DOCSLIB.ORG

Pro Audio 062-155.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pro Audio 062-155.Indd www.bhproaudio.com Footswitches & Pedals 129 ROLAND #ROFS1 $ 95 HOSA #HOFSSL 23 $1995 FS-1 FSC-384 / 385 The FS-1 Foot Switch provides The FSC-384 is a single footswitch with one 1/4” TS simple control of on/off functions (mono) jack ideal for changing amp channels. like channel/effects switching on FSC-385 Dual-footswitch version guitar amps. FSC-385 2-space black anodized version #HOFSDL ..................................... $24.95 HOSA #HOFSPL ROLAND #RORP8 $ 95 $ 95 FSC-501 19 RP8 34 The FSC-501 is a latching switch (push-on/push The FS-1 Foot Switch provides simple control again for off) ideal for guitar amp channel switching, of on/off functions like channel/effects on/off effects units. switching on guitar amps. HOSA #HOFSMNO ROLAND #ROFS5L $ 95 $ 95 FSC-502 19 FS-5L / 5U 29 The FSC-502 is a momentary switch (normally open). The FS-5L is a sturdy metal, latch-type momentary Ideal for use as sustain pedal, patch-advance switch/ footswitch with an LED to indicate the pedals status. punch-in/out switch for multi-track recorders. FS-5U Unlatch-type momentary footswitch FCS-503 NPNFOUBSZTXJUDI OPSNBMMZDMPTFE )0'4./$ .......... $19.95 #ROFS5U ...................................................................................$29.95 HOSA #HOFSMNOC $ 50 26 YAMAHA #YAFC5 FSC-604 $1995 The FSC-604 is a selectable momentary FC 5 switch (open/closed) ideal for use as a sus- The FSC-501 is a latching switch (push-on/ tain pedal, patch-advance switch, or punch- push again for off) ideal for guitar amp chan- in/out switch for multi-track recorders. nel switching, on/off effects units. BOSS #BOFS6 YAMAHA #YAFC3 $ 50 $ 50 FS6 46 FC 3 48 The FS-6 is a flexible dual footswitch The FC3 is a dual-zone piano style sustain pedal that allows each switch to be set for with a unique continuous zone that allows for dif- either latch or momentary operation. ferent types of sustain. (6-ft. cable w/ 1/4”jack) M-AUDIO #MASP1 YAMAHA #YAFC4 $ 95 $ 95 SP-1 19 FC 4 29 The SP-1 is a non-latching momentary The FC4 is a piano-style sustain pedal switch for use as a sustain foot pedal that can also be utilized as an FS or FS controller for synthesizers and controller for synthesizers and drum drum machines. machines. (6-ft. cable w/ 1/4” jack) M-AUDIO #MASP2 M-AUDIO #MAEXP $ 95 $ 95 SP-2 29 EX-P 29 The SP-2 is a heavy duty piano-style sustain The EX-P is a universal expression control pedal with a rubber-coated shell and chrome pedal with a built-in polarity switch that ensures foot pedal. (6-ft. cable with 1/4” jack) compatibility with most brands of controllers and keyboards (molded construction with integral cable). ROLAND #ROEV5 $ 95 YAMAHA #YAFC7 74 $3995 EV-5 FC 7 The EV-5 is an ultra-compact expression pedal 5IF'$JTBEVSBCMFWPMVNFDPOUSPMMFSUIBU