Building Canadian Consensus: Our Maturing Blockchain Ecosystem
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Myths That Make Us: an Examination of Canadian National Identity
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-29-2019 1:00 PM The Myths That Make Us: An Examination of Canadian National Identity Shannon Lodoen The University of Western Ontario Supervisor Plug, Jan The University of Western Ontario Joint Supervisor Gardiner, Michael The University of Western Ontario Graduate Program in Theory and Criticism A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Shannon Lodoen 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Canadian History Commons, Critical and Cultural Studies Commons, Rhetoric Commons, Social Influence and oliticalP Communication Commons, and the Social Psychology and Interaction Commons Recommended Citation Lodoen, Shannon, "The Myths That Make Us: An Examination of Canadian National Identity" (2019). Electronic Thesis and Dissertation Repository. 6408. https://ir.lib.uwo.ca/etd/6408 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This thesis uses Barthes’ Mythologies as a framework to examine the ways in which the Canadian nation has been mythologized, exploring how this mythologization affects our sense of national identity. Because, as Barthes says, the ultimate goal of myth is to transform history into nature, it is necessary to delve into Canada’s past in order to understand when, why, and how it has become the nation it is today. This will involve tracing some key aspects of Canadian history, society, and pop culture from Canada’s earliest days to current times to uncover the “true origins” of the naturalized, taken-for-granted elements of our identity. -
Seeing and Not Seeing: Landscape Art As a Historical Source
ch08.qxd 2/5/08 1:41 PM Page 140 Seeing and Not Seeing: Landscape Art as a Historical Source COLIN M. COATES Colin Coates is the Canada Research Chair in Cultural Landscapes at Glendon College, York University. During the years that I taught Canadian Studies courses at the University of Edinburgh, I some- times asked my British students to complete the phrase, “As Canadian as ...”The answers they gave were usually fairly predictable: “maple syrup,” “snow,” “a Mountie.” If I had to answer the question myself, I would probably finish the sentence with “landscape.” After all, as the second- largest country in the world, Canada has a lot of landscape. More importantly, the image Canadians project to themselves and others is often of rural or “wilderness” landscapes, even if they rarely visit them, and the human population of the country is crowded into the cities and towns that hug the American border. But the images of Canada iconic to Canadians and tourists alike are usually (apparently) pristine forests, lakes, mountains, and icebergs, not the cities, high-rises, and highways that more accurately define the day-to-day life of the vast majority of Canadians today. Canadians are not unique in finding the essence of their country outside their urban settings. Many countries locate their self-image in the countryside or the wilderness: Scotland, for instance, markets its majestic lochs and craggy islands, even if most Scots live in the tamer cities and suburbs near the English border. In the Canadian case, landscapes are often refracted through particular aesthetic approaches. -
The Art of Money Colville’S Centennial Coins
ART CANADA INSTITUTE INSTITUT DE L’ART CANADIEN APRIL 30, 2021 THE ART OF MONEY COLVILLE’S CENTENNIAL COINS Fifty-four years ago Expo 67 opened in Montreal—and the coins created by revered Canadian painter Alex Colville were a part of the world fair festivities. On the anniversary of the event ACI is launching a new online exhibition about the famed currency that marked the country’s 100-year celebration of Confederation. In 2017, the Art Canada Institute published Alex Colville: Life & Work by Ray Cronin, a work about our country’s foremost realist painter and how he imbued his meticulously painted scenes of everyday life with profound questions about the human condition. Our new online exhibition takes a closer look at a highly celebrated project by the Toronto-born, Maritime-based artist, one that produced the most widely- circulated artistic objects in Canadian history: six centennial coins that Colville (1920–2013) designed in 1965 and 1966 for the Royal Canadian Mint in celebration of Canada’s one hundredth anniversary of Confederation. Marking the anniversary of the opening of Expo 67 on April 27, 1967, The Measure of Nature: Alex Colville’s Centennial Coins, presented in partnership with the Beaverbrook Art Gallery and Billie Magazine, reveals the artist’s process of developing indelible currency inspired by Canadian wildlife. Sara Angel Founder and Executive Director, Art Canada Institute A NATIONAL TALENT Alex Colville, Family and Rainstorm, 1955 In 1964, when Minister of Finance Walter L. Gordon invited Canadian artists, sculptors, and designers to submit proposals for a coin set to be issued in 1967 to commemorate the Canadian Centennial, Colville’s career was thriving. -
