DOCSLIB.ORG

Matricák 2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Matricák 2012 KISMÉRETU ELEKTROGRÁFIAI ALKOTÁSOK NEMZETKÖZI KIÁLLÍTÁSAI INTERNATIONAL EXHIBITIONS OF SMALL ELECTROGRAPHIC ARTWORKS KISMÉRETU ELEKTROGRÁFIAI ALKOTÁSOK NEMZETKÖZI KIÁLLÍTÁSAI INTERNATIONAL EXHIBITIONS OF SMALL ELECTROGRAPHIC ARTWORKS BUDAPEST - MAGYARORSZÁG / HUNGARY 2012. október 1. - 2013. február 15. 1st October 2012 - 15th February 2013 K.A.S. Galéria 2012. október 1 - 30. K.A.S. Gallery 1st October - 30th October 2012 Próféta Galéria 2012. november 7 - 27. Próféta Gallery 7th November - 27th November 2012 MTA Jakobinus Terem 2012. december 10 - 28. HAS Jacobin Hall 10th December - 28th December 2012 ART9 Galéria 2013. február 4 - 15. ART9 Gallery 4th February - 15th February 2013 Erlin Galéria 2013. február 4 - 15. Erlin Gallery 4th February - 15th February 2013 MATRICÁK 2012 / MATRICES 2012 ENYEDI Zsuzsanna ■ Magyarország, Hungary /H/ FA Mariann ■ Magyarország, Hungary /H/ Résztvevők névsora FÁBIÁN Zoltán ■ Magyarország, Hungary /H/ Participants in alphabetical order FEHÉR Áron ■ Magyarország, Hungary /H/ FELEDY Balázs ■ Magyarország Hungary /H/ FRANTAL, Irena ■ Horvátország, Croatia /HR/ ALAPFY András ■ Magyarország, Hungary /H/ FRANZINI, Paula ■ Kanada, Canada /CA/ Fordítások / Translations ÁZBEJ Kristóf ■ Magyarország, Hungary /H/ BAHRAMI, Shahla ■ Kanada, Canada /CA/ FÜLEKY Adrienn ■ Magyarország, Hungary /H/ Katalógus / The catalogue: Blénesi Éva GALÁNTAI György ■ Magyarország, Hungary /H/ Műtárgylista / List of works: Beaty Czető, Sós Evelin BARTI Magdolna ■ Magyarország, Hungary /H/ BATEMAN, Edward ■ /USA/ GÁBOR Enikő ■ Magyarország, Hungary /H/ Fotó / Photo: Dr. Benkő Imre, HAász Ágnes, Krnács Ágota BÁLINT Bertalan ■ Magyarország, Hungary /H/ GÁBOR Éva Mária ■ Magyarország, Hungary /H/ BÁTAI Sándor ■ Magyarország, Hungary /H/ GÁBOS József ■ Magyarország, Hungary /H/ A katalógust tervezte / Design: Tellér Mária ifj. BENEDEK Jenő ■ Magyarország, Hungary /H/ GÁSPÁR György, Georgie ■ Magyarország, Hungary /H/ Lektorálás / Language Editor: Láng Eszter BESANT, Derek Michael ■ Kanada, Canada /CA/ GERGELY Nóra ■ Magyarország, Hungary /H/ Nyomda / Press: PANNÓNIA Nyomda Kft. BÉRES Rudolf ■ Magyarország, Hungary /H/ GOLUB, Olena ■ Ukrajna, Ukraine /UKR/ Példányszám / Printed run: 500 †BOHÁR András ■ Magyarország, Hungary /H/ GOPALAKRISHNAN, Sridhar ■ India /IND/ Kiadó / Publisher: Magyar Elektrográfiai Társaság - MET BORNEMISZA Rozi ■ Magyarország, Hungary /H/ GORTCHAKOVA, Eugenia ■ Németország, Germany /D/ Hungarian Electrographic Art Association - HEAA BORTSOVA, Kateryna ■ Ukrajna, Ukraine /UA/ GYENES Zsolt ■ Magyarország, Hungary /H/ BÓZSA Evelin ■ Magyarország, Hungary /H/ HAáSZ Ágnes ■ Magyarország, Hungary /H/ BUTAK András ■ Magyarország, Hungary /H/ HALBAUER Ede ■ Magyarország, Hungary /H/ ISBN 978-963-88263-3-6 BÜKI Zsuzsanna ■ Magyarország, Hungary /H/ HAESEKER, Alexandra ■ Kanada, Canada /CA/ Matricák 2012 CAKOVA, Katarina ■ Szlovákia, Slovakia /SR/ †HANCZIK János ■ Magyarország, Hungary /H/ Budapest, Hungary CÁRDENAS ROBAYO, Bibiana ■ Kolumbia, Columbia /CO/ HANJI, Saeko ■ Japán, Japan /JP/ CHUNG, Hoon-Dong ■ Dél-Korea, Republic Korea /ROK/ HANUSOVÁ, Nina ■ Szlovákia, Slovakia /SR/ CSÍZY László ■ Magyarország, Hungary /H/ VAN HEES, Jozina Marina ■ Hollandia, Netherlands /NL/ CZEIZEL Balázs ■ Magyarország, Hungary /H/ HEGEDŰS Mária ■ Magyarország, Hungary /H/ CZETŐ Beaty ■ Hollandia, Netherlands /NL/ HERENDI Péter ■ Magyarország, Hungary /H/ CZIMBAL Gyula ■ Magyarország, Hungary /H/ HERNÁDI Paula ■ Magyarország, Hungary /H/ CYWICKI, Lukasz ■ Lengyelország, Poland /PL/ HOELLEIN, Steffen - MARX, Jesko ■ Németország, Germany /D/ DARADICS Árpád ■ Magyarország, Hungary /H/ HORKAY István ■ Magyarország, Hungary /H/ †DAXL, Heiko ■ Németország, Germany /D/ HORVÁTH Gergely ■ Magyarország, Hungary /H/ DÁRDAI Zsuzsa ■ Magyarország, Hungary /H/ IKONOMIDOU, Florentia ■ Görögország, Greece /GR/ DÁVID Vera ■ Magyarország, Hungary /H/ JUHÁSZ Attila ■ Magyarország, Hungary /H/ DETVAY Jenő ■ Magyarország, Hungary /H/ JUHÁSZ Dorina ■ Magyarország, Hungary /H/ Rendező / Organiser: Magyar Elektrográfiai Társaság / Hungarian Electrographic Art Association DOBOS Éva ■ Magyarország, Hungary /H/ KÁDÁR Katalin ■ Magyarország, Hungary /H/ A kiállítások kurátora / Curator of the exhibitions: HAász Ágnes DOOMERNIK, Kitty ■ Hollandia, Netherlands /NL/ KÁNTOR József ■ Magyarország, Hungary /H/ Művészeti tanácsadó / Art Advisor: N. Mészáros Júlia művészettörténész / art historian DROZSNYIK István ■ Magyarország, Hungary /H/ KÁROLYI Marianna ■ Magyarország, Hungary /H/ Magyar Elektrográfiai Társaság - MET / Hungarian Electrographic Art Association - HEAA DUL-LEDWOSIŃSKA, Elżbieta ■ Lengyelország, Poland /PL/ KECSKÉS Péter ■ Magyarország, Hungary /H/ H-1116 Budapest, Adony u. 8. V/24.; Tel/Phone: +36 1 208 5090; 06 30 612 0235 DZIOMDZIORA, Marta ■ Lengyelország, Poland /PL/ KELECSÉNYI Csilla ■ Magyarország, Hungary /H/ E-mail: [email protected]; www.elektrografia.hu DZIUBA, Katarzyna ■ Lengyelország, Poland /PL/ KEMÉNY György ■ Magyarország, Hungary /H/ 5 KEMPEN, René ■ Hollandia, Netherlands /NL/ PAPP PALA László ■ Magyarország, Hungary /H/ DÍJAZOTT MŰVÉSZEK / AWARDED ARTISTS KIM, Chang Soo ■ Dél-Korea, Republic Korea /ROK/ PAPP Sándor Dávid ■ Magyarország, Hungary /H/ KIM, Jinyoung ■ Dél-Korea, Republic Korea /ROK/ PÁL Csaba ■ Magyarország, Hungary /H/ FŐDÍJ / GRAND PRIZE KIPP, Eva ■ Hollandia, Netherlands /NL/ PĘDZIAŁEK, Leonard ■ Lengyelország, Poland /PL/ KLAUSZ Andrea ■ Magyarország, Hungary /H/ PERNECZKY Géza ■ Németország, Germany /D/ NAGY Gábor György ■ Magyarország, Hungary KOBAYASHI, Isao ■ Japán, Japan /JP/ PETCA, Ovidiu ■ Románia, Romania /RO/ ifj. KOFFÁN Károly ■ Magyarország, Hungary /H/ PÉTER Ágnes ■ Magyaország, Hungary /H/ ZSŰRI DÍJA / AWARD OF JURY - SZABAD KATEGÓRIA / CATEGORY FREE KOROKNAI Zsolt ■ Magyarország, Hungary /H/ PÉZMAN Andrea ■ Szlovákia, Slovakia /SR/ KOVÁCS Endre ■ Magyarország, Hungary /H/ PÓLYA Zsombor ■ Magyarország, Hungary /H/ BAHRAMI, Shahla ■ Kanada, Canada KOVÁCS Olivér Artúr ■ Magyarország, Hungary /H/ RAINER Péter ■ Magyarország, Hungary /H/ BÁTAI Sándor ■ Magyarország, Hungary KOVÁTS Borbála ■ Magyarország, Hungary /H/ RAUNIK-KIRKOV, Maya ■ Macedónia, Macedonia /MK/ BÉRES Rudolf ■ Magyarország, Hungary KRNÁCS Ágota ■ Magyarország, Hungary /H/ REGŐS Imre ■ Magyarország, Hungary /H/ CZETŐ, Beaty ■ Hollandia, Netherlands LÁNG Eszter ■ Magyarország, Hungary /H/ REPÁSZKI Béla ■ Magyarország, Hungary /H/ DETVAY Jenő ■ Magyarország, Hungary REPÁSZKI Ferenc ■ Magyarország, Hungary /H/ LAKOMA, Agnieszka ■ Lengyelország, Poland /PL/ DUL-LEDWOSIŃSKA, Elzbieta ■ Lengyelország, Poland RETKOWSKA, Izabella ■ Lengyelország, Poland /PL/ LEDWOSIŃSKI, Mirosław ■ Lengyelország, Poland /PL/ GORTCHAKOVA, Eugenia ■ Németország, Germany SÁNDOR Edit ■ Magyarország, Hungary /H/ LEHOTKA László ■ Magyarország, Hungary /H/ HANJI, Saeko ■ Japán, Japan SHIN, Kyoung-hee ■ Dél-Korea, Republic Korea /ROK/ LENGYEL Zsüliett ■ Magyarország, Hungary /H/ IKONOMIDOU, Florentia ■ Görögország, Greece SHING, Tripti ■ India /IND/ LÉVAY Jenő ■ Magyarország, Hungary /H/ SOLTISOVÁ, Viktoria ■ Szlovákia, Slovakia /SR/ KECSKÉS Péter ■ Magyarország, Hungary LONOVICS László ■ Magyarország, Hungary /H/ SOMORJAI - KISS Tibor ■ Magyarország, Hungary /H/ KOVÁTS Borbála ■ Magyarország, Hungary LUX Antal ■ Németország, Germany /D/ SÓS Evelin ■ Magyarország, Hungary /H/ MANDRILE, Cecilia ■ Argentina MACZKÓ Erzsébet ■ Magyarország, Hungary /H/ SÓS József ■ Magyarország, Hungary /H/ MELENDEZ, Roland ■ Kolumbia, Columbia MAGÉN István ■ Magyarország, Hungary /H/ STARK István ■ Magyarország, Hungary /H/ SÁNDOR Edit ■ Magyarország, Hungary MAKAR, Robert ■ Szlovákia, Slovakia /SR/ STEFANOVITS Péter ■ Magyarország, Hungary /H/ SHIN, Kyoung – hee ■ Dél-Korea, Republic of Korea MAKI, Kinichi ■ Japán, Japan /JP/ STOLAR, Anton ■ Szlovákia, Slovakia /SR/ SZÖLLŐSSY Enikő ■ Magyarország, Hungary MANDRILE, Cecilia ■ Argentina /AR/ SZABADI Bálint jr ■ Magyarország, Hungary /H/ TER WAL, Paul ■ Hollandia, Netherlands MAYER Éva ■ Csehország, Czech Republic /CZ/ SZIRMAY Zsanett ■ Magyarország, Hungary /H/ VÉGVÁRI Beatrix ■ Magyarország, Hungary MELENDEZ, Roland ■ Kolumbia, Columbia /CO/ SZLAUKÓ László ■ Magyarország, Hungary /H/ MENGYÁN András ■ Magyarország, Hungary /H/ SZÖLLŐSSY Enikő ■ Magyarország, Hungary /H/ M. VACLAVKOVÁ, Kateryna ■ Csehország, Czech Republic /CZ/ TELLÉR Mária ■ Magyarország, Hungary /H/ HOMMAGE À SCHÖFFER MIKLÓS KATEGÓRIA DÍJAZOTTJAI NAGY Bernadett NADE ■ Magyarország, Hungary /H/ TER WAL, Paul ■ Hollandia, Netherlands /NL/ AWARDEDS OF CATEGORY HOMMAGE À NICOLAS SCHÖFFER NAGY Gábor György ■ Magyarország, Hungary /H/ fenyvesi TÓTH Árpád ■ Magyarország, Hungary /H/ CZEIZEL Balázs ■ Magyarország, Hungary NAGY Géza ■ Magyarország, Hungary /H/ TOOTH Gábor Andor ■ Magyarország, Hungary /H/ NAGY Kornél ■ Magyarország, Hungary /H/ TÓTH Bogyó István ■ Magyarország, Hungary /H/ FA Mariann ■ Magyarország, Hungary NAGY STOICA Georgeta ■ Magyarország, Hungary /H/ TUZSON-BERCZELI Péter ■ Magyarország, Hungary /H/ GOLUB, Olena ■ Ukrajna, Ukraine NÉMETH Melitta ■ Magyarország, Hungary /H/ VASS Tibor ■ Magyarország, Hungary /H/ GYENES Zsolt ■ Magyarország, Hungary OLÁH Gábor ■ Magyarország, Hungary /H/ VASSERMAN, Benjamin ■ Észtország, Estonia /EST/ HEGEDŰS Mária ■ Magyarország, Hungary OLAJOS György ■ Magyarország, Hungary /H/ WANYURA-KUROSAD, Monika ■ Lengyelország, Poland /PL/ HERENDI Péter ■ Magyarország, Hungary OLBRICH, Jürgen O. ■ Németország, Germany /D/ VÉGVÁRI Beatrix ■ Magyarország, Hungary /H/ KRNÁCS Ágota ■ Magyarország, Hungary ORSZÁG László
Load more

Recommended publications
  • Winter 2016 — Kyoto Edition