that can control a wide range of functions and allows you to adjust the volume or the effects effects parameters in real time. of your instrument. (6-ft. cable with 1/4” jack) 130 Drum Machines / Percussion Pads 800-416-5090 ROLAND #ROSPD20 $ 95 ALESIS #ALPP 699 $29900 SPD-20 Performance Pad The SPD-20 Total Percussion Pad is an electronic percussion multi-pad with IJHIRVBMJUZQFSDVTTJPO ESVN BOE instrument sounds built-in. It is equipped with 8 velocity-sensitive rubber pads, four dual-trigger inputs for triggering SPD-20 sounds from external pads and The other triggering devices and onboard Perfor- multi effects including reverb, delay, mance Pad is a chorus and flanger. self-contained percussion performance station and controller, tIJHIRVBMJUZESVNBOEQFSDVTTJPOTPVOETtWFMPDJUZTFOTJUJWFSVCCFSQBET equipped with 8 velocity-sensitive pads and a built-in t*OUFSOBMNFNPSZQBUDIFT QBUDIDIBJOtWPJDFQPMZQIPOZ drum machine with 50 presets and 50 drum kits. The t4PVOEQBSBNFUFSTJOTUSVNFOU MFWFM QJUDI EFDBZ QBO DVSWF FGGFDUTFOEMFWFM unit includes inputs for bass drum and hi-hat pedals, t EVBMUSJHHFSJOQVUTGPSFYUFSOBMUSJHHFSTt#VJMUJONVMUJFGGFDUT and a line-level in for connections to audio playback devices. The unit is capable of 16-voice polyphony, and 12 simultaneous sounds are accessible from the pads. ROLAND #ROHPD15 $ 00 t%ZOBNJD"SUJDVMBUJPOGPSQBETBEETOVBODF FYQSFTTJWFOFTT HPD-15 895 tBOECJUTBNQMF%"$SFTPMVUJPO tCJUTUFSFPBOEIFBEQIPOFPVUQVUT The HPD-15 HandSonic is an electronic hand t#VJMUJOESVNNBDIJOFXJUI OPUFTFRVFODFS percussion multi-pad with 600 realistic acoustic t.*%*PVUQVUGPSFYUFSOBMUSJHHFSJOH and electronic percussion sounds and versatile t.PVOUJOHIPMFTGPSFBTZESVNLJUBUUBDINFOU real-time control. It features a 10” rubber pad t-BSHF-$%TDSFFO with 15 parts, a built-in sequencer and onboard effects include reverb and multi-effects proces- sors. It uses triggering capabilities technology ALESIS #ALSR16 from Roland’s V-Drums, and a built-in pressure $ 00 SR16 149 sensor allows for realistic muting and pitch control of sounds. The Alesis SR-16 is a t&MFDUSPOJDIBOEQFSDVTTJPOQBEX7%SVNTUFDIOPMPHZtQFSDVTTJPOBOEESVN classic 16- TPVOETGSPNBSPVOEUIFXPSMEt%#FBNDPOUSPMMFS EVBMSJCCPODPOUSPMMFST UISFFDPOUSPM bit stereo LOPCTtwSVCCFSQBEXJUIQBSUTGPSUSJHHFSJOHt#VJMUJONVMUJFGGFDUTQSPDFTTPST drum t%VBMUSJHHFSJOQVUBOEIJIBUDPOUSPMKBDL machine designed for compo- ALESIS #ALSR18 $ 00 sition, re- SR-18 249 cording, and accompaniment applications. It features Alesis has quite a successful history with 233 realistic, natural drum sounds (supplied both dry great sounding and affordable drum and sampled with digital reverb). This compact drum machines. The SR-18 continues the legacy NBDIJOFQSPWJEFTDPNQMFUF.