Cambridge University Press 978-1-108-47766-6 — Norman Mailer in Context Edited by Maggie Mckinley Index More Information

Total Page:16

File Type:pdf, Size:1020Kb

Cambridge University Press 978-1-108-47766-6 — Norman Mailer in Context Edited by Maggie Mckinley Index More Information Cambridge University Press 978-1-108-47766-6 — Norman Mailer in Context Edited by Maggie McKinley Index More Information Index Abbott, Jack Henry, –, –, , , , Beauvoir, Simone de, , , , –, –, Beckett, Samuel, , Abernathy, Ralph, Bellow, Saul, , , , , Acker, Kathy, Bentley, Beverly, , Advertisements for Myself, , –, , , , Beyle, Marie-Henri. See Stendhal , , –, , , , , , , Beyond the Law (film), , – –, , , , , , , Big Empty, The, , , , , , –, Black Arts Movement, Agee, James, Black Power Movement, , –, Aldridge, John, , Bly, Robert, , Ali, Muhammad, , , , , , , , Bowles, Paul, – , , , –, –, See also Brando, Marlon, , , The Fight Breslin, Jimmy, American Dream, An, , , , , , , Brooklyn, , , , , , , –, , , –, , , , Brosnan, Jim, –, , , –, –, Buchanan, Patrick, , –, , , , , Buckley, William F., –, , , –, –, –, , Bullfight: A Photographic Narrative with Text,, –, –, , , , Burke, Edmund, , – Burroughs, William, , –, , , Ancient Evenings, , , –, , , , , – –, , , , Bush, George W., , – Armies of the Night, The, –, , , , , , , –, , , , –, Calculus at Heaven, A, , –, , –, –, Campbell, Jeanne, , –, , , , , , Cannibals and Christians, , –, , , , –, –, , , , , , , – Capote, Truman, , , , , , , , Arnold, Matthew, , Aronowitz, Al, Castle in the Forest, The, , , , –, , , , – Baker, Nicole, , –, , – Castro, Fidel, , , – Baldwin, James, , , , , , , , Cavett, Dick, –, , , , , , Ceballos, Jacqueline, , Baraka, Amiri, –, Cheever, John, Barbary Shore, , , , , , , –, Civil Defense Protest Committee, , –, , , , , Civil Rights Act, –, Civil Rights Movement, , Barney, Matthew, Cleaver, Eldridge, , Bay of Pigs Invasion, , Clinton, Bill, , , Beats, , –, , Clinton, Hillary, © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-47766-6 — Norman Mailer in Context Edited by Maggie McKinley Index More Information Index Cold War, , , –, Gilmore, Gary, , , , , , , , Commentary, , , –, , , –, , See also Conrad, Joseph, Executioner’s Song, The Crane, Stephen, Gingrich, Arnold, , Cuban Missile Crisis, , , Ginsberg, Allen, , , , , , Cubism, , , – Gnosticism, , Godard, Jean-Luc, Daley, Richard, , – Goldwater, Barry, , , , Davis, Miles, , , Goodman, Mitch, , Deer Park, The (novel), –, –, , , Gospel According to the Son, The, , , , , –, , , , , , , , , , , , , –, , , Greer, Germaine, , publishing controversy, , –, , Deer Park, The (play), , Hansberry, Lorraine, DeLillo, Don, , Harlot’s Ghost, , , , –, , , Democratic National Convention –, –, , , , of , , –, , , , See also Miami and the Siege of Chicago Harper’s, , , , , of , –, See also St. George and the Hayes, Harold, , – Godfather Hecht, Ben, – Didion, Joan, , , , , Heidegger, Martin, , – Dissent, , , , , , , , , Heller, Joseph, , , Dos Passos, John, –, , , , Hellman, Lillian, , Dostoevsky, Fyodor, , , Hemingway, Ernest, , –, , , , Dreiser, Theodore, , , , –, –, , , , , Hip, philosophy of, , , , –, Eliot, T.S., , , –, –, – Ellis, Bret Easton, – Hitler, Adolf, , , See also Castle in the Forest, Ellison, Ralph, The Emerson, Ralph Waldo, Hoffman, Abbie, Esquire, , , , , , –, , , , Holocaust, , , , , , , , –, , , , , , , , , Howe, Irving, Executioner’s Song, The, –, , , , , , Howe, Jerry, , –, , , , , , Humphrey, Hubert, , –, , –, James, Henry, Faith of Graffiti, The, Jameson, Frederic, , Fancher, Edwin, , – Jesus, , , , , , , See also Gospel Farbar, Buzz, , According to the Son, The Farrell, James T., –, , JFK (film), – Faulkner, William, , , Johnson, Lyndon