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An Annotated List of Italian Renaissance Humanists, Their Writings About Jews, and Involvement in Hebrew Studies, Ca
An annotated list of Italian Renaissance humanists, their writings about Jews, and involvement in Hebrew studies, ca. 1440-ca.1540 This list, arranged in chronological order by author’s date of birth, where known, is a preliminary guide to Italian humanists’ Latin and vernacular prose and poetic accounts of Jews and Judaic culture and history from about 1440 to 1540. In each case, I have sought to provide the author’s name and birth and death dates, a brief biography highlighting details which especially pertain to his interest in Jews, a summary of discussions about Jews, a list of relevant works and dates of composition, locations of manuscripts, and a list of secondary sources or studies of the author and his context arranged alphabetically by author’s name. Manuscripts are listed in alphabetical order by city of current location; imprints, as far as possible, by ascending date. Abbreviations: DBI Dizionario biografico degli Italiani (Rome: Istituto della enciclopedia italiana, 1960-present) Kristeller, Iter Paul Oskar Kristeller, Iter Italicum: A Finding List of Uncatalogued or Incompletely Catalogued Humanistic Manuscripts of the Renaissance in Italian and Other Libraries; Accedunt alia itinera, 6 vols (London: Warburg Institute; Leiden: E. J. Brill, 1963-1991) Simon Atumano (d. c. 1380) Born in Constantinople and became a Basilian monk in St John of Studion there. Bishop of Gerace in Calabria from 1348 until 1366, and Latin archbishop of Thebes until 1380. During his time in Thebes, which was the capital of the Catalan duchy of Athens, he studied Hebrew and in the mid- to late-1370s he began work on a polyglot Latin-Greek-Hebrew Bible dedicated to Pope Urban VI. -
Quaderni D'italianistica : Revue Officielle De La Société Canadienne
272 Piccola biblioteca maso keeps the English version "straight." In other instances he is able to bring to the English version qualities which mirror the source text, such as "freely-given" to render and to echo the dieresis of "grîizïoso" (Sonnet 31) or "bound from bough to bough" to reproduce the alliterative effect of "de fronda in fronda" (Sonnet 6), with the felicitous addition of the verb "bound" to give greater relief to the line's rhythmic quality. In working at the macro-level. Di Tommaso himself discusses the type of strategies necessary in order to render the sense and the aesthetic essence of the source text, in short, in order to convey the text's ideolect in another language: "At times the translation achieves an effect which was not intended in the original, but which seems appropriate and worth retaining. The last stanza of the fourth sonnet, for example, begins and ends 'with her,' thus embodying in its form the inherent Petrarchan platonism of the poem and the idea of the cyclical return of the Golden Age which the poet identifies with the Lady's appearance on Earth" (ix). Although, as he says, the original does not intend the effect which the translation gives, the translation successfully signals to the reader the- matic dimensions and poetic structures which are fundamental to the collection in gen- eral. And Di Tommaso concludes: "In the course of juggling such elements, I have in- voked Accuracy . and Readability as my muses" (ix-x). In this regard, his accomplish- ments have been considerable. The translation is prefaced by a very useful introduction to Boiardo's canzoniere, both in the context of the literary tradition which came to the fifteenth-century poet from the late Middle Ages and the early Renaissance and in the socio-cultural context of the courtly environment of Quattrocento Ferrara. -
Humanism and Spanish Literary Patronage at the Roman Curia: the Role of the Cardinal of Santa Croce, Bernardino López De Carvajal (1456–1523)
2017 IV Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456–1523) Marta Albalá Pelegrín Article: Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456-1523) Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456-1523)1 Marta Albalá Pelegrín Abstract: This article aims to analyze the role of Bernardino López de Carvajal (1456 Plasencia-1523 Rome) as a literary patron, namely his contributions to humanism in Rome and to Spanish letters, in the period that has been loosely identified as Spanish Rome. Carvajal held the dignities of orator continuus of Isabella of Castile and Ferdinand of Aragon, titular cardinal of Santa Croce in Gerusalemme, and Latin Patriarch of Jerusalem, and was even elected antipope with the name of Martin VI in the Conciliabulum of Pisa (1511) against Julius II. He belonged to the avant-garde of humanists devoted to creating a body of Neo-Latin and Spanish literature that would both foster the Spanish presence at Rome and leave a mark on the Spanish literary canon. He sponsored a considerable body of works that celebrated the deeds of the Catholic Kings and those of the Great Captain, Gonzalo Fernández de Córdoba. He also commissioned literary translations, and was involved in the production of theatrical pieces, such as those of Bartolomé Torres Naharro. Key Words: Benardino López de Carvajal; Literary Patronage; Catholic Kings; Erasmus; Bartolomé Torres Naharro; Gonzalo Fernández de Córdoba. -
