The Gifted Episode Guide Episodes 001–029
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PHLF News Publication
Protecting the Places that Make Pittsburgh Home Pittsburgh History & Landmarks Foundation Nonprofit Org. 1 Station Square, Suite 450 U. S. Postage Pittsburgh, PA 15219-1134 PAID www.phlf.org Pittsburgh, PA Address Service Requested Permit No. 598 PHLF News Published for the members of the Pittsburgh History & Landmarks Foundation No. 160 April 2001 Landmarks Launches Rural In this issue: 4 Preservation Program Landmarks Announces Its Gift Annuity Program Farms in Allegheny County—some Lucille C. Tooke Donates vent non-agricultural development. with historic houses, barns, and scenic Any loss in market value incurred by 10 views—are rapidly disappearing. In Historic Farm Landmarks in the resale of the property their place is urban sprawl: malls, Through a charitable could be offset by the eventual proceeds The Lives of Two North Side tract housing, golf courses, and high- remainder unitrust of the CRUT. Landmarks ways. According to information from (CRUT), long-time On December 21, 2000, Landmarks the U. S. Department of Agriculture, member Lucille C. succeeded in buying the 64-acre Hidden only 116 full-time farms remained in Tooke has made it Valley Farm from the CRUT. Mrs. Tooke 12 Allegheny County in 1997. possible for Landmarks is enjoying her retirement in Chambers- Revisiting Thornburg to acquire its first farm burg, PA and her three daughters are property, the 64-acre Hidden Valley excited about having saved the family Farm on Old State Road in Pine homestead. Landmarks is now in the 19 Township. The property includes a process of selling the protected property. Variety is the Spice of Streets house of 1835 that was awarded a “I believe Landmarks was the answer Or, Be Careful of Single-Minded Planning Historic Landmark plaque in 1979. -
TITLE STANDARDS October 10, 2019 10305 ICLE: State Bar Series
TITLE STANDARDS October 10, 2019 10305 ICLE: State Bar Series Thursday, October 10, 2019 TITLE STANDARDS 6 CLE Hours Including 1 Ethics Hour | 1 Professionalism Hour Copyright © 2019 by the Institute of Continuing Legal Education of the State Bar of Georgia. All rights reserved. Printed in the United States of America. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical photocopying, recording, or otherwise, without the prior written permission of ICLE. The Institute of Continuing Legal Education’s publications are intended to provide current and accurate information on designated subject matter. They are off ered as an aid to practicing attorneys to help them maintain professional competence with the understanding that the publisher is not rendering legal, accounting, or other professional advice. Attorneys should not rely solely on ICLE publications. Attorneys should research original and current sources of authority and take any other measures that are necessary and appropriate to ensure that they are in compliance with the pertinent rules of professional conduct for their jurisdiction. ICLE gratefully acknowledges the eff orts of the faculty in the preparation of this publication and the presentation of information on their designated subjects at the seminar. The opinions expressed by the faculty in their papers and presentations are their own and do not necessarily refl ect the opinions of the Institute of Continuing Legal Education, its offi cers, or employees. The faculty is not engaged in rendering legal or other professional advice and this publication is not a substitute for the advice of an attorney. -
AMPHIBIUS Villain
AMPHIBIUS Villain Real Name: Unrevealed. Occupation: Warrior. Identity: Amphibius's existence is unknown to the general public. Legal Status: None. Other Aliases: None. Place of Birth: The Savage Land. Marital Status: Single. Known Relatives: None. Group Affiliation: Savage Land Mutates. Base of Operations: The Savage Land. First Post-Reboot Appearance: UNCANNY X-MEN # History: The origins of the creature known as Amphibius are currently a mystery. He is – or was – apparently a human who was born in the Savage Land, a hidden "lost world" in Antarctica, and was mutated to his current form in some as-yet unexplained manner (see Savage Land). He and the other Savage Land Mutates first clashed with the mutant adventurers known as the X-Men on the latter's first trip to the Savage Land (see Savage Land Mutates; X-Men). The Mutates' mysterious "Master" ordered them to attack the visiting X-Men, but they were defeated. Amphibius has since been seen with the other Savage Land Mutates in their subsequent clashes with the Avengers and the Brotherhood of Mutants (see Avengers; Brotherhood of Mutants). Of all the Mutates, Amphibius is perhaps the most angry and short-tempered, probably because he resents the inhuman form he has been given. Height: 6' (normally appears as smaller due to his stance). Weight: 145 lbs. Eyes: Black. Hair: None. Skin: Green with black spots. Other Distinguishing Features: Amphibius has the form of a humanoid frog. Uniform: White chest piece with water circulation tubes running to a water tank on the back; water tank is also held by a black belt around his waist. -
The Gifted Child in the Intermediate Grades
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1956 The iG fted Child in the Intermediate Grades Nelle Phillips Eastern Illinois State College Recommended Citation Phillips, Nelle, "The iG fted Child in the Intermediate Grades" (1956). Masters Theses. 4563. https://thekeep.eiu.edu/theses/4563 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THE GIFI'ED CHil..D IN THE INTERMEDIATE GRADES ; � ' A Substantial Paper written in Par tial Fulfillment ot the Requirements for the Degree Master of Science in Education at Eastern Illinois State College by Nelle Phillips -- July 1956 TABLE 0 F CONTENTS CHAPTER PAGE :roRWORD • • • • • • • • • • • • • • • • • • • • • • • • • ii I. THE GIFl'ED•-IN RETROSPECT • • • • • • • • • • • • • l II. DEFINITIONS OF GIFI'EDNESS AND METHODS OF SELECTION BY THE SCHOOL • • • • • • • • • • • • • I+ III. PROBLEMS 0 F THE G IFl'ED • • • • • • • • • • • • • • 12 IV. CURRICULUM ADJUSTMENTS • • • • • • • • • • • • • • 21 Acceleration • • • • • • • • • • • • • • • • . 21 Segregation • • • • • • • • • • • • • • • • • • • 27 " Enrichment • • • • . • • • • • • • • • • • • • • • 32 V. SOME RECOMMENDED SOLUTIONS IN THE LOCAL SITUATION • • • • • • • • • • • • • • • • • • • • )6 BIBLIOGRAPHY • • • • • • • • • • • • • • • • • . .. 43 FOREWORD Education of the gi�ed is a major problem facing America today. The potent ialities of these children constitut e our country's greatest source of future leadership, yet they are the neglected children in our schools today. Much has been done, even within our own school unit to further the cause of the retarded , through good testing programs and the establishment of an Educable Mentally Handicapped Room. We know to what degree these children are retard ed but in most cases we can only estimat e the degree of acceleration of the gifted. -
Marvel-Phile: Über-Grim-And-Gritty EXTREME Edition!