B., , –, , , Feiffer, Jules, Fiedler, Leslie, Johnston, Jill, , Fight, The, , , , –, , , Jones, James, –, , , , , –, Joyce, James, –, First Wave Feminism, – Fitzgerald, F. Scott, –, , , Kakutani, Michiko, , Foreman, George, , , , , Kempton, Murray, , Frazier, Joe, , , , , – Kennedy, Jacqueline, , –, , , Freud, Sigmund, , Friedan, Betty, – Kennedy, John F., , , , –, , , , , Genius and Lust, , –, , in “Superman Comes to the Supermarket,” Gide, Andre, –, –, –, , © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-47766-6 — Norman Mailer in Context Edited by Maggie McKinley Index More Information Index Kennedy, John F. (cont.) on the hipster. See Hip, philosophy of in “The Last Night” (short story), Jewish identity, , , , , –, in An American Dream, , – in Harlot’s Ghost, –, Left Conservatism of, , , , , , in Oswald’s Tale, , –, , in The Presidential Papers, , on Liberal Establishment, , , , , Kennedy, Robert, Kerouac, Jack, , , –, –, as literary celebrity, , , , , Kierkegaard, Søren, , on literary freedom, , , – Kissinger, Henry, , on marijuana, , , , –, , Knox, Mickey, , , marriages, , Krassner, Paul, , , – Marxist influences. See Marxism Kurosawa, Akira, on masculinity, , , , , – mayoral campaign (), , – “Language of Men, The” (short story), – mayoral campaign (), , , –, Last Tango in Paris (film), – Lawrence, D.H., –, , , , , on moon landing. See Of a Fire on the Moon at New York Town Hall (), , –, Lennon, John, –, , Lerner, Max, orgone box, Lethem, Jonathan, , PEN America, president of, , Lindner, Robert, , , on race, –, , , , –, Lipton’s Journal, , , , – , , –, See also “The White Liston, Sonny, , , Negro” Long Branch, New Jersey, , , on sexuality, , , , – Lost Generation, –, on spirituality. See Manichaeism; Gnosticism; On God:An Uncommon Conversation Madonna, stabbing of Adele Morales, , , , , Maidstone (film), , –, , , , , Maidstone, A Mystery (book), on technology, , , –, Mailer Review, The, , television appearances, , , Mailer, John Buffalo, television, criticism of, , , Mailer, Norman on terrorism, , alcohol and drug use, , –, , , third-person personal perspective, –, –, –, , , at Bellevue Hospital, , , on totalitarianism, , –, , –, biographies of, , , on boxing, , , , , – translated works of, – childhood, , US Army service, , , on cancer, , , , , , on Vietnam War. See Armies of the Night, The on violence, , –, –, on capital punishment, –, on corporate culture, –, –, , Mailer, Norris Church, , –, – , –, , , – Mailer, Susan, , , correspondence of, – Malamud, Bernard, on existentialism, , –, –, , , Malaquais, Jean, , –, , –, –, , , –, Manichaeism, , , –, , , , –, , , March on the Pentagon (), , , , on feminism, , , , –, See also , , See also Armies of the Night, The Prisoner of Sex, The Marilyn, , , –, , , – fights and feuds, –, , Marxism, , , –, , , , , film criticism of, – , , film theory of, – McCarthy, Eugene, at Harvard University, , , –, , , McCarthy, Mary, –, , , , McCarthyism, , © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-47766-6 — Norman Mailer in Context Edited by Maggie McKinley Index More Information Index McCullers, Carson, Pennebaker, D.A., , McGovern, George, , Peretz, Marty, McLuhan, Marshall, Picasso, Pablo, , , –, See also Portrait Melville, Herman, , of Picasso as a Young Man Miami and the Siege of Chicago, –, , Playboy, , , , –, , , Plimpton, George, , Miller, Arthur, Podhoretz, Norman, , , , Miller, Henry, , , , , –, , See also Portrait of Picasso as a Young Man, –, Genius and Lust Postmodernism, –, Millett, Kate, , , , , , , Pound, Ezra, Modernism, –, , , Presidential Papers, The, , , , , , , Monroe, Marilyn, , , , , , , Prisoner of Sex, The, , , , , , , –, See also Marilyn; Of Women and , , –, , , , Their Elegance; Strawhead (play) Proust, Marcel, Morales, Adele, –, –, , , , , Provincetown, , , Pulitzer