Product Catalog STEVE AOKI // ATLANTIC RECORDS // PERCY BADY // BETA RECORDS // BMI // JOHNNY BRITT // MIGHTY YOUNG // ELAN MORRISON // J.P. NEGRETE // GRANT NICHOLAS // CHARLES NORRIS // COLBY JULIAN BUNETTA // PETER BUNETTA // HOLT VAUGHN // CALIFORNIA ROAD STUDIOS // CALI O'DONIS// ON POINT // OOMPH! // ROSS PALLONE // SCOTT SHAVONI PARKER // DAN PENN // NEAL POUGE //
SWAG // RICK CAMP // DYLAN CHARBENEAU // MIKE CITY // BRIAN CULBERTSON // JAMES BOB REYNOLDS // ELVIN ROSS // SERENITY EAST, SANCTUM SOUND // SERENITY WEST // FLETCHER RAYMOND & DAVID CROSBY // HECTOR DELGADO // ERICA DENNARD // KEVIN DORSEY // BRYAN SHERDAN // DREW SIMPSON // SY SMITH // STEPHANIE SPRUILL // CHRISTIAN STALNECKER // MARK
DUNCAN // ECHO BAR // NOEL EDWARDS // EJYPTIAN QUEEN // RANDY EMATA // PETER MICHAEL STEPHENS // STEREOTYPES // MIKE STEVER // DOREONNE STRAMLER // SWING HOUSE // TANK // ALEX ESCOVIDO // FAITH EVANS // TIM FAGAN // ANDREW FRAMPTON // DAN FRAMPTON // JARED GOSSELIN // TEAMER // ALEX TODOROV // DJ TRENTINO // TUCK & PATTI // BRIAN VIBBERTS // ERICK WALLS // ASAPH
ERIK GRIGGS // CARMEN GRILLO // MAX GOUSSE // KEITH HARRIS // DONALD HAYES // KAVIN WARD // AYSHA WEBB // MICHAEL WHITE // LOUIS WHITE // JOEL WHITLEY // ALLEE WILLIS // SEAN HOO // BOB HORN // CHAUN HORTON // WARREN HUART // LUKE HUBBARD // MARK ISHAM // WINCHESTER // DERICK WRIGHT // WRIGHTRAX // FRANK ZAPPA STUDIOS ...
CHRIS JOHNSON // JESSE JOSEFSSON // PHIL KEAGGY // OM' MAS KEITH // JASON LA ROCCA // ... ALL OF THEM AND MANY MORE GREAT ARTISTS AND STUDIOS TRUST IN LEWITT MICROPHONES . ALICIA LAWRENCE // JENNY LAWS // ED LEARNED // STEVE LU // CORRINE MAY // JUSTIN MERRILL //
02 03 OUR STORY OUR BELIEF
Austrian co-founder and CEO of LEWITT Roman Perschon has been deeply Music moves people. involved in microphone development with some of the industry' s top brands and was for many years Senior Buyer & Project Manager for one of Austria' s leading Music is passion. Inspiration. Messenger. microphone companies. And music deserves to be heard. Unaltered. Authentic. Memorable. The design & research team located in Vienna, Austria – recognized as a world- leading centre of excellence in professional microphone development – does all the product development including all software LEWITT has dedicated itself to and electronic engineering. This backs on supporting music aficionados, artists and to the company' s own 45.000-sqm facility audio engineers around the globe in in China exclusively designed for getting the best out of every single manufacturing microphones. The state-of- creative idea and every project – with the-art production base with +1000 microphones that set new standards in employees includes its own die casting, terms of sound quality, technology and clean room capsule assembly, anechoic reliability. chambers, the latest SMT and soldering equipment etc., to cover all aspects of We know about the claim for perfection engineering, testing and production. As that forms the basis of every studio such, LEWITT is delivering its own unique recording, every stage performance, every innovations with its own technology in high voice recording. It is the same claim for quality propositions at reasonable prices perfection characterizing our products. and thus is a truly rare combination. We also know that every voice is unique and are passionate about emphasizing All of the microphones sport the " LEWITT this uniqueness with authentic, unaltered look" that signals modernity, individuality sound. and technical professionalism and all have Roman Perschon the "" LEWITT feel that exudes ruggedness, an appealing design and a quality International research and development know-how, cutting-edge technology Holt Vaughn | CEO CEO and Co-Founder capable of fulfilling the LEWITT promise of unaltered crystal clear transmission of and a think tank of leading minds in the field of audio science and technology California Road Studios your sound, making it authentic and memorable. allow for products lending your project a distinctive, unparalleled sound. Anywhere. Anytime. And without compromise. "[...] We are excited to have a nice line up of Austrian microphones by Lewitt alongside our arsenal of classic must- have mics. We dig in particular the Lewitt LCT 640. A pair of LCT 340' s also works nicely on acoustic axes. These are high- value mics which help to get a unique thing going and away from the same-old- same old, which is super important in music today.”
04 05 CONTENTS
THE LCT AUTHENTICA SERIES ...... 08
LCT 140 ...... 12 LCT 240 ...... 14 LCT 340 ...... 16 LCT 540 ...... 18 LCT 640 ...... 20 LCT 840 ...... 24 LCT 940 ...... 26
THE MTP PERFORMANCE SERIES ...... 30
MTP 240 DM / DMs ...... 32 MTP 340 CM / CMs ...... 34 MTP 440 DM ...... 36 MTP 540 DM / DMs ...... 38 MTP 840 DM ...... 42 Oomph! MTP 940 CM ...... 44 Live at Arena Wien
THE DTP PERCUSSION SERIES ...... 46
DTP 340 TT ...... 48 DTP 340 REX ...... 50 DTP 640 REX ...... 52 DTP Beat Kit 6 ...... 54 DTP Beat Kit Pro 7 ...... 56
THE LTS WIRELESS SERIES ...... 60
LTS 240 Dual C+D ...... 62 LTS 240 Diversity C+D ...... 64
06 07 LCT 140 EMPHASIZE THE GENUINE LCT 240 IN YOUR SOUND.
LCT 340 LCT 840
THE LCT AUTHENTICA SERIES
With the LCT Authentica Series, LEWITT introduces a new generation of highly versatile wired condenser microphones that all aim for setting new benchmarks of technology, sound quality and user-friendliness in both professional studio recording and onstage use.
The microphones of the LCT Authentica Series stand for unaltered sound and LCT 540 innovative features: llluminated Settings, Noiseless Push Buttons, Automatic Attenuation with Clip Detection and History all ensure error-free sonic perfection and peerless ease of use for today’s demanding recording artists and engineers.
LCT 640 LCT 940
08 09 "GREAT PRODUCTS, EXTREMELY VERSATILE."
"LEWITT mics are extremely versatile. On the latest Aerosmith record, I used a pair of LCT 640's to give an accurate, in- Warren Huart phase stereo room sound of Joey Kramer's drums. They were able to faithfully reproduce all the subtleties of Joey Producer // Engineer // Songwriter (Aerosmith, The Fray, James Blunt, Korn, ...) Kramer, one of the world's greatest-ever rock drummers."
10 11 LCT 140 SPECIFICATIONS FEATURES
The LCT 140 is an extremely versatile, Acoustical operating principle: pressure gradient ɶ Neutral frequency response for natural reproduction
easy-to-use, compact 2/3-inch back- transducer, permanently polarized ɶ Cardioid polar pattern for effective background noise electret condenser microphone, perfectly Transducer Ø: 17 mm / 0,67 inch rejection
suited for quality-conscious casual users. Directional pattern: cardioid ɶ Wide dynamic range of 124 dB and very low self-noise Its low-mass diaphragm delivers an Frequency range: 30 to 20.000 Hz level
exceptionally clear and natural sound, Sensitivity at 1 kHz into 1 kohms: 8 mV / Pa (-42 dBV) ɶ 3-position switchable pre-attenuation pad (0 dB, 10 dB, making it the perfect fit for a wide range of Rated impedance: < 150 ohms and 20 dB) for handling extremely high sound pressure live and studio applications including Rated load impedance: > 1.000 ohms levels (SPLs)
drums and percussion, acoustic Max. SPL for 0,5 % THD: ɶ Illuminated user interface for quick and easy handling instruments or even vocal ensembles. 143 dB, 0 dB pre-attenuation even in dark environments
153 dB, 10 dB pre-attenuation ɶ Rugged black all metal construction for reliable Thanks to its uniform cardioid pickup 163 dB, 20 dB pre-attenuation performance onstage and in the studio
pattern that effectively suppresses off-axis Equivalent noise level (IEC 61672-1) : 19 dB-A, cardioid ɶ Hexagonal ruthenium-galvanized steel mesh grille to sound, a wide dynamic range of 124 dB Signal / noise ratio: 75 dB-A prevent wear and abuse
and its very low self-noise, the LCT 140 Dynamic range of the microphone amplifier: 124 dB-A ɶ Immune to electromagnetic interference thanks to adds transparency and distortion-free Pre-attenuation pad: 10 dB, 20 dB, switchable transformerless preamplifier circuitry
detail to every sound recording. Its Bass cut filter slope: ɶ Corrosion-resistant gold-plated 3-pin XLR output transformerless output design makes it 12 dB / octave at 40 Hz connector
immune to electromagnetic interference. 6 dB / octave at 300 Hz ɶ Comes in a cardboard box with foam layers; includes The LED display can optionally be Supply voltage (IEC 61938) : 48 V +/- 4 V DTP 40 Mts shock mount, LCT 40 Ws windshield and switched on and off for better handling in Current consumption (IEC 61938) : 5,3 mA DTP 40 Lb artificial leather bag different environments. In short, the LCT Connector: gold plated 3-pin XLR 140 is an extremely versatile all-rounder Dimension: 24 dia. x 160 mm / 0,94 dia. x 6,3 inch microphone. Net weight: 195 g / 6,88 oz. TOP APPLICATIONS
ɶ Acoustic instruments // piano, guitar, drums, percussion, strings...
