DOCSLIB.ORG

Sightlines Sightlines

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

PRENTICE HALL LITERATURE S IGHT SSIGHTIGHTLL INESINES Alice Barlow-Kedves L INES 9 Carrie Collins Ian Mills 9 Robin Pearson Wendy Mathieu Susan Tywoniuk PRENTICE HALL LITERATURE SightLines 7 0-13-012904-6 SightLines 8 0-13-012905-4 SightLines 9 0-13-012906-2 SightLines 10 0-13-082171-3 ISBN 0-13-012906-2 9 780130 129062 PRENTICE HALL PRENTICE HALL LITERATURE SSIGHTIGHTLL INESINES Alice Barlow-Kedves 9 Carrie Collins Ian Mills Robin Pearson Wendy Mathieu Susan Tywoniuk PRENTICE HALL GINN CANADA Canadian Cataloguing in Publication Data Prentice Hall Canada wishes to acknowledge the Main entry under title: following text and visuals researchers: Sightlines 9 anthology Karen Taylor (Prentice Hall literature) Alexa Kudar ISBN 0-13-012906-2 Catherine Rondina Elma Schemenauer I. Readers (Secondary) I. Barlow-Kedves, Alice Janice Dewar II. Series: Sightlines (Scarborough, ON) Jennifer Sweeney PE1121.S525 1999 428’.6 C99-930141-1 Kat Mototsune Keli Kivilaht Copyright © 1999 by Prentice Hall Canada, Keltie Thomas Scarborough, Ontario Lauri Seidlitz ALL RIGHTS RESERVED Martha Di Leonardo No part of this book may be reproduced in any Monika Croydon form or by any means without permission in Nancy Mackenzie writing from the publishers. Rita Van den Heuvel Tracey Shreve-Williams Prentice-Hall, Inc., Upper Saddle River, New Jersey Prentice Hall Canada wishes to thank the Prentice-Hall International, Inc., London following: Prentice-Hall of Australia, Pty., Ltd., Sydney Assessment Consultant: Michael Stubitsch Prentice Hall of India Pvt., Ltd., New Delhi Equity Reviewer: Elizabeth Parchment Prentice-Hall of Japan, Inc., Tokyo Aboriginal Content Consultant: Rocky Landon Prentice-Hall of Southeast Asia (PTE) Ltd., Art Content Consultant: John Di Leonardo Singapore ESL Consultant: Joan Penny Lorintt, BC Editora Prentice-Hall do Brasil Ltda., Grade 9 Reviewers: Elizabeth Woods, BC Rio de Janeiro David Achurch, BC Prentice-Hall Hispanoamericana, S.A., Mexico Colleen Midmore, BC Leigh Oswin, AB ISBN 0-13-012906-2 Bryan Rees, AB Publisher: Carol Stokes Calvin Wodinski, AB Project Manager: Helen Mason Bryan J. Smith, ON Project Editor and Anthologist: Chelsea Gina Tousignant, ON Donaldson Bruce Bartlett, ON Production Editor: Karen Alliston Anna De Iuliis, NS Director of Secondary Publishing: MaryLynne Jill Davidson, NB Meschino Percy MacGougan, PEI Copy Editor: Isobel Stevenson Lori MacPherson, PEI Production Co-ordinator: Kathrine Pummell Elizabeth Kelsey, NF Permissions: Karen Taylor Dale Loveridge, NF Cover and Interior Design: Alex Li Lois Jeffery, NF Page Layout: Gail Ferreira Ng-A-Kien Amanda Joseph, NF Cover and Section Opening Images: Laura Okemaw, AB Paul Watson/Three-In-A-Box Sandra Bishop, AB Printed and bound in Canada Lisa Robertson, AB 4 5 6 7 8 TP 05 04 03 02 01 00 C ontents C ontents by Unit Unit 1 Look At the Bus Stop, One Autumn Morning poetry M. W. Field . 2 Gore short story Sarah Ellis . 3 Transformation Mask visual traditional Haida mask . 9 Lamb to the Slaughter short story Roald Dahl . 10 The Execution poetry Alden Nowlan . 19 The Conservationist visual Boyd Webb. 20 The Open Window oral piece (stage adaptation) Henry Gilfond . 22 The Last Saskatchewan Pirate poetry (protest song) The Arrogant Worms. 28 Messages Are Everywhere visual . 30 Coup de Grâce poetry A. D. Hope . 32 The Interlopers short story “Saki” (H. H. Munro) . 