Prize, , , , , Pynchon, Thomas, Naar, John, Naked and the Dead, The, , , , , , , Reich, Wilhelm, , – , , , , , , , –, Republican National Convention , , , , , , , , of , , –, of , , –, , See also Miami and National Book Award, , , , , the Siege of Chicago National Organization for Women (NOW), of , –, See also St. George and the –, Godfather New Journalism, , , , –, –, , Ribicoff, Abe, , , , , Rockefeller, Nelson, New Left, – Ross, Lillian, Nietzsche, Friedrich, –, , Roth, Philip, , , –, , Nixon, Richard, , , , –, , , Rubin, Jerry, , Rushdie, Salman, –, Norman Mailer Society, , Salinger, J.D., , , , O’Connor, Flannery, , Sartre, Jean-Paul, , , , , Oates, Joyce Carol, Schiller, Lawrence, , , , –, Of a Fire on the Moon, , , , –, , Schwartz, Fred, –, Second Wave Feminism, , , , , Of Women and Their Elegance, , –, –, Selby, Hubert, On God: An Uncommon Conversation, , , Short Fiction of Norman Mailer, The, , , , Silverman, Beatrice, , , , , , Ono, Yoko, Some Honorable Men, Orwell, George, , , , Sontag, Susan, – Oswald, Lee Harvey, , , , , , Southern, Terry, –, –, See also Oswald’s Tale Spinoza, Baruch, Oswald, Marina, , , – Spooky Art, The, , , Oswald’s Tale, , , , , –, St. George and the Godfather, , , – Stafford, Jean, Ozick, Cynthia, Steinbeck, John, –, Stendhal, Paglia, Camille, Stevens, Carol, Paris Review, The, Strawhead (play), , – Parmentel, Noel, Students for a Democratic Society, Partisan Review, , Styron, William, , , , , , , Patterson, Floyd, , – © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-47766-6 — Norman Mailer in Context Edited by Maggie McKinley Index More Information Index Talese, Gay, Warhol, Andy, , , Thompson, Hunter S., , Warren Commission Report, , “Time of Her Time, The” (short story), , Wasserman, Barbara, Time of Our Time, The, , , Weatherby, W.J., –, , Tolstoy, Leo, Wechsler, James, Torn, Rip, , Welch, Robert, Tough Guys Don’t Dance (film), –, “White Negro, The,”
Recommended publications
  • A Film by Chris Hegedus and D a Pennebaker
    a film by Chris Hegedus and D A Pennebaker 84 minutes, 2010 National Media Contact Julia Pacetti JMP Verdant Communications [email protected] (917) 584-7846 FIRST RUN FEATURES The Film Center Building, 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] PRAISE FOR KINGS OF PASTRY “The film builds in interest and intrigue as it goes along…You’ll be surprised by how devastating the collapse of a chocolate tower can be.” –Mike Hale, The New York Times Critic’s Pick! “Alluring, irresistible…Everything these men make…looks so mouth-watering that no one should dare watch this film on even a half-empty stomach.” – Kenneth Turan, Los Angeles Times “As the helmers observe the mental, physical and emotional toll the competition exacts on the contestants and their families, the film becomes gripping, even for non-foodies…As their calm camera glides over the chefs' almost-too-beautiful-to-eat creations, viewers share their awe.” – Alissa Simon, Variety “How sweet it is!...Call it the ultimate sugar high.” – VA Musetto, The New York Post “Gripping” – Jay Weston, The Huffington Post “Chris Hegedus and D.A. Pennebaker turn to the highest levels of professional cooking in Kings of Pastry,” a short work whose drama plays like a higher-stakes version of popular cuisine-oriented reality TV shows.” – John DeFore, The Hollywood Reporter “A delectable new documentary…spellbinding demonstrations of pastry-making brilliance, high drama and even light moments of humor.” – Monica Eng, The Chicago Tribune “More substantial than any TV food show…the antidote to Gordon Ramsay.” – Andrea Gronvall, Chicago Reader “This doc is a demonstration that the basics, when done by masters, can be very tasty.” - Hank Sartin, Time Out Chicago “Chris Hegedus and D.A.