*%*JNQMFNFOUBUJPO B with new sounds, a new design, and the footswitch input, flexible programming and editing ability to run on either AC or battery power features and 12 velocity-sensitive pad buttons. for true portability. Along with the ability to write your own custom patterns, this tSFBMJTUJD OBUVSBMESVNTPVOET machine comes stock with beats to cover tWFMPDJUZTFOTJUJWFQBETXJUI%ZOBNJD all the bases form hip-hop to country and Articulation everything in-between. The effects engine tQSFTFUVTFS,JUT JODMVEFTSFWFSC &2BOEDPNQSFTTJPOUPHFU tVTFSQSFTFUQBUUFSOT just the sound you are looking for. tWPJDFQPMZQIPOZ t.#TPVOETFUJODMVEFTQFSDVTTJPOBOECBTTTZOUITPVOET t wPVUQVUT TUFSFPQBJST t5SJHHFSFOUJSFQBUUFSOTGSPNQBETGPSFBTZDPNQPTJUJPO tGPPUTXJUDIKBDLT t.VUFTPMPGVODUJPOGPSESVN CBTT BOEQFSDVTTJPOQBSUT tWPJDFQPMZQIPOZXJUICBDLMJU-$%t#BUUFSZQPXFSBCMFGPSXPSLPOUIFHP www.bhproaudio.com Drum Machines 131 BOSS #RODR880 $ 00 495 ZOOM #ZORT223 DR-880 $17900 The Dr. Rhythm DR-880 is a powerful RT-223 drum machine with innovative features 5IF;PPN JODMVEJOHB)J;JOTUSVNFOUJOQVUGPS RT-223 is a guitar & bass, a coaxial S/PDIF output, battery oper- 3 independent insert effects and propri- ated drum FUBSZ$04.BNQNPEFMJOH*UQSPWJEFT machine with 440 world-class drum and percussion 511 rhythm TPVOET CBTTTPVOET XJUI$04. QBUUFSOT preset drum CBTTBNQNPEFMT BOEBVOJRVFi&; LJUT Compose” feature for quick, hassle-free user-pro- programming. grammed tWFMPDJUZTFOTJUJWFQBETt(VJUBSCBTTJOQVU NVMUJFGGFDUT $04.BNQNPEFMT kits, 39 sounds and 12 bass sound sources. Its FAST t54$XJUI4PVOE4IBQFGVODUJPOBOE"NCJFODFt QBUUFSOT QSFTFU VTFS (Formula Assisted Song Translator) song creation func- tion simplifies song arrangement, and speeds up the t$PBYJBM41%*'EJHJUBMPVUQVUt4UFSFP3$" wPVUQVUT process of assembling songs with repeated patterns t 'PPUTXJUDIBOEFYQSFTTJPOQFEBMJOQVUT and sequences. t-JHIUXFJHIUQPSUBCMFESVNNBDIJOF BOSS #RODR670 $27900 t3IZUIN1BUUFSOT GBDUPSZ CMBOL DR-670 t5PVDITFOTJUJWFESVNQBET (SPPWF1MBZQBEBTTJHONFOU 5IF%S3IZUIN%3JTBGFBUVSF t'"45 'PSNVMB"TTJTUFE4POH5SBOTMBUPS TPOHDSFBUJPO packed drum machine with a unique pad GVODUJPOt#VJMUJONVMUJCBOEDPNQSFTTPS&2 interface designed like a bass guitar neck NVMUJFGGFDUTt-JOFJOQVUGPSFYUFSOBMBVEJP for easy programming of rhythm/bass t1PXFSTWJB ""CBUUFSJFTPSPQUJPOBM"%"$ lines. Its unique “Direct Pattern Play” adapter function allows users to assign internal patterns to 16 pads for triggering in real- time, and preset and user patterns can ZOOM #ZOSB246 $ 95 be easily chained together to create up to SB-246 178 100 songs. 5IF;PPN tESVNBOEQFSDVTTJPOXBWFGPSNTtWFMPDJUZTFOTJUJWFQBET Streetbox t1SFTFUPS6TFSQBUUFSOTt4UFSFPwwTUFSFPIFBEQIPOFPVUQVUT SB-246 is a t6OJRVF%JSFDU1BUUFSO1MBZGVODUJPOt1FEBM4XJUDIJOQVU rhythm ma- t1PXFSTWJB"$PSCBUUFSZQPXFS chine designed for creating all styles of BOSS #RODR3 Hip Hop. It $ 00 DR3 179 features 529 authentic Hip The Dr. Rhythm DR3 is an affordable Hop sounds and an easy-to-use loop pattern se- drum machine designed for guitarists and