ɶ Overhead miking // drums percussion, cymbals...
ɶ Room ambiance // guitar amplifier, drums...
ɶ Wind instruments // brass and woodwinds...
ɶ Home and studio recording
12 13 LCT 240 SPECIFICATIONS FEATURES
With the LCT 240 2/3-inch diaphragm Acoustical operating principle: pressure gradient ɶ 2/3-inch small-diaphragm capsule with ultra-thin condenser microphone, LEWITT transducer, permanently polarized externally biased, gold-layered low mass diaphragm for introduces a high precision multi-purpose Transducer Ø: 17 mm / 0,67 inch powerful and natural sound reproduction
tool that sets new benchmarks in terms of Directional pattern: cardioid ɶ Neutral frequency response for authentic sound onstage
performance and ease of use. Designed Frequency range: 20 to 20.000 Hz or in the studio
for use in live performances as well as Sensitivity at 1 kHz into 1 kohms: 8 mV / Pa (-42 dBV) ɶ Cardioid polar pattern for effective isolation of the main (home) studio recordings, the LCT 240 will Rated impedance: < 150 ohms sound source
leave a lasting impression with users Rated load impedance: > 1.000 ohms ɶ Low self-noise and a total dynamic range of 130 dB expecting accurate and unaltered tracking Max. SPL for 0,5 % THD: provides an outstanding acoustic presence and powerful of speech, vocals and instruments. 146 dB, 0 dB pre-attenuation yet authentic sound
156 dB, 10 dB pre-attenuation ɶ 3-position switchable pre-attenuation pad (0 dB, 10 dB, The LCT 240 is equipped with a high- 166 dB, 20 dB pre-attenuation and 20 dB) for handling extremely high sound pressure performance back-electret capsule Equivalent noise level (IEC 61672-1) : 16 dB-A, cardioid levels and 3-position high-pass filter
delivering a warm, distortion-free and Signal / noise ratio: 78 dB-A ɶ Illuminated user interface for quick and easy handling natural sound. The very low self-noise and Dynamic range of the microphone amplifier: 130 dB-A even in dark environments
a wide dynamic range ensures a detailed Pre-attenuation pad: 10 dB, 20 dB, switchable ɶ Noiseless pushbuttons for quick and easy attenuation sound reproduction in any setting. Like all Bass cut filter slope: and high-pass filter selection
models of the Authentica series, the LCT 12 dB / octave at 40 Hz ɶ Clipping history, automatic attenuation and key-lock 240 also features a transformerless 6 dB / octave at 300 Hz provide error-free recording and unparalleled ease of use
circuitry which makes it immune to Supply voltage (IEC 61938) : 48 V +/- 4 V ɶ Rugged black all-metal construction for durable electromagnetic interference. Current consumption (IEC 61938) : 4,7 mA performance onstage and in the studio
Connector: gold plated 3-pin XLR ɶ Extra-large hexagonal ruthenium-galvanized steel mesh
Technological improvements such as Dimension: 138 x 52 x 36 mm / 5,43 x 2,04 x 1,42 inch grille provides an open acoustic environment and
automatic attenuation and clipping history, Net weight: 310 g / 10,9 oz. prevents unwanted internal reflections
as well as an illuminated user interface and ɶ Immune to electromagnetic interference thanks to pushbuttons that allow for noiseless transformerless preamplifier circuitry switching, make this sturdy all-rounder a ɶ Corrosion-resistant gold-plated 3-pin XLR output highly convenient and reliable choice. connector
ɶ Comes in a cardboard box with foam layers; includes DTP 40 Mts shock mount, LCT 40 Wx windshield and DTP 40 Lb artificial leather bag
TOP APPLICATIONS
ɶ Lead and background vocals
ɶ Acoustic instruments // piano, guitar, drums, percussion, strings...
ɶ Overhead miking // drums, percussion...
ɶ Room ambiance pick-up // guitar amplifier, drums... ɶ Wind instruments // brass and woodwinds... ɶ Live and studio applications ɶ Podcasting ɶ Recording, home recording
14 15 LCT 340 SPECIFICATIONS FEATURES
LEWITT’s LCT 340 is a 0.8-inch externally Acoustical operating principle: pressure & pressure ɶ 0.8-inch small-diaphragm capsule with ultra-thin externally polarized condenser microphone that gradient transducers, externally polarized biased, gold-layered low mass diaphragm for ultra-precise excels at capturing acoustic and Transducer Ø: 20,32 mm / 0,8 inch and neutral sound reproduction
percussion instruments, drums and Directional pattern: cardioid, omni ɶ Flat frequency response for natural, authentic sound
vocals, and is perfectly suited for Frequency range: 20 to 20.000 Hz ɶ Interchangeable capsules for cardioid and omnidirectional
sophisticated live and studio applications. Sensitivity at 1 kHz into 1 kohms: pattern selection ensuring maximum flexibility and an
Two interchangeable capsules allow for 9 mV / Pa (-41 dBV), cardioid undisturbed workflow
quick and easy switching of patterns, 8 mV / Pa (-42 dBV), omni ɶ Wide dynamic range of 124 dB and low self-noise level of ensuring greater flexibility without Rated impedance: < 150 ohms 15 dB for ear-catching realism and distortion-free sonic changing microphones. Rated load impedance: > 1.000 ohms depth
Max. SPL for 0,5 % THD: ɶ 4-position switchable pre-attenuation pad (0 dB, 6 dB, 12 dB The LCT 340 is equipped with four- 139 dB, 0 dB pre-attenuation and 18 dB) for handling extremely high sound pressure levels position low-cut filter and pre-attenuation 145 dB, 6 dB pre-attenuation and 4-position high-pass filter
slide switches, dual-color LED indicators 151 dB, 12 dB pre-attenuation ɶ Illuminated user interface for quick and easy handling even in and a convenient snap closure. It offers a 157 dB, 18 dB pre-attenuation dark environments
dynamic range of 124 dB and stands out Equivalent noise level (IEC 61672-1) : ɶ Rugged black die-cast full-metal body ensures long life
for its extremely low self-noise of 15 dB. 15 dB-A, cardioid ɶ Hexagonal ruthenium-galvanized steel mesh grille to prevent Last but not least, its transformerless 16 dB-A, omni wear and abuse output makes this ruggedly designed pro- Signal / noise ratio: 79 dB-A ɶ Immune to electromagnetic interference thanks to mic resistant to electrical interference and Dynamic range of the microphone amplifier: 124 dB-A transformerless preamplifier circuitry a first-class pick for true sound Pre-attenuation pad: 6 dB, 12 dB, 18 dB, switchable ɶ Corrosion-resistant gold-plated 3-pin XLR output connector
enthusiasts. Bass cut filter slope: ɶ Comes in a cardboard box with foam layers; includes DTP 40 12 dB / octave at 40 Hz Mts shock mount, LCT 40 Ws windshield, DTP 40 Lb leather 6 dB / octave at 150 Hz bag and an optional omnidirectional true condenser 6 dB / octave at 300 Hz transducer Supply voltage (IEC 61938) : 48 V +/- 4 V Current consumption (IEC 61938) : 6,6 mA TOP APPLICATIONS Connector: gold plated 3-pin XLR
Dimension: 24 dia. x 160 mm / 0,94 dia. x 6,3 inch ɶ Overhead miking // drums, percussion...
Net weight: 200 g / 7,05 oz. ɶ Ensembles // choral or orchestral
ɶ Acoustic instruments // piano, guitar, drums, percussion, strings...
ɶ Wind instruments // brass and woodwinds...
ɶ Demanding live and studio applications
ɶ A/B and X/Y stereo miking
16 17 LCT 540 SPECIFICATIONS FEATURES
The LCT 540 Authentica exhibits a Acoustical operating principle: pressure gradient ɶ 1-inch dual-system externally biased capsule with an combination of qualities that will transducer, externally polarized active front and ultra-thin, gold-layered low-mass undoubtedly make it a studio favorite Transducer Ø: 25,4 mm / 1 inch diaphragm for superior transient response
among audio engineers and professional Directional pattern: cardioid ɶ Tailored frequency response for rich and authentic musicians. Designed to complement Frequency range: 20 to 20.000 Hz sound onstage or in the studio
modern recording techniques and meet Sensitivity at 1 kHz into 1 kohms: ɶ Cardioid polar pattern for effective isolation of the main the expectations of ever-demanding sound 16 mV / Pa (-36 dBV) sound source
professionals, this versatile large-diaphragm Rated impedance: < 150 ohms ɶ Extremely low self-noise of 8 dB and max SPL of 143 condenser microphone offers outstanding Rated load impedance: > 1.000 ohms dB for an impressive total dynamic range of 135 dB performance in miking lead vocals, drums Max. SPL for 0,5 % THD: providing a maximum of acoustic presence and clarity
and percussion instruments, brass and 143 dB, 0 dB pre-attenuation ɶ 3-position switchable pre-attenuation pad (0 dB, 10 dB, woodwinds, classical music ensembles. 153 dB, 10 dB pre-attenuation and 20 dB) for handling extremely high sound pressure 163 dB, 20 dB pre-attenuation levels and 3-position high-pass filter
The LCT 540's cardioid 1-inch capsule, Equivalent noise level (IEC 61672-1) : 8 dB-A ɶ Illuminated user interface for quick and easy handling enclosed by an extra-large hexagonal Signal / noise ratio: 86 dB-A even in dark environments
grille, captures elaborate, exceptionally Dynamic range of the microphone amplifier: 135 dB-A ɶ Noiseless pushbuttons for quick and easy attenuation nuanced sonic details and optimizes Pre-attenuation pad: 10 dB, 20 dB, switchable and HPF selection
isolation of the main sound source by Bass cut filter slope: ɶ Clipping history, automatic attenuation and key-lock rendering off-axis sounds. The LCT 540 12 dB / octave at 40 Hz provide error-free recording and unparalleled ease of use
features three levels of attenuation and 6 dB / octave at 300 Hz ɶ Rugged all-metal construction for reliable performance three switchable high-pass filters, two- Supply voltage (IEC 61938) : 48 V +/- 4 V onstage and in the studio
color LEDs as well as pushbuttons for Current consumption (IEC 61938) : 5,1 mA ɶ Extra-large hexagonal ruthenium-galvanized steel mesh noiseless handling. A dynamic range of Connector: gold plated 3-pin XLR grille provides an open acoustic environment and 135 dB and an extremely low self-noise of Dimension: 158 x 52 x 36 mm / 6,22 x 2,04 x 1,42 inch prevents unwanted internal reflections
8 dB round off the features of this Net weight: 425 g / 14,9 oz. ɶ Immune to electromagnetic interference thanks to exceptional microphone. transformerless preamplifier circuitry
ɶ Corrosion-resistant gold-plated 3-pin XLR output connector
ɶ Comes in a black carrying case; includes LCT 40 SHx shock mount, LCT 40 Wx windshield and DTP 40 Lb artificial leather bag
TOP APPLICATIONS
ɶ Lead and background vocals
ɶ Acoustic instruments // piano, guitar, drums, percussion, strings...