    [Show full text]
  • Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
    Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century.
    [Show full text]
  • The Wooster Group the Town Hall Affair (In De Vorm Van Een Eenakter) Gebaseerd Op De Film ‘Town Bloody Hall’ Van Chris Hegedus & D.A
    theater The Wooster Group The Town Hall Affair (in de vorm van een eenakter) gebaseerd op de film ‘Town Bloody Hall’ van Chris Hegedus & D.A. Pennebaker The Town Hall Affair 1. Intro: uittreksel ‘Lesbian Nation’ 2. Het stuk Bzymek © Zbigniew 3. Coda: uittreksel ‘Lesbian Nation’ wo 21, do 22, vr 23 sep 2016 met licht Jennifer Tipton, Ryan Seelig geluid 20 uur / Theaterstudio Kate Valk Jill Johnston Eric Sluyter, Gareth Hobbs Ari Fliakos Norman Mailer/Norman video en projecties Robert Wuss za 24 sep 2016 Kingsley aanvullende video Zbigniew Bzymek 17 & 20.30 uur / Theaterstudio Scott Shepherd Norman Mailer/De kostuums Enver Chakartash regieas- Acteur sistentie Enver Chakartash, Matthew Lucy Taylor Germaine Greer/De Dipple productieleiding Bona Lee De voorstelling duurt ongeveer Echtgenote podiumregie Erin Mullin technische 1 uur, zonder pauze. Greg Mehrten Diana Trilling/De Vriend leiding Joseph Silovsky technische Erin Mullin Robyn/Ruth Mandel leiding tournee Eric Dyer productie Spreektaal Engels Gareth Hobbs (stem) Peter Fisher Cynthia Hedstrom zakelijke leiding boventiteling Enver Chakartash podiumassistentie Pamela Reichen Nederlands/Frans regie Elizabeth LeCompte speciale dank aan Matthias Neckermann en Sheena See. Na afloop van de voorstelling Bronnen: Town Bloody Hall, een documentaire van Chris Hegedus and D.A. Pennebaker, 1979, 88 min, op donderdag 22 september kleur. De film is een weergave van het Theater for Ideas debat uit 1971 met als titel ‘A Dialogue gaat Pieter T’jonck in gesprek on Women’s Liberation’ (‘Een dialoog over vrouwenemancipatie’). met Elizabeth LeCompte in de Maidstone, een film van Norman Mailer, 1970, 110 min, kleur. Een onafhankelijke film, geregis- Theaterstudio.
    [Show full text]
  • REN Playbill.Indd 1 6/4/14 2:44 PM Contents
    REN_playbill.indd 1 6/4/14 2:44 PM Contents ANCIENT EVENINGS.........................2 MAP..........................................................4 REN..........................................................7 THE SON ALSO Rises.....................8 Neville Wakefield LIBRETTO...........................................16 NOTES ON THE MUSIC....................21 Zach Baron PROFILES............................................24 CAST AND CREW..............................26 WHO’S WHO IN THE CAST.........28 ADDITIONAL INFORMATION......31 “...Ren, one’s Secret Name, who left at once, even as a falling star might drop through the sky. That is as it must be, I concluded. For the Ren did not belong to the man, but came out of the Celestial Waters to enter an infant in the hour of his birth and might not stir again until it was time to go back. While the Secret Name must have some effect on one’s character, it was certainly the most remote of our seven lights.” Norman Mailer Ancient Evenings The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn cellular phones off, as it interferes with audio recording equipment and telecommunications. Thank you. REN_playbill.indd 2-1 6/4/14 2:44 PM Ancient Evenings Ancient Evenings EN is the first act of “Ancient Evenings,” a collaborative project by Matthew expanses of salt beds beneath Michigan. KHU is the only act that will feature all RBarney and Jonathan Bepler that is inspired by American author Norman three automobiles. BA, the final live act, will take place in New York City as the Mailer’s 1983 novel Ancient Evenings, set in ancient Egypt. A nontraditional opera, automobile is further transformed into the 2001 Ford Crown Victoria.