    WINTER 2016 — KYOTO EDITION featured artist: yuri shashiki society of northern alberta print-artists 10123–121 Street, Edmonton, Alberta, Canada, t5n 3w9 780.423.1492 | [email protected] | snapartists.com 2016 BOARD OF DIRECTORS message from the [email protected] executive director president Brenda Malkinson Welcome to the winter edition of SNAPline, a new look, a new format so many thanks are owed to Sergio Serrano vice president (shared) Megan Bertagnolli and the entire SNAPline committee for their vision and work toward this beautiful publication. In October myself vice president (shared) and 18 other Canadian artists met in Kyoto and celebrat- Mark Dutton ed the opening of an international exhibition of prints at treasurer the Kyoto Municipal Museum and participated in a 2 day Elliot Kerr symposium along with many artists from the Kyoto region. secretary Liz Ingram and I have been working on the coordination of Marian Switzer this exhibition, driven my Akira Kurosaki, chairman of the directors Kyoto Print Exhibition Executive Committee, for close to 3 Andrew Benson years now. In the following pages our contributors hope to James Boychuk-Hunter capture and decipher the experience of travelling to Kyoto Emilienne Gervais for this sort of cultural exchange. In the spirit of cultural Ashna Jacob Ferdinand Langit exchange we also wanted to bring a small part of Kyoto Alex Linfield print culture home to our readers and SNAP Sponsor Mem- Laura Ritchie bers, and with the invaluable help of Atsuhiko Musashi, Matt Whitson we were able to commission a limited edition of prints by publications committee artist Yuri Shashiki & we couldn’t be Stephanie Bailey more delighted with the results of Megan Bertagnolli this collaboration.
    [Show full text]
  • Interwoven (HEADBONES)
    INTERwoven (HEADBONES) April 26 - June 9, 2018 Mark Bovey Guy Langevin Tracy Templeton Sean Caulfield Karen Dugas Walter Jule Liz Ingram + Bernd Hildebrandt Alexandra Haeseker Derek Besant Julie Oakes Davida Kidd Exhibition Catalogue: INTERwoven (Headbones) Copyright © 2018, Headbones Gallery This catalog was created for the exhibition INTERwoven (Headbones) at Headbones Gallery, Vernon, British Columbia, Canada from April 26 - June 9, 2018. Commentary Copyright © 2018 Julie Oakes and Derek Besant Artworks Copyright ©2016-2018 Mark Bovey Guy Langevin Tracy Templeton Sean Caulfield Karen Dugas Walter Jule Liz Ingram + Bernd Hildebrandt Alexandra Haeseker Derek Besant Julie Oakes Davida Kidd Rich Fog Micro Publishing, printed in Vernon, BC, 2016 Photography provided by the artists and Headbones Gallery Printed on the Ricoh SP C830DN All rights reserved. The content of this catalogue is protected by the copyrights of Headbones Gallery. No part of any of the content of this catalogue may be reproduced, distributed, modified, framed, adapted or made available in any form by any photographic, electronic, digital, mechanical, photostat, microfilm, xerography or other means, or incorporated into or used in any information storage and retrieval system, electronic or mechanical, without the prior written permission of the artists and Headbones Gallery. www.headbonesgallery.com ISBN: 978-1-988707-13-6 RICH FOG Micro Publishing INTERwoven (HEADBONES) April 26 - June 9, 2018 Commentary by Julie Oakes & Derek Besant (italics) INTERwoven (Headbones) It is fitting that the exhibition INTERwoven New Canadian Perspectives in Textile and Printmaking - Mark Bovey, Guy Langevin, Tracy Templeton, Sean Caulfield, Karen Dugas, Walter Jule, Liz Ingram + Bernd Hildebrandt, Alexandra Haeseker, Derek Besant, Julie Oakes and Davida Kidd opens with the trees in leafy bloom broadcasting seeds throughout the Okanagan, for art too is cyclical, rejuvenating and refreshing.