ɶ Overhead miking // drums, percussion...
ɶ Ensembles // choral or orchestral
ɶ Room ambiance pick-up // guitar amplifier, drums...
ɶ Wind instruments // brass and woodwinds... ɶ Demanding live and studio applications
18 19 LCT 640 SPECIFICATIONS FEATURES
LEWITT’s LCT 640 is designed to raise Acoustical operating principle: pressure gradient ɶ Superior transient response from ultra-thin externally the bar in its class of reference-quality transducer, externally polarized biased, gold-layered low- mass diaphragms for ear- large-diaphragm condenser microphones. Transducer Ø: 25,4 mm / 1 inch catching realism and authentic sound
This Austrian-designed and engineered Directional pattern: ɶ Flat frequency response for natural, authentic sound
pro-mic delivers a smooth, unsurpassably omni ɶ Five consistent directional characteristics – cardioid, rich and exceptionally nuanced sound, and broad-cardioid omnidirectional, figure-8, broad cardioid and supercardioid exhibits a remarkable set of qualities that cardioid – for maximum flexibility in a wide variety of recording enthuses even the most discerning users. super-cardioid applications
The LCT 640 excels in a variety of figure-8 ɶ 10 dB self-noise and max SPL of 145 dB for an demanding studio applications and stands Frequency range: 20 to 20.000 Hz impressive total dynamic range of 135 dB, providing for unrivalled performance in miking lead Sensitivity at 1 kHz into 1 kohms: maximum acoustic presence
and background vocals, drums, percussion 13 mV / Pa (-38 dBV), cardioid ɶ 4-position switchable pre-attenuation pad (0 dB, 6 dB, instruments, grand pianos, brass and 10 mV / Pa (-40 dBV), omni 12 dB and 18 dB) for handling extremely high sound woodwinds, classical music ensembles. 9 mV / Pa (-41 dBV), figure-8 pressure levels and 4-position high-pass filter
Rated impedance: < 150 ohms ɶ Illuminated user interface for quick and easy handling In addition to the standard omni- Rated load impedance: > 1.000 ohms even in dark environments
directional, cardioid and figure-8 polar Max. SPL for 0,5 % THD: ɶ Noiseless pushbuttons for quick and easy attenuation patterns, the LCT 640 offers a wide- 145 dB, 0 dB pre-attenuation and HPF selection
cardioid and super-cardioid characteristic. 151 dB, 6 dB pre-attenuation ɶ Clipping history, automatic attenuation and key-lock It offers a dynamic range of 135 dB and 157 dB, 12 dB pre-attenuation provide error-free recording and unparalleled ease of use
stands out for its extremely low self-noise 163 dB, 18 dB pre-attenuation ɶ Rugged all metal construction for reliable performance of 10 dB. In combination with a 4-level Equivalent noise level (IEC 61672-1) : onstage and in the studio
high-pass filter and 4-level switchable pre- 10 dB-A, cardioid ɶ Extra-large hexagonal ruthenium-galvanized steel mesh attenuation, the LCT 640 provides 12 dB-A, omni grille provides an open acoustic environment and maximum versatility in all recording 13 dB-A, figure-8 prevents unwanted internal reflections
situations. Automatic attenuation, key- Signal / noise ratio: 84 dB-A ɶ Immune to electromagnetic interference thanks to lock, clipping history, push buttons and a Dynamic range of the microphone amplifier: 135 dB-A transformerless preamplifier circuitry
light-up user interface round off the Pre-attenuation pad: 6 dB, 12 dB, 18 dB switchable ɶ Corrosion-resistant gold-plated 3-pin XLR output features of this outstanding microphone. Bass cut filter slope: connector
12 dB / octave at 40 Hz ɶ Comes in a black carrying case; includes LCT 40 SHx 6 dB / octave at 150 Hz shock mount, LCT 40 Wx windshield and DTP 40 Lb 6 dB / octave at 300 Hz artificial leather bag Supply voltage (IEC 61938) : 48 V +/- 4 V Current consumption (IEC 61938) : 5,5 mA Connector: gold plated 3-pin XLR TOP APPLICATIONS Dimension: 158 x 52 x 36 mm / 6,22 x 2,04 x 1,42 inch
Net weight: 430 g / 15,2 oz. ɶ Lead and background vocals
ɶ Acoustic instruments // piano, guitar, drums, percussion, strings... ɶ Overhead miking // drums, percussion...
ɶ Ensembles // choral or orchestral
ɶ Room ambiance pick-up // guitar amplifier, drums...
ɶ Wind instruments // brass and woodwinds... ɶ Demanding live and studio applications
20 21 "THEY SOUND BOTH CURRENT AND CLASSIC."
Steve Catizone (Songwriter // Music Producer, Serenity West Recording) Cameell Hanna (Manager // Booking Director, Serenity West Recording) "I track a lot of vocals and I usually have to tweak the EQ a ton to get that sparkle, but not with the LCT 940. Like "As a studio manager I book a crazy cross section of different artists from Adele to Snoop. I love Lewitt's ethos and my clients all LEWITT microphones they sound both current and classic." appreciate the incredible capture that they deliver, and they're pretty damn handsome mics to boot. The LCT 940 is a vocal mic that I am offering up first to all of our clients." Leo Mellace (Songwriter // Music Producer, Serenity West Recording) "LEWITT mics are up all over my studio and never come down. If I'm getting vocals or laying down some guitars Serenity West Recording is a haven for recording artists like Adele, Rihanna, Justin Timberlake, Sean Combs, they are always ready to deliver. I just got the LCT 940 and love it, the edge and crispness I naturally get from it is Shakira, Faith Evans, Will.I.Am and many more. incredible" 22 23 LCT 840 SPECIFICATIONS FEATURES
LEWITT’s LCT 840 is a premium-class Acoustical operating principle: pressure gradient transducer, ɶ Ultra-thin 1-inch externally biased, gold-layered low- externally polarized dual-diaphragm tube externally polarized mass diaphragms combined with a dual triode tube microphone designed to excel in a variety Transducer Ø: 25,4 mm / 1 inch ensures accurate transient response while providing of demanding applications. Equipped with Directional pattern: omni, broad-cardioid, cardioid, super- smooth, warm and airy tube sound
a precision-engineered 1-inch capsule, cardioid, figure-8, selectable on remote control ɶ Five consistent directional characteristics – cardioid, the LCT 840 stands for exceptionally warm Frequency range: 20 to 20.000 Hz omnidirectional, figure-8, broad cardioid and and classic, solid vintage sound. Perfectly Sensitivity: 23 mV / Pa (-33 dBV), cardioid supercardioid – offer maximum flexibility
suited for miking vocals and instruments, 20 mV / Pa (-34 dBV), omni ɶ Superior dynamic range of 130 dB-A (Tube) and this rugged multi-purpose microphone 23 mV / Pa (-33 dBV), figure-8 extremely low self-noise of 9 dB-A for ear-catching allows for highly nuanced and authentic Signal / noise ratio: 85 dB-A realism and distortion-free sonic depth
sound reproduction in the studio and even Equivalent noise level (IEC 61672-1) : ɶ 3-position switchable pre-attenuation pad (0 dB, 10 dB, on stage. Five switchable polar patterns – 9 dB-A, cardioid and 20 dB) for handling extremely high sound pressure omni-directional, cardioid, figure-8, wide- 10 dB-A, omni levels and 3-position high-pass filter
cardioid and super-cardioid – make the 9 dB-A, figure-8 ɶ Illuminated user interface and jog dials for easy handling LCT 840 a highly versatile tool for Dynamic range of mic. amp.: 130 dB-A even in dark environments
professional audio engineers and Max. SPL for 0,5 % THD: 139 dB, 0 dB pre-attenuation ɶ Noiseless pushbuttons for quick and easy attenuation performers looking for true and authentic 149 dB, 10 dB pre-attenuation and HPF selection
tube sound. 159 dB, 20 dB pre-attenuation ɶ Unique features like clipping history and automatic Pre-attenuation pad: 10 dB, 20 dB, selectable on remote attenuation provide error-free studio recording and Like all LEWITT mics, the LCT 840 stands control unparalleled ease of use
out for its extremely low self-noise of 9 dB Bass cut filter slope: 12 dB / octave at 40 Hz ɶ Solid die-cast metal body with a stylish, oversized tube and effective rejection of off-axis sounds. 6 dB / octave at 300 Hz inspection window specially coated for maximum The microphone features three levels of Rated impedance: < 200 ohms protection against electromagnetic interference
attenuation and three switchable high- Rated load impedance: > 1.000 ohms ɶ Custom PSU 840 power supply unit with sturdy full- pass filters, LEDs and pushbuttons for Supply voltage: custom power supply unit, metal housing and brushed, anodized black aluminum noiseless handling on the power supply 230 V, 50 Hz / 110 V, 60 Hz front
unit (PSU). Current consumption: 120 mA ɶ Extra-large hexagonal ruthenium-galvanized steel mesh Connector: gold plated 11-pin XLR grille provides an open acoustic environment and Apart from user-friendly operating controls Cable: 8 m (26 ft), 11-pin audio cable, oxygen-free copper prevents unwanted internal reflections
and advanced technological features so Dimensions (Mic): 192 x 60 x 46 mm / 7,5 x 2,4 x 1,8 inch ɶ Corrosion-resistant gold-plated 3-pin XLR output essential to memorable recordings, the Dimensions (PSU): 250 x 150 x 70 mm / 9,8 x 5,9 x 2,8 inch connector
LCT 840 also makes an eye-catching Net weight (Mic): 662 g / 23,3 oz. ɶ Comes in a black case; includes PSU 840 power supply design statement: The microphone is Net weight (PSU): 1894 g / 66,8 oz. unit, LCT 40 SHxx shock mount, LCT 40 Tr audio cable equipped with a plexiglass inspection with gold-plated 11-pin XLR connectors and LCT 40 window on the front side of the body, so Wxx windscreen the illuminated tube itself is fully exposed. The inside window surface is coated with a highly conductive, yet transparent film preventing electromagnetic interference. TOP APPLICATIONS
In short: The unique combination of ɶ Lead and background vocals
innovative design, high-end technology ɶ Acoustic instruments // piano, guitar, and tube-typical sound quality ensures drums, percussion, strings...