Banknotes and the Nation
Andrew Champagne At the Intersection of Place Branding and Political Branding: Canadian Banknote Iconography and Political Priorities Abstract In 2012, the Bank of Canada began to release a new series of banknotes into circulation. Made of polymer and expected to last 2.5 times longer than previous versions, according to the Bank, these banknotes represent leading-edge technology and will expand the frontiers of banknote security. At the same time, compared to the previous “Canadian Journey” series, the overall iconography of the “Frontier” series has been noticeably changed. Over the course of their lifespan, more international visitors will be informed and influenced by Canadian banknote iconography than will Canadians. Throughout this article, I argue that the iconography of the “Frontier” series of banknotes is as much an expression of state power over a defined territory and its people, as it is a means to promote a particular view of Canada - both at home and abroad – that corresponds with the Conservative government of Stephen Harper’s political priorities and values. Considering that the Minister of Finance has authority over the “form and material” of the final design of all banknotes, I argue that Canadian banknote iconography is being used as an explicit means of political branding. In support of this, it is demonstrated that currency is increasingly being used as a means of mass communication more generally and through a quantitative content analysis of all banknotes produced by the central banks of Canada, Australia, New Zealand, and South Africa; I argue that there can be two different categories of banknote iconography, political and non-political. -
Weathering the Global Financial Crisis: an Overview of the Canadian Experience
Law and Business Review of the Americas Volume 16 Number 1 Article 4 2010 Weathering the Global Financial Crisis: An Overview of the Canadian Experience Virginia Torrie Follow this and additional works at: https://scholar.smu.edu/lbra Recommended Citation Virginia Torrie, Weathering the Global Financial Crisis: An Overview of the Canadian Experience, 16 LAW & BUS. REV. AM. 25 (2010) https://scholar.smu.edu/lbra/vol16/iss1/4 This Article is brought to you for free and open access by the Law Journals at SMU Scholar. It has been accepted for inclusion in Law and Business Review of the Americas by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. WEATHERING THE GLOBAL FINANCIAL CRISIS: AN OVERVIEW OF THE CANADIAN EXPERIENCE* Virginia Torrie** ABSTRACT The initial signs of a foundering American subp rime mortgage market have proven to be merely the tip of the iceberg of dubious financial prod- ucts and practices leading to the present economic crisis. In this time of heightened financial inquiry and reform, it is worth examining the impact of the financial crisis on the Canadian economy, as it has been markedly different from the American experience. Noteworthy is the fact that Cana- dian financial systems appear to have been remarkably insulated from much of the financial storm. This paper argues that Canadian resilience can largely be attributed to a more conservative regulatory environment, which curtailed much of the problematic behavior that has led the world to the point of financial crisis. Not an exhaustive study, this paper provides an overview of the impacts of the economic crisis on Canada and highlights key factors that have contributed to the Canadian experience. -
Stories of Canada: National Identity in Late-Nineteenth-Century English-Canadian Fiction" (2003)
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 2003 Stories of Canada: National Identity in Late- Nineteenth-Century English-Canadian Fiction Elizabeth Hedler Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Cultural History Commons, Ethnic Studies Commons, and the Literature in English, North America Commons Recommended Citation Hedler, Elizabeth, "Stories of Canada: National Identity in Late-Nineteenth-Century English-Canadian Fiction" (2003). Electronic Theses and Dissertations. 193. http://digitalcommons.library.umaine.edu/etd/193 This Open-Access Dissertation is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. STORIES OF CANADA: NATIONAL IDENTITY IN LATE-NINETEENTH- CENTURY ENGLISH-CANADIAN FICTION Elizabeth Hedler B.A. McGill University, 1994 M.A. University of Maine, 1996 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) The Graduate School The University of Maine May, 2003 Advisory Commit tee: Marli F. Weiner, Professor of History, Co-Advisor Scott See, Professor of History and Libra Professor of History, Co-Advisor Graham Cam, Associate Professor of History, Concordia University Richard Judd, Professor of History Naorni Jacobs, Professor of English STORIES OF CANADA: NATIONAL IDENTITY IN LATE-NINETEENTH- CENTURY ENGLISH-CANADIAN FICTION By Elizabeth Hedler Thesis Co-Advisors: Dr. Scott W. See and Dr. Marli F. Weiner An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) May, 2003 The search for a national identity has been a central concern of English-Canadian culture since the creation of the Dominion of Canada in 1867. -
