for the hearing impaired. DVD 1051 (111 min.) Eastern A La Mar. "Jorge has only a few weeks before his five-year-old son Natan leaves to live with his mother in Rome. Intent on teaching Natan about their Mayan heritage, Jorge takes him to the pristine Chinchorro reef, and eases him into the rhythms of a fisherman's life. As the bond between father and son grows stronger, Natan learns to live in harmony with life above and below the surface of the sea."--Container. In Spanish, with optional English subtitles; closed-captioned in English. DVD 1059 (73 min.) Eastern Adored, The. "Maia is a struggling model. After suffering a major loss, her relationship with her husband is thrown into turmoil. She holds high hopes that a session with the prolific celebrity photographer, Francesca Allman, will rejuvenate her career and bring her out of her depression. However, Francesca suffers from severe OCD and has isolated herself in remote North West Wales in a house with an intriguing past. -
This Space Is Dedicated to All Those Dobies Who Have Shared Our Lives, Homes and Affection
This space is dedicated to all those Dobies who have shared our lives, homes and affection. Your memorials may be sent to us at [email protected] and we will post them periodically. You may also send a photograph (jpg format) that we will post with your tribute. Buddy It is through tears Cindy that I write this at 3:30 in the morning. My beloved “Buddy” died at 3am less than a half hour ago. He had been in failing health for a couple of months. He used to lick his paws and legs almost to distraction. He was covered in lumps, some small, some larger. I needed to help him up the stairs as his hind legs were giving out on him for the last month. He was my little boy and I dearly loved him without reserve. For those who have never owned and loved a dog the pain of losing them is excruciating. I had gone to the vet a week ago saying I think he needed to be euthanized as his quality of life was non-existent. I know I may ramble a bit here but I’m still crying and shaking. His gums were turning white and he had a hard time defecating in the last two or three days. I slept downstairs on the floor with him this night and his breathing was labored and had a gurgling sound to it. I got up and was sitting above him stroking him with my foot when I noticed his breaths were getting shallow and he made a couple of twitching movements and then was gone. -
A Monomyth Analysis of Breaking Bad
Breaking Myths: A monomyth analysis of Breaking Bad. Treball de Fi de Grau Grau d’Estudis d’Anglès i Espanyol Supervised by Jéssica Faciabén Lago Iván Cirilo Ramos 2019-2020 TABLE OF CONTENTS 1. Introduction: a working definition of monomyth .................................................................... 1 2. Methodology ............................................................................................................................ 2 3. The monomyth in Literary Criticism: The Good, the Bad, the Ugly. ......................................... 4 4. Hypothesis and challenges .......................................................................................................... 7 5. Monomyth Archetypes in Breaking Bad .................................................................................... 8 5.1 Heroes ................................................................................................................................ 8 5.2 Shapeshifters .................................................................................................................... 10 5.3Trickster ............................................................................................................................ 12 5.4 Threshold Guardian ......................................................................................................... 13 5.5 Mentors ............................................................................................................................ 14 5.6 Shadows .......................................................................................................................... -
The Tenth Clew 53 Reprinted As “The Tenth Clue” in the Return of the Continental Op (1945)
