DOCSLIB.ORG

From Folklore to World Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
From Folklore to World Music 1 Sborník příspěvků z mezinárodního kolokvia Od folkloru k world music: Hudba a spiritualita, konaného pod záštitou Městského kulturního střediska v ­Náměšti nad Oslavou ve dnech 30.–31. července 2019. Setkání se uskutečnilo s finanční podporou Ministerstva kultury. From Folklore to World Music: Music and Spirituality international colloquy took place under the auspices of Municipal Culture Centre in Náměšť nad Oslavou, Czech Republic, on 30 and 31 July 2019. We gratefully acknowledge the generous support of the Ministry of Culture of the Czech Republic, without whose help this publication would not be possible. Recenzovaly / Reviewed by: Doc. PhDr. Eva Krekovičová, DrSc. Doc. PhDr. Martina Pavlicová, CSc. © Městské kulturní středisko v Náměšti nad Oslavou, 2019 ISBN 978-80-907033-2-2 ISSN 2336-565X 2 OBSAH Úvodem 5 Introduction 7 Marta Toncrová – Lucie Uhlíková Částečná ztráta paměti aneb o lidových duchovních písních českých zemí 9 Marta Toncrová – Lucie Uhlíková Partial Memory Loss: Sacred Folk Songs of the Czech Lands 35 Marta Ulrychová Zapomenutá sbírka Rudolfa Hadwicha 57 Jiří Plocek Vladimír Šťastný – zapomenutý autor „velehradské hymny“ a dalších duchovních písní 87 Ondřej Skovajsa „Už sa on ten suchý javor zelení“: filozofie Martina Bubera a živá lidová píseň 97 Kateřina García Mezi mořským přílivem a písečným břehem: světské a sakrální motivy v sefardské svatební písni 117 Kateřina García Between the Waves and the Sea Strand: Sacred and Profane Themes in a Sephardic Wedding Song 128 Miloš Štědroň Janáčkova pozdní spiritualita 139 Petr Dorůžka Spiritualita v tavícím kotlíku: jak korespondují hudební fúze a synkretická náboženství 147 3 Irena Přibylová Česká stopa: afroamerické spirituály v koncertní síni 156 Jan Sobotka Putování od reformy k tradici. Počátky rytmických mší v českých katolických kostelích 184 Kristýna Navrátilová Černošské spirituály a gospely v českém prostředí v letech 1948–1989 198 Milan Tesař Žalmy a Píseň písní – starozákonní inspirace pro současnou písňovou tvorbu 217 Aleš Opekar Bůh si zakryl tvář. Náboženské odkazy v nenáboženských významech textů v české populární hudbě 226 Lee Bidgood Believing and Singing: Translating Songs of Faith in the Czech Republic 246 Medailony autorů 263 Notes on Contributors 266 4 Od folkloru k world music: Hudba a spiritualita Úvodem Dnešní svět je rychlý, pragmatický, v posledních desetiletích propojený a globalizovaný. Životní styl v mnohém určují média, virtuální realita se zdá mnohdy silnější než skutečnost. Jen občas se do centra pozornosti dostanou otázky, které souvisejí s tím, co bylo pro všechny historické společnosti určující – duchovní svět spjatý s nejrůznějšími věrskými představami a náboženstvími. To, co člověka přesahovalo v jeho každodenním bytí, bylo zároveň cestou jeho duchovního poznání. A právě tato dimenze byla a dodnes je určujícím impulzem mnoha hudebních projevů v nejrůznějších formách a žánrech. Jejich rozptyl je stejně široký jako snahy o jejich osvětlení. Zaměření 16. ročníku mezinárodního kolokvia Od folkloru k world music na oblast hudby a spirituality dalo prostor pro uchopení této problematiky, jež může vycházet z náboženských kontextů, ale i z osobních projevů mystiky či ze vzájemného vztahu společnosti a spirituálního světa. Již tradiční dvoudenní setkání akademiků, publicistů, hudebníků a veřejnosti zaměřené na lidovou, folkovou, etnickou a world music se uskutečnilo ve dnech 30. a 31. července 2019 v rámci multižánrového festivalu Folkové prázdniny v Náměšti nad Oslavou. A podobně jako se samotný festival rozšířil během třiceti čtyř let nad původní rámec folkové hudby, i kolokvium postupně překračuje vymezené hranice. Tentokrát zavedla tematika hudby a spirituality některé účastníky až do oblasti vážné hudby, jiné zase k hudbě populární. Častokrát se v příspěvcích komentuje vztah náboženství a dobové ideologie – pokud jsou v protikladu, význam duchovních písní se mění, zmenšuje, nebo dokonce ztrácí. Podrobně se tímto vztahem zabývají příspěvky o českých lidových duchovních písních, o německé edici pohřebních písní či o jednom dnes téměř zapomenutém autorovi dodnes velmi známých českých liturgických písní. Další příspěvek komentuje paradox existence