    [Show full text]
  • 2015 Accountability Report
    2015 Accountability Report Table of Contents Opening Message 1 Awareness 25 About Calgary Arts Development 2 Governance 26 Community Investment 3 People 29 Engagement 12 Committees, Assessors and Volunteers 31 Spaces 20 2015 Program Partners IBC Sylvie Moquin, Valentia Dimitriou, Caitlin Unrau, Natalka Lewis, Jessalyn Britton and Laura Barcelo perform in Corps Bara Dance Guild’s Cleansing . Photo: Char G Photography, courtesy of Corps Bara Dance Guild The world is changing—our diverse population and the use of digital technologies are bringing new opportunities for cultural expression and creative practices, both as hobbies and as careers. Opening Message We are seeing signs that the arts are becoming more central The arts are becoming more central to the identity of our city to the story Calgary is telling and more central to people’s lives. and to the way we host guests, such as Animate the Avenue, which was a signature Calgary experience provided at the Proof of this can be found in the boom of new cultural Community Foundations of Canada conference hosted by the facilities that opened in 2015, or were close to completion, Calgary Foundation. The Calgary Foundation has identified including the Evergreen Community Space, the Bella Concert the platform of Living a Creative Life as a vital priority in their Hall, the DJD Dance Centre, the Calgary Film Centre, recently renewed focusing document. And Calgary Economic cSPACE King Edward, and the National Music Centre. Proof Development tells us that attracting a creative workforce is can also be found in the multiplicity of ways people are of primary importance to Calgary businesses.
    [Show full text]
  • Undergraduate Awards
    508 Awards and AwardsFinancial and Assistance Financial Assistance 508 UNDERGRADUATE AWARDS UNDERGRADUATE AWARDS General Information and Policies Application forms for Competitive Undergraduate Awards (bursaries and scholarships) are available from the Student Awards and Financial Aid office website by April each year: www.ucalgary.ca/awards/ By completing one Undergraduate Awards application, students will be considered for all awards listed in this section with the exception of those stating “No application required.” Where no application is required, the award is made automatically without need for application. Unless otherwise stated, completed applications for Undergraduate Awards must be submitted to the Student Awards and Financial Aid office on or before the deadline date of June 15. Unless otherwise stated, the following policies are in effect with regard to University administered awards: In order to qualify: • Students must have completed their most recent consecutive Fall and Winter Sessions at the University of Calgary. An exception is made for students enrolled in Co-operative Education/Internship programs or Exchange programs involving only one semester of study. To qualify, courses in an exchange program must be eligible for transfer credit to be considered. • Students entering or continuing in the Bachelor of Education (Master of Teaching Program) are eligible to apply for Undergraduate Awards. • Students entering 5th year of a joint degree program are eligible to apply for Undergraduate Awards and will be considered for awards indicating students entering “Any” year or year 2, 3, or 4 • Students continuing in the Bachelor of Health Sciences program in the Faculty of Medicine are eligible to apply for Undergraduate Awards.