Sec01_LC_Hammett_II_791030 3/29/01 9:07 AM Page 53 Sec01_LC_Hammett_II_791030 3/29/01 9:07 AM Page 52 The Library of America • Story of the Week From Dashiell Hammett: Crime Stories & Other Writings (Library of America, 2001), pages 52–83. First published in the January 1, 1924, issue of The Black Mask; the tenth clew 53 reprinted as “The Tenth Clue” in The Return of the Continental Op (1945). He turned slowly around and faced me with a face that was gray and tortured, with wide shocked eyes and gaping The Tenth Clew mouth—the telephone still in his hand. DASHIELL HAMMETT “Father,” he gasped, “is dead—killed!” “Where? How?” chapter 1 “I don’t know. That was the police. They want me to come down at once.” “Do you know . Emil Bonfils?” He straightened his shoulders with an effort, pulling him- self together, put down the telephone, and his face fell into r. Leopold Gantvoort is not at home,” the servant less strained lines. Mwho opened the door said, “but his son, Mr. Charles, “You will pardon my—” is—if you wish to see him.” “Mr. Gantvoort,” I interrupted his apology, “I am con- “No. I had an appointment with Mr. Leopold Gantvoort nected with the Continental Detective Agency. Your father for nine or a little after. It’s just nine now. No doubt he’ll be called up this afternoon and asked that a detective be sent to back soon. I’ll wait.” see him tonight. He said his life had been threatened. He “Very well, sir.” hadn’t definitely engaged us, however, so unless you—” He stepped aside for me to enter the house, took my over- “Certainly! You are employed! If the police haven’t already coat and hat, guided me to a room on the second floor— caught the murderer I want you to do everything possible to Gantvoort’s library—and left me. -
Breaking Bad Como Reinterpretación Del Mito Quijotesco. Jesus Alberto Garcia Bonilla University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2018 “De hidalgo a narcotraficante”: Breaking Bad como reinterpretación del Mito Quijotesco. Jesus Alberto Garcia Bonilla University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Comparative Literature Commons, and the Other Languages, Societies, and Cultures Commons Recommended Citation Garcia Bonilla, Jesus Alberto, "“De hidalgo a narcotraficante”: Breaking Bad como reinterpretación del Mito Quijotesco." (2018). Theses and Dissertations. 1804. https://dc.uwm.edu/etd/1804 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. “DE HIDALGO A NARCOTRAFICANTE”: BREAKING BAD COMO REINTERPRETACIÓN DEL MITO QUIJOTESCO. by Jesús Alberto García Bonilla A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Spanish at The University of Wisconsin-Milwaukee May 2018 i ABSTRACT “DE HIDALGO A NARCOTRAFICANTE”: BREAKING BAD COMO REINTERPRETACIÓN DEL MITO QUIJOTESCO. by Jesus Alberto García Bonilla The University of Wisconsin Milwaukee, 2018 Under the Supervision of Professor R. John McCaw El presente estudio pretende analizar las conexiones existentes entre la serie Breaking Bad y la novela Don Quijote de la Mancha, con el objetivo de demostrar que dicha serie puede ser entendida como una reformulación de la novela. Para llevar a cabo este objetivo, primero se expondrán algunas de las características que nos permiten considerar ambas obras como textos que reflejan la ruptura de sus respectivas sociedades. -
David Lee Alm Thesis Final Draft
What's the Matter with Walter? The Privatization of Everything in Breaking Bad The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Lee, David. 2016. What's the Matter with Walter? The Privatization of Everything in Breaking Bad. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797394 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA What’s the Matter with Walter? The Privatization of Everything in Breaking Bad David R. Lee A Thesis in the Field of History for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 © 2016 David R. Lee Abstract Television is the quintessential medium of popular culture. As such, its content can provide an important window into the cultural dynamics in a given period for a given society. Vince Gilligan’s award-winning Breaking Bad is one of those shows that powerfully engaged with its moment. Gilligan created a compelling protagonist in the deeply flawed yet charismatic genius Walter White. He had Walter build an illegal drug business at which he had savant-like skills, and situated Walt in a family characterized by dysfunction. In showing how and why Walter traded a quiet but economically marginal existence as a high school chemistry teacher for a violent but wealthy life as a drug lord, Breaking Bad offered a compelling critique of one of the most insidious economic policy initiatives of late-20th/early-21st century America: neoliberalism. -
The Outsiders By: S.E. Hinton Chapter 1
