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Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
My Chemical Romance Co Ty Wiesz O MCR
My Chemical Romance Co ty wiesz o MCR Poziom trudności: Średni 1. Ile członków liczy sobie zespół My Chemical Romance A - 3 B - 4 C - 5 D - 6 2. Z jakiego stanu w USA pochodzi zespół A - Kalifornia B - Nevada C - New Jersey D - Iowa 3. W którym roku powstał zespół? A - 2000 B - 2001 C - 2002 D - 2003 4. Z czyjej iniciatywy powstał zespół? A - Gerarda Waya i Mikeya Waya B - Mikeya Waya i Matta Pelissiera C - Gerarda Waya i Matta Pelissiera D - Mikeya Waya i Raya Toro 5. Kto wymyślił nazwę zespołu? A - Gerard B - Mikey C - Frank D - Ray Copyright © 1995-2021 Wirtualna Polska 6. Gerard jest wokalistą, ale orócz tego kim jeszcze jest? A - jest rysownikiem B - jest aktorem C - jest kucharzem 7. Kto w zespole gra na bassie?? A - Ray B - Bob C - Gerard D - Mikey 8. Kto gra na perkusji?? A - Mikey B - Ray C - Bob D - Frank 9. Kto jest gitarzystą prowadzącym w zepole? A - Mikey B - Bob C - Ray D - Frank 10. Gerard miał duże szanse na podpisanie kontraktu z Cartoon Network o wydanie własnej kreskówki. Jaki tytuł ona nosiła?? A - The Umbrella Academy B - Three Tales of Chemical Romance C - The Breakfast Monkey D - Demolition Lovers 11. Jak miała na imię babcia Mikeya i Gerarda? A - Elena B - Helena C - Alicia D - Rachel Copyright © 1995-2021 Wirtualna Polska 12. Gerard razem z MAttem napisał piosenkę, która inspirowana była tragedią z 11 wrzesnia. Jaki nosi on tytuł?? A - Drowning Lessons B - Early Sunsets Over Monroeville C - Headfirst for Halos D - Skylines and Turnstiles 13. -
3/30/2021 Tagscanner Extended Playlist File:///E:/Dropbox/Music For
3/30/2021 TagScanner Extended PlayList Total tracks number: 2175 Total tracks length: 132:57:20 Total tracks size: 17.4 GB # Artist Title Length 01 *NSync Bye Bye Bye 03:17 02 *NSync Girlfriend (Album Version) 04:13 03 *NSync It's Gonna Be Me 03:10 04 1 Giant Leap My Culture 03:36 05 2 Play Feat. Raghav & Jucxi So Confused 03:35 06 2 Play Feat. Raghav & Naila Boss It Can't Be Right 03:26 07 2Pac Feat. Elton John Ghetto Gospel 03:55 08 3 Doors Down Be Like That 04:24 09 3 Doors Down Here Without You 03:54 10 3 Doors Down Kryptonite 03:53 11 3 Doors Down Let Me Go 03:52 12 3 Doors Down When Im Gone 04:13 13 3 Of A Kind Baby Cakes 02:32 14 3lw No More (Baby I'ma Do Right) 04:19 15 3OH!3 Don't Trust Me 03:12 16 4 Strings (Take Me Away) Into The Night 03:08 17 5 Seconds Of Summer She's Kinda Hot 03:12 18 5 Seconds of Summer Youngblood 03:21 19 50 Cent Disco Inferno 03:33 20 50 Cent In Da Club 03:42 21 50 Cent Just A Lil Bit 03:57 22 50 Cent P.I.M.P. 04:15 23 50 Cent Wanksta 03:37 24 50 Cent Feat. Nate Dogg 21 Questions 03:41 25 50 Cent Ft Olivia Candy Shop 03:26 26 98 Degrees Give Me Just One Night 03:29 27 112 It's Over Now 04:22 28 112 Peaches & Cream 03:12 29 220 KID, Gracey Don’t Need Love 03:14 A R Rahman & The Pussycat Dolls Feat. -
CODE BLEU Thank You for Joining Us at Our Showcase This Evening
PRESENTS… CODE BLEU Thank you for joining us at our showcase this evening. Tonight, we are featuring Code Bleu, led by Sean and Faith Gillen. Performing together for over twenty years, Code Bleu has become one of the most sought – after orchestras in New York. Code Bleu possesses a unique blend of fun, excitement and elegance that will leave your guests endlessly raving about your wedding. Featuring eight powerful lead vocalists, horns, keyboards, guitar, bass, drums and percussion, they can reproduce virtually any musical style. Code Bleu Members: • ELECTRIC, ACOUSTIC GUITARS, VOCALS………………………..………SEAN GILLEN • VOCALS AND MASTER OF CEREMONIES……..………………………….FAITH GILLEN • VOCALS AND KEYBOARDS..…………………………….……………………..RICH RIZZO • VOCALS AND PERCUSSION…………………………………......................SHELL LYNCH • KEYBOARDS AND VOCALS………………………………………..………….…DREW HILL • BASS……………………………………………………………………….….......DAVE ANTON • DRUMS AND SEQUENCING………………………………………………..JIM MANSFIELD • SAXOPHONE, VOCALS, FLUTE, AND GUITAR….……………ANTHONY POLICASTRO • VOCALS………………………………………………………………….…….PAMELA LEWIS • TRUMPET AND VOCALS……………….…………….