magic takes. ɶ Wind instruments // brass and woodwinds...
ɶ Demanding studio applications
24 25 LCT 940 SPECIFICATIONS FEATURES
Sound professionals naturally rely on a set Acoustical operating principle: pressure gradient transducer, ɶ Combines the sonic characteristics of a tube and a FET mic of different high-end microphones in order externally polarized in one single housing for maximum creative freedom and an to get the best out of their sound. But Transducer Ø: 25,4 mm / 1 inch undisturbed workflow
changing microphones and adjusting Directional pattern: omni, broad-cardioid, cardioid, super- ɶ Continuously variable switching and merging of tube settings takes valuable time, the creative cardioid, figure-8 and four additional intermediate pattern, and FET sound via rotating potentiometer
flow of a session is interrupted. With its selectable on remote control ɶ 1-inch externally biased, dual-system capsule with ultra-thin, new Authentica series flagship LCT 940, Frequency range: 20 to 20.000 Hz gold-layered low-mass diaphragms combined with a dual LEWITT now introduces a microphone Sensitivity: 23 mV / Pa (-33 dBV), cardioid triode tube ensures accurate transient response while that will revolutionize modern studio 20 mV / Pa (-34 dBV), omni providing smooth, warm and airy tube sound
recording procedures and help engineers 23 mV / Pa (-33 dBV), figure-8 ɶ Nine consistent directional characteristics – cardioid, omni- and artists to react more quickly to a Signal / noise ratio (FET): 86 dB-A directional, figure-8, broad cardioid, supercardioid and four desired change of style and sound. Signal / noise ratio (Tube): 82 dB-A intermediate patterns – for maximum flexibility in a wide variety Equivalent noise level (FET) (IEC 61672-1) : of recording applications
The LCT 940 combines the specific 8 dB-A, cardioid; 9 dB-A, omni; 8 dB-A, figure-8 ɶ Superior dynamic range of 128 dB-A (Tube) / 135 dB-A characteristics of a premium large- Equivalent noise level (Tube) (IEC 61672-1) : (FET) and exceptionally low self-noise of 12 dB-A (Tube) diaphragm FET condenser microphone 12 dB-A, cardioid; 13 dB-A, omni; 12 dB-A, figure-8 / 8 dB-A (FET) for ear-catching realism and distortion- and a top-notch tube microphone in one Dynamic range of FET mic. amp.: 135 dB-A free sonic depth
housing. Basically, users can choose Dynamic range of Tube mic. amp.: 128 dB-A ɶ 4-position switchable pre-attenuation pad (0 dB, 6 dB, between the two main settings "FET" and Max. SPL for 0,5 % THD (FET): 143 dB, 0 dB pre-attenuation 12 dB and 18 dB) for handling extremely high sound "Tube". 149 dB, 6 dB pre-attenuation pressure levels and 4-position high-pass filter
155 dB, 12 dB pre-attenuation ɶ Illuminated user interface and jog dials for easy handling "Tube" delivers the classic, warm and rich 161 dB, 18 dB pre-attenuation even in dark environments
tube sound, while "FET" stands for the Max. SPL for 0,5 % THD (Tube): 140 dB, 0 dB pre-attenuation ɶ Noiseless pushbuttons for quick and easy attenuation and clear, exceptionally rich and nuanced 146 dB, 6 dB pre-attenuation HPF selection
sound LEWITT condenser microphones 152 dB, 12 dB pre-attenuation ɶ Unique features like clipping history and automatic are renowned for. However, the LCT 940 158 dB, 18 dB pre-attenuation attenuation provide error-free studio recording and offers another unique feature that true Pre-attenuation pad: 6 dB, 12 dB, 18 dB, selectable on remote unparalleled ease of use
recording enthusiasts will swoon over: As control ɶ Custom PSU 940 power supply unit with sturdy full-metal the characteristics of the two main Bass cut filter slope: 12 dB / octave at 40 Hz housing and brushed, anodized black aluminum front
settings can be mixed and merged 6 dB / octave at 150 Hz ɶ Corrosion-resistant gold-plated 3-pin XLR output connector
continuously variable, the LCT 940 opens 6 dB / octave at 300 Hz ɶ Comes in a black carrying case; includes PSU 940 power up huge creative possibilities for artists selectable on remote control supply unit with sturdy full-metal housing and milled, anodized and producers. Rated impedance: < 200 ohms black aluminum front, LCT 40 SHxx shock mount, LCT 40 Tr Rated load impedance: > 1.000 ohms audio cable with gold-plated 11-pin XLR connectors and Furthermore, the LCT 940 features a total Supply voltage: custom power supply unit, LCT 40 Wxx windscreen of nine different polar patterns – our five 230 V, 50 Hz / 110 V, 60 Hz "standard" polar patterns omni-directional, Current consumption: 170 mA cardioid, figure-8, wide- and super- Connector: gold plated 11-pin XLR cardioid and four additional intermediate Cable: 8 m (26 ft), 11-pin audio cable, oxygen-free copper TOP APPLICATIONS patterns. The microphone features four Dimensions (Mic): 192 x 60 x 46 mm / 7,5 x 2,4 x 1,8 inch
levels of attenuation and four switchable Dimensions (PSU): 250 x 150 x 70 mm / 9,8 x 5,9 x 2,8 inch ɶ Lead and background vocals
high-pass filters, LEDs and push buttons Net weight (Mic): 662 g / 23,3 oz. ɶ Acoustic instruments // piano, guitar, drums, percussion, for noiseless handling on the PSU. Net weight (PSU): 1930 g / 68,1 oz. strings...
Automatic attenuation and clipping history ɶ Wind instruments // brass and woodwinds...
round off the feature list of the LCT 940. ɶ Demanding studio applications
26 27 "A WELCOMED ADDITION TO MY COLLECTION."
"When I'm recording a full band in the studio, I want to put up mics that I can rely on. There's limited time to achieve the Brian Vibberts quality of sound that I want. I need tools that I can trust. Therefore, the band can play while they are still fresh. LEWITT Recording Engineer (participation in 250 Grammy- microphones are innovative and productive." nominated and 65 Grammy-awarded projects)
28 29 ADD MORE POWER MTP 240 DM / DMs TO YOUR TUNES. MTP 840 DM MTP 340 CM / CMs
THE MTP PERFORMANCE SERIES
Music professionals know that it’s often the smallest details that make all the difference in vocal and instrumental recordings.
With our MTP series, we aim to exceed artists’ and audio engineers’ expectations of reproduction accuracy and isolation of the main sound source. The new flagships among LEWITT's performance microphones – the MTP 840 DM and the 940 CM MTP 440 DM are true milestones of audio technology.
All MTP microphones are professional-quality handheld dynamic and condenser performance microphones have been developed specifically for the authentic, crystal-clear reproduction of vocals and are also well-suited for instrumental applications.