The Outsiders by: S.E. Hinton Chapter 1 WHEN I STEPPED out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home. I was wishing I looked like Paul Newman—he looks tough and I don’t—but I guess my own looks aren’t so bad. I have light-brown, almost-red hair and greenish-gray eyes. I wish they were more gray, because I hate most guys that have green eyes, but I have to be content with what I have. My hair is longer than a lot of boys wear theirs, squared off in back and long at the front and sides, but I am a greaser and most of my neighborhood rarely bothers to get a haircut. Besides, I look better with long hair. I had a long walk home and no company, but I usually lone it anyway, for no reason except that I like to watch 2 movies undisturbed so I can get into them and live them with the actors. When I see a movie with someone it’s kind of uncomfortable, like having someone read your book over your shoulder. I’m different that way. I mean, my second-oldest brother, Soda, who is sixteen-going-on-seventeen, never cracks a book at all, and my oldest brother, Darrel, who we call Darry, works too long and hard to be interested in a story or drawing a picture, so I’m not like them. And nobody in our gang digs movies and books the way I do. -
Syllabus -- Spoiler-Free! Messiah College
The Wages of Sin is Death: Breaking Bad as the New American Tragedy Course Syllabus -- Spoiler-Free! Messiah College. Fall 2015. Tuesdays, 6:15-9:15 p.m. Boyer 131. Instructor: James B. LaGrand Email: [email protected] Office: Boyer 264 Office hours: Mondays, Wednesdays, & Fridays, 11-noon; Telephone: ext. 7381 Thursdays, 3-4 p.m.; & by appointment Course description A number of serialized TV dramas over the past decade or so have led many critics to call this period “the golden age of television.” No show better epitomizes this label than Breaking Bad. Its thrilling plots and cliff-hangers have won it millions of viewers. But it’s more than a pop culture phenomenon. Creator Vince Gilligan’s show stands out for its novelistic structure and sensitive examination of characters’ inner lives. Even more remarkable for a television program, Breaking Bad provides a relentlessly honest picture of the human condition--both its vices and virtues. The show’s depictions of the seven “deadly sins” or “capital vices”-- especially pride, envy, greed, and wrath--have led many viewers to recall Greek and Shakespearean tragedies. Acclaimed not only by the public but also by television and literature critics, Breaking Bad is uniquely well-suited among television shows for study and reflection in a classroom context. In this course, you will take in course content (i.e. episodes of Breaking Bad) outside of the classroom--what’s sometimes called a “flipped classroom.” Thus, class sessions can be reserved for discussion and assimilation of this show’s many timely and important themes--including human depravity and morality, drugs, drug policy, marriage, family, friendship, masculinity, gender relations, work, vocation, money, and race. -
“Stay out of My Territory”: Walter White's Evolving Authority As
“Stay out of my territory”: Walter White’s evolving authority as portrayed through camera techniques and narrative in Breaking Bad Iida Korkiakoski Master’s Thesis English Languages and literature Faculty of Humanities University of Oulu Autumn 2020 Table of Contents 1 Introduction.................................................................................................................................... 1 2 Description of materials ................................................................................................................. 3 3 Description of analytic framework ................................................................................................ 5 3.1 Previous research on analyzing film and narrative ................................................................. 5 3.2 Analyzing cinematographic techniques and narrative structure ............................................. 9 4 Walter White’s evolving authority: analysis and observations ................................................... 11 4.1 Walter White’s authority with Hank Schrader ..................................................................... 11 4.1.1 Portrayal of Hank Schrader’s power over Walter White................................................ 11 4.1.2 Walter and Hank’s authority over Walter Jr................................................................... 16 4.1.3 Reversal of positions ...................................................................................................... 19 4.2 Walter White’s authority -
Breaking Bad