………………….ALYSON GORDON www.skylineorchestras.com (631) 277 – 7777 #Skylineorchestras DANCE : BURNING DOWN THE HOUSE – Talking Heads BUST A MOVE – Young MC A GOOD NIGHT – John Legend CAKE BY THE OCEAN – DNCE A LITTLE LESS CONVERSATION – Elvis CALL ME MAYBE – Carly Rae Jepsen A LITTLE PARTY NEVER KILLED NOBODY – Fergie CAN’T FEEL MY FACE – The Weekend A LITTLE RESPECT – Erasure CAN’T GET ENOUGH OF YOUR LOVE – Barry White A PIRATE LOOKS AT 40 – Jimmy Buffet CAN’T GET YOU OUT OF MY HEAD – Kylie Minogue ABC – Jackson Five CAN’T HOLD US – Macklemore & Ryan Lewis ACCIDENTALLY IN LOVE – Counting Crows CAN’T HURRY LOVE – Supremes ACHY BREAKY HEART – Billy Ray Cyrus CAN’T STOP THE FEELING – Justin Timberlake ADDICTED TO YOU – Avicii CAR WASH – Rose Royce AEROPLANE – Red Hot Chili Peppers CASTLES IN THE SKY – Ian Van Dahl AIN’T IT FUN – Paramore CHEAP THRILLS – Sia feat. -
RIGHTS CLAIMS THROUGH MUSIC a Study on Collective Identity and Social Movements
RIGHTS CLAIMS THROUGH MUSIC A study on collective identity and social movements Dzeneta Sadikovic Department of Global and Political Studies Human Rights III (MR106S) Bachelor thesis, 15hp 15 ETC, Fall/2019 Supervisor: Dimosthenis Chatzoglakis Abstract This study is an analysis of musical lyrics which express oppression and discrimination of the African American community and encourage potential action for individuals to make a claim on their rights. This analysis will be done methodologically as a content analysis. Song texts are examined in the context of oppression and discrimination and how they relate to social movements. This study will examine different social movements occurring during a timeline stretching from the era of slavery to present day, and how music gives frame to collective identities as well as potential action. The material consisting of song lyrics will be theoretically approached from different sociological and musicological perspectives. This study aims to examine what interpretative frame for social change is offered by music. Conclusively, this study will show that music functions as an informative tool which can spread awareness and encourage people to pressure authorities and make a claim on their Human Rights. Keywords: music, politics, human rights, freedom of speech, oppression, discrimination, racism, culture, protest, social movements, sociology, musicology, slavery, civil rights, African Americans, collective identity List of Contents 1. Introduction p.2 1.1 Topic p.2 1.2 Aim & Purpose p.2 1.3 Human Rights & Music p.3 1.4 Research Question(s) p.3 1.5 Research Area & Delimitations p.3 1.6 Chapter Outline p.5 2. Theory & Previous Research p.6 2.1 Music As A Tool p.6 2.2 Social Movements & Collective Behavior p.8 2.2.1 Civil Rights Movement p.10 3. -
“Rapper's Delight”
1 “Rapper’s Delight” From Genre-less to New Genre I was approached in ’77. A gentleman walked up to me and said, “We can put what you’re doing on a record.” I would have to admit that I was blind. I didn’t think that somebody else would want to hear a record re-recorded onto another record with talking on it. I didn’t think it would reach the masses like that. I didn’t see it. I knew of all the crews that had any sort of juice and power, or that was drawing crowds. So here it is two years later and I hear, “To the hip-hop, to the bang to the boogie,” and it’s not Bam, Herc, Breakout, AJ. Who is this?1 DJ Grandmaster Flash I did not think it was conceivable that there would be such thing as a hip-hop record. I could not see it. I’m like, record? Fuck, how you gon’ put hip-hop onto a record? ’Cause it was a whole gig, you know? How you gon’ put three hours on a record? Bam! They made “Rapper’s Delight.” And the ironic twist is not how long that record was, but how short it was. I’m thinking, “Man, they cut that shit down to fifteen minutes?” It was a miracle.2 MC Chuck D [“Rapper’s Delight”] is a disco record with rapping on it. So we could do that. We were trying to make a buck.3 Richard Taninbaum (percussion) As early as May of 1979, Billboard magazine noted the growing popularity of “rapping DJs” performing live for clubgoers at New York City’s black discos.4 But it was not until September of the same year that the trend gar- nered widespread attention, with the release of the Sugarhill Gang’s “Rapper’s Delight,” a fifteen-minute track powered by humorous party rhymes and a relentlessly funky bass line that took the country by storm and introduced a national audience to rap. -