    [Show full text]
  • The Department of Art History, Visual Art & Theory
    Page 1/46 THE UNIVERSITY OF BRITISH COLUMBIA Curriculum Vitae for Faculty Members Date: April 11, 2019 Initials: 1. SURNAME: Zeigler FIRST NAME: Barbara MIDDLE NAME(S): Ann 2. DEPARTMENT/SCHOOL: Art History, Visual Art and Theory 3. FACULTY: Arts 4. PRESENT RANK: Associate Professor SINCE: 1986 5. POST-SECONDARY EDUCATION University or Institution Degree Subject Area Dates University of Illinois Urbana-Champaign MFA Printmaking 1975 University of Illinois Urbana-Champaign BFA Painting 1973 Akademie der bildenden Künste (Art Academy of Study Abroad Mixed Media & Theory 1969-70; 1971-72 Munich; Munich, Germany) Universität München (University of Munich; Study Abroad Art History & Language Fall 1972 Munich, Germany) 6. EMPLOYMENT RECORD (a) Prior to coming to U.B.C. University, Company or Organization Rank or Title Dates Department of Art, Queen’s University Assistant Professor (Sabbatical Rep.) 1978-79 Nova Scotia College of Art and Design Instructor, Summer 1978 Department of Art, University of Alberta Assistant Professor, Spring Session 1977 Department of Art, University of Alberta Assistant Professor, Summer Session 1976 Department of Art and Design, University of Alberta Instructor (Full-time Sessional) 1975-78 University of Illinois Urbana-Champaign, Illinois Graduate Teaching Assistant 1974-75 Page 2/46 (b) At UBC Rank or Title Dates Professor 2018 Associate Professor 1986 Assistant Professor 1979 (c) Date of granting of tenure at U.B.C.: July 1, 1984 7. LEAVES OF ABSENCE University, Company or Organization at which Type of Leave Dates Leave was taken University of British Columbia Study leave July 1 - Dec. 31, 2018 University of British Columbia Study Leave Jan.
    [Show full text]
  • Matthew Schreiber a Solid Laser Illusion
    Matthew Schreiber A Solid Laser Illusion By Catarina Marques April 12, 2018 At seven years old, Matthew Schreiber was already trying to build his first laser. At fifteen, he made his first laser installation. Since then, inspired by art history, pop culture, and sci-fi movies, the Brooklyn-based creative has been mastering the art of light while exploring how can it amplify a volume of space. At first, his work may feel intangible as it assembles a sci-fi movie or a computer simulation, but it isn’t. It isn’t an illu- sion, it’s very solid and real. Ready to get in? Who are you and where do you come from? I’m Matthew Schreiber and I grew up in Cleveland (Ohio), but I currently live and have a studio in Brooklyn (New York). How did your interest in art start? When I was five years old, my parents gave me a book where you learn to draw along with a television show. That is when it all began. And what about your interest in light, lasers, holograms and such ‘special effects’? How did those practices develop till today? When I was seven years old, I tried to build a laser. When I was fifteen – in high school –, in my physics class I made my first laser installation. In undergraduate school I earned a Fine Arts Degree in Painting, but I continued my study in lasers, more specifically holography. Johannes Vogt Gallery 958 Madison Ave New York, NY 10021 How was it to work with James Turrell for so many years? What were the biggest lessons you learnt from it? Working for James was amazing and perfect for what I have been interested in (light and space).
    [Show full text]
  • THE UNIVERSITY of BRITISH COLUMBIA Curriculum Vitae For
    Page 1/33 THE UNIVERSITY OF BRITISH COLUMBIA Curriculum Vitae for Faculty Members // Selected Entries for AHVA Website Date: August 30, 2016 Initials: 1. SURNAME: Zeigler FIRST NAME: Barbara MIDDLE NAME(S): Ann 2. DEPARTMENT/SCHOOL: Art History, Visual Art and Theory 3. FACULTY: Arts 4. PRESENT RANK: Associate Professor SINCE: 1986 5. POST-SECONDARY EDUCATION University or Institution Degree Subject Area Dates University of Illinois Urbana-Champaign MFA Printmaking 1975 University of Illinois Urbana-Champaign BFA Painting 1973 Akademie der bildenden Künste (Art Academy of Study Abroad Mixed Media & Theory 1969-70; 1971-72 Munich; Munich, Germany) Universität München (University of Munich; Study Abroad Art History & Language Fall 1972 Munich, Germany) 6. EMPLOYMENT RECORD (a) Prior to coming to U.B.C. University, Company or Organization Rank or Title Dates Department of Art, Queen’s University Assistant Professor (Sabbatical Rep.) 1978-79 Nova Scotia College of Art and Design Instructor, Summer 1978 Department of Art, University of Alberta Assistant Professor, Spring Session 1977 Department of Art, University of Alberta Assistant Professor, Summer Session 1976 Department of Art and Design, University of Alberta Instructor (Full-time Sessional) 1975-78 University of Illinois Urbana-Champaign, Illinois Graduate Teaching Assistant 1974-75 Page 2/33 Rank or Title Dates Associate Professor 1986 Assistant Professor 1979 8. TEACHING (a) Areas of special interest and accomplishments Primary areas of instruction last five years: printmaking (with digital imaging), drawing, open studio. Additional prior areas of instruction: photography, painting, foundation, studio theory, and digital imaging. Traditional and non-traditional contexts and approaches to the producton of art are explored within the undergraduate studio-based classes I teach.