BREAKING BAD "Full Measure" Episode #313 Written by Vince Gilligan Directed by Vince Gilligan As Broadcast SONY PICTURES TELEVISION INC. All Rights Reserved © 2010 No portion of this script may be performed, or reproduced by any means, or quoted, or published in any medium without prior written consent of SONY PICTURES TELEVISION INC. * 10202 West Washington Boulevard * Culver City, CA 90232* BREAKING BAD "Full Measure" Cast List WALT SKYLER JESSE WALTER, JR. SAUL GOODMAN GUS MIKE BABY HOLLY CHOW FIRST MEXICAN MAN GALE GRANDDAUGHTER PENG REALTOR SECOND MEXICAN MAN THIRD MEXICAN MAN VICTOR FOURTH MEXICAN MAN (Non-Speaking) BREAKING BAD "Full Measure" Set List Interiors: WHITE HOUSE BATHROOM HALLWAY KITCHEN LIVING ROOM MASTER BEROOM NURSERY WALTER, JR.'S ROOM SUPERLAB LOS POLLOWS HERMANOS OFFICE SAUL GOODMAN'S OFFICE WAREHOUSE BACK ROOM FRONT OFFICE HALLWAY GALACTIC LASER TAG SNACK BAR CLUTTERED APARTMENT INDUSTRIAL LAUNDRY WALT'S AZTEK MIKE'S BUICK SAUL'S CADDY Exteriors: WHITE HOUSE CORRAL GRASSLANDS SUBURBAN INDUSTRIAL LAUNDRY QUIET NEIGHBORHOOD STREET WAREHOUSE SAUL GOODMAN'S OFFICE (STOCK) SUBURBAN STREET GALACTIC LASER TAG TEASER INT. WHITE HOUSE - LIVING ROOM - DAY The HEARTH fills frame. We might not know where we are at first, because really... have we ever spent time thinking about our White house hearth? We’ve never focused on it. We’ve certainly never seen a fire inside it. Nor is there one now. All that’s inside the fireplace is one sad, dusty Duraflame log. It lies unburned atop the grate. We PAN RIGHT, leaving the fireplace as we slowly take a tour of the room. -
Mother Goose Sunshine Song Time Songs & Rhymes
Rhymes & Songs To Play With Your Child Mother Goose Sunshine Song Time Songs & Rhymes 1 Ackabaca Soda Cracker All small things that have no words. Ackabaca soda cracker, Ackabaca boo, (Chorus) Ackabacka soda cracker, up goes you The Ants Go Marching Ackabaca soda cracker, Ackabaca boo, The ants go marching one by one. Ackabaca soda cracker, I love you Hoorah! Hoorah! The ants go marching one by one. Alice the Camel Hoorah! Hoorah! Alice the camel has five humps; Alice the camel has five humps The ants go marching one by one, Alice the camel has five humps; So go, Alice, go. The little one stops to suck his thumb, Alice the camel has four humps; Alice the camel has four humps And they all go marching down underground Alice the camel has four humps, So go, Alice, go. To get out of the rain. Alice the camel has three humps; Alice the camel has three humps Boom, boom, boom… Alice the camel has three humps, So go, Alice, go. The ants go marching two by two. Alice the camel has two humps; Alice the camel has two humps Hoorah! Hoorah! Alice the camel has two humps, So go, Alice, go. The ants go marching two by two. Alice the camel has one hump; Alice the camel has one hump Hoorah! Hoorah! Alice the camel has one hump, So go, Alice, go. The ants go marching two by two, Alice the camel has no humps; Alice the camel has no humps. The little one stops to tie his shoe, Because Alice is a horse! And they all go marching down underground To get out of the rain. -
Songs of Bill Morrissey
Songs of Bill Morrissey The Complete Songbook “And there ain’t much to ice fishing Till you miss a day or more And the hole you cut freezes over and it’s like you have never been there before” *** "I don't know what happened or what I did wrong But you know me I'll get it into a song” Table of Contents Foreword by David Hanners A poem by Greg Brown Songs by alphabetical order Songs by album 1. Bill Morrissey (1984) 2. North (1986) 3. Standing Eight (1989) 4. Bill Morrissey (re-recording for CD of original album, 1991) 5. Inside (1992) 6. Friend Of Mine (with Greg Brown) (1993) 7. Night Train (1993) 8. You'll Never Get To Heaven (1996) 9. Songs Of Mississippi John Hurt (1999) 10. Something I Saw Or Thought I Saw (2001) 11. Bill Morrissey: The Essential Collection with complete liner notes (2004) 12. Come Running (2007) 13. Bonus tracks All songs © by Bill Morrissey, except otherwise noted Published by Dry Fly Music/BMI, administered by Bug Music Lyrics printed with permission Compiled by Hervé Oudet, February 14, 2013 “It was a miracle to my young eyes on St. Valentine's Day” Thanks to Ellen Karas, Annie Provenzano, Peter Keane, Diane Juster, Ron Mura, David Evpak, Connie Fredericks & Herb Van Dam, Knut Andre & Jan Kristoffer Dale and Ramcey Rodriguez, and all the good folks on the Birches list Special thanks to Greg Brown and David Hanners Hervé’s very special thanks go to Bill’s mother, Mrs. Marion Morrissey, and his brother, Thomas Morrissey bill-morrissey.tumblr.com www.turnandspin.com www.billmorrissey.net www.facebook.com/pages/Bill-Morrissey 1 Foreword by David Hanners Back to top These are Bill Morrissey’s songs, but he gave them to us.