    [Show full text]
  • On Norman Mailer
    LITERATURE 3 Scavenger of eternal truths Norman Mailer in the 1960s THOMAS MEANEY Norman Mailer COLLECTED ESSAYS OF THE 1960S 500pp. Library of America. £29.99 (US $35). 978 1 59853 559 4 FOUR BOOKS OF THE 1960S 950pp. Library of America. £39.99 (US $45). 978 1 59853 558 7 Edited by J. Michael Lennon I went to Wharton with Donald Trump. We were both from praetorian families in Queens – his more martial than mine – in the first line of defense on the crabgrass frontier. We went out one night together to a hotel behind Rittenhouse Square. His date was a wised-up girl from Phila- delphia society who dreamed of becoming a stripper; mine was a retreating waitress, with a hyena body that gave off a whiff of the inquisi- tive. After the drinks – Don drank seltzer – we took them to a room we’d booked upstairs. My date gashed my face with her high-heel after I tried to shuffle her into one of the bedrooms. There was panting from Don’s quarters, the sound of a teetering vase, then mechanical chanting, until a final flesh-on-flesh “Whaa- aap!” A volley of sweet-talk followed. “If you want to be a dancer, there’s nobody who’s going New York City, 1968 to stop you, not even your father,” Don whis- pered. “I know some of the best dancers in this in a Trump Air commercial, which left him of Walt Whitman and Leon Trotsky, your the haste to give pleasure. It was cool in mood, town.
    [Show full text]
  • Spinks-TNMR-2015-Reflections-On
    Edinburgh Research Explorer Increasing the real life in ourselves Citation for published version: Spinks, L 2015, 'Increasing the real life in ourselves: Reflections on Norman Mailer’s 'Politics of State'', The Mailer Review, vol. 9, no. 1, pp. 157-76. Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: The Mailer Review General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 1 “Increasing the Real Life in Ourselves: Reflections on Norman Mailer’s Politics of State.” Dr Lee Spinks University of Edinburgh In the spring of 1969 Norman Mailer, fresh from his triumphant receipt of the Pulitzer Prize for The Armies of the Night, created a media sensation by announcing his entry into the Democratic Primary for the Mayoralty of New York City. The headline-grabbing centrepiece of his campaign was a call for the radical decentralisation of political power culminating in the establishment of the city of New York as the fifty-first state of the Union.
    [Show full text]
  • Project Apollo: Americans to the Moon John M
    Chapter Two Project Apollo: Americans to the Moon John M. Logsdon Project Apollo, the remarkable U.S. space effort that sent 12 astronauts to the surface of Earth’s Moon between July 1969 and December 1972, has been extensively chronicled and analyzed.1 This essay will not attempt to add to this extensive body of literature. Its ambition is much more modest: to provide a coherent narrative within which to place the various documents included in this compendium. In this narrative, key decisions along the path to the Moon will be given particular attention. 1. Roger Launius, in his essay “Interpreting the Moon Landings: Project Apollo and the Historians,” History and Technology, Vol. 22, No. 3 (September 2006): 225–55, has provided a com­ prehensive and thoughtful overview of many of the books written about Apollo. The bibliography accompanying this essay includes almost every book-length study of Apollo and also lists a number of articles and essays interpreting the feat. Among the books Launius singles out for particular attention are: John M. Logsdon, The Decision to Go to the Moon: Project Apollo and the National Interest (Cambridge: MIT Press, 1970); Walter A. McDougall, . the Heavens and the Earth: A Political History of the Space Age (New York: Basic Books, 1985); Vernon Van Dyke, Pride and Power: the Rationale of the Space Program (Urbana, IL: University of Illinois Press, 1964); W. Henry Lambright, Powering Apollo: James E. Webb of NASA (Baltimore: Johns Hopkins University Press, 1995); Roger E. Bilstein, Stages to Saturn: A Technological History of the Apollo/Saturn Launch Vehicles, NASA SP-4206 (Washington, DC: Government Printing Office, 1980); Edgar M.