Epigraphical Research and Historical Scholarship, 1530-1603
Epigraphical Research and Historical Scholarship, 1530-1603 William Stenhouse University College London A thesis submitted in fulfilment of the requirements of the Ph.D degree, December 2001 ProQuest Number: 10014364 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10014364 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis explores the transmission of information about classical inscriptions and their use in historical scholarship between 1530 and 1603. It aims to demonstrate that antiquarians' approach to one form of material non-narrative evidence for the ancient world reveals a developed sense of history, and that this approach can be seen as part of a more general interest in expanding the subject matter of history and the range of sources with which it was examined. It examines the milieu of the men who studied inscriptions, arguing that the training and intellectual networks of these men, as well as the need to secure patronage and the constraints of printing, were determining factors in the scholarship they undertook. It then considers the first collections of inscriptions that aimed at a comprehensive survey, and the systems of classification within these collections, to show that these allowed scholars to produce lists and series of features in the ancient world; the conventions used to record inscriptions and what scholars meant by an accurate transcription; and how these conclusions can influence our attitude to men who reconstructed or forged classical material in this period. -
Carte Italiane
UCLA Carte Italiane Title “Singulis Etruriae populis”: The Political Mobilization of the Etruscan Foundation Myth in the Self-Conception of Renaissance Florence Permalink https://escholarship.org/uc/item/5gd565zq Journal Carte Italiane, 13(1) ISSN 0737-9412 Author Salamanca, Emily Publication Date 2021 DOI 10.5070/C913050075 eScholarship.org Powered by the California Digital Library University of California “Singulis Etruriae populis”: The Political Mobilization of the Etruscan Foundation Myth in the Self-Conception of Renaissance Florence Emily Salamanca “How the humbled Lucumones of the great Etruscan commonwealth must have cursed the despotic levellers who demolished their government, destroyed their nationality, and obliterated their very existence!” – E. C. Hamilton Gray, Tour to the Sepulchres of Etruria in 1839, 288 (London, 1843)1 Introduction As Florence became more imperially motivated and ideologically independent during the fourteenth through sixteenth centuries, Florentine humanists increasingly sought to promote the city’s allegedly autochthonous Etruscan origins, rather than claim any direct ancestral lineage from Ancient Rome. In making this historiographical shift, writers, including Giovanni Villani, Dante Alighieri, and Leonardo Bruni, strove to distance Florence—both ideologically and historically— from Roman influence, to provide an historical precedent for the aristocratic governing structure, and to present an ancient justification for a Florentine-led Tuscan imperial league. Yet, for Florentines, especially members of the ruling class, associating themselves with Etruscans also meant identifying themselves, quite undeniably, as the vanquished party in the ancient struggle against Rome. RecogniZing the political precarity of relying on the Etruscan example, Niccolò Machiavelli, in contrast, attempted to dismiss the humanist and aristocratic claims on an ancient Florentine exceptionalism. -
I After Conversion
i After Conversion © García-Arenal, 2016 | doi 10.1163/9789004324329_001 This is an open access chapter distributed under the terms of the CC-BY-NC-ND License. Mercedes García-Arenal - 978-90-04-32432-9 Downloaded from Brill.com06/07/2019 07:07:11PM via Library of Congress ii Catholic Christendom, 1300–1700 Series Editors Giorgio Caravale, Roma Tre University Ralph Keen, University of Illinois at Chicago J. Christopher Warner, Le Moyne College, Syracuse The titles published in this series are listed at brill.com/cac Mercedes García-Arenal - 978-90-04-32432-9 Downloaded from Brill.com06/07/2019 07:07:11PM via Library of Congress iii After Conversion Iberia and the Emergence of Modernity Edited by Mercedes García-Arenal LEIDEN | BOSTON Mercedes García-Arenal - 978-90-04-32432-9 Downloaded from Brill.com06/07/2019 07:07:11PM via Library of Congress iv This is an open access title distributed under the terms of the CC-BY-NC-ND License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/ Want or need Open Access? Brill Open offers you the choice to make your research freely accessible online in exchange for a publication charge. Review your various options on brill.com/brill-open. Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. issn 2468-4279 isbn 978-90-04-32431-2 (hardback) isbn 978-90-04-32432-9 (e-book) Copyright 2016 by the Editor and the Authors. -
Myth, Archeology and Architectural Design in the High Renaissance Concept of Rustication
