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Autobiographical Concerns in Norman Mailer`S the Armies of the Night Kader YILMAZ*
Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi 2005 / Cilt: 22 Sayõ: 1 / ss. 249-258 Norman Mailer’s March: Autobiographical Concerns in Norman Mailer`s The Armies of The Night Kader YILMAZ* Abstract: As a work of literary nonfiction, Norman Mailer’s The Armies of The Night has often been studied in the context of its fictional reconstruction of the anti-war demonstration of 1967. Although some literary critics have also acknowledged the author’s highly subjective depiction of the march, this aspect of The Armies of The Night has received comparatively little critical consideration. Yet, the autobiographical narrative of this book deserves particular attention because it performs an important function in that it enables its author to personalize the march and to analyze the event from the perspective of a witness. This paper argues that Mailer aims to interpret and speculate on the significance of the march by offering his personal experiences and reactions to the events as emblematic of the experiences of the larger society protesting the Vietnam War. Key words: Literary nonfiction, Norman Mailer, autobiographical narrative, 1960s Özet: Olgu yönelimli roman türü olarak, Norman Mailer’in The Armies of The Night genellikle, 1967 yõlõnda düzenlenen savaş karşõtõ gösteriyi kurgusal bir yapõ ile yeniden anlatmasõ bağlamõnda incelenmiştir. Eleştirmenler, bu protesto yürüyüşünün kurgulanõşõndaki öznel yaklaşõma dikkat çekmiş olsalar da, eserin bu yönünü irdeleyen çalõşmalar azdõr. Oysa, bu eserdeki özyaşamsal söylem yazarõn gösteriyi öznelleştirmesine ve olayõ bir tanõk gözüyle yorumlamasõna olanak sağlamasõ açõsõndan önem taşõmaktadõr. Bu makale Mailer’in, kişisel deneyimlerinin ve olaylara tepkisinin Vietnam savaşõnõ protesto eden toplumun deneyimlerinin bir yansõmasõ olduğunu ve bu yolla toplumsal bir olayõ aydõnlatmayõ ve yorumlamayõ hedeflediğini savunmaktadõr. -
On Norman Mailer
LITERATURE 3 Scavenger of eternal truths Norman Mailer in the 1960s THOMAS MEANEY Norman Mailer COLLECTED ESSAYS OF THE 1960S 500pp. Library of America. £29.99 (US $35). 978 1 59853 559 4 FOUR BOOKS OF THE 1960S 950pp. Library of America. £39.99 (US $45). 978 1 59853 558 7 Edited by J. Michael Lennon I went to Wharton with Donald Trump. We were both from praetorian families in Queens – his more martial than mine – in the first line of defense on the crabgrass frontier. We went out one night together to a hotel behind Rittenhouse Square. His date was a wised-up girl from Phila- delphia society who dreamed of becoming a stripper; mine was a retreating waitress, with a hyena body that gave off a whiff of the inquisi- tive. After the drinks – Don drank seltzer – we took them to a room we’d booked upstairs. My date gashed my face with her high-heel after I tried to shuffle her into one of the bedrooms. There was panting from Don’s quarters, the sound of a teetering vase, then mechanical chanting, until a final flesh-on-flesh “Whaa- aap!” A volley of sweet-talk followed. “If you want to be a dancer, there’s nobody who’s going New York City, 1968 to stop you, not even your father,” Don whis- pered. “I know some of the best dancers in this in a Trump Air commercial, which left him of Walt Whitman and Leon Trotsky, your the haste to give pleasure. It was cool in mood, town. -
Mailer's Postmodern Armies: the Political 'Postmodernization' of American Nonfiction
Mailer's Postmodern Armies: The Political 'Postmodernization' of American Nonfiction Songok Han Thornton It would be extremely difficult to say whether Norman Mailer's first allegiance, through out his career, has been to romance or to reality. Mailer seemed to sense from the time of his first novel, The Naked and the Dead, that the reality he wanted to express could not be communicated except through romance, and that romance would lose much of its meaning without its realistic content. It was this same conviction, uniting art and reality, that drove Mailer as a young writer into politics. More than a decade before Eisenhower would coin the term 'military-industrial complex,' Malier's The Naked and the Dead (hereafter N & D) warned of a permanently militarized America. In a 1948 interview, Malier said of N & D that. I never even thought of its being an anti-war book, at the beginning. But every time I turned on the radio and looked into the newspapers, there was this growing hysteria, this talk of going to war again, and it made me start looking for the trend of what was happening (Levitas 4). An important character in N & D, General Cummings, predicted that the massive orga nization of America would soon reach beyond institutions to the very personality structure of postwar Americans. Sociologists such as Riesman (The Lonely Growd), White (The Organization Man), and C. Wright Mills (White Collar) would later testify to the arrival of exactly the personality structure that Mailer, through the person of General Cummings, had predicted. The generals, in this case, were corporate executives and upwardly mobile professionals. -
Vietnam War Literature and the Vietnam