The Group of Seven, AJM Smith and FR Scott Alexandra M. Roza
Towards a Modern Canadian Art 1910-1936: The Group of Seven, A.J.M. Smith and F.R. Scott Alexandra M. Roza Department of English McGill University. Montreal August 1997 A Thesis subrnitted to the Facdty of Graduate Studies and Researçh in partial fiilfiliment of the requirements of the degree of Master of Arts. O Alexandra Roza, 1997 National Library BiMiotheque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellingtocl Ottawa ON KIA ON4 OttawaON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence aliowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seii reproduire, prêter, distnibuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nim, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othewise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. iii During the 19 los, there was an increasing concerted effort on the part of Canadian artists to create art and literature which would afhn Canada's sense of nationhood and modernity. Although in agreement that Canada desperately required its own culture, the Canadian artistic community was divided on what Canadian culture ought to be- For the majority of Canadian painters, wrïters, critics and readers, the fbture of the Canadian arts, especially poetry and painting, lay in Canada's past. -
Hall of Fame
HALL OF FAME 2020 EDITION National Library of Canada Cataloguing in Publication Data Main entry under title: City of Orillia Hall of Fame 2020 edition Library and Archives Canada Cataloguing in Publication Isabel Brillinger, 1916-2011 author Commemorative Awards Committee / Kym Kennedy / Ellen Cohen -- 2020 edition. ISBN 978-0-9689198-2-8 (paperback) 1. Orillia (Ont.)--Biography. 2. Awards--Ontario--Orillia. I. Orillia (Ont.). Commemorative Awards Committee, issuing body II. Title. FC3099.O74Z48 2020 971.3’17 C2020-905298-X HALL OF FAME 2020 Edition Updated by: The Commemorative Awards Committee City of Orillia Cover Art by: Jieun Kim Introduction The Orillia Hall of Fame was established in 1964 to recognize residents, or past residents, of Orillia and area for their outstanding accomplishments. The award serves to build upon the history of our city and the incredible patrons who have built its past and present. Those nominated have received national and/or international recognition in their field of work or endeavour. Nominees have included those in the arts, professions, politics, business, philanthropy, athletics and more. In all cases, the nominees and, ultimately the inductees, have made a substantial impact on the destiny of Orillia. In order to ensure the legacy of the deeds and achievements of our Orillia citizenship, we invite nominations of those who inspire and illuminate. Details regarding criteria and deadlines are available at orillia.ca/halloffame. Take some time to visit the display of the 50+ inductees at the Orillia City Centre in the hall outside of the council chamber. 4 Chair’s Remarks Orillia isn’t just a beautiful city. -
Toronto, Ontario, Canada
EuRA: Toronto City Guide Updated: 5/17/2018 Helping you feel at home abroad. Relocation Guide to Toronto, Canada www.iorworld.com Visit IOR’s Global Services Knowledge Center for Canada IOR makes every effort to ensure the information contained in this guide is as current as possible. If you notice errors, or information which is no longer accurate, please contact us immediately so we may correct the issue. i IOR Global Services • All Rights Reserved Worldwide TABLE OF CONTENTS TORONTO OVERVIEW .......................................................................................................................... 1 AREA MAP ............................................................................................................................................ 4 HOUSING .............................................................................................................................................. 5 EMERGENCY & IMPORTANT CONTACTS .............................................................................................. 8 HEALTH FACILITIES ............................................................................................................................... 9 SCHOOLS & CHILDCARE ..................................................................................................................... 10 BANKING & MONEY MATTERS ........................................................................................................... 12 PUBLIC TRANSPORTATION & DRIVING ............................................................................................. -