Renaissance Studies Vol. 25 No. 2 DOI: 10.1111/j.1477-4658.2010.00675.x ‘La zecca vecchia’: myth, archeology and architectural design in the high Renaissance concept of rustication Lola Kantor-Kazovsky Rustication, or intentionally unhewn quadrangular masonry, whether executed in live stone or imitated in cement, is an architectural motif of classical origins that was used variously and systematically in Italy from the thirteenth century, and that features in some of the most conspicuous Renais- sance buildings. However, there was no classical or modern theoretical dis- cussion of it until Sebastiano Serlio’s Regole generali di’architettura (1537) and this treatise presents researchers of Renaissance rustication with a peculiar difficulty. Serlio’s publication divides the history of the use of this feature into two unequal parts. The semantics of rustication after Serlio is easy enough to trace, because in most of the cases it clearly has its source in his treatise. Rustication in Renaissance Italy before Serlio is more complicated, because, contrary to expectations, his concepts prove not to be really applicable there. Most contemporary researchers who inquire into the actual form, meaning and patronage of rusticated structures, whether private palaces or civic build- ings, approach early modern rustication as an all’antica architectural style whose intention was to express the Roman identity of a commune or the princely status of the owner.1 Serlio’s discourse on rustication seems to The first version of this paper was given as a lecture at the College Art Association Annual Conference in 2005. I want to thank Luba Freedman for reading the article before publication and for her deep and useful comments on it, and Frédérique Lemerle for presenting me with her publications on the French translation of Diego de Sagredo’s architectural treatise. -
Etruscan News
{01} Etruscan News. Bollettino della Sezione Newsletter Of The American Americana del' Istituto Section Of The Institute For di Studi Etruschi ed Italici. Etruscan And Italic Studies. Volume 2. Spring, 2003. Foreign News. Report from the Istituto di Studi Etruschi ed Italici, Florence. By Giovannangelo Camporeale, President, Consiglio Direttivo. The Consiglio Direttivo of the Istituto, the core of the Italian Section, based in Florence, has been involved in the organisation of several conferences. It collaborated with the French Section (see report below) on the first conference of the Studi Etruschi ed Italici to be held outside of Italy. This took place at Marseille and Lattes from September 27 to October 1, 2002, and explored the theme, The Etruscans From Genoa To Ampurias, From The VII To IV Centuries B.C. The Section is also collaborating with the Istituto per l' Archeologia Etrusco-Italica of the CNR in Rome to organise a meeting in memory of Mauro Cristofani on the subject, Mobility In Ancient Italy. This meeting was planned when Adriano Maggiani was Director of the IAEI and now awaits ratification by the new director, Francesco Roncalli, but it is projected to take place at the end of 2003. Work is progressing on various longterm projects. The collection of material continues for the CORPVS SPECVLORVM ETRVSCORVM (CSE), specifically for the volumes on the museums of Florence, Palestrina, and Naples. The publication of the survey of painted Etruscan tombs is ongoing. Almost all the archaic tombs of Tarquinia have been surveyed and drawn, and work on the 5th century B.C. tombs is underway. -
Quest of an Appropriate Antiquity: the Arena of Verona and Its Influence on Architectural Theory in the Early Modem Era
Originalveröffentlichung in: Enenkel, Karl A. E. ; Ottenheym, Konrad A. (Hrsgg.): The quest for an appropriate past in literature, art and architecture. Leiden 2019, S. 76-105 (Intersections : interdisciplinary studies in early modern culture ; 60) CHAPTER 3 A City in Quest of an Appropriate Antiquity: The Arena of Verona and Its Influence on Architectural Theory in the Early Modem Era Hubertus Gunther Some curious observations led me to the argument of this contribution. Firstly, in Sebastiano Serlio’s book on Roman antiquities - precisely, in its second edition -1 found the comment on the Arena of Pola that the manner of this articulation is obviously very different from those used in Rome, and Ifor my part would not adopt members such as those of the Amphitheatre in Rome in my works, but would willingly avail my self of those of the building in Pola, as they are done in a better manner and are better conceived, and I am sure that this was done by a different architect and that by chance he [i.e. the one of the Coliseum] he was a German, because the members of the Coliseum have something of the German manner.1 ‘German manner’ (maniera tedesca) was the usual term for the style of me dieval buildings generally despised in Italy at that time, and German in this context means Germanic. As was well known in the Renaissance, the Roman amphitheatre called the Colosseum had been built under Vespasian some ten years before Tacitus wrote his famous account of the Germanic tribes, report ing that they still lived in wooden huts spread out between large forests. -