33 Once Upon a Time short story Nadine Gordimer . 39 Save the Moon for Kerdy Dickus short story Tim Wynne-Jones . 44 Contents iii The Sacred Rac non-fiction (anthropological report) Patricia Hughes . 54 The Blue Bead short story Norah Burke . 56 The Toad poetry (extended metaphor) Juan José Arreola, translated by W. S. Merwin. 63 Think Like a Weightlifter, Think Like a Woman poetry Kate Braid . 64 What Happened During the Ice Storm short story (vignette) Jim Heynen . 66 Unit 2 Look Closely Two Prisoners poetry Raymond Souster . 70 Our Appearance… non-fiction (quotation) Kahlil Gibran . 71 Eggs in Egg Crate visual Mary Pratt. 72 Living Life to the Max non-fiction (profile) Penny Williams . 73 I Live in a Language That’s Not Mine non-fiction (personal essay) Carmen Rodriguez . 76 Golden Girl short story Gillian Chan . 78 Children to School visual Maud Lewis . 93 The Brute oral piece (stage play) Anton Chekhov, translated by Eric Bentley . 94 Crosswords poetry (shape poem) Gina Douthwaite . 109 To My Son poetry Helen Fogwill Porter . 110 Someone Who Used to Have Someone poetry Miriam Waddington . 111 iv Contents Long, Long After School short story Ernest Buckler . 11 2 Imperfectly poetry (song lyric) Ani DiFranco . 11 7 All poetry Leona Gom. 11 8 How to Tell Renata short story Linda Holeman . 11 9 Instructions to my Mother poetry Marilyn Dumont . 126 Messages Are Everywhere visual . 128 The Taste of Melon short story Borden Deal. 130 I Was a Teenage Ingénue non-fiction (magazine article) Leah Ross. 142 To Christine poetry Susan Forde . 146 The Game non-fiction (book excerpt) Ken Dryden . 147 Commercial non-fiction (satire) John Updike. 152 Unit 3 Look Back Pangaea poetry Sally Ito. 158 Tlingit National Anthem oral piece (traditional story) as told by Robert Willard Jr.. 160 Black Hull (from “Atlantic Elegy”) poetry (excerpt) Harry Thurston . 162 Irraweka, Mischief-maker short story (myth) retold by Philip Sherlock . 164 How Rocks Were Born oral piece (myth) translated by Lawrence Millman . 168 Contents v Postcards to Pele non-fiction (magazine article) James Houston . 170 Beside a Stone… poetry (haiku) Christine M. Krishnasami . 173 The Song of The Lambton Worm poetry (ballad) Anonymous . 174 Sir Gawain and the Loathly Lady short story (romance) retold by Selina Hastings, illustrated by Juan Wijngaard. 176 Habitant Farm visual Cornelius Krieghoff. 183 The Highwayman poetry Alfred Noyes . 184 Messages Are Everywhere visual . 188 In the Silence short story Peggy S. Curry . 190 The Time of the Wolves short story Marcia Muller . 198 The Fighting Days oral piece (play excerpt) Wendy Lill . 210 Myself visual Paraskeva Clark . 215 In Service poetry Maxine Tynes . 216 The Jade Peony short story Wayson Choy . 218 Equal Opportunity poetry Jim Wong-Chu. 226 Montreal 1962 short story Shauna Singh Baldwin . 227 Granny Glover’s Dream poetry Al Pittman . 231 Looking Back poetry Enos D. Watts . 232 Desperate Measures non-fiction (historical account) Alan Shadrake . 234 vi Contents Small Mercies: A Boy After War non-fiction (autobiography) Ernest Hillen . 241 Unit 4 Look Beyond Walking Through a Wall poetry (imaginative description) Louis Jenkins . 250 Dreamworld non-fiction (personal essay) Sharon Butala . 252 The Bridge Builder short story Margaret Mahy . 254 The Child, The Future visual George Littlechild . 262 The Dream non-fiction (memoir) Sandra Bezic . 264 In Praise of Dreams poetry Wislawa Szymborska.
Recommended publications
  • Excesss Karaoke Master by Artist