quencer for putting together complex tracks. Equally TPOHXSJUFST(SFBUGPSKBNNJOHPSQSBDUJDF at home on stage and in the studio, the SB-246 can the DR3 provides 13 velocity-sensitive pads, operate continuously for 8 hours on four AA batter- BOSS’ best acoustic and electronic drum ies, making it ideal for portable applications. kits and a great selection of bass sounds. It can power via batteries, and an optional tBVUIFOUJD)JQ)PQTPVOET footswitch can be used to control many of tQSFTFUQBUUFSOTQSPEVDFECZ#FBU,BOH[ the useful functions. tCBTTTPVOETPVSDFT t-PPQQBUUFSOTFRVFODFSPQUJNJ[FEGPS)JQ)PQ t1SFTFU4UZMFTBOE6TFSTUZMFT t#VJMUJONVMUJCBOEDPNQSFTTPS&2NVMUJFGGFDUT t3FBMJTUJDESVN QFSDVTTJPO BOECBTTTPVOET t4UFSFP - 3 wPVUQVUT t3IZUIN1SPHSFTTJPOTXJUIWBSJBUJPOTPG*OUSP 7FSTF 'JMM BOE&OEJOH t1PXFSTWJB ""CBUUFSJFTPSPQUJPOBM"% t54$XJUI4PVOE4IBQFGVODUJPOBOE"NCJFODFt4UFSFP3$" wPVUQVUT AC adapter t'PPUTXJUDIJOQVUGPSFBTZMJWFDPOUSPMt1PXFSTWJB"$PSCBUUFSZQPXFS 132 Sampler/Sequencer Workstations 800-416-5090 AKAI #AKMPC1000BK $ 00 BOSS #ROSP404 999 $39500 MPC1000 SP-404 5IF.1$DPNCJOFTHSFBUGFFMJOH The SP-404
Load more

Recommended publications
  • Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
    Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection.
    [Show full text]
  • Korg Triton Extreme Manual
    E 2 Thank you for purchasing the Korg TRITON Extreme music workstation/sampler. To ensure trouble-free enjoyment, please read this manual carefully and use the instrument as directed. About this manual Conventions in this manual References to the TRITON Extreme The TRITON Extreme is available in 88-key, 76-key and The owner’s manuals and how to use 61-key models, but all three models are referred to them without distinction in this manual as “the TRITON Extreme.” Illustrations of the front and rear panels in The TRITON Extreme come with the following this manual show the 61-key model, but the illustra- owner’s manuals. tions apply equally to the 88-key and 76-key models. • Quick Start • Operation Guide Abbreviations for the manuals QS, OG, PG, VNL, EM • Parameter Guide The names of the manuals are abbreviated as follows. • Voice Name List QS: Quick Start OG: Operation Guide Quick Start PG: Parameter Guide Read this manual first. This is an introductory guide VNL: Voice Name List that will get you started using the TRITON Extreme. It EM: EXB-MOSS Owner’s Manual (included with the explains how to play back the demo songs, select EXB-MOSS option) sounds, use convenient performance functions, and Keys and knobs [ ] perform simple editing. It also gives examples of using sampling and the sequencer. References to the keys, dials, and knobs on the TRI- TON Extreme’s panel are enclosed in square brackets Operation Guide [ ]. References to buttons or tabs indicate objects in This manual describes each part of the TRITON the LCD display screen.