Customized frequency responses, a rugged construction, high gain before feedback and extremely low handling noise make all models of the MTP series the perfect fit for any application, any performance and any setting. MTP 540 DM / DMs MTP 940 CM
30 31 MTP 240 DM / DMs SPECIFICATIONS FEATURES
The MTP 240 DM and MTP 240 DMs are Acoustical operating principle: dynamic, moving coil ɶ Optimized frequency response for vocal applications
rugged and exceptionally feedback-safe Directional pattern: cardioid ɶ Uniform cardioid polar pattern minimizes unwanted dynamic cardioid microphones tuned Frequency range: 60 to 18.000 Hz background noise
specifically for vocal applications. Perfectly Sensitivity at 1 kHz into 1 kohm: 2 mV / Pa (-54 dBV) ɶ Easily withstands high sound pressure levels
suited for use in live performances and Rated impedance: < 280 ohms ɶ Effective integrated acoustic pop and windshield offers ambitious home studio recordings, these Connector: gold plated 3-pin XLR excellent protection without compromising high- dynamic microphones please entry-level Dimension: 49 dia. x 175 mm / 1,9 dia. x 6,9 inch frequency clarity
vocalists and professionals alike. Net weight: 335 g / 11,8 oz. ɶ Highly durable black all-metal construction, optimized for rough daily touring routine
Using state-of-the-art microphone ɶ Minimally affected by varying load impedance
technology, the MTP 240 DM and DMs ɶ The MTP 240 DMs features a convenient, recessed are engineered to provide sound on/off slide switch
reproduction with exceptional clarity and ɶ Corrosion-resistant gold-plated 3-pin XLR output detail. The optional on/off switch (MTP connector
240 DMs) and a tough steel-mesh grille ɶ Comes in a cardboard box including MTP 40 MCs that perfectly resists wear and abuse shock mount and DTP 40 Lb artificial leather bag rounds out the models’ features.
TOP APPLICATIONS
ɶ Lead and background vocals
ɶ Live and studio applications
32 33 MTP 340 CM / CMs SPECIFICATIONS FEATURES
Our MTP 340 CM and MTP 340 CMs are Acoustical operating principle: pressure gradient transducer, ɶ Frequency response shaped specifically for vocal quality condenser vocal microphones with permanently polarized applications
a thin diaphragm back-electret capsule Directional pattern: cardioid ɶ Uniform cardioid pickup pattern for minimum off-axis which brings a high level of sonic detail to Frequency range: 90 to 20.000 Hz coloration
demanding vocal applications. No matter Sensitivity at 1 kHz into 1 kohm: 3,1 mV / Pa (-50 dBV) ɶ High gain before feedback
whether on stage or in the studio, the Max. SPL for 1 % / 3 % THD: 141 dB / 150 dB ɶ Easily withstands high sound pressure levels
models’ tailored frequency response Equivalent noise level (IEC 61672-1) : 25 dB-A ɶ Effective integrated acoustic pop and windshield offers always allows for maximum precision and Rated impedance: < 200 ohms excellent protection against plosives and sibilance
unsurpassed clarity, taking professional Rated load impedance: > 1.000 ohms ɶ Highly durable, black all-metal construction, optimized for vocal tracking to the next level. Supply voltage (IEC 61938) : 48 V +/- 4 V rough daily touring routine
Current consumption (IEC 61938) : 5,3 mA ɶ Minimally affected by varying load impedance
The uniform cardioid pickup pattern Connector: gold plated 3-pin XLR ɶ The MTP 340 CMs features a convenient, recessed ensures noise-free transmission, with Dimension: 49 dia. x 175 mm / 1,9 dia. x 6,9 inch on/off slide switch
essential sound sources being effectively Net weight: 330 g / 11,6 oz. ɶ Corrosion-resistant gold-plated 3-pin XLR output isolated while unwanted feedback and connector
background noise are eliminated. These ɶ Comes in a cardboard box including MTP 40 MCs microphones’ rugged construction and shock mount and DTP 40 Lb artificial leather bag hardened steel-mesh grille ensure trouble-free handling on stage and in the studio. TOP APPLICATIONS
ɶ Lead and background vocals
ɶ Live and studio applications
34 35 MTP 440 DM SPECIFICATIONS FEATURES
The MTP 440 DM is an exceptionally Acoustical operating principle: dynamic, moving coil ɶ Tailored frequency response for instrument applications
versatile, precision-engineered cardioid Directional pattern: cardioid ɶ Highly consistent cardioid polar pattern for minimum off- dynamic microphone ideally suited for Frequency range: 60 to 16.000 Hz axis coloration
upscale live sound and studio recording Sensitivity at 1 kHz into 1 kohm: 2,5 mV / Pa (-52 dBV) ɶ High gain before feedback
applications. Featuring a high- Rated impedance: < 500 ohms ɶ Easily withstands high sound pressure levels
performance capsule which delivers a Connector: gold plated 3-pin XLR ɶ Rock-solid full-metal, die-cast body for rough daily touring remarkably bright and lively sound, the Dimension: 39 dia. x 159 mm / 1,53 dia. x 6,25 inch routine
MTP 440 is perfect for miking drums, Net weight: 280 g / 9,88 oz. ɶ Minimally affected by varying load impedance
percussion instruments, brasses, ɶ Corrosion-resistant gold-plated 3-pin XLR output connector
woodwinds and vocals. ɶ Comes in a cardboard box with foam layers; includes MTP 40 MCs shock mount and DTP 40 Lb artificial leather bag The MTP 440’s cardioid pattern ensures perfect off-axis rejection and exceptionally high gain before feedback. Unwanted TOP APPLICATIONS reflections or background noise are
effectively suppressed. High-quality ɶ Drums and Percussion // snare, hi-hat...
components and rugged construction ɶ Instrument amps
make it a number one choice for touring ɶ Wind instruments // brass and woodwinds... professionals and artists around the globe.
36 37 MTP 540 DM / DMs SPECIFICATIONS FEATURES
LEWITT’s MTP 540 DM and MTP 540 Acoustical operating principle: dynamic, moving coil ɶ Frequency response shaped specifically for demanding DMs are high-performance cardioid Directional pattern: cardioid vocal applications, with brightened midrange and bass dynamic handheld microphones Frequency range: 60 to 16.000 Hz roll-off
optimized for vocal applications setting Sensitivity at 1 kHz into 1 kohm: 2 mV / Pa (-54 dBV) ɶ Uniform cardioid pickup pattern for maximum isolation of new standards of sound quality in both Rated impedance: < 300 ohms the main sound source
demanding studio recordings and onstage Connector: gold plated 3-pin XLR ɶ Highly shock-proof capsule minimizes handling noise
use. Dimension: 49 dia. x 175 mm / 1,9 dia. x 6,9 inch ɶ Easily withstands high sound pressure levels
Net weight: 400 g / 14,1 oz. ɶ Effective integrated acoustic pop and windshield offers The MTP 540 DM and DMs combine the excellent protection without compromising high- advanced technological features so frequency clarity
essential to memorable and authentic ɶ Rock-solid full-metal, die-cast body for rough daily vocal reproduction, providing just the kind touring routine
of performance you expect in a top-notch ɶ Hardened hexagonal ruthenium-galvanized steel mesh professional dynamic microphone: the grille to prevent wear and abuse
elastic shock-mount system effectively ɶ Minimally affected by varying load impedance
cuts down handling noise, while a built-in ɶ The MTP 540 DMs features a convenient recessed spherical wind and pop filter compliments on/off slide switch
specially tailored frequency response to ɶ Corrosion-resistant gold-plated 3-pin XLR output ensure consistently rich and powerful connector
output in any setting. ɶ Comes in a cardboard box with foam layers; includes MTP 40 MCs shock mount and DTP 40 Lb artificial leather bag
TOP APPLICATIONS
ɶ Lead and background vocals
ɶ Live and studio applications
38 39 "PRESSURE AND DIRECTNESS ARE PARTICULARLY IMPORTANT TO US."
"Ever since the European summer festivals of 2012, we've been using a complete set of LEWITT microphones for our Oomph! live work. Drum kit, percussion, guitars, accordion and, of course, the vocals – we mic everything with LEWITT German Rockband microphones. They sound forceful and authentic, their clarity and direct response won us over immediately" Picture taken at Novarock 2012
40 41 MTP 840 DM SPECIFICATIONS FEATURES
LEWITT puts true studio performance Acoustical operating principle: dynamic, moving coil ɶ Proprietary dynamic capsule tuned specifically for onstage – universally usable thanks to Directional pattern: super-cardioid demanding vocal applications, with brightened midrange switchable sensitivity and a multi-step Frequency range: 40 to 18.000 Hz and extended low end
high-pass filter, infinitely durable and Sensitivity: ɶ Uniform supercardioid pickup pattern for maximum optimally equipped for punishing touring 2,5 mV / Pa (-52 dBV), passive mode isolation of the main sound source
conditions without compromising on 5 mV / Pa (-46 dBV), active mode ɶ Optional active mode provides superior dynamic range sound. 10 mV / Pa (-40 dBV), active mode of 130 dB-A and extremely low self-noise of 22 dB-A Signal / noise ratio: 72 dB-A for ear-catching realism and distortion-free sonic depth
Excellent transient response, refined Equivalent noise level: ɶ Optional 3-position switchable amplification (0 dB, 6 dB, electronics and superior capsule design 22 dB-A, Super-cardioid (IEC 61672-1) and 12 dB) for unrivalled signal quality in demanding make the MTP 840 DM a unique tool for Dynamic range, passive mode: 141 dB-A environments
onstage use. Innovative circuitry design Dynamic range, active mode: ɶ 3-position switchable high-pass filter for direct and the highest-quality components make 130 dB-A, 0 dB gain adjustment of proximity effect according to application for low self-noise and a maximum of 124 dB-A, 6 dB gain and artist
dynamic range when in active mode, the 118 dB-A, 12 dB gain ɶ Illuminated indication of microphone settings for quick frequency curve, which is specially tailored Max. SPL for 0,5 % THD, active mode: and easy handling even in dark environments
for vocal recordings, provides the ultimate 152 dB, 0 dB gain ɶ Recessed slide switches prevent unintended change of in sound quality. A three-step high-pass 146 dB, 6 dB gain settings
filter directly influences the proximity 140 dB, 12 dB gain ɶ Effective integrated acoustic pop and windshield offers effect. The built-in three-position Gain settings, active mode: 0 dB, 6 dB, 12 dB, switchable excellent protection without compromising high- switchable amplifier, is specially adapted to Bass cut filter slope: frequency clarity
the MTP 840’s components, allowing 12 dB / octave at 100 Hz ɶ Rock-solid full metal, die-cast body for rough daily lossless recording of even far-off sources. 6 dB / octave at 250 Hz touring routine
The LEDs on the MTP 840 DM, which Rated impedance: < 600 ohms ɶ Hardened steel mesh grille to prevent wear and abuse
can be turned off, make checking the Rated load impedance: > 1.000 ohms ɶ Minimally affected by varying load impedance
microphone’s numerous settings a direct Supply voltage: 48 V +/- 4 V (IEC 61938) ɶ Corrosion-resistant gold-plated 3-pin XLR output and easy matter even in the dark. Current consumption: 5,5 mA (IEC 61938) connector
Connector: gold plated 3-pin XLR ɶ Comes in a cardboard box including MTP 40 MCs The new dynamic flagship MTP 840 DM Dimension: 51 dia. x 183 mm / 2 dia. x 7,2 inch shock mount and DTP 40 Lb artificial leather bag transports the artist’s voice in a natural and Net weight: 326 g / 11.45 oz powerful way, consistent directionality across the entire frequency spectrum TOP APPLICATIONS makes for maximum protection against feedback, with the flexibly suspended ɶ Lead and background vocals capsule reducing structure-borne noise to ɶ Demanding live and studio applications a minimum.