náboženských odkazů v textech české populární hudby v době 5 totality. Smyslem hledání duchovního významu v díle s duchovní nálepkou, ale živelného, bouřlivého obsahu se zabývá další text. Specifický vztah české společnosti k americkým duchovním písním – spirituálům – je předmětem několika příspěvků. I v nich autoři ukázali, jak dobová ideologie ovlivnila přijetí a prezentaci této hudby v českém prostředí (na pódiích či v kostelích) a jak se s ohledem na funkci duchovních písní měnily jejich české texty ve srovnání s americkými originály. Na stránky sborníku se dostal také ojedinělý pohled Američana, který komentuje transformaci americké duchovní hudby v České republice. Navzdory všem ideologiím stále zůstávají příběhy Starého zákona – konkrétně Žalmy a Píseň písní – inspirací pro textaře současných českých hudebních skupin, jak dokládá další příspěvek. Za hranice vlivu katolického či evangelického náboženství na hudbu se vydalo několik příspěvků. Ve sborníku najdete pojednání o možné interpretaci lidové písně prostřednictvím myšlenek vykladače chasidismu Martina Bubera nebo o bohaté náboženské symbolice sefardské svatební písně z oblasti Středomoří. V příspěvku o hudebních stylech souvisejících s proměnou náboženství v důsledku významné migrace obyvatelstva odpovídá autor na otázku, zda je spiritualita v hudbě ohroženým druhem. Diskusí na téma spiritualita a hudba se po oba dny kolokvia zúčastnili jak přednášející, tak další účastníci. Hostem debatujících byla druhý den také mladá skotská skupina Talisk, která se podělila o své názory a zkušenosti s lokální hudbou v globalizovaném světě. Přestože ne všechny proslovené příspěvky jsou součástí sborníku, výsledek je velice kompaktní a nebojíme se říct, že svým obsahem i jedinečný. Texty různých autorů se vzájemně doplňují a přinášejí poznatky o dosud opomíjených nebo neprozkoumaných prvcích duchovního života a hudby. Věříme, že sborník příspěvků z náměšťského kolokvia 2019 bude pro všechny čtenáře oboha- cením či inspirací. 6 From Folklore to World Music: Music and Spirituality Introduction The world today is fast and pragmatic, and has been increasingly interconnected and globalized in the past decades. The media rule our lifestyle in many ways, and virtual reality often seems more intensive than reality itself. Only occasionally is there a focus on those issues that have determined all societies throughout history: the spiritual world connected with various types of faith and religion. That which would extend into the everyday life of humans, at the same time, was a journey of their spiritual learning. This very dimension has been a determining impulse of many manifestations of music in their most diverse forms and genres. Their scope is as broad as the various attempts to understand them. Music and Spirituality, the theme of the 2019 international colloquy From Folklore to World Music, has provided space for understanding these issues, approaching them from religious contexts, as well as from the mutual relationship between society and the spiritual world. A two-day meeting on folk and ethnic music, modern folk music and world music of academics, journalists, musicians, and the public has already become tradition. The colloquy took place in Náměšť nad Oslavou, Czech Republic, during its multi-genre music festival Folkové prázdniny, on July 30 – 31, 2019. The festival had extended its original scope during its 34-year-long existence, and the 16th colloquy likewise has reached behind its original intentions. In 2019, the topic of music and spirituality has allowed for some presenters to comment on classical music, and some on pop music. The papers in this volume frequently deal with religion – ideology relations; provided these two are juxtaposed, the meaning of sacred songs could change, diminish, or even vanish. Such relations are discussed in papers on Czech sacred folk songs, on a German edition on funeral songs, and on an almost forgotten composer of Czech liturgical songs that are well 7 known to this day. There is another paper on the ironic existence of religious allusions in Czech pop music lyrics under the totalitarian regime, and a paper on the search for spiritual meaning in a music work labelled spiritual, whose content shows an explosive, elemental force. Several papers deal with the specific relation of