    [Show full text]
  • Portable Digital Musical Instruments 2009 — 2010
    PORTABLE DIGITAL MUSICAL INSTRUMENTS 2009 — 2010 music.yamaha.com/homekeyboard For details please contact: This document is printed with soy ink. Printed in Japan How far do you want What kind of music What are your Got rhythm? to go with your music? do you want to play? creative inclinations? Recommended Recommended Recommended Recommended Tyros3 PSR-OR700 NP-30 PSR-E323 EZ-200 DD-65 PSR-S910 PSR-S550B YPG series PSR-E223 PSR-S710 PSR-E413 Pages 4-7 Pages 8-11 Pages 12-13 Page 14 The sky's the limit. Our Digital Workstations are jam-packed If the piano is your thing, Yamaha has a range of compact We've got Digital Keyboards of all types to help players of every If drums and percussion are your strong forte, our Digital with advanced features, exceptionally realistic sounds and piano-oriented instruments that have amazingly realistic stripe achieve their full potential. Whether you're just starting Percussion unit gives you exceptionally dynamic and expressive performance functions that give you the power sound and wonderfully expressive playability–just like having out or are an experienced expert, our instrument lineup realistic sounds, letting you pound out your own beats–in to create, arrange and perform in any style or situation. a real piano in your house, with a fraction of the space. provides just what you need to get your creative juices flowing. live performance, in rehearsal or in recording. 2 3 Yamaha’s Premier Music Workstation – Unsurpassed Quality, Features and Performance Ultimate Realism Limitless Creative Potential Interactive
    [Show full text]
  • Microkorg S Bedienungsanleitung
    Vielen Dank für den Erwerb des microKORG S Synthesizer/Vocoder. Um Inhalt den problemlosen Betrieb zu gewährleisten, lesen Sie diese Anleitung bitte sorgfältig und bedienen Sie das Produkt in der richtigen Weise. Erste Schritte ......................................................................... 7 Hier werden die ersten Bedienungsschritte mit dem microKORG S erklärt (Anhören der Vorweg.................................................................................... 1 Demo-Songs, Auswählen von Programmen, Einsatz des Arpeggiators und Spielfunktionen) und es werden einfache Bedienungsvorgänge erläutert. Erklärt die Leistungsmerkmale des microKORG S und erläutert die Bezeichnungen und Demo-Songs......................................................................................................................7 Funktionen der einzelnen Bereiche. Anhören der Demo-Songs ............................................................................................. 7 Hauptmerkmale ................................................................................................................. 1 Synth-Programme ............................................................................................................ 8 Voder-und Rückseite ........................................................................................................ 2 1. Programm auswählen und spielen ............................................................................. 8 Vorderseite .....................................................................................................................2
    [Show full text]
  • An Arduino-Based MIDI Controller for Detecting Minimal Movements in Severely Disabled Children
    IT 16054 Examensarbete 15 hp Juni 2016 An Arduino-based MIDI Controller for Detecting Minimal Movements in Severely Disabled Children Mattias Linder Institutionen för informationsteknologi Department of Information Technology Abstract An Arduino-based MIDI Controller for Detecting Minimal Movements in Severely Disabled Children Mattias Linder Teknisk- naturvetenskaplig fakultet UTH-enheten In therapy, music has played an important role for children with physical and cognitive impairments. Due to the nature of different impairments, many traditional Besöksadress: instruments can be very hard to play. This thesis describes the development of a Ångströmlaboratoriet Lägerhyddsvägen 1 product in which electrical sensors can be used as a way of creating sound. These Hus 4, Plan 0 sensors can be used to create specially crafted controllers and thus making it possible for children with different impairments to create music or sound. This Postadress: thesis examines if it is possible to create such a device with the help of an Arduino Box 536 751 21 Uppsala micro controller, a smart phone and a computer. The end result is a product that can use several sensors simultaneously to either generate notes, change the Telefon: volume of a note or controlling the pitch of a note. There are three inputs for 018 – 471 30 03 specially crafted sensors and three static potentiometers which can also be used as Telefax: specially crafted sensors. The sensor inputs for the device are mini tele (2.5mm) 018 – 471 30 00 and any sensor can be used as long as it can be equipped with this connector. The product is used together with a smartphone application to upload different settings Hemsida: and a computer with a music work station which interprets the device as a MIDI http://www.teknat.uu.se/student synthesizer.
    [Show full text]
  • A Brief History of Electronic Music
    A Brief History of Electronic Music 1: 1896-1945 The first twenty-five years of the life of the archetypal modern artist, Pablo Picasso - who was born in 1881 - witnessed the foundation of twentieth century technology for war and peace alike: the recoil operated machine gun (1882), the first synthetic fibre (1883), the Parsons steam turbine (1884), coated photographic paper (1885), the Tesla electric motor, the Kodak box camera and the Dunlop pneumatic tyre (1888), cordite (1889), the Diesel engine (1892), the Ford car (1893), the cinematograph and the gramophone disc (1894). In 1895, Roentgen discovered X-rays, Marconi invented radio telegraphy, the Lumiere brothers developed the movie camera, the Russian Konstantin Tsiolkovsky first enunciated the principle of rocket drive, and Freud published his fundamental studies on hysteria. And so it went: the discovery of radium, the magnetic recording of sound, the first voice radio transmissions, the Wright brothers first powered flight (1903), and the annus mirabilis of theoretical physics, 1905, in which Albert Einstein formulated the Special Theory of Relativity, the photon theory of light, and ushered in the nuclear age with the climactic formula of his law of mass-energy equivalence, E = mc2. One did not need to be a scientist to sense the magnitude of such changes. They amounted to the greatest alteration of man's view of the universe since Isaac Newton. - Robert Hughes (1981) In 1896 Thaddeus Cahill patented an electrically based sound generation system. It used the principle of additive tone synthesis, individual tones being built up from fundamentals and overtones generated by huge dynamos.