Outsiders' Music: Progressive Country, Reggae
CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s Chapter Outline I. The Outlaws: Progressive Country Music A. During the late 1960s and early 1970s, mainstream country music was dominated by: 1. the slick Nashville sound, 2. hardcore country (Merle Haggard), and 3. blends of country and pop promoted on AM radio. B. A new generation of country artists was embracing music and attitudes that grew out of the 1960s counterculture; this movement was called progressive country. 1. Inspired by honky-tonk and rockabilly mix of Bakersfield country music, singer-songwriters (Bob Dylan), and country rock (Gram Parsons) 2. Progressive country performers wrote songs that were more intellectual and liberal in outlook than their contemporaries’ songs. 3. Artists were more concerned with testing the limits of the country music tradition than with scoring hits. 4. The movement’s key artists included CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s a) Willie Nelson, b) Kris Kristopherson, c) Tom T. Hall, and d) Townes Van Zandt. 5. These artists were not polished singers by conventional standards, but they wrote distinctive, individualist songs and had compelling voices. 6. They developed a cult following, and progressive country began to inch its way into the mainstream (usually in the form of cover versions). a) “Harper Valley PTA” (1) Original by Tom T. Hall (2) Cover version by Jeannie C. Riley; Number One pop and country (1968) b) “Help Me Make It through the Night” (1) Original by Kris Kristofferson (2) Cover version by Sammi Smith (1971) C. -
FRANK IERO and the PATIENCE's NEW EP
FRANK IERO and the PATIENCE’S NEW EP “KEEP THE COFFINS COMING” AVAILABLE TODAY U.S. TOUR KICKS OFF IN NOVEMBER September 22, 2017 – Los Angeles, CA – Today, FRANK IERO and the PATIENCE released their new EP, “Keep The Coffins Coming.” The four-track EP was recorded with Frank Iero’s lifelong hero, the iconic Steve Albini (Nirvana, Pixies, PJ Harvey), at Electrical Audio in Chicago, IL. Heartfelt and raw, while still maintaining a fiery punk rock identity, “Keep The Coffins Coming” is a classic Iero album that connects Stomachaches and Parachutes, the band’s debut and sophomore efforts. In light of their accident in Sydney, Australia last year, the guys jokingly call themselves FRANK IERO & ‘THE PATIENTS’ on this release. “Keep The Coffins Coming” is streaming on Apple Music and Spotify and available for purchase on iTunes, Amazon, and Google Play. Yesterday, FRANK IERO and the PATIENCE teamed up with Alternative Press to premiere “No Fun Club,” their new track from the EP. If you were able to catch the band on tour this summer, you may have seen them perform this one live. Check it out HERE. In celebration of “Keep The Coffins Coming,” FRANK IERO and the PATIENCE will head back to the U.S. after their European headline trek for their run of Midwest and East Coast shows, sharing the stage with Descendents, Thursday, and PUP. The tour kicks off in Cleveland, OH on November 17th and wraps with a hometown show in Sayreville, NJ on December 30th. All tickets can be purchased HERE, and a full list of dates is included below. -
October 1-3, 2017 Greetings from Delta State President William N