Czech society to American spirituals. Here too the authors have manifested how the ideology of selected periods influenced the appropriation and performance of spirituals on Czech stages and in churches, and how their Czech texts differed from the American originals, reflecting their new functions. A unique view of an American scholar on the transformation of American spiritual music in the Czech Republic is presented in the volume as well. Despite various ideologies, the Bible’s Song of Songs and Psalms have provided inspiration for Czech song lyricists, as is evident in another paper. Several of the topics go beyond the influence of Catholicism or Protestantism on music: there is an essay on the possible interpretation of folk songs according to the philosopher Martin Buber, who was influenced by the ideas of Hasidism, and another one on the abundant religious symbolism of a Sephardic Mediterranean wedding song. Finally, there is a paper on music styles and the transformation of religion as a consequence of migration:
Load more

Recommended publications
  • Maine Campus November 10 1949 Maine Campus Staff
    The University of Maine DigitalCommons@UMaine Maine Campus Archives University of Maine Publications Fall 11-10-1949 Maine Campus November 10 1949 Maine Campus Staff Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainecampus Repository Citation Staff, Maine Campus, "Maine Campus November 10 1949" (1949). Maine Campus Archives. 2854. https://digitalcommons.library.umaine.edu/mainecampus/2854 This Other is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine Campus Archives by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. 3, 1949 and his is spon- THE MAINE CAMPUS 11 of the PJIDlished Weekly by the Students of the University of Maine :ural 01. 1.1 1 26.5 Orono. NI:. November 10. 1910 r 8 It Ii Masque Play Allah Immune To Bowdoin Plea Calico Ball Will Climax Is Success As Supporters Pray For Point Annual Farmer's Fair; In Opening Queen Will Be Crowned Payson, Carr Lead Contests, Exhibits, And Games In Anderson Play VOI Be Part of Week-end Program l•.\• 101; SN“\\ N BY DICK SPRAGrk. 1.ast night the Maine Masque The third annual Farmers' Fair and the Calico Ball, big attrac- Theatre opened with its first pro- tions for this week end, will be held in the field house and the duction of the 1949-50 season. Memorial Gym this Saturday. Directed bv Herschel Bricker, the The fair will get underway at 10 a.m., and the ball is scheduled group presented "The Masque of for 8 p.m.
    [Show full text]
  • Chapter 6. the Voice of the Other America: African
    Chapter 6 Th e Voice of the Other America African-American Music and Political Protest in the German Democratic Republic Michael Rauhut African-American music represents a synthesis of African and European tradi- tions, its origins reaching as far back as the early sixteenth century to the begin- ning of the systematic importation of “black” slaves to the European colonies of the American continent.1 Out of a plethora of forms and styles, three basic pil- lars of African-American music came to prominence during the wave of indus- trialization that took place at the start of the twentieth century: blues, jazz, and gospel. Th ese forms laid the foundation for nearly all important developments in popular music up to the present—whether R&B, soul and funk, house music, or hip-hop. Th anks to its continual innovation and evolution, African-American music has become a constitutive presence in the daily life of several generations. In East Germany, as throughout European countries on both sides of the Iron Curtain, manifold directions and derivatives of these forms took root. Th ey were carried through the airwaves and seeped into cultural niches until, fi nally, this music landed on the political agenda. Both fans and functionaries discovered an enormous social potential beneath the melodious surface, even if their aims were for the most part in opposition. For the government, the implicit rejection of the communist social model represented by African-American music was seen as a security issue and a threat to the stability of the system. Even though the state’s reactions became weaker over time, the offi cial interaction with African-American music retained a political connotation for the life of the regime.