    [Show full text]
  • October 1-3, 2017 Greetings from Delta State President William N
    OCTOBER 1-3, 2017 GREETINGS FROM DELTA STATE PRESIDENT WILLIAM N. LAFORGE Welcome to Delta State University, the heart of the Mississippi Delta, and the home of the blues! Delta State provides a wide array of educational, cultural, and athletic activities. Our university plays a key role in the leadership and development of the Mississippi Delta and of the State of Mississippi through a variety of partnerships with businesses, local governments, and community organizations. As a university of champions, we boast talented faculty who focus on student instruction and mentoring; award-winning degree programs in business, arts and sciences, nursing, and education; unique, cutting-edge programs such as aviation, geospatial studies, and the Delta Music Institute; intercollegiate athletics with numerous national and conference championships in many sports; and a full package of extracurricular activities and a college experience that help prepare our students for careers in an ever-changing, global economy. Delta State University’s annual International Conference on the Blues consists of three days of intense academic and scholarly activity, and includes a variety of musical performances to ensure authenticity and a direct connection to the demographics surrounding the “Home of the Delta Blues.” Delta State University’s vision of becoming the academic center for the blues — where scholars, musicians, industry gurus, historians, demographers, and tourists come to the “Blues Mecca” — is becoming a reality, and we are pleased that you have joined us. I hope you will engage in as many of the program events as possible. This is your conference, and it is our hope that you find it meaningful.
    [Show full text]
  • User's Manual
    USER’S MANUAL PROGRAMMING: Thomas Diligent Robert Bocquier Adrien Courdavault Mathieu Nocenti SOUND DESIGN: Luca Torre (Multis) Michael Hosker (All) Ted James (Jupiter8V) Matthew Sevant (ProphetV) Knowlton Walsh (MiniV) Matt Sterling (Arp 2600V) Ted James (CS80V) MANUAL: Randy Lee Pierce Warnecke Tomoya Fukushi Noritaka Ubukata Antoine Back Thomas Diligent DESIGN: Shaun Ellwood Morgan Perrier © ARTURIA SA – 1999-2014 – All rights reserved. 30, Chemin du Vieux Chene 38240 Meylan FRANCE http://www.arturia.com Information contained in this manual is subject to change without notice and does not represent a commitment on the part of Arturia. The software described in this manual is provided under the terms of a license agreement or non-disclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. No part of this manual may be produced or transmitted in any form or by any purpose other than purchaser’s personal use, without the express written permission of ARTURIA S.A. All other products, logos or company names quoted in this manual are trademarks or registered trademarks of their respective owners. October 2014 edition 2 ARTURIA – Analog Lab – USER’S MANUAL Thank you for purchasing Arturia’s Analog Lab! This manual covers the features and operation of Arturia’s Analog Lab, a software synthesizer that allows you to play and modify over 5,000 sounds. After the purchase of this software you will receive its serial number and an unlock code by e-mail. This information enables you to register the software online. Once you have registered your software you will receive an activation code by e-mail that will allow you to authorize the software for use on your computer.