    Excesss Karaoke Master by Artist

    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
  • Le CNA. Partout Avec Vous. Table Des Matières

    Le CNA. Partout Avec Vous. Table Des Matières

    Centre national des Arts Rapport annuel 2010–2011 Le CNA. Partout avec vous. Table des matières 14 Message de Julia E. Foster, 36 Conseil d’administration présidente du conseil d’administration 37 Direction artistique 16 Message de Peter A. Herrndorf, 37 Haute direction président et chef de la direction 38 Commentaires et analyse de la direction 18 Rapport sur les objectifs stratégiques 43 États financiers 24 Le CNA et les langues officielles 49 Notes afférentes aux états financiers 25 L’année en revue 63 Fondation du Centre national des Arts 35 La Scène des Prairies 70 Dons reçus en 2010–2011 photopicturegarden/Taxi/Getty Images Rôle Le Centre national des Arts (CNA) a ouvert ses portes en 1969. Créé par le Parlement du Canada à titre de projet du Centenaire dans les années 1960, il est devenu au fil des ans la principale vitrine des arts de la scène à l’échelle nationale. Aujourd’hui, le CNA travaille avec des milliers d’artistes du Canada et du monde entier, et s’associe à des dizaines d’organisations artistiques de partout au pays. Il se veut un chef de file et un innovateur dans chacune des disciplines qu’il embrasse—musique classique, théâtre français, théâtre anglais, danse, variétés et programmation régionale. Le CNA est aussi aux avant-postes en matière de programmation jeunesse et d’activités éducatives, soutenant des programmes pour artistes en herbe et émergents, présentant des initiatives pour jeunes publics et produisant des outils pédagogiques pour les enseignants et les élèves. Il est le seul centre des arts de la scène multidisciplinaire bilingue en Amérique du Nord, et l’une des plus grandes organisations artistiques au monde.
  • Canada Needs You Volume One

    Canada Needs You Volume One

    Canada Needs You Volume One A Study Guide Based on the Works of Mike Ford Written By Oise/Ut Intern Mandy Lau Content Canada Needs You The CD and the Guide …2 Mike Ford: A Biography…2 Connections to the Ontario Ministry of Education Curriculum…3 Related Works…4 General Lesson Ideas and Resources…5 Theme One: Canada’s Fur Trade Songs: Lyrics and Description Track 2: Thanadelthur…6 Track 3: Les Voyageurs…7 Key Terms, People and Places…10 Specific Ministry Expectations…12 Activities…12 Resources…13 Theme Two: The 1837 Rebellion Songs: Lyrics and Description Track 5: La Patriote…14 Track 6: Turn Them Ooot…15 Key Terms, People and Places…18 Specific Ministry Expectations…21 Activities…21 Resources…22 Theme Three: Canadian Confederation Songs: Lyrics and Description Track 7: Sir John A (You’re OK)…23 Track 8: D’Arcy McGee…25 Key Terms, People and Places…28 Specific Ministry Expectations…30 Activities…30 Resources…31 Theme Four: Building the Wild, Wild West Songs: Lyrics and Description Track 9: Louis & Gabriel…32 Track 10: Canada Needs You…35 Track 11: Woman Works Twice As Hard…36 Key Terms, People and Places…39 Specific Ministry Expectations…42 Activities…42 Resources…43 1 Canada Needs You The CD and The Guide This study guide was written to accompany the CD “Canada Needs You – Volume 1” by Mike Ford. The guide is written for both teachers and students alike, containing excerpts of information and activity ideas aimed at the grade 7 and 8 level of Canadian history. The CD is divided into four themes, and within each, lyrics and information pertaining to the topic are included.
  • Town Joins County Plan to Dispose of Solid Waste a Kidney to His Daughter