    [Show full text]
  • Chronik Band 4
    Band IV Klaus Reinhold Chronik Arnstadt 704 - 2004 1300 Jahre Arnstadt 2. erweiterte und verbesserte Auflage Teil 4 (Fortsetzung) Hebamme Anna Kessel (Weiße 50) verhalf am 26.10.1942 dem viertausendstem Kind in ihrer langjährigen beruflichen Laufbahn zum Leben. 650 „ausgebombte“ Frauen und Kinder aus Düsseldorf trafen am 27.10.1942 mit einem Son- derzug in Arnstadt ein. Diamantene Hochzeit feierte am 28.10.1942 das Ehepaar Richard Zeitsch (86) und seine Ehefrau Hermine geb. Hendrich (81), Untergasse 2. In der Nacht vom Sonntag, dem 1. zum 2.11.1942, wurden die Uhren (um 3.00 Uhr auf 2.00 Uhr) um eine Stunde zurückgestellt. Damit war die Sommerzeit zu Ende und es galt wieder Normalzeit. Zum ersten Mal fand am 14.11.1942 in Arnstadt eine Hochzeit nach dem Tode statt. Die Näherin Silva Waltraud Gertrud Herzer heiratete ihren am 9.8.1941 gefallenen Verlobten, den Obergefreiten Artur Erich Hans Schubert mit dem sie ein Töchterchen namens Jutta (7 30.8.1939 in Arnstadt) hatte. Die Heirat erfolgte mit Wirkung des Tages vor dem Tode, also 8.8.1941. Die Tochter wurde „durch diese Eheschließung legitimiert“. 1943 Der Sturm 8143 des NS-Fliegerkorps baute Anfang 1943 auf dem Fluggelände Weinberg bei Arnstadt eine Segelflugzeughalle im Werte von 3500 RM. Die Stadt gewährte einen Zuschuß von 1000 RM und trat dem NS-Fliegerkorps als Fördermitglied mit einem Jahres- beitrag von 100,00 RM bei. Der fast 18-jährige Schüler Joachim Taubert (7 24.2.1925 in Arnstadt) wurde am 6.1.1943, 9.00 Uhr, in der Wohnung seiner Mutter, der Witwe Gertrud Elisabeth Taubert geb.
    [Show full text]
  • African Americans, the Civil Rights Movement, and East Germany, 1949-1989
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by eScholarship@BC Friends of Freedom, Allies of Peace: African Americans, the Civil Rights Movement, and East Germany, 1949-1989 Author: Natalia King Rasmussen Persistent link: http://hdl.handle.net/2345/bc-ir:104045 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2014 Copyright is held by the author. This work is licensed under a Creative Commons Attribution 4.0 International License. Boston College The Graduate School of Arts and Sciences Department of History FRIENDS OF FREEDOM, ALLIES OF PEACE: AFRICAN AMERICANS, THE CIVIL RIGHTS MOVEMENT, AND EAST GERMANY, 1949-1989 A dissertation by NATALIA KING RASMUSSEN submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2014 © copyright by NATALIA DANETTE KING RASMUSSEN 2014 “Friends of Freedom, Allies of Peace: African Americans, the Civil Rights Movement, and East Germany, 1949-1989” Natalia King Rasmussen Dissertation Advisor: Devin O. Pendas This dissertation examines the relationship between Black America and East Germany from 1949 to 1989, exploring the ways in which two unlikely partners used international solidarity to achieve goals of domestic importance. Despite the growing number of works addressing the black experience in and with Imperial Germany, Nazi Germany, West Germany, and contemporary Germany, few studies have devoted attention to the black experience in and with East Germany. In this work, the outline of this transatlantic relationship is defined, detailing who was involved in the friendship, why they were involved, and what they hoped to gain from this alliance.
    [Show full text]
  • Double Burden: the Black Experience in Pittsburgh
    Double Burden: The Black Experience in Pittsburgh Laurence Glasco History Department University of Pittsburgh Scholarly studies of black Pittsburgh are numerous but uneven in their coverage. In the 1930s the Works Progress Administration (WPA) assembled a rich body of material on the social life, politics, and even folklore of the city's blacks. But the projected general history was never completed, and its unedited pages until recently lay forgotten in the state archives. The gap left by the lack of a general history, moreover, is not filled by specialized studies because these are uneven in their coverage. The nineteenth century, for example, has been especially neglected: the scholarly literature on that period consists of one article, one dissertation, and one undergraduate