    [Show full text]
  • Microkorg S Voice Name List
    Voice Name List BANK No. (MIDI) Name Category Arpeggio BANK No. (MIDI) Name Category Arpeggio BANK No. (MIDI) Name Category Arpeggio TRANCE A.11 (0) Pump Stab Strings/Pad Off TRANCE B.11 (64) Trancey Arpeg. Arpeggio On TRANCE C.11 (0) Synth Harp Arpeggio On A.12 (1) Plucky Synth Arpeggio Off B.12 (65) Acid Saw Bass Bass On C.12 (1) Acid Ring Bass Bass Off A.13 (2) UniArpo Arpeggio On B.13 (66) Unison Saw Lead Lead Off C.13 (2) Unison Ring Lead Lead On A.14 (3) Complicados Bass Off B.14 (67) Unison HPF+LPF Lead On C.14 (3) Phaser Lead Lead Off A.15 (4) Growler Bass Off B.15 (68) Weepy Lead Lead Off C.15 (4) Synth Pizz Synth Off A.16 (5) Heroic Lead Lead Off B.16 (69) Slippy Pad Synth Off C.16 (5) Euphoric Synth Synth Off A.17 (6) AMxPM Synth Synth Off B.17 (70) Sweep Poly Pad Synth Off C.17 (6) Flashin' Pad Strings/Pad Off A.18 (7) ClaviPhone Synth Off B.18 (71) Filter Strings Strings/Pad Off C.18 (7) Stream Pad Strings/Pad Off TECHNO/HOUSE A.21 (8) TriStep Jag Arpeggio Off TECHNO/HOUSE B.21 (72) Auto House Arpeggio On TECHNO/HOUSE C.21 (8) S&H Signal Arpeggio On A.22 (9) Metallic Arp Arpeggio On B.22 (73) Burnin' Rave Arpeggio On C.22 (9) Dirty Motion Arpeggio On A.23 (10) Build Arp Arpeggio On B.23 (74) X-Mod Perc.
    [Show full text]
  • Microkorg Owner's Manual
    E 2 ii Precautions Data handling Location THE FCC REGULATION WARNING (for U.S.A.) Unexpected malfunctions can result in the loss of memory Using the unit in the following locations can result in a This equipment has been tested and found to comply with the contents. Please be sure to save important data on an external malfunction. limits for a Class B digital device, pursuant to Part 15 of the data filer (storage device). Korg cannot accept any responsibility • In direct sunlight FCC Rules. These limits are designed to provide reasonable for any loss or damage which you may incur as a result of data • Locations of extreme temperature or humidity protection against harmful interference in a residential loss. • Excessively dusty or dirty locations installation. This equipment generates, uses, and can radiate • Locations of excessive vibration radio frequency energy and, if not installed and used in • Close to magnetic fields accordance with the instructions, may cause harmful interference to radio communications. However, there is no Printing conventions in this manual Power supply guarantee that interference will not occur in a particular Please connect the designated AC adapter to an AC outlet of installation. If this equipment does cause harmful interference Knobs and keys printed in BOLD TYPE. the correct voltage. Do not connect it to an AC outlet of to radio or television reception, which can be determined by Knobs and keys on the panel of the microKORG are printed in voltage other than that for which your unit is intended. turning the equipment off and on, the user is encouraged to BOLD TYPE.