    [Show full text]
  • 1975-76-Annual-Report.Pdf
    19th Annual Report The Canada Council 1975-1976 Honorable Hugh Faulkner Secretary of State of Canada Ottawa, Canada Sir, I have the honor to transmit herewith the Annual Report of the Canada Council, for submission to Parliament, as required by section 23 of the Canada Council Act (5-6 Elizabeth 11, 1957, Chap. 3) for the fiscal year ending March 31, 1976. I am, Sir, Yours very truly, Gertrude M. Laing, O.C ., Chairman June 1,1976 The Canada Council is a corporation created by an Act of This report is produced and distributed by Parliament in 1957 "to foster and promote the study and Information Services, enjoyment of, and the production of works in, the arts, The Canada Council, humanities and the social sciences." It offers a broad 151 Sparks Street, range of grants and provides certain services to individuals Ottawa, Ontario and organizations in these and related fields. It is also re- sponsible for maintaining the Canadian Commission for Postal address: Unesco. Box 1047, Ottawa, Ontario K1 P 5V8 The Council sets its own policies and makes its own deci- Telephone: sions within the terms of the Canada Council Act. It re- (613) 237-3400 ports to Parliament through the Secretary of State and appears before the Standing Committee on Broadcasting, Films and Assistance to the Arts. The Canada Council itself consists of a Chairman, a Vice- Chairman, and 19 other members, all of whom are ap- pointed by the Government of Canada. They meet four or five times a year, usually in Ottawa where the Council of- fices are located.
    [Show full text]
  • Club Hosts Audi Art Installation May 17,2016
    NYC’s CORE: Club Hosts Audi Art Installation May 17,2016 NYC’s CORE: Club Hosts Audi Art Installation By The Daily Front Row | May 17, 2016 1 Last week, New York’s uber-exclusive CORE: Club hosted an exhibit that celebrates Audi’s newest model, the Q7, as part of its Bold Notion Series. Matthew Schreiber, known for his light-centric, eye-catching, mind-bending installations, used 400 LED lights throughout the club, a nod to Audi’s early innovations in LED technology. We chatted with Schreiber to shed some light (pun intended) on the partnership. Tell us about the exhibit! Well, this is my first lobby art, so that was very difficult. I had to figure out how to deal with the space, and all these weird shapes. So I tried to figure out how to erase the space. And one way to do that is to turn all the lights out, so that’s why it’s so dark. For the entrance, I was thinking about the movies where you see people come in through security systems and they’re being scanned, so it’s sort of an abstraction of that, or an overblown version of a laser-scanning entrance, along with some other stuff I think about with physics. And then you move into the next piece, which is a standard of mine—it’s these circles, which happen to work pretty well with the Audi stuff. I made it red to be the Audi color. But I tried to look back to the ’60s pop art movement, so it has this pattern that I’ve never done before.
    [Show full text]
  • Le Corps En Question(S) Exhibition + Dance World Première May 29 + 30 + 31 + June 1 + 2, 2012
    6TH EDITION MAY 24 – JUNE 9, 2012 PRESS KIT LE CORPS EN QUESTION(S) EXHIBITION + DANCE WORLD PREMIÈRE MAY 29 + 30 + 31 + JUNE 1 + 2, 2012 ISABELLE VAN GRIMDE VAN GRIMDE CORPS SECRETS MONTRÉAL Press kits consist of material sent by the company that produces the show, original material and research conducted by the festival team. LE CORPS EN QUESTIONS (S) (THE BODY IN QUESTION(S)) PRODUCED BY Van Grimde Corps Secrets CURATOR AND CHOREOGRAPHY Isabelle Van Grimde ASSISTANT CHOREOGRAPHER Soula Trougakos PERFORMED BY Marie Brassard + Sophie Breton + Robin Poitras + Soula Trougakos + Brian Webb VISUAL AND MEDIA ARTISTS Derek Besant + Brennan/Caulfield/Mills + Kate Craig + Nadia Myre + Marilène Oliver + Monique Régimbald-Zeiber MUSIC Thom Gossage ARCHITECT AND SET DESIGN Anick La Bissonnière IN ASSOCIATION WITH Éric O. Lacroix LIGHTING DESIGN Lucie Bazzo VIDEO Foumalade ESSAYS Dr Cristian Berco + Dr Dawna Gilchrist VISUAL ARTS ADVISORY COMMITTEE Louise Déry + Kitty Scott IN ASSOCIATION WITH Brian Webb Dance Company (Edmonton) COPRODUCTION Festival TransAmériques + Brian Webb Dance Company + CanDance Canadian Network of Dance Presenters (Toronto) + Festival Danse Canada (Ottawa) + Centennial Theatre (Lennoxville) + University of Alberta CREATIVE RESIDENCIES The Banff Centre + Agora de la danse CODIFFUSION Galerie de l’UQAM PRESS KIT THE BODY IN QUESTION(S) 1 PRESS QUOTES ABOUT BODIES TO BODIES I ET II « Isabelle Van Grimde fait littéralement vibrer les corps. Et les spectateurs. […] Le travail sur la lumière, qui souvent échappe, se remarque ici tant il est délicat, harmonieux et jamais démonstratif. […] Une danse en partage, voilà le spectacle d’Isabelle Van Grimde. À voir absolument. » Gaël CALVEZ, Le Républicain Lorrain, 5 mars 2009 « Côté danse, une création très réussie.