MA MAJOR RESEARCH PAPER the Original Roots Man: Landscape
Ariana Ho, MRP 2015 page 1 MA MAJOR RESEARCH PAPER The Original Roots Man: Landscape, Nationalism and Dress ARIANA HO Supervisor: Dr. Irene Gammel Second Reader: Dr. Ben Barry The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Masters of Arts Graduate Program in Fashion Ryerson University Toronto, Ontario, Canada April 8, 2015 2 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A THESIS I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. Ariana Ho, MRP 2015 page 3 Table of Contents ABSTRACT................................................................................................................................................ 4 INTRODUCTION...................................................................................................................................... 5 PART ONE:..............................................................................................................................................11 THEORIZING CANADA, MEMORY, AND IDENTITY.....................................................................11 -
Canadian Payment Methods and Trends: 2019 Author Notes
2019 Canadian Payment Methods and Trends Canadian Payment Methods and Trends: 2019 Author Notes Michael Tompkins Lead, Policy and Research, Payments Canada [email protected] Viktoria Galociova Economist, Payments Canada [email protected] A number of organizations assisted Payments Canada by providing data and information, guidance on assumptions and feedback on this or past reports. Payments Canada would like to acknowledge the contributions provided by the following organizations: Bank of Canada INTERAC® INTRIA Symcor Technology Strategies International Euromonitor International RFi Group Leger Ipsos Canada The views expressed in this report are those of the authors and should not be attributed to the organizations named above. Payments Canada discussion papers concern a variety of issues relevant to the role of Payments Canada. The views expressed in this paper are those of the authors at the time of publication and do not necessarily represent those of Payments Canada. @paymentscanada Payments Canada © Payments Canada 2019 www.payments.ca ®Trade-mark of INTERAC Corp. ISSN 2369-3541 ii CONTENTS ii Author Notes 36 Appendix I: 1 Executive Summary 36 Detailed Payment Segment Charts 4 Payments from Coast to Coast 36 Figure A1: Total Annual CPMT Transactions 7 Introduction and Methodology (Volume and Value) 8 The Payments Landscape 36 Figure A2: All Payment Method 9 Findings Annual Totals 9 ACSS Data 37 Figure A3: Average Transaction Size 10 Overall Canadian Payment Transaction Trends 37 Figure A4: All Payment Method Average Annual 11 Year-over-year 2018 Growth Volume (10, 5 and 1 year CAGR) 12 The Payment Environments 38 Figure A5: Value (10, 5 and 1 year CAGR) 12 A. -
Wilderness Nation: the Myth of Nature in Canadian Architecture
ESSAY I ESSAI Wilderness Nation: The Myth of Nature in Canadian Architecture ELSA LAM is a PhD candidate in ai'Chitcctuml > ELSA LAM history and theory at ColurnlJia Univer·sity. Her resea1·ch examines the landscapes creat ed and promoted by the Canadian Pacific Railway at the turn of the centUiy She holds a Bachelor in a1·chitect um from the University of Wate1·loo. n the woods of the Venice Biennale Canada. and a Mastel' in architectu1·al llistoi'Y and IGiardini, nestled between Great theor·y from McGill University, Canada. Britain's neo-Palladian villa and Germany's neo-classical monolith, Canada's pavilion camps out. Designed to be easily dismountable, the spiralling wood and glass construction squeezes between trees, embracing one specimen in its glass-enclosed courtyard and wrap ping its wooden limbs around a second, which rises through its peaked roof and forms a verdant canopy overhead. Italian collective Banfi Belgiojoso Peressutti Rogers (BBPR) built the pavil ion in 1958, on commission from the Canadian government. The same year, the firm designed the Torre Velesca in the historic centre of Milan (figs. 1-2). The tower, a provocative example of a form of abstract historicism, distilled a symbolic essence of the city by boldly abstracting its medieval towers. In con trast, the firm's architectural represen tation of Canada was a small-scale, relatively modest structure. Its pared down steel-beam roof, glass clerestory lights, and brick walls fit with the Italian collective's principle of employing sim ple materials in unadorned planes, but also camouflaged the structure against its wooded surroundings.