42 43 MTP 940 CM SPECIFICATIONS FEATURES
Real studio performance onstage – at Acoustical operating principle: pressure gradient transducer, ɶ 1-inch externally biased, dual-system capsule with ultra- present, this can only be found in externally polarized thin, gold-layered low-mass diaphragms ensure accurate LEWITT’s MTP Performance Series. Transducer Ø: 25,4 mm / 1 inch transient response for nuanced and authentic sound
Meeting the highest standards onstage Directional pattern: ɶ Flat frequency response for natural, authentic sound
and in the studio requires the world’s most broad-cardioid ɶ Three consistent directional characteristics – cardioid, technically advanced, innovative and full- cardioid wide cardioid, supercardioid – for maximum flexibility in a featured handheld condenser microphone: super-cardioid wide variety of live and recording applications
the new MTP 940 CM – a milestone of Frequency range: 20 to 20.000 Hz ɶ Superior dynamic range of 135 dB-A and exceptionally audio technology. Sensitivity: 10 mV / Pa (-40 dBV), cardioid low self-noise of 9 dB-A thanks to innovative direct Signal / noise ratio: 85 dB-A coupling technology (patent pending) for ear-catching The externally biased large-diaphragm Equivalent noise level: 9 dB-A, cardioid (IEC 61672-1) realism and distortion-free sonic depth
capsule of the MTP 940 CM lends the Dynamic range of mic. amp.: 135 dB-A ɶ 3-position switchable pre-attenuation pad (0 dB, 6 dB, lead voice the necessary presence in an Max. SPL for 0,5 % THD: and 12 dB) for handling extremely high sound pressure infinitely subtle, detailed and authentic 144 dB, 0 dB pre-attenuation levels
way. The source comes through clearly, 150 dB, 6 dB pre-attenuation ɶ 3-position switchable high-pass filter for direct processed with impressive feedback 156 dB, 12 dB pre-attenuation adjustment of proximity effect according to application resistance and with undesired breath, Pre-attenuation pad: 6 dB, 12 dB, switchable and artist
popping and handling noise reduced to a Bass cut filter slope: ɶ Illuminated indication of microphone settings for quick minimum. The MTP 940 CM boasts a 12 dB / octave at 100 Hz and easy handling even in dark environments
135 dB dynamic range – the widest ever 6 dB / octave at 250 Hz ɶ Recessed slide switches prevent unintended change of achieved in a live microphone – due to its Rated impedance: < 150 ohms settings
high headroom and LEWITT’s own Direct Rated load impedance: > 1.000 ohms ɶ Effective integrated acoustic pop and windshield offers Coupling circuit design, which makes Supply voltage: 48 V +/- 4 V (IEC 61938) excellent protection without compromising high- possible an unbeatably low self-noise level Current consumption: 5,5 mA (IEC 61938) frequency clarity
of just 9 dB. Thus the MTP 940 CM is Connector: gold plated 3-pin XLR ɶ Rock-solid full-metal, die-cast body for rough daily also ideal for use in the studio. Three Dimension: 51 dia. x 183 mm / 2 dia. x 7,2 inch touring routine
switchable polar patterns ease recording Net weight: 332 g / 11.71 oz ɶ Hardened steel mesh grille to prevent wear and abuse
of the most diverse sources. A three-step ɶ Minimally affected by varying load impedance
high-pass filter makes it possible to ɶ Corrosion-resistant gold-plated 3-pin XLR output directly influence the proximity effect and connector
the three-position switchable attenuation ɶ Comes in a cardboard box including MTP 40 MCs pad guarantees use even in extreme SPL shock mount and DTP 40 Lb artificial leather bag environments. LEDs that can be switched off if desired, make checking the mic’s numerous settings a direct and easy TOP APPLICATIONS matter even in the dark ensuring a fast and trouble-free setup process. ɶ Lead and background vocals
ɶ Demanding live and studio applications For everyone who’s always dreamed of taking their studio mic into their hands and onstage, or of recreating a live atmosphere in the studio at an uncompromising level of quality, the MTP 940 CM is the only right choice. With the optimal synergy between versatility, innovation and sound quality, it sets a new benchmark in the world of high-end microphones. 44 45 PUT MORE BOOM DTP 340 REX DTP 340 TT IN YOUR CHA.
THE DTP PERCUSSION SERIES
With its DTP series, LEWITT introduces a complete family of cutting-edge, high-performance wired dynamic microphones designed specifically for drums, percussion and bass instruments. T hese high-quality mics – spear-headed by our masterpiece, the dual-element cardioid DTP 640 REX optimized for kick drum applications – stand out thanks to their sonic accuracy on stage as well as in studio settings. Minimally affected by varying load impedance and designed to effectively reject off-axis sound, all models of the DTP series deliver unparalleled, memorable sound that will turn heads in any audience. Uniform cardioids and super-cardioid patterns allow for high gain before feedback and a hardened steel mesh grille effectively resists wear and abuse, making DTP microphones and Beat Kits the ultimate choice for touring professionals.
From professional drummers to discerning beat aficionados, LEWITT's DTP series lets music lovers and performers alike discover a fine-tuned, punchy sound.
DTP 640 REX
46 47 DTP 340 TT SPECIFICATIONS FEATURES
With the DTP 340 TT LEWITT introduces Acoustical operating principle: dynamic, moving coil ɶ Tailored frequency response for powerful yet smooth and consistently high-performing wired Directional pattern: super-cardioid natural sound on percussion instruments
dynamic microphones specifically Frequency range: 40 to 16.000 Hz ɶ Uniform supercardioid pickup pattern ensures high gain designed to accurately capture the sound Sensitivity at 1 kHz into 1 kohm: 1,4 mV / Pa (-57 dBV) before feedback and maximum isolation of the desired of drums and percussion instruments Rated impedance: < 500 ohms sound source
providing a maximum of acoustic presence Connector: gold plated 3-pin XLR ɶ Solid full-metal, die-cast body suited for rough daily and clarity in live sound applications. Dimension: 41 dia. x 94 mm / 1,6 dia. x 3,7 inch touring routine
Net weight: 165 g / 5,82 oz. ɶ Highly durable steel mesh grille to prevent wear and Even in high sound pressure level abuse
applications, DTP 340 TT reproduces ɶ Corrosion-resistant gold-plated 3-pin XLR output instrumental sounds with sonic detail and connector
character. The super-cardioid polar pattern ɶ Comes in a cardboard box with foam layers, including ensures that side and rear sounds are DTP 40 Mts shock mount, DTP 40 Mt drum mount and effectively rejected. Its rugged body and a DTP 40 Lb artificial leather bag hardened steel-mesh grille make this microphone highly durable professional gear for performers and audio engineers. TOP APPLICATIONS
ɶ Drums and Percussion // tom tom, hi-hat...
48 49 DTP 340 REX SPECIFICATIONS FEATURES
The ambitious DTP 340 REX developed Acoustical operating principle: dynamic, moving coil ɶ Switchable “Enhanced Frequency Response” for entry-level use and its upscale big Directional pattern: cardioid specifically tailored for a powerful kick drum sound
brother designed for professional use, the Frequency range: 20 to 16.000 Hz ɶ Perfectly suited for recording bass instruments and DTP 640 REX, make the hearts of beat EFR, ‘Enhanced FrequencyResponse’ settings: percussion
aficionados beat faster. Thanks to its = FFR, ‘Flat Frequency Response’ ɶ Uniform cardioid pickup pattern for maximum isolation cardioid polar pattern and customized + EFR, ‘Enhanced Frequency Response’ of the main sound source
frequency response, the dynamic DTP Sensitivity, = FFR: 0,4 mV / Pa (-69 dBV) ɶ Outstanding gain before feedback
340 REX offers everything you need to Sensitivity, + EFR: 0,4 mV / Pa (-69 dBV) ɶ Rock-solid full metal die-cast body suited for rough daily mic bass instruments: catchy, impressive Rated impedance: < 500 ohms touring routine
sound and reliable performance on stage Connector: gold plated 3-pin XLR ɶ Integrated stand adapter for secure mounting and easy and in the studio. Dimension: 71 dia. x 158 mm / 2,8 dia. x 6,2 inch positioning
Net weight: 740 g / 26,1 oz ɶ Corrosion-resistant gold-plated 3-pin XLR output Since 2012, the DTP 340 REX offers connector
another innovative feature. In addition to ɶ Comes in a cardboard box with foam layers and DTP the accustomed neutral and pure sound – 40 Lb artificial leather bag developed for maximum application diversity –, the ‘Enhanced Frequency Response’ switchable right on the TOP APPLICATIONS microphone will deliver an unbeatably
impressive sound by emphasizing ɶ Drums and Percussion // kick drum...