    [Show full text]
  • ACAD 2010 Annual Report
    09 1 0 YEAR IN REVIEW Building on the creative cornerstones of + international excellence, + global outreach, + creative thinking, + research and scholarship, + innovative educational approaches, + community support and + student, alumni and local engagement, ACAD is poised to grow as a leading centre for education and research, and a catalyst for creative inquiry and cultural development. In 2009-2010, ACAD engaged the world and created possibilities – igniting innovative changes in the minds of our students Message from the President 4 and our community. Message from the Chair of the Board of Governors 5 Mission 6 Vision + Values + Mandate 7 Year in review Creative Cornerstones 8 Exploring the Boundaries 12 Creative Thinking in Action 15 Areas of Study 18 Sharing the Creative Process 20 Inviting the World 23 The Global Classroom 25 Connected Community 27 Creating Possibilities MESSAGE FROM THE PRESIDENT Brecht once wrote, creating art not only as “a mirror held Over the past 85 “ up to reality, but rather a hammer with which to shape it”. years, in many Our community of established and emerging artists and designers have a responsibility in engaging tomorrow — forms and under our role is to question, to challenge, to stir our culture, and many names, to create new stories about what it means to be here. Any College, and any cultural centre, is by its very nature ACAD has become defined by the community of people which forms and a leading centre supports it. Our ACAD community — of artists and designers, of students and faculty, of community partners for cultural and of alumni ambassadors — has come together over the last year to create fertile ground for change, and for a new development, vision for ACAD’s future.
    [Show full text]
  • Pendulum / Pendula
    HAESEKER / HALL PENDULUM / PENDULA HEADBONES GALLERY HAESEKER / HALL PENDULUM / PENDULA April 16 - May 28, 2016 HEADBONES GALLERY Artist Catalogue: HAESEKER / HALL - Pendulum / Pendula Copyright © 2016, Headbones Gallery This catalog was created for the exhibition HAESEKER / HALL - Pendulum / Pendula at Headbones Gallery, Vernon, BC, Canada April 16 - May 28, 2016. Pendulum / Pendula Paintings Copyright ©1991-1998 Alexandra Haeseker and John Hall Juke Painting Copyright ©2015 John Hall Plagues / SPELL Painting Copyright ©1997 Alexandra Haeseker Commentary Copyright © 2016 Julie Oakes Statement Copyright © 2016 Alexandra Haeseker Rich Fog Micro Publishing, printed in Vernon, BC, 2016 Printed on the Ricoh SP C830DN All rights reserved. The content of this catalogue is protected by the copyrights of Headbones Gallery. No part of any of the content of this catalogue may be reproduced, distributed, modified, framed, adapted or made available in any form by any photographic, electronic, digital, mechanical, photostat, microfilm, xerography or other means, or incorporated into or used in any information storage and retrieval system, electronic or mechanical, without the prior written permission of Headbones Gallery. www.headbonesgallery.com ISBN: 978-1-926605-91-3 RICH FOG Micro Publishing HAESEKER / HALL PENDULUM / PENDULA Commentary by Julie Oakes Pendulum / Pendula Headbones Gallery - Vernon, British Columbia - 2016 Pendulm / Pendula The Seamless Collaboration of Alexandra Haeseker & John Hall Seated in this physical reality, it has come to the point where manufactured objects not only shape identity but often take over. Bombarded by things, 'stuff management' can occupy both thought and time with an insistent demand for attention. Hall and Haeseker lived and worked between Calgary and Mexico during the time that Pendulum / Pendula was created.
    [Show full text]