Searching for Closure: Vietnam War Literature and the Veterans Memorial by Charles J. Gaspar That many soldiers returned home from the battlefields of Vietnam only to find themselves mired in another battle in their own country is well recognized now. A vignette which opens the Preface to Frederick Downs' compelling memoir, The Killing Zone, makes this point dramatically: In the fall of 1968, as I stopped at a traffic light on my walk to class across the campus of the University of 3enver, a man stepped up to me and said "Hi." Without waiting for my reply to his greeting, he pointed to the hook sticking out of my left sleeve. "Get that in Vietnam?" I said, "Yeah, up near Tam Ky, in I Corps." "Serves you right." As the man walked away, I stood rooted, too confused with hurt, shame, and anger to react. (n.pag. [vii]) This theme - that there was no easy closure for the trauma of the war experience for the individual soldier - recurs throughout many Vietnam War narratives. "Senator," a wounded veteran in James Webb's Fields of Fire, knows this truth and rebukes his father's cajolery with the assertion that "It'll never be over, Dad. Most of it hasn't even started yet" (392). Similarly, Tim O'Brien's hero in his first novel, Northern Lights, tells his brother only half jokingly, "Glad I didn't wear my uniform. Look plain silly coming home in a uniform and no parade" (24). Indeed, powerful recent narratives such as Larry Heinemann's Paco's Story and Philip Caputo's Indian Country have shifted the focus from the soldier in combat to the soldier as he attempts to reconnect with the mainstream of American society. -
Naturalism, the New Journalism, and the Tradition of the Modern American Fact-Based Homicide Novel
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml48106-1346 USA 3131761-4700 800!521-0600 Order Number 9406702 Naturalism, the new journalism, and the tradition of the modern American fact-based homicide novel Whited, Lana Ann, Ph.D. -
Visual Media and the Fate of Nonviolent Social Movement Activism
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 From Print to Pixel: Visual Media and The Fate of Nonviolent Social Movement Activism Ksenia O. Gorbenko University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Sociology Commons Recommended Citation Gorbenko, Ksenia O., "From Print to Pixel: Visual Media and The Fate of Nonviolent Social Movement Activism" (2012). Publicly Accessible Penn Dissertations. 636. https://repository.upenn.edu/edissertations/636 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/636 For more information, please contact [email protected]. From Print to Pixel: Visual Media and The Fate of Nonviolent Social Movement Activism Abstract In order to be heard or seen, nonviolent social movements (NVSMs) require an audience. News images of nonviolent protests become the means through which awareness of social movements is created. Comparative historical and semiotic analysis of journalistic images demonstrates that violence is a prominent theme within news coverage of nonviolent struggles. Four types of violence within nonviolence are identified: state violence, third-party violence, self-inflicted violence and symbolic violence. The examination of news images of these four types of violence showed the different ways in which challengers and the state contest power in the public domain through the media, in both text and images. Various actors (the state, social movements, journalists, the audience) use news images to historicize and construct their narratives of unfolding events, as well as make transhistorical claims. In this process, they deliberately employ news images to advocate for their causes, align themselves with previous heroes of civil disobedience and play on the popular understandings of good and evil. -
Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar. -
Relocating the American Dream. the America of the 1960S As Portrayed
Relocating the American Dream The America of the 1960s as Portrayed by the New Journalists Norman Mailer, Hunter S. Thompson, and Tom Wolfe Master's Thesis Department of English University of Helsinki Supervisor: Bo Pettersson Date: 25.3.2009 Meri Laitinen 1. INTRODUCTION .............................................................................................................3 1.1 Aims and methods ........................................................................................................................................... 5 1.2 Defining new journalism............................................................................................................................... 11 1.2.1 Norman Mailer ........................................................................................................................................ 16 1.2.2 Hunter S. Thompson................................................................................................................................17 1.2.3 Tom Wolfe............................................................................................................................................... 18 1.3 Defining the American Dream...................................................................................................................... 19 1.3.1 Origins of the term................................................................................................................................... 19 1.3.2 The American Dream in popular culture ................................................................................................ -
81 Norman Mailer