frequencies from 70-150 Hz and 3-5 kHz ɶ Low frequency instruments // double bass, – especially optimized for use on kick electric bass, kick drum...
drums. ɶ Live and studio applications
50 51 DTP 640 REX SPECIFICATIONS FEATURES
Thanks to variably controlled dual element Acoustical operating principle: ɶ Innovative dual-element design (dynamic and back- technology and fine tuned frequency dynamic, moving coil electret condenser) accurately captures the sharp responses, our flagship among drum condenser, permanently polarized attack of the beater as well as the round tonalities of microphones, the DTP 640 REX, offers Transducer Ø (dynamic): 31,7 mm / 1,25 inch the shell for unrivaled realism
unparalleled and powerful sound that will Transducer Ø (condenser): 22,4 mm / 0,88 inch ɶ 3-position switchable "Enhanced Frequency Response" delight professional drummers and sound Directional pattern: cardioids, condenser and dynamic provides various tailored frequency responses on engineers alike. The DTP 640 REX is Frequency range: 20 to 16.000 Hz, dynamic, separate channels for maximum creative freedom
equipped with a high quality dynamic depending on EFR setting ɶ Frequency response specifically tuned for kick drum element and a condenser element – the EFR, ‘Enhanced Frequency Response’ settings: applications and bass instruments
dynamic element ensures accurate = // = FFR, ‘Flat Frequency Response’ ɶ 3-position switchable pre-attenuation pad (0 dB, 10 dB, reproduction of the bass drum kick, while + // = Dynamic EFR, ‘Dynamic Enhanced Frequency and 20 dB) for handling extremely high sound pressure the condenser element optimally captures Response’+ // + Dual EFR, ‘Dual Enhanced levels
the rich low frequency sound of the Frequency Response’ ɶ Hardened hexagonal ruthenium-galvanized steel mesh drum’s shell. In order to guarantee full Sensitivity, = // = FFR: grille to prevent wear and abuse
control over the two elements, they can be 0,4 mV / Pa (-69 dBV) dynamic ɶ Integrated stand adapter for quick and easy mounting separately mixed on their own channels. 2 mV / Pa (-54 dBV) condenser and positioning
Sensitivity, + // = Dynamic EFR: ɶ Corrosion-resistant gold-plated 5-pin XLR output Since 2012, the DTP 640 REX offers two 0,4 mV / Pa (-69 dBV) dynamic connector
more features. The dynamic element 2 mV / Pa (-54 dBV) condenser ɶ Comes in a cardboard box with foam layers; includes emphasizes frequency ranges relevant for Sensitivity, + // + Dual EFR: DTP 40 Trs cable and DTP 40 Lb artificial leather bag the kick drum in the ‘Dynamic Enhanced condenser and dynamic matched at 1 mV / Pa (-60 dBV) Frequency Response’ setting switchable Equivalent noise level: right on the microphone, while the 28 dB-A (IEC 61672-1), condenser, FFR TOP APPLICATIONS condenser element captures the sound Dynamic range of mic. amp.: 122 dB-A, condenser
neutrally. With ‘Dual Enhanced Frequency Max. SPL for 0,5 % THD: ɶ Drums and Percussion // kick drum...
Response’, the character of the sound can 150 dB, 0 dB pre-attenuation ɶ Low frequency instruments // double bass, be shaped even more individually – with 160 dB,10 dB pre-attenuation electric bass, kick drum... this setting, the condenser element 170 dB, 20 dB pre-attenuation ɶ Live and studio applications focuses on frequencies from 70 to 150 Hz Pre-attenuation pad: 10 dB, 20 dB switchable and delivers a full body sound. The Rated impedance: dynamic element provides the necessary < 500 ohms, dynamic power by focusing on the range between < 200 ohms, condenser 3 and 5 kHz. Supply voltage: 48 V +/- 4 V (IEC 61938) Current consumption: 2 mA (IEC 61938) The combination of these features with Connector: gold plated 3-pin and 5-pin XLR the comprehensive tonal freedom of dual- Cable: 1,5 m (4,95’) dual shielded Y-cable, element technology greatly increases the 5-pin XLR into two 3-pin XLRs range of use, turning the DTP 640 REX Dimension: 71 dia. x 158 mm / 2,8 dia. x 6,2 inch into a universal tool for bass-heavy Net weight: 755 g / 27,3 oz applications.
52 53 DTP Beat Kit 6 FEATURES
The DTP Beat Kit 6 is a conveniently packaged start-up ɶ 6 piece starter drum kit containing one DTP 340 REX, three selection of dynamic and condenser drum and percussion DTP 340 TT and two LCT 140 microphones
microphones and mounts, designed to offer performers and ɶ All microphones feature frequency responses specifically audio engineers of all experience levels everything needed for tailored for drum and percussion instruments
expert live sound reinforcement, home recording and studio ɶ Extremely durable gear for professional live and studio recording. applications
ɶ The LCT 140 features a transformerless design which makes The 6-piece drum kit includes one DTP 340 REX and three it immune to electromagnetic interference
DTP 340 TT super-cardioid dynamic drum mics, two LCT 140 ɶ All models are equipped with corrosion-resistant gold-plated condenser mics, windshields and drum- and shock mounting 3-pin XLR output connectors ensuring reliable signal paths
systems, and comes in a convenient black aluminium carrying ɶ Comes in a black carrying case with double foam layers and case. Thanks to carefully tailored frequency responses artificial leather faces for easy travel and secure storage
optimized for drum and percussion applications, as well as ɶ Includes two LCT 40 Ws windshields, five DTP 40 Mts shock precision dynamic capsules and uniform directional pickup mounts and three DTP 40 Mt drum mounts patterns ensuring high gain before feedback, the DTP 340 REX and the DTP 340 TT deliver fine-tuned drum sound with extraordinary detail and impact onstage and in the studio. LEWITT’s highly versatile and compact condenser all-rounder, the LCT 140, allows for accurate and clear sound capture of cymbals. Its transformerless design makes it immune to electromagnetic interference, and convenient LED displays and recessed slide switches make it a perfect fit for live applications.
The complete kit comes in a rugged aluminium case which allows for easy travel and secure storage.
54 55 DTP Beat Kit Pro 7 FEATURES
The DTP Beat Kit Pro 7 is an elite full-spectrum drum set ɶ 7-piece quality drum kit containing one DTP 640 REX, three designed for an ever growing number of professional drummers dynamic DTP 340 TT microphones, two LCT 340 condenser and sound engineers looking for a high-performance all-rounder microphones and one dynamic MTP 440 DM
kit that allows for reproducing authentic, powerful sound full of ɶ All microphones feature frequency responses specifically detail in any setting. From upscale studio projects to big live tailored for drums and percussion instruments
acts, the DTP Beat Kit Pro 7 provides just the kind of reliable ɶ Highly durable all-metal constructed bodies and hardened premium gear you need for a memorable performance. steel mesh grilles for reliable performance onstage and in the studio
This 7-piece pro-kit contains our drum mic masterpiece, the ɶ The LCT 340 provides interchangeable 0.8-inch small- dual-element cardioid DTP 640 REX, three dynamic DTP 340 diaphragm capsules for cardioid and omnidirectional (optional) TT mics, two LCT 340 condenser mics and one cardioid pattern selection, convenient snap closure, transformerless dynamic MTP 440 DM mic, as well as a selection of shock and output and dual-color LEDs
drum mounts. All these pro-quality, precision-engineered ɶ The DTP 340 TT features a uniform supercardioid pickup microphones feature a tailored frequency response designed pattern for high gain before feedback and maximum isolation specifically for miking drums, percussions and bass of the desired sound source
instruments. The complete package exhibits fantastic SPL ɶ The MTP 440 DM is a cardioid dynamic microphone featuring handling and off-axis sound rejection, delivering remarkably a precision-engineered capsule for effective isolation of the bright, smooth and balanced sound – anytime, anywhere. intended sound source, perfectly suited for miking snare drums
The complete kit comes in a rugged aluminium case which ɶ The DTP 640 REX combines a high-performance back- allows for easy travel and secure storage. electret and a dynamic capsule in one mic for a highly balanced, rich and powerful drum sound
ɶ All models are equipped with corrosion-resistant gold-plated 3-pin XLR output connectors ensuring reliable signal paths and low noise
ɶ Comes in a black carrying case with double foam layers and artificial leather faces for easy travel and secure storage
ɶ Includes two LCT 40 Ws windshields, five DTP 40 Mts shock mounts, four DTP 40 Mt drum mounts and one MTP 40 MCs shock mount
56 57 "IT REALLY CAPTURES THE TRUE SOUND OF WHATEVER I AM RECORDING."
Keith Harris trusts in LEWITT microphones. He may be best known as the drummer and a producer for multi-platinum Keith Harris selling, The Black Eyed Peas and 'Fergie'. His album credits include Michael Jackson, Mary J. Blige, Mariah Carey, Producer // Drummer Christina Aguilera, Chris Brown, Pussy Cat Dolls, Earth Wind and Fire, John Legend and many more. (Multi Grammy Award Winner)
58 59 GET MORE LIVE LTS 240 Diversity C+D INTO YOUR SHOW.
THE LTS WIRELESS SERIES
Reasonably priced, sophisticated and yet easy-to-use wireless vocal systems which deliver solid, distortion-free sound and excel in a variety of semi-professional studio and live applications. That's what LEWITT's tech-engineers had in mind when they created the LTS series. No matter whether at small live gigs, conferences, regional events or karaoke performances, LTS wireless systems are the first choice for ambitious entry- and mid-level users looking for the perfect combination of consistent performance, smart operation and remarkable audio quality.