The Egyptian Renaissance the Afterlife of Ancient Egypt in Early Modern Italy1
Aegyptiaca. Journal of the History of Reception of Ancient Egypt The Egyptian Renaissance The Afterlife of Ancient Egypt in Early Modern Italy1 Brian Curran Penn State University Herodotus, that most ancient historian, who had searched many lands and seen, heard and read of many things, writes that the Egyptians had been the most ancient people of which there was memory, and that they were solemn observers of their religion if anyone was, and that they adored and recognized their idolatrous gods under the various figures of strange and diverse animals, and that these were fashioned in gold and silver and other metals, and in precious stones and almost every material that was able to receive form. And some of these images have been preserved up until our own day, having been very much seen as manifest signs of these very powerful and copious people, and of their very rich kings, and further from a proper desire to prolong the memory of them for infinite centuries, and further than this the memory of their marvelous intelligence and singular industry and profound science of divine things, as well as human […]. Following these people, I myself can inform you that the art of good drawing and of coloring, and of sculpture and of representation in whatever manner, and in every manner of form, was held in great esteem [by them]. As for architecture, it should not be doubted that they were great masters, as is still seen in the pyramids and other stupendous edifices of their art that survive and will continue to last, as I myself believe, for infinite centuries. -
Authenticating Relics in Seventeenth-Century Spain Katrina B
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center History College of Arts and Sciences 2012 The Ambiguities of the Holy: Authenticating Relics in Seventeenth-Century Spain Katrina B. Olds University of San Francisco, [email protected] Follow this and additional works at: http://repository.usfca.edu/hist Part of the European History Commons, and the History of Religion Commons Recommended Citation Olds, Katrina. 2012. "The Ambiguities of the Holy: Authenticating Relics in Seventeenth-Century Spain." Renaissance Quarterly 65, no. 1: 135-184. This Article is brought to you for free and open access by the College of Arts and Sciences at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in History by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. The Ambiguities of the Holy: Authenticating Relics in Seventeenth-Century Spain* by K ATRINA O LDS Recent scholarship has shown that, even at the heart of the Catholic world, defining holiness in the Counter-Reformation was remarkably difficult, in spite of ongoing Roman reforms meant to centralize and standardize the authentication of saints and relics. If the standards for evaluating sanctity were complex and contested in Rome, they were even less clear to regional actors, such as the Bishop of Jae´n, who supervised the discovery of relics in Arjona, a southern Spanish town, beginning in 1628. The new relics presented the bishop, Cardinal Baltasar de Moscoso y Sandoval, with knotty historical, theological, and procedural dilemmas. -
Biondo Flavio and Leandro Alberti
Chorography as Culture: Biondo Flavio and Leandro Alberti JEFFREY A. WHITE 1. Introduction The Bolognese Dominican, Leandro Alberti’s (1479-1552) Descrittione di tutta Italia was first printed in 1550, about a hundred years after the first publication, in MS format, of Biondo Flavio’s Italia Illustrata1. That is to say, it was written and released into a different world from Biondo’s, one being transformed by printed books2, by a propagating convulsion of Christianity that incentivized manifold scholarship, by the reclamation of a hemisphere, and, with exploration, by the re-conceiving of the nature of travel and distance and time – among other epochal developments. Bolo- ___________ 1 The editio princeps of the Descrittione: Bologna, Anselmo Giaccarelli 1550 (Alberti 1550). And it seems that the travels Alberti put to the literary purposes of the work and the execution of most of it were completed by 1532 (see below). For Alberti, see Redigonda 1960. For Biondo, see (the still definitive) Fubini 1968. (The passing of Professor Riccardo Fubini [† 9 August 2018] was marked, e.g., in «RSA Renaissance News», definitively also, by William J. Connell: https://www.rsa.org/blogpost/856879/307618/Riccardo-Fubini.) 2 As Gaspare Biondo says (to a friend of his father) on the production of the 1474 editio princeps of the Italia Illustrata (see White 2016, 209 and 210): Coegerunt me tandem assiduae tuae voces, praestantissime Pater, ut Italiam illus- tratam, Blondi Flavii Forliviensis, genitoris mei, amici quondam tui tuarum laudum et gloriae studiosissimi opus, per librorum impressores in multa volumina scribi cu- rarem, cum diutius negare non possem tibi, quotidiano convicio negligentiam meam accusanti quod (nactus praebitam nostro saeculo multiplicandorum per impressores librorum occasionem) non providerem in posterum gloriae patris mei, et pariter cum possem satisfacere, negligerem..