    Town Joins County Plan to Dispose of Solid Waste a Kidney to His Daughter

    Page 18 CRANFORD CHRONICLE Thursday, August 14, 1986 f Where else but Kings? romcie SERVING CRANFORD, GARWOOD and KENILWORTH :Vol. 93 No. 34 Published Every Thursday Thursday, August 21, 1986 " USPS 136 800 Second Class Postage Paid Cranford, N.J. 30 CENTS to our own Homemade Salads. In brief Town joins county When it comes to serving a delightful change of pace for a summer dinner, our Deli Corner make a special addition to any dinner. And this week's specials Blood drive nothing can beat an entree of tender veal. go from our Oriental Vegetables to our Pesto Tortellini. The Jaycees will sponsor a plan to dispose Try our own Kings Select Veal and taste for yourself. As lean as can be, it's For salad ideas of your own, simply turn to our Farmer's Corner for blood drive to benefit two' hemophiliac residents, Judd high in protein, low in cholesterol and just the thing to highlight a. dinner for everything from Jersey Fresh Scallions and Cucumbers to California Bartlefts and Kopicki and Tom Kane. The drive two, four or more. • %' Honeydews. -- • will take place at the Community I of solid waste Let our nijjjk}',Kings Select Veal specials inspire you to choose anything from For more entree ideas, come to our Seafood Corner. Our specials include Center Friday from 4:30 to 8:30 | After reviewing several options, am afraid we will have to provide Cutlets to a ,'B$iieless Shoulder Roast. Ip addition, let our outdoor-grill Block Island Bluefish Fillets, Maine Lobsters and North Atlantic Squid, not to p.m.
  • 13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture

    13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture

    13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V.
  • Forsyth Technical Community College Commencement 2015

    Forsyth Technical Community College Commencement 2015

    Forsyth Technical Community College Commencement 2015 Lawrence Joel Veterans Memorial Coliseum 2825 University Parkway Winston-Salem, North Carolina Thursday, May 7, 2015 5:00 p.m. Forsyth Technical Community College Commencement 2015 Lawrence Joel Veteran’s Memorial Coliseum 2825 University Parkway Winston-Salem, North Carolina Thursday, May 7, 2015 5 p.m. Forsyth Technical Community College Board of Trustees Edwin L. Welch, Jr. Chair Ann Bennett-Phillips Nancy W. Dunn Jeffrey R. McFadden Amanda Boston A. Edward Jones R. Alan Proctor SGA President Andrea D. Kepple Vice Chair John M. Davenport, Jr. Arnold G. King Kenneth M. Sadler; D.D.S. Tammy L. Duggins Paul M. Wiles Forsyth Technical Community College Board of Administration Dr. Gary M. Green President Dr. Jewel B. Cherry Mr. Alan K. Murdock Vice President Vice President Student Services Economic & Workforce Development Ms. Rachel M. Desmarais Ms. Mamie M. Sutphin Vice President Vice President Information Services Institutional Advancement Ms. Wendy R. Emerson Dr. Conley F. Winebarger Vice President Vice President Business Services Instructional Services 2015 Commencement Program Processional Presiding......................................................................................................................Dr. Gary M. Green President, Forsyth Technical Community College National Anthem .................................................................................................. Sonya Bennett-Brown Music Instructor, Humanities & Social Sciences Division Introduction of
  • 12-96 Shelby County V. Holder (06/25/2013)

    12-96 Shelby County V. Holder (06/25/2013)

    (Slip Opinion) OCTOBER TERM, 2012 1 Syllabus NOTE: Where it is feasible, a syllabus (headnote) will be released, as is being done in connection with this case, at the time the opinion is issued. The syllabus constitutes no part of the opinion of the Court but has been prepared by the Reporter of Decisions for the convenience of the reader. See United States v. Detroit Timber & Lumber Co., 200 U. S. 321, 337. SUPREME COURT OF THE UNITED STATES Syllabus SHELBY COUNTY, ALABAMA v. HOLDER, ATTORNEY GENERAL, ET AL. CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE DISTRICT OF COLUMBIA CIRCUIT No. 12–96. Argued February 27, 2013—Decided June 25, 2013 The Voting Rights Act of 1965 was enacted to address entrenched racial discrimination in voting, “an insidious and pervasive evil which had been perpetuated in certain parts of our country through unremitting and ingenious defiance of the Constitution.” South Carolina v. Kat- zenbach, 383 U. S. 301, 309. Section 2 of the Act, which bans any “standard, practice, or procedure” that “results in a denial or abridgement of the right of any citizen . to vote on account of race or color,” 42 U. S. C. §1973(a), applies nationwide, is permanent, and is not at issue in this case. Other sections apply only to some parts of the country. Section 4 of the Act provides the “coverage formula,” de- fining the “covered jurisdictions” as States or political subdivisions that maintained tests or devices as prerequisites to voting, and had low voter registration or turnout, in the 1960s and early 1970s.
  • Prizing African Literature: Awards and Cultural Value