Users can choose between systems with condenser or dynamic capsules, and all LTS sets feature handheld transmitters and full metal half-rack receivers.
Unplug and dive into a great new wireless experience.
LTS 240 Dual C+D
60 61 LTS 240 Dual C+D SPECIFICATIONS FEATURES
State-of-the-art wireless technology, solid Transmitters ɶ The LTS 240 Dual C and D wireless systems are the construction, reliable performance and Transmission principle: UHF, FM perfect choice for entry-level users looking for reliable quality audio transmission at an Directional pattern: cardioid gear that delivers distortion-free, natural sound in live extraordinary price-performance ratio – Available channels: 2 fixed and karaoke performances
that’s what LEWITT’s LTS 240 Dual C & Modulation: FM (25 kHz max. deviation), compander ɶ The LTS 240 Dual C kit includes two handheld LTS 240 Dual D wireless start-up kits system with pre- and de-emphasis transmitters featuring quality condenser capsules and a stand for. Designed for entry-level users, Audio bandwidth: 70 to 18.000 Hz half-rack receiver
these versatile, compact wireless systems THD: < 0.5 % typical ɶ LTS 240 Dual D kit includes two handheld transmitters offer artists and engineers easy-to-use Signal / noise ratio: > 80 dB-A typical featuring quality dynamic capsules and a half-rack wireless technology, delivering natural and RF radiation: 10 mW receiver
distortion-free sound on small stages, at Battery life: 2 pcs AA size dry batteries: 10 hours typ. ɶ Four-part RF- and AF-level LED display
events or karaoke performances. Dimension: 50 dia. x 262 mm / 1,96 dia. x 10,3 inch ɶ Transmitters are equipped with two AA batteries for up Net weight: 255 g / 9,0 oz. to ten hours of continuous performance, a convenient Users can choose between systems with LED display indicating battery status and an condenser (LTS 240 Dual C) or dynamic Receiver On/Off/Mute switch
capsules (LTS 240 Dual D). Each set Audio outputs: balanced 3-pin XLR; unbalanced ɶ Receiver features pre-programmed frequencies, FM contains two high-quality handheld TS 1/4" jack modulation, UHF antennas, XLR and unbalanced (6,3 transmitters featuring a convenient LED Gain adjustment range: 0 - 6 dB phone plug) outputs
display indicating battery status, a quick- Dimensions: 160 x 115 x 30 mm / 6,3 x 4,5 x 1,2 inch ɶ Volume level control
acting screw thread closure and two AA Net weight: 540 g / 19,0 oz. ɶ Solid handheld transmitters with a hexagonal side grille batteries for up to 10 hours continuous and a stylish matte black finish
use, as well as a rugged half-rack receiver ɶ Half-rack metal-case receiver with a matte black finish
with a sturdy metal housing. ɶ Comes in a cardboard box with foam layers; includes LTS 40 MCs shock mount Simply unplug and rock! TOP APPLICATIONS
ɶ Lead and background vocals
62 63 LTS 240 Diversity C+D SPECIFICATIONS FEATURES
With the LTS 240 Diversity C and the LTS Transmitters ɶ The LTS 240 Diversity C and Diversity D wireless 240 Diversity D systems, LEWITT Transmission principle: UHF, FM, diversity systems are a top choice for ambitious entry-level users introduces rugged, reliable and easy-to- Directional pattern: cardioid and performances in various acoustic environments
use wireless systems designed to add a Available channels: 4 selectable channels ɶ The LTS 240 Diversity C set includes one handheld remarkable quality to performances of Modulation: FM (25 kHz max. deviation), compander transmitter featuring a quality condenser capsule and a ambitious entry-level users. Perfectly system with pre- and de-emphasis half-rack receiver with a sturdy metal housing
suited for use on small stages, at club Audio bandwidth: 70 to 18.000 Hz ɶ LTS 240 Diversity D set includes one handheld gigs, regional events or in houses of THD: < 0,5 % typical transmitter featuring a quality dynamic capsule and a worship, these reasonably priced wireless Signal / noise ratio: > 85 dB-A typical half-rack receiver with a sturdy metal housing
systems withstand the rigors of regular RF radiation: 10 mW ɶ Four-part RF- and AF-level LED display
stage use and deliver reliable performance Battery life: 2 pcs AA size dry batteries: 10 hours typ. ɶ Transmitters are equipped with two AA batteries for up in any setting. Convenient and easy setup Dimension: 50 dia. x 262 mm / 1,96 dia. x 10,3 inch to ten hours of continuous performance, an LED makes these wireless systems the perfect Net weight: 258 g / 9,1 oz. display indicating battery status and an On/Off/Mute choice for young bands, entertainers and switch and a rotary switch for frequency selection
karaoke professionals. Receiver ɶ Receiver features four pre-programmed frequencies Audio outputs: balanced 3-pin XLR; unbalanced selectable via pushbuttons, FM modulation, UHF Users can choose between systems with TS 1/4" jack antennas, XLR and unbalanced (6.3 phone plug) condenser (LTS 240 Diversity C) or Gain adjustment range: 0 - 6 dB outputs
dynamic capsules (LTS 240 Diversity D). Squelch: Yes ɶ Squelch and volume level controls
Each set contains a quality handheld Dimensions: 160 x 115 x 30 mm / 6,3 x 4,5 x 1,2 inch ɶ Hardened hexagonal steel mesh grille to prevent wear transmitter featuring a convenient LED Net weight: 540 g / 19,0 oz. and abuse
display indicating battery status, a quick- ɶ Half-rack all-metal case receiver with a matte black acting screw thread closure and a rotary finish
switch for frequency selection, as well as a ɶ Set comes in a cardboard box with foam layers and rugged diversity half-rack receiver includes LTS 40 MCs shock mount featuring four pre-programmed frequencies selectable via pushbuttons.
In short, the LTS 240 Diversity C and the TOP APPLICATIONS LTS 240 Diversity D systems offer
everything that users expect from versatile, ɶ Lead and background vocals modern and durable entry-level wireless systems.
64 65 LCT Shock Mount LCT Windscreen Shock mount for studio microphones. Attenuates noise, shock and vibration High-quality, ultraviolet radiation resistant foam windscreen. Prevents loud pops transmitted through mic stands, booms and mounts. Quick-acting screw thread from occurring when aspirated air from spoken or sung consonants like "p" and closure permits fast and easy setup. Compatible with 3/8" and 5/8" threads. "t" hits the microphone's diaphragm.
LCT 40 Wxx LCT 40 Wx LCT 40 Ws Suitable for Suitable for Suitable for
ɶ LCT 840 ɶ LCT 240 ɶ LCT 140
ɶ LCT 940 ɶ LCT 540 ɶ LCT 340
ɶ LCT 640
LCT 40 SHxx LCT 40 SHx LCT 40 SHs LCT 40 Tr Suitable for Suitable for Suitable for High perfromance 11-pin audio cable. Oxygen free copper, an extremely
ɶ LCT 840 ɶ LCT 540 ɶ LCT 140 low resistance and a tight cable shielding ensures best signal transmission. Cable length is 8m. ɶ LCT 940 ɶ LCT 640 ɶ LCT 340
Suitable for
ɶ LCT 840 ɶ LCT 940
LCT 40 M2 MTP 40 MCs Stereobar for accurate positioning of mics. Small snap-in handheld microphone mount. Compatible with 3/8" Compatible with 3/8" and 5/8" thread. and 5/8" threads.
Suitable for
ɶ MTP 240 DM ɶ MTP 340 CM ɶ MTP 440 DM ɶ MTP 540 DMs
ɶ MTP 240 DMs ɶ MTP 340 CMs ɶ MTP 540 DM
66 67 LTS 40 MCs DTP 40 Mts Snap-in handheld microphone mount. Compatible with 3/8" and 5/8" Rubber microphone mount. Provides firm grip and attenuates threads. structure borne noise. Compatible with 3/8" and 5/8ā threads.
Suitable for Suitable for ɶ LTS 240 MXd ɶ LTS 240 Mx2c ɶ LCT AUTHENTICA series ɶ LTS 240 MXc ɶ LTS 540 MXd ɶ DTP 340 TT ɶ LTS 240 MX2d ɶ LTS 540 MXc ɶ DTP 40 Mt
LTS 40 RMs DTP 40 Tr / Trs
Rack hardware for LTS 240 wireless High performance 5-pin audio cable. Oxygen free copper, extremely low systems. Suitable for mounting up resistance and a tight cable shielding ensures best signal transmission (4 to two receivers in a 1U 19 inch m and 1,5 m length). rack.
Suitable for Suitable for ɶ DTP 640 REX ɶ LTS 240
DTP 40 Mt DTP 40 Lb Adjustable drum microphone Cushioned leather bag. Spray mount. Compatible with 3/8" water proof. and 5/8" threads. Suitable for
Suitable for ɶ LCT AUTHENTICA series
ɶ DTP 40 Mts ɶ MTP series
ɶ MTP 40 MCs ɶ DTP 340 TT
ɶ LTS 40 MCs ɶ DTP 40 Mt
68 69 SO MAKE YOURSELF HEARD. D TAI S M KE A UNALTERED. AUTHENTIC. MEMORABLE. DIF ER NCE TO T E
Music moves people. EA S OF Y UR Music is passion. Inspiration. Messenger. And music deserves to be heard. Unaltered. Authentic. Memorable.
LEWITT has dedicated itself to supporting music aficionados, artists and audio engineers around the globe in AUDI NCE. getting the best out of every single creative idea and every project ̢ with microphones that set new standards in terms of sound quality, technology and reliability.
LEWITT GmbH, Mooslackengasse 17, 1190 Vienna, AUSTRIA Email: [email protected]
70 71