UDK 821.111(73)–311.6.09Mailer N. NOrMAN MAIlEr - ThE MOST INFlUENTIAl CrITIC OF CONTEMPOrArY rEAlITY IN ThE SECOND hAlF OF ThE TwENTIETh CENTUrY Jasna Potočnik Topler Abstract Norman Mailer, one of the most influential authors of the second half of the twentieth century, faithfully followed his principle that a writer should also be a critic of contemporary reality. Therefore, most of his works portray the reality of the United States of America and the complexities of the contemporary American scene. Mailer described the spirit of his time – from the terror of war and numerous dynamic social and political processes to the 1969 moon landing. Conflicts were often in the centre of his writing, as was the relationship between an individual and the society; he speaks of political power and the dangerous power of capital, while pointing to the threat of totalitarianism in America. Mailer spent his entire career writing about violence, power, perverted sexuality, the phenomenon of Hitler, terrorism, religion and corruption. He continually pointed out that individuals were in constant danger of losing freedom and dignity. keywords: American novel, political power, Norman Mailer, literary journalism Norman Kingsley Mailer, a Pulitzer Prize-winning novelist and journalist, and one of the most influential authors of the second half of the twentieth century, faithfully followed his principle that a writer should also be a critic of contemporary reality. One of his biogra- phers Mary V. Dearborn wrote, »In the case of Norman Mailer, the man and his life are of equal, often competing stature with his work, and it is for his life as well as his work that he will be remembered« (Dearborn 8). -
Norman Mailer
Norman Mailer: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Mailer, Norman Title: Norman Mailer Papers Dates: 1919-2005 Extent: 957 document boxes, 44 oversize boxes, 47 galley files (gf), 14 note card boxes, 1 oversize file drawer (osf) (420 linear feet) Abstract: Handwritten and typed manuscripts, galley proofs, screenplays, correspondence, research materials and notes, legal, business, and financial records, photographs, audio and video recordings, books, magazines, clippings, scrapbooks, electronic records, drawings, and awards document the life, work, and family of Norman Mailer from the early 1900s to 2005. Call Number: Manuscript Collection MS-2643 Language: English Access: Open for research with the exception of some restricted materials. Current financial records and records of active telephone numbers and email addresses for Mailer's children and his wife Norris Church Mailer remain closed. Social Security numbers, medical records, and educational records for all living individuals are also restricted. When possible, documents containing restricted information have been replaced with redacted photocopies. Administrative Information Provenance Early in his career, Mailer typed his own works and handled his correspondence with the help of his sister, Barbara. After the publication of The Deer Park in 1955, he began to rely on hired typists and secretaries to assist with his growing output of works and letters. Among the women who worked for Mailer over the years, Anne Barry, Madeline Belkin, Suzanne Nye, Sandra Charlebois Smith, Carolyn Mason, and Molly Cook particularly influenced the organization and arrangement of his records. The genesis of the Mailer archive was in 1968 when Mailer's mother, Mailer, Norman Manuscript Collection MS-2643 Fanny Schneider Mailer, and his friend and biographer, Dr. -
Play Guide for Sisters of Peace
Written by Doris Baizley Directed by Barbra Berlovitz M arch 2 3 –April 14, 2019 P L AY G U I D E THE PLAY Today, yesterday & beyond. Wednesday nights on the Lake Street Bridge, you can always find a handful of people marching with colorful signs and protesting for peace. Among them, you’d find the McDonald sisters Brigid, Jane, Rita and Kate: legendary peace activists, who grew up as sisters in a large Irish farm family in Hollywood Township, Minnesota. The four sisters all entered the convent and became Catholic nuns who devoted their lives to teaching and peace activism. That’s only part of the story. Their incredible lives come to life in this stirring play that take us on a journey from the security gates of Honeywell Corporation, to the School of the Americas and back to the steps of the Cathedral of St. Paul. Wherever there is injustice, the chances of bumping into the McDonald sisters are high. THIS IS THEIR STORY! A story of love, passion and compassion – all with a sense of humor that comes from their wonderful Irish upbringing! These Sisters of Peace are Minnesota legends, for sure! Page 2 SISTER OF SAINT JOSE PH OF CARONDELET The Federation of the Sisters of Saint Joseph of the United States is a union of all sisters who claim a common origin in the foundation at LePuy, France in 1650. This community, without cloister or habit, devote themselves to the needs of ordinary people. In the year 1834, Rev. Joseph Rosati, Bishop of St. -
MEMORIES of NORMAN MAILER.Pdf
MEMORIES OF NORMAN MAILER By Michael Ventura November 23, 2007 When I heard he died I unwrapped from its protective cellophane my tattered, 75-cent, 1964 Bantam Pocketbook edition of The Presidential Papers of Norman Mailer -- heavily underlined, held together with rubber bands, this was the book that jump-started my intellectual life in the spring of my 19th year. Mikey gave it to me. And I thought of the Bronx, back in the day, Mikey and me (“Mikey and me” is grammatical in the Bronx) -- drunk, walking under the Jerome Avenue El, 8-ish on a cold New Year’s Eve. It’s a long story, how Mikey had Mailer’s phone number. Mikey and me were without a New Year’s Eve party (also a long story), and we decided that Mailer -- who lived in Brooklyn -- would know where to find a wild bash. At a corner phone booth we drank more courage and I called. “Can I speak to Norman Mailer?” A woman’s voice: “Who’s calling?” “Just a guy in the Bronx.” A moment’s silence. Then Mailer, his imitation-thug voice: “Ya got 60 seconds, pal.” If only I’d stuck to the plan I still think he might have laughed and invited us to a party. Alas, my courage failed, I mumbled something being a writer and got the dial-tone I deserved. Fast-forward to autumn, 1972: a lecture-hall on the Berkeley campus filled to bursting with the shrillest of feminists, the gayest of gays, fringes left and right, and lit professors leading packs of profs-to-be -- all eager to bait Mailer, whose work they found too forceful to ignore and too paradoxical to embrace.