    Prizing African Literature: Awards and Cultural Value

    Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298).
  • Winter 2016 — Kyoto Edition

    Winter 2016 — Kyoto Edition

    WINTER 2016 — KYOTO EDITION featured artist: yuri shashiki society of northern alberta print-artists 10123–121 Street, Edmonton, Alberta, Canada, t5n 3w9 780.423.1492 | [email protected] | snapartists.com 2016 BOARD OF DIRECTORS message from the [email protected] executive director president Brenda Malkinson Welcome to the winter edition of SNAPline, a new look, a new format so many thanks are owed to Sergio Serrano vice president (shared) Megan Bertagnolli and the entire SNAPline committee for their vision and work toward this beautiful publication. In October myself vice president (shared) and 18 other Canadian artists met in Kyoto and celebrat- Mark Dutton ed the opening of an international exhibition of prints at treasurer the Kyoto Municipal Museum and participated in a 2 day Elliot Kerr symposium along with many artists from the Kyoto region. secretary Liz Ingram and I have been working on the coordination of Marian Switzer this exhibition, driven my Akira Kurosaki, chairman of the directors Kyoto Print Exhibition Executive Committee, for close to 3 Andrew Benson years now. In the following pages our contributors hope to James Boychuk-Hunter capture and decipher the experience of travelling to Kyoto Emilienne Gervais for this sort of cultural exchange. In the spirit of cultural Ashna Jacob Ferdinand Langit exchange we also wanted to bring a small part of Kyoto Alex Linfield print culture home to our readers and SNAP Sponsor Mem- Laura Ritchie bers, and with the invaluable help of Atsuhiko Musashi, Matt Whitson we were able to commission a limited edition of prints by publications committee artist Yuri Shashiki & we couldn’t be Stephanie Bailey more delighted with the results of Megan Bertagnolli this collaboration.
  • Fall 2013 Cover Without Flap.Indd

    Fall 2013 Cover Without Flap.Indd

    THE MAGAZINE OF RHODES COLLEGE FALL 2013 A Galaxy Renovated science facilities of Potential promise to attract the best and brightest. THE FUTURE UNFOLDS Plans for the renovation of Rhodes Tower include new labs, classrooms, offi ces, and physical plant improvements. An architect’s cutaway illustrates the range of potential uses for the six-story, 21,660-foot space. FALL 2013 VOLUME 20 • NUMBER 3 is published three times a year by Rhodes College 2000 N. Parkway Memphis, TN 38112 as a service to all alumni, students, parents, faculty, staff, and friends of the college. Fall 2013— Volume 20, Number 3 EDITOR Lynn Conlee GRAPHIC DESIGNERS Larry Ahokas Robert Shatzer PRODUCTION EDITORS Jana Files ’78 Carson Irwin ’08 Charlie Kenny Ken Woodmansee CONTRIBUTORS Lauren Albright ’16 Richard J. Alley Justin Fox Burks Julia Fawal ’15 8 Jim Kiihnl Michelle Parks A Message from the President Jill Johnson Piper ’80 P’17 4 Elisha Vego EDITOR EMERITUS 6 Campus News Martha Shepard ’66 Briefs on campus happenings INFORMATION 901-843-3000 30 Student Spotlight ALUMNI OFFICE 1 (800) 264-LYNX Faculty Focus ADMISSION OFFICE 34 1 (800) 844-LYNX Rhodes Tower Alumni News Photo illustration by Larry Ahokas 36 Photo by Jim Kiihnl Class Notes, In Memoriam The 2012-2013 Honor Roll of Donors 2 FALL 2013 • RHODES rhodes.edu 75 16 8 Situating Beloved Texts : 16 By Design: A Trip to Berlin Impacts Search Faculty Full Renovation to Enhancing the liberal arts experience—this time for Transform Rhodes Tower professors! With its quirky architectural history and planned renovation, 75 Rhodes and Beyond Rhodes Tower tells the tale Tucked between Alumni News and the Honor Roll lies of two centuries in science a special story about a growing college treasure.
  • Geographic Names