thesis, all of which focus on the antislavery movement of the Civil War era. The twentieth century, in contrast, has received considerable attention. The period between World War I and World War II has been especially well covered: over one hundred specialized studies--including fifty-six master's theses and dissertations--describe the adjustment problems of black migrants and the emergence of the Hill district as a predominantly black ghetto. The years following World War II also have interested scholars: more than fifty studies--primarily doctoral dissertations--examine the racial dimensions of poverty, segregation, and governmental efforts to alleviate those conditions. Finally, black Pittsburgh from approximately 1930 to 1980 has been visually well documented in the collection of Teenie Harris, a photographer for the Pittsburgh Courier whose 50,000 to 100,000 photographs rival those of New York's Vander Zee collection in portraying the texture of black urban life.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 69, 1949-1950
    SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 6-1492 SIXTY-NINTH SEASON, 1949-1950 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Conductor Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, I95O, BY BOSTON SYMPHONY ORCHESTRA, IflC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Charles D. Jackson Theodore P. Ferris Lewis Perry Alvan T. Fuller Edward A. Taft N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager T. D. Perry, Jr. N. S. Shirk, Assistant Managers [673] &®®®m®®®m® Only you can decide Whether your property is large or small, it rep- resents the security for your family's future. Its ulti- mate disposition is a matter of vital concern to those you love. To assist you in considering that future, the Shaw- mut Bank has a booklet: "Should I Make a Will?" It outlines facts that everyone with property should know, and explains the many services provided by this Bank as Executor and Trustee. Call at any of our 28 convenient offices, write or telephotie for our booklet: "Should I Make a WHIP" The V^ational Shawmut Bank 40 Water Street, Boston Member Federal Deposit Insurance Corporation Capital and Surplus $30,000,000 ^Outstanding Strength" for 113 Years @@@©@#^^^##^@#^#^^^^#^^#^^@@#^ [674] SYMPHONIANA Exhibition of Prints Cnandlanaier s Tremont and West Streets EXHIBITION OF PRINTS The etchings and wood engravings on exhibition are from the collections of Mr.
    [Show full text]
  • Scientific and Cultural Conference for World Peace
    REVIEW OF THE SCIENTIFIC AND CULTURAL CONFERENCE FORWORLD PEACE ARRANGED BY THE NATIONAL COUNCIL O~ THE ARTS, SCIENCES AND PROFESSIONS AND HELD IN NEW YORK CITY ON MARCH 25, 26, and 27, 1949 APRIL 19, 1949 Prepared and released by the COMMITTEE ON UN-AMERICAN ACTIVITIES, U. S. HOUSE OP REPRESENTATIVES WASHINGTON, D. C. COMMITTEE ON"UN';A:MERICAN' ACTIVITIES, UNITED STATES HOUSE OF REPRESEKTJ\TIVES JOHN B.WOOD, Georgia, Chairman FRANCISE. WALTER, Pcnnsyivanla J. PARNELL THOMAS, New]ersey BURR P. HA.RRISON,Virglnin RICHARD M. NIXON, California JOHN McSWEENEY, Ohio FRANCIS CA.SE, SouthDakota MORGAN M. MOULDER, Missouri HAROLD H. VELDE, illinois LOUIS J. RUSSELL, Senior. IflIJe&tioatoT :attNl~~nNMANDEL, Direclor: Of lU8earch JOlIN W. CARRINGTON, Olerk Of Comrn!t(ie II ~ ... " :... X" ~.~ ...... \" .', - . / A REVIEW OF THE SCIENTIFIC AND CULTURAL CONFERENCE FOR WORLD PEACE ARRANGED BY THE NATIONAL COUN­ CIL OF THE ARTS, SCIENCES, AND PROFESSIONS AND HELD IN NEW YORK CITY ON MARCH 25, 26,. AND 27, 1949 Parading under the imposing title of the Scientific and Cultural Conference lor World Peace the gathering at the Waldorf~A~toria 'Hotel in New York City on 1tlarch 25, 26, and 27, 1949, was actually a supermabilization of the inveterate wheelhors~s and supporters of the Communist Party and' its auxiliary organizations. It was in a sense a glorified pyramid club, pyramiding into one inflated front the names which had time and again been used by the' Communists as. decoys for the entrapment of innocents. The Communist-front connections of these sponsors, as reflected by the tabulation in this report, are very extensive.