    [Show full text]
  • Publication 2
    KHU_playbill_cat.indd 1 6/4/14 2:44 PM Contents FORWARD..............................................4 Rebecca Ruth Hart ANCIENT EVENINGS.........................6 REN..........................................................8 KHU........................................................11 OSIRIS IN DETROIT.............................12 Angus Cook MAP........................................................16 LIBRETTO...........................................20 NOTES ON THE MUSIC...................27 Jonathan Bepler and Shane Anderson PROFILES.............................................28 CAST AND CREW..............................30 WHO’S WHO IN THE CAST.........32 ADDITIONAL INFORMATION.......35 “I believe in the practice and philosophy of what we have agreed to call magic, in what I must call the evocation of spirits, though I do not know what they are, in the power of creating magical illusions, in the visions of truth in the depths of the mind when the eyes are closed; and I believe…that the borders of our mind are ever shifting, and that many minds can flow into one another, as it were, and create or reveal a single mind, a single energy…and that our memories are part of one great memory, the memory of Nature herself.” W.B. Yeats Ideas of Good and Evil Epigraph to Norman Mailer’s Ancient Evenings The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn cellular phones off, as it interferes with audio recording equipment and telecommunications. Thank you. KHU_playbill_cat.indd 2-1 6/4/14 2:44 PM KHU_playbill_cat.indd 2-3 6/4/14 2:44 PM Forward With the promise of full support from Henry Ford’s son Edsel, William Rebecca Ruth Hart Valentiner, then director of the Detroit Institute of Arts, met with Rivera in San Francisco in 1930.
    [Show full text]
  • 81 Norman Mailer
    UDK 821.111(73)–311.6.09Mailer N. NOrMAN MAIlEr - ThE MOST INFlUENTIAl CrITIC OF CONTEMPOrArY rEAlITY IN ThE SECOND hAlF OF ThE TwENTIETh CENTUrY Jasna Potočnik Topler Abstract Norman Mailer, one of the most influential authors of the second half of the twentieth century, faithfully followed his principle that a writer should also be a critic of contemporary reality. Therefore, most of his works portray the reality of the United States of America and the complexities of the contemporary American scene. Mailer described the spirit of his time – from the terror of war and numerous dynamic social and political processes to the 1969 moon landing. Conflicts were often in the centre of his writing, as was the relationship between an individual and the society; he speaks of political power and the dangerous power of capital, while pointing to the threat of totalitarianism in America. Mailer spent his entire career writing about violence, power, perverted sexuality, the phenomenon of Hitler, terrorism, religion and corruption. He continually pointed out that individuals were in constant danger of losing freedom and dignity. keywords: American novel, political power, Norman Mailer, literary journalism Norman Kingsley Mailer, a Pulitzer Prize-winning novelist and journalist, and one of the most influential authors of the second half of the twentieth century, faithfully followed his principle that a writer should also be a critic of contemporary reality. One of his biogra- phers Mary V. Dearborn wrote, »In the case of Norman Mailer, the man and his life are of equal, often competing stature with his work, and it is for his life as well as his work that he will be remembered« (Dearborn 8).