    Geographic Names

    GEOGRAPHIC NAMES CORRECT ORTHOGRAPHY OF GEOGRAPHIC NAMES ? REVISED TO JANUARY, 1911 WASHINGTON GOVERNMENT PRINTING OFFICE 1911 PREPARED FOR USE IN THE GOVERNMENT PRINTING OFFICE BY THE UNITED STATES GEOGRAPHIC BOARD WASHINGTON, D. C, JANUARY, 1911 ) CORRECT ORTHOGRAPHY OF GEOGRAPHIC NAMES. The following list of geographic names includes all decisions on spelling rendered by the United States Geographic Board to and including December 7, 1910. Adopted forms are shown by bold-face type, rejected forms by italic, and revisions of previous decisions by an asterisk (*). Aalplaus ; see Alplaus. Acoma; township, McLeod County, Minn. Abagadasset; point, Kennebec River, Saga- (Not Aconia.) dahoc County, Me. (Not Abagadusset. AQores ; see Azores. Abatan; river, southwest part of Bohol, Acquasco; see Aquaseo. discharging into Maribojoc Bay. (Not Acquia; see Aquia. Abalan nor Abalon.) Acworth; railroad station and town, Cobb Aberjona; river, IVIiddlesex County, Mass. County, Ga. (Not Ackworth.) (Not Abbajona.) Adam; island, Chesapeake Bay, Dorchester Abino; point, in Canada, near east end of County, Md. (Not Adam's nor Adams.) Lake Erie. (Not Abineau nor Albino.) Adams; creek, Chatham County, Ga. (Not Aboite; railroad station, Allen County, Adams's.) Ind. (Not Aboit.) Adams; township. Warren County, Ind. AJjoo-shehr ; see Bushire. (Not J. Q. Adams.) Abookeer; AhouJcir; see Abukir. Adam's Creek; see Cunningham. Ahou Hamad; see Abu Hamed. Adams Fall; ledge in New Haven Harbor, Fall.) Abram ; creek in Grant and Mineral Coun- Conn. (Not Adam's ties, W. Va. (Not Abraham.) Adel; see Somali. Abram; see Shimmo. Adelina; town, Calvert County, Md. (Not Abruad ; see Riad. Adalina.) Absaroka; range of mountains in and near Aderhold; ferry over Chattahoochee River, Yellowstone National Park.
  • Interwoven (HEADBONES)

    Interwoven (HEADBONES)

    INTERwoven (HEADBONES) April 26 - June 9, 2018 Mark Bovey Guy Langevin Tracy Templeton Sean Caulfield Karen Dugas Walter Jule Liz Ingram + Bernd Hildebrandt Alexandra Haeseker Derek Besant Julie Oakes Davida Kidd Exhibition Catalogue: INTERwoven (Headbones) Copyright © 2018, Headbones Gallery This catalog was created for the exhibition INTERwoven (Headbones) at Headbones Gallery, Vernon, British Columbia, Canada from April 26 - June 9, 2018. Commentary Copyright © 2018 Julie Oakes and Derek Besant Artworks Copyright ©2016-2018 Mark Bovey Guy Langevin Tracy Templeton Sean Caulfield Karen Dugas Walter Jule Liz Ingram + Bernd Hildebrandt Alexandra Haeseker Derek Besant Julie Oakes Davida Kidd Rich Fog Micro Publishing, printed in Vernon, BC, 2016 Photography provided by the artists and Headbones Gallery Printed on the Ricoh SP C830DN All rights reserved. The content of this catalogue is protected by the copyrights of Headbones Gallery. No part of any of the content of this catalogue may be reproduced, distributed, modified, framed, adapted or made available in any form by any photographic, electronic, digital, mechanical, photostat, microfilm, xerography or other means, or incorporated into or used in any information storage and retrieval system, electronic or mechanical, without the prior written permission of the artists and Headbones Gallery. www.headbonesgallery.com ISBN: 978-1-988707-13-6 RICH FOG Micro Publishing INTERwoven (HEADBONES) April 26 - June 9, 2018 Commentary by Julie Oakes & Derek Besant (italics) INTERwoven (Headbones) It is fitting that the exhibition INTERwoven New Canadian Perspectives in Textile and Printmaking - Mark Bovey, Guy Langevin, Tracy Templeton, Sean Caulfield, Karen Dugas, Walter Jule, Liz Ingram + Bernd Hildebrandt, Alexandra Haeseker, Derek Besant, Julie Oakes and Davida Kidd opens with the trees in leafy bloom broadcasting seeds throughout the Okanagan, for art too is cyclical, rejuvenating and refreshing.