    [Show full text]
  • 71St Annual KFLC: the Languages, Literatures, and Cultures Conference
    71st Annual KFLC: The Languages, Literatures, and Cultures Conference 19th– 21st of April 2018 University of Kentucky, Lexington 2 ~Thank You~ Dear KFLC Participant, Welcome to the 71st Annual KFLC! We are glad that you will be joining us this year. This conference was made possible by the imagination and hard work of many people who have volunteered their time, energy and insight. Please thank these people when you see them around during the next few days. We would like to recognize the hard work and guidance of the Executive Committee, and thank Dean Mark Kornbluh and the University of Kentucky's College of Arts and Sciences and the UK Office of the Vice President for Research. We would also like to thank Noah Adler and Nijad Zakharia for website and on-line abstract administration. We appreciate the contributions of Ashley Casteel and UKIT, who graciously provide us with technical support throughout the conference. Our appreciation also goes to Edwina Taylor and Emily Dowd for all of their hard work with our many on-campus and off-campus catering needs, respectively. Finally, many thanks to Bond Jacobs at the Lexington Convention and Visitors Bureau, our speakers, organizers, chairs, participants, and dedicated volunteers. [email protected] David Delgado, Assistant Director [email protected] Liliana Drucker, Financial Coordinator [email protected] Raymond Jones, Hispanic Studies Coordinator [email protected] 3 Table of Contents Table of Contents 3 Executive Committee 4 Bus Schedule 5 Vendors 6 Conference Highlights 8 Arabic
    [Show full text]
  • Pittsburgh Concert Programs at Carnegie Library of Pittsburgh
    Use Command F (⌘F) or CTRL + F to search this document ORGANIZATION DATE YEAR PROGRAM VENUE LOCATION John H. Mellor 11/27/1855 1855 Soiree by the pupils of Mrs. Ernest Piano warerooMs Music of John H. Mellor DepartMent: Pittsburgh Music Archive, #41 Protestant Episcopal Church of 12/29/1856 1856 Concert of Sacred Music Lafayette Hall Music East Liberty DepartMent: Pittsburgh Music Archive, #46 St. Andrew’s Church 1858 1858 Festival Concert by choral society at St. St. Andrew’s Music Andrew’s Church Church DepartMent: Pittsburgh Music Archive, #46 Lafayette Hall 2/9/1858 1858 Soiree Musicale in Lafayette Hall Lafayette Hall Music DepartMent: Pittsburgh Music Archive, #46 2/21/1859 1859 Mlle. PiccoloMini Music DepartMent: Pittsburgh Music Archive, #46 Grand Concert 186- 1860 The Grand Vocal & InstruMental concert of unknown Music the world-faMed Vienna Lady Orchestra DepartMent: Pittsburgh Concert PrograMs, v. 4 Presbyterian Church, East 5/20/186- 1860 Concert in the Presbyterian Church, East Presbyterian Churc Music Liberty Liberty, Charles C. Mellor, conductor h, East Liberty DepartMent: Pittsburgh Music Archive, #41 St. Peter’s Church 6/18/1860 1860 Oratorios - benefit perforMance for St. Peter’s Church Music purchase of organ for St. Mark’s Church in on Grant Street DepartMent: East BirMinghaM Pittsburgh Music Archive, #46 Returned Soldier Boys 1863 1863 Three PrograMs ChathaM and Wylie Music Ministrels Ave. DepartMent: Pittsburgh Concert PrograMs, v. 1 Green FaMily Minstrels 12/11/1865 1865 Benefit PrograM AcadeMy of Music Music DepartMent: Pittsburgh Concert PrograMs, v. 1 St. John's Choir 12/30/1865 1865 Benefit PrograM BirMinghaM Town Music Hall, South Side DepartMent: Pittsburgh Concert PrograMs, v.
    [Show full text]
  • Czech Journal of Contemporary History
    Vol. VI (2018) Vol. Vol. VI (2018) CZECH JOURNAL of CONTEMPORARY HISTORY Petr Vidomus Czechs Give Asylum to US Family A “Different” Jazz Ambassador Herbert Ward through the Lenses of FBI Reports ISTORY Stephan Stach “It Was the Poles” or How Emanuel Ringelblum Was Instrumentalized H by Expellees in West Germany On the History of the Book Ghetto Warschau: Tagebücher aus dem Chaos Petr Orság With Chinese Communists against the Czechoslovak “Normalization” Regime Exile Listy Group and Its Search for Political Allies against Soviet Power Domination in Central Europe Petr Roubal The Crisis of Modern Urbanism under the Socialist Rule ONTEMPORARY C Case Study of the Prague Urban Planning between the 1960s and 1980s Tomáš Vilímek “He Who Leads – Controls!” of Corporate Management and Rigours of “Socialist