    [Show full text]
  • Studio Music Production I Subject Area/Course Number: MUSIC-093
    Course Outline of Record Los Medanos College 2700 East Leland Road Pittsburg CA 94565 (925) 439-2181 Course Title: Studio Music Production I Subject Area/Course Number: MUSIC-093 New Course OR Existing Course Instructor(s)/Author(s): C. Chuah Subject Area/Course No.: MUSIC-093 Units: 2.0 Course Name/Title: Studio Music Production I Discipline(s): Music/Commercial Music Pre-Requisite(s): None Co-Requisite(s) None: Advisories: Prior or concurrent enrollment in Music-15 Catalog Description: This course is for students wanting to produce music using professional music studio equipment. With this lecture/demonstration and hands on class, students will be able to build a music studio and learn the basic operation of electronic musical equipment. The pieces of electronic musical equipment include MIDI synthesizer, music workstations, computer workstations, groove boxes, drum machines, soft-synthesizers, sequencers, and new products as the industry advances. This is an introductory course and it is intended to build a strong foundation in understanding studio music operation, whether the student is interested in composition, making beats and/or being a producer. Schedule Description: Do you want to learn how to produce music using professional music studio equipment? With this lecture/demonstration and hands on class, you will be able to build a music studio and learn the basic operation of electronic musical equipment. This is an introductory course and it is intended to build a strong foundation in understanding studio music operation, whether
    [Show full text]
  • Korg Microkorg Руководство Пользователя
    Korg microKORG Ðóêîâîäñòâî ïîëüçîâàòåëÿ Ñèíòåçàòîð/Âîêîäåð Îôèöèàëüíûé è ýêñêëþçèâíûé äèñòðèáüþòîð êîìïàíèè Korg íà òåððèòîðèè Ðîññèè, ñòðàí Áàëòèè è ÑÍà — êîìïàíèÿ A&T Trade. Äàííîå ðóêîâîäñòâî ïðåäîñòàâëÿåòñÿ áåñïëàòíî.Åñëè âû ïðèîáðåëè äàííûé ïðèáîð íå ó îôèöèàëüíîãî äèñòðèáüþòîðà ôèðìû Korg èëè àâòîðèçîâàííîãî äèëåðà êîìïàíèè A&T Trade, êîìïàíèÿ A&T Trade íå íåñåò îòâåòñòâåííîñòè çà ïðåäîñòàâëåíèå áåñïëàòíîãî ïåðåâîäà íà ðóññêèé ÿçûê ðóêîâîäñòâà ïîëüçîâàòåëÿ, à òàêæå çà îñóùåñòâëåíèå ãàðàíòèéíîãî ñåðâèñíîãî îáñëóæèâàíèÿ. © ® A&T Trade, Inc. Гарантийное обслуживание Ïî âñåì âîïðîñàì, ñâÿçàííûì ñ ðåìîíòîì èëè ñåðâèñíûì îáñëóæèâàíèåì ñèíòåçàòîðà/âîêîäåðà microKORG, îáðàùàéòåñü ê ïðåäñòàâèòåëÿì ôèðìû Korg — êîìïàíèè A&T Trade. Òåëåôîí äëÿ ñïðàâîê (095) 242-5325. • Âûñîêîêà÷åñòâåííûé ñèíòåçàòîð/âîêîäåð àíàëîãîâîãî ìîäåëèðîâàíèÿ. • 128 ïðîãðàìì îò êëàññè÷åñêèõ äî ñîâðåìåííûõ òàíöåâàëüíûõ çâóêîâ. • Ãðóïïèðîâêà çâóêîâ ïî ìóçûêàëüíûì æàíðàì. • Áûñòðàÿ è ëåãêàÿ ðåäàêöèÿ áëàãîäàðÿ ïÿòè ðåãóëÿòîðàì. • Ìàëûé âåñ, êîìïàêòíûé êîðïóñ, ïèòàíèå îò áàòàðåé. • Ìèêðîôîí â êîìïëåêòå ïîñòàâêè. Korg microKORG. Ðóêîâîäñòâî ïîëüçîâàòåëÿ 1 Меры предосторожности Размещение Ýêñïëóàòàöèÿ ïðèáîðà â îïèñàííûõ íèæå óñëîâèÿõ ìîæåò ïðèâåñòè ê âûõîäó åãî èç ñòðîÿ. Ïðÿìîå ïîïàäàíèå ñîëíå÷íûõ ëó÷åé. Ïîâûøåííûå òåìïåðàòóðà èëè âëàæíîñòü. Çàãðÿçíåííîå, ïûëüíîå ïîìåùåíèå. Èíòåíñèâíàÿ âèáðàöèÿ. Áëèçîñòü ìàãíèòíûõ ïîëåé. Питание Çàïðåùàåòñÿ èñïîëüçîâàòü èñòî÷íèê ïèòàíèÿ ïåðåìåííîãî òîêà ñ íàïðÿæåíèåì, îòëè÷íûì îò óêàçàííîãî â ñïåöèôèêàöèÿõ. Интерференция с другим электронным
    [Show full text]