    [Show full text]
  • Reincarnation of Norman I
    Architecture and Naturing Affairs 264 Reincarnation of Norman I About Life in Repeated Embodiments Living new lives, in a cycle: whereas Orlando in Virginia Woolf’s 1928 novel wakes up as a different gender regularly, effortlessly, and seamlessly, in Matthew Barney’s film-opera, River of Fundament (2014) the protag- onist Norman is transmogrified through much more ritual-intensive and sculptural transformations. Inspired by Norman Mailer’s novel Ancient Evenings (1983), then replacing the protagonist (an ancient Egyptian noble- man Menenhetet I) with the author of the novel himself, Barney’s film begins with the ka spirit of Norman ascending from the underworld. Norman is reincarnated as Norman I and Norman II over five hours. Sleek automo- tive corpses embody them: a 1967 Chrysler Crown Imperial, a 1979 Pontiac Firebird Trans Am, a 2001 Ford Crown Victoria Police Interceptor. Along- side those, primitive materials such as lead and zinc turn into iron and copper, bronze and brass, then toward silver and gold. A glimpse at one of the most powerful scenes of River of Fundament, in which the molten Pontiac Trans Am is cast into a massive iron pillar (DJED), impregnating the spirit of Norman II: 265 III Inhabiting L I B R E T T O Casting Pit, Detroit Steel Plant: The Body of Osiris FULL CAST AND ENSEMBLE IRON WORKERS NELPHTHYS (Jennie Knaggs, mezzo-soprano) BELITA WOODS (Contralto) 5 JAMES LEE BYARS 3 TRASH CONTAINER PERCUSSIONISTS 6 LONG STRING PLAYERS 1 VULTURE ISIS has been locked in the back of the CROWN VICTORIA, which drives up a long ramp to an embankment wall overlooking a deep excavated pit.
    [Show full text]
  • Norman Mailer
    Norman Mailer: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Mailer, Norman Title: Norman Mailer Papers Dates: 1919-2005 Extent: 957 document boxes, 44 oversize boxes, 47 galley files (gf), 14 note card boxes, 1 oversize file drawer (osf) (420 linear feet) Abstract: Handwritten and typed manuscripts, galley proofs, screenplays, correspondence, research materials and notes, legal, business, and financial records, photographs, audio and video recordings, books, magazines, clippings, scrapbooks, electronic records, drawings, and awards document the life, work, and family of Norman Mailer from the early 1900s to 2005. Call Number: Manuscript Collection MS-2643 Language: English Access: Open for research with the exception of some restricted materials. Current financial records and records of active telephone numbers and email addresses for Mailer's children and his wife Norris Church Mailer remain closed. Social Security numbers, medical records, and educational records for all living individuals are also restricted. When possible, documents containing restricted information have been replaced with redacted photocopies. Administrative Information Provenance Early in his career, Mailer typed his own works and handled his correspondence with the help of his sister, Barbara. After the publication of The Deer Park in 1955, he began to rely on hired typists and secretaries to assist with his growing output of works and letters. Among the women who worked for Mailer over the years, Anne Barry, Madeline Belkin, Suzanne Nye, Sandra Charlebois Smith, Carolyn Mason, and Molly Cook particularly influenced the organization and arrangement of his records. The genesis of the Mailer archive was in 1968 when Mailer's mother, Mailer, Norman Manuscript Collection MS-2643 Fanny Schneider Mailer, and his friend and biographer, Dr.
    [Show full text]
  • The Unbearable Unlikelihood of Barney D
    THE UNBEARABLE UNLIKELIHOOD OF BARNEY FINAL EDIT 14/2/14 David Walsh We see the sinking of the Titanic as an unmitigated disaster. We also marvel at the irony of an unsinkable ship at the bottom of the ocean. This is the stuff of legend. There are other perspectives, of course. Perhaps the failure of one ocean liner engenders an analysis of process. Maybe we do better now, maybe the things we launch stay afloat. But those very legends—movies, books, songs, stories—perhaps they enrich us. When liQuids freeze, the resulting solids typically occupy less volume. Water is a significant exception. If it wasn’t, icebergs wouldn’t float, and the Titanic wouldn’t have sunk. In fact, it wouldn’t have sunk for a much more fundamental reason—it would never have been built. Deep oceans, cold and dark, would freeze from the bottom up. There wouldn’t be any liquid water; there wouldn’t be any life on earth. A critic’s role is to ponder the sunken ship, and wonder if it sank the right way, a good way. A eulogist has a much more honorable role. A eulogist sees the ship resting there on the bottom, and sees past that to celebrate the unfrozen ocean. I choose to eulogize Matthew Barney for those reasons, and this: Barney’s work is an iceberg, massing below the surface, waiting to cut me open, waiting to show me the sea of opportunity. While I was considering how to contribute to this book, I learned that Lou Reed had died and I spontaneously wrote an obituary for our museum blog, MONA Blog.
    [Show full text]