OCTOBER 1-3, 2017 GREETINGS FROM DELTA STATE PRESIDENT WILLIAM N. LAFORGE Welcome to Delta State University, the heart of the Mississippi Delta, and the home of the blues! Delta State provides a wide array of educational, cultural, and athletic activities. Our university plays a key role in the leadership and development of the Mississippi Delta and of the State of Mississippi through a variety of partnerships with businesses, local governments, and community organizations. As a university of champions, we boast talented faculty who focus on student instruction and mentoring; award-winning degree programs in business, arts and sciences, nursing, and education; unique, cutting-edge programs such as aviation, geospatial studies, and the Delta Music Institute; intercollegiate athletics with numerous national and conference championships in many sports; and a full package of extracurricular activities and a college experience that help prepare our students for careers in an ever-changing, global economy. Delta State University’s annual International Conference on the Blues consists of three days of intense academic and scholarly activity, and includes a variety of musical performances to ensure authenticity and a direct connection to the demographics surrounding the “Home of the Delta Blues.” Delta State University’s vision of becoming the academic center for the blues — where scholars, musicians, industry gurus, historians, demographers, and tourists come to the “Blues Mecca” — is becoming a reality, and we are pleased that you have joined us. I hope you will engage in as many of the program events as possible. This is your conference, and it is our hope that you find it meaningful. -
Robbie Williams the Black Eyed Peas David Guetta Feat. Akon Lady
Robbie Williams 1 Bodies NEU EMI The Black Eyed Peas 2 I Gotta Feeling Schweizer Hitparade 115W Universal Top 100 Singles David Guetta feat. Akon 25.10.2009 3 Sexy Bitch 212W EMI 21 15 2W Yello feat. Heidi Happy - Part Love Universal 22 9 15W Melanie Fiona - Give It To Me Right Universal Lady GaGa 23 22 8W Mika - We Are Golden Universal 4 Paparazzi 24 20 14W Green Day - 21 Guns Warner 58W Universal 25 28 22W The Baseballs - Umbrella Warner 26 21 7W Jay-Z / Rihanna / Kanye West - Run This Tow n Warner Shakira 27 31 7W Culcha Candela - Schöne neue Welt Universal 5 28 23 12W Jan Delay - Oh Jonny Universal She Wolf 29 35 2W Bon Jovi - We Weren't Born To Follow Universal 77W Sony 30 29 42W Lady GaGa - Poker Face Universal 31 27 27W The Black Eyed Peas - Boom Boom Pow Universal Gossip 32 45 12W Frauenarzt & Manny Marc - Das geht ab Phonag 6 Heavy Cross 33 33 21W Linkin Park - New Divide Warner 319W 34 34 33W Flo Rida feat. Ke$ha - Right Round Warner Sony 35 36 56W Guru Josh Project - Infinity 2008 K-tel Marit Larsen 36 30 5W Backstreet Boys - Straight Through My Heart Sony 37 46 9W The Pussycat Dolls - Hush Hush; Hush Hush Universal 7 If A Song Could Get Me You 38 37 31W Milow - Ayo Technology Universal 412W Sony 39 40 10W Beyoncé - Sw eet Dreams Sony 40 24 4W Rammstein - Pussy Universal Nelly Furtado 41 26 4W Mariah Carey - I Want To Know What Love Is Universal 8 Manos al aire 42 38 27W Lily Allen - Not Fair EMI 613W 43 39 28W Beyoncé - Halo Sony Universal 44 41 3W Stress feat. -
Of Montreal James Minchin of Montreal Getting Away from Home for a While, Thanks to a Serious Case of the Funk Flu
SEPT/OCT 2010 ISSUE MMUSICMAG.COM SPOTLIGHT Patrick Heagney Patrick Kevin Barnes (top row, far right) and Of Montreal James Minchin of montreal Getting away from home for a while, thanks to a serious case of the funk flu Of MOntreal MasterMind Kevin and provocative stage shows. “i was really Barnes recorded the group’s previous self-conscious–i couldn’t even find the albums at his home studio in Georgia. But pitch. it totally destroyed my mojo,” he says. for the act’s new effort, False Priest, he “it’s like writing a diary while it’s getting elected to work with producer Jon Brion projected onto a screen that everyone is (rufus Wainwright, aimee Mann, fiona reading. it’s awkward. that’s what i like apple) in a professional studio. “it was about cutting my vocals at home: it’s four really just a desire to do something different, in the morning and no one’s around. i’m able because i’d been doing it this way for so to get really free.” long,” Barnes says. “it seemed like a really free, in this case, meant channeling AS SEEN IN: SEPT/OCT good opportunity for me to get an education, the feel of the music that inspired the to see how people who make radio sound of False Priest: funk. “i think i caught 2010 M MUSIC & records—but not in a cheesy way, good this strange funk flu, as if it was a virus or MUSICIANS MAGAZINE radio records—work.” something,” Barnes says with a laugh.