Control” in Czechoslovak Enterprises in the 1980s OURNAL Prague Chronicle: J Oldřich Tůma Unreached 90th Birthday of Milan Otáhal Tomáš Hermann Central European Historian Bedřich Loewenstein (1929–2017) ZECH C Book Reviews (Pavol Jakubec, Vít Hloušek, Karol Szymański, Květa Jechová) CZECH JOURNAL OF CONTEMPORARY HISTORY Vol. VI (2018) THE INSTITUTE FOR CONTEMPORARY HISTORY EDITORIAL CIRCLE: Kateřina Čapková, Milan Drápala, Kathleen Geaney, Adéla Gjuričová, Daniela Kolenovská, Michal Kopeček, Vít Smetana, Oldřich Tůma EDITORIAL BOARD: Muriel Blaive, Prague/Vienna Christianne Brenner, Munich Chad Bryant, Chapel Hill (NC) Petr Bugge, Aarhus Mark Cornwall, Southampton Benjamin Frommer, Evanston (IL) Maciej Górny, Warsaw Magdalena Hadjiiski, Strasbourg
    [Show full text]
  • People's World Photograph Collection
    http://oac.cdlib.org/findaid/ark:/13030/c8pz5fz6 No online items Finding Aid to the People's World Photograph Collection Finding aid prepared by Labor Archives staff. Labor Archives and Research Center 2012, Revised 2017 San Francisco State University 1630 Holloway Ave San Francisco 94132-1722 [email protected] URL: http://www.library.sfsu.edu/larc Finding Aid to the People's World larc.pho.00091986/073, 1990/013, 1992/003, 1992/049, 1 Photograph Collection 1994/037, 2011/015 Title: People's World Photograph Collection Date (inclusive): 1856-1992 Date (bulk): 1930-1990 Creator: People's World. (San Francisco, Calif.). Extent: 22 cubic ft. (45 boxes) Call number: larc.pho.0009 Accession numbers: 1986/073, 1990/013, 1992/003, 1992/049, 1994/037, 2011/015 Contributing Institution: Labor Archives and Research Center J. Paul Leonard Library, Room 460 San Francisco State University 1630 Holloway Ave San Francisco, CA 94132-1722 (415) 405-5571 [email protected] Abstract: The People's World Photograph Collection consists of approximately 6,000 photographs used in People's World, a grassroots publication affiliated with the Communist Party of the United States of America (CPUSA). The photographs, along with a small selection of cartoons and artwork, highlight social and political issues and events of the 20th century, with the views of the newspaper aligning with the CPUSA's policies on topics such as civil rights, labor, immigration, the peace movement, poverty, and unemployment. The photographs, the bulk of which span the years 1930 to 1990, comprise predominantly black and white prints gathered from a variety of sources including government agencies, photographic studios, individual photographers, stock image companies, and news agencies, while many of the cartoons and artwork were created by People's World editor and artist Pele deLappe.
    [Show full text]
  • Fourteen Join District Leaders Sail for England PTA
    T I M E S CLASSIFIED ADS BRING RESULTS AND THE NEPTUNE TIMES VoI.LXXV, No. 13 — and of the independence of the F I V E C E N T S OCEAN GROVE, TOWNSHIP OF NEPTUNE, NEW JERSEY, FRIDAY, APRIL 1, 1949 Uñited States of America the 173d Proclamation Fire Detection Test JCP&L Revenues F IN D S $4,050 A N D Fourteen Join Sail For England Board Withholds R E C E I V E S $1 R E W A R D Hotel owners and the public are Increase In 'IS CANCER CONTROL MONTH invited to attend the demonstration Final Decision For returning a handbag APRIL, 1919 Monday at 2 p.. m. o f the A tm o containing $4,050 cash and » Automatic Fire. Detection System. Electric and Gas Sales Rise Fourteen new members joined ■WHEREAS the problem of can­ School Executives To Meet sizeable check, Mrs. Marie Rev. and Mrs. Ernest W. Davis, The test will take place at the While Income Drops 34% the 6t. Paul’s auxiliary for the cer is becoming increasingly acute With Coach Pagan© In Brown, 103 Stockton avenue, 57 Embury avenue, will sail next Boscobel hotel, 62 Main avenue. From 1947 Methodist Home at its regular with the aging jopiilsitibn steadily Private Session was rewarded with a $1 bill week, Friday the 8th, on the S.S. meeting Monday in the church, mounting until more and more peo­ and a pack of cigarettes.' Mauretania for England, where , Revenues of-Jersey Central Pow­ Mrs. Charles Conover, presiding. ple are reaching thfe “cancer age,” Before making its final decision On’ March 22nd, while shop­ they will visit his father and rela­ er & Light Company from the sale They are Mrs.
    [Show full text]