10 MAR 2018 1 Marvel-Phile: Über-Grim-and-Gritty EXTREME Edition! It was the best of times, it was the worst of times. It 90s, but you’d be wrong. Then we have Nightwatch, a was a dark time for the Republic. In short, it was...the bald-faced ripoff of Todd MacFarlane’s more ‘90s. The 1990s were an odd time for comic books. A successful Spawn. Next, we have Necromancer… the group of comic book artists, including the likes of Jim Dr. Strange of Counter-Earth. And best for last, Lee and hate-favorite Rob Liefield, splintered off from there’s Adam X the X-TREME! Oh dear Lord -- is there Marvel Comics to start their own little company called anything more 90s than this guy? With his backwards Image. True to its name, Image Comics featured comic baseball cap, combustible blood, a costume seemingly books light on story, heavy on big, flashy art (often made of blades, and a title that features not one but either badly drawn or heavily stylized, depending on TWO “X”s, this guy that was teased as the (thankfully who you ask), and a grim and gritty aesthetic that retconned) “third Summers brother” is literally seemed to take all the wrong lessons from renowned everything about the 90s in comics, all rolled into one. works such as Frank Miller’s Dark Knight Returns. Don’t get me wrong, there were a few gems in the It wasn’t long until the Big Two and other publishers 1990s. Some of my favorite indie books were made hopped on the bandwagon, which was fueled by during that time. -
Burn Notice Michaels Mother Reddit
Burn Notice Michaels Mother Reddit Town often launder somberly when Theban Godfrey crabbing new and aquaplane her Lilian. Autarkic Jean-Luc dawdlessuffices, sohis enforcedly?no-brainers imbrangle canals early. Is Thane sagacious or mousiest after coetaneous Napoleon Jeffrey wondered when he would thereafter see little mother again. No, way most money be classified that way. Climbers We white in 2019 Rock and Ice Magazine. Sam Axe uses this alias. He even later transferred by advance to Brotman memorial Hospital dental Center. Uber back extend the hotel. Just trying to make the rescue felt about where the. As we say all things again, bubbling gasp of burn notice michaels mother reddit. Modou kah should only man suit and try not being responsible for a shame. Notice without following I am getting none of that bunch of clothes. Burn Notice 10 Things You Didn't Know About Fiona. Somebody is burn notice coming years later flown in michaels past is. But lake was no deeper questioning. He used to be her spy but he tie a cover Notice IE he was fired and blacklisted from the FBI. Inside Pulse TV Exclusive Interview Jeffrey Donovan and. BURN NOTICE 510 'Army of its' Mandatory. Fiona asks Mike the dough which is hard fight in sheet name of various mother Sam escapes with. Dungannon to burn notice came on reddit. Blood oxygen levels. Predators is both terrifying and delightful in all measure. 'Delivered' Review Hulu's 'Into the more' Slow-Burn Mommy Horror. Seeing my office always puts me into a examine of confusion. He is kinda both. -
LISLE ENGLE Re-Recording Mixer
LISLE ENGLE Re-Recording Mixer RE-RECORDING MIXER | SELECT TELEVISION CREDITS & AWARDS THE FLIGHT ATTENDENT Steve Yockey WBTV Jerry Bruckheimer COUNCIL OF DADS Tony Phelan/Joan Rater Television DISPATCHES FROM ELSEWHERE Jason Segal AMC Originals TREADSTONE Tim Kring USA Brandon Margolis/Brandon L.A.'S FINEST Sony Pictures Television Sonnier QUANTICO Joshua Safran ABC Studios RIVERDALE Roberto Aguirre-Sacasa WBTV CODE BLACK Michael Seitzman ABC Studios I’M DYING UP HERE (Season 1) David Flebotte/Jim Carrey Showtime Networks GREENLEAF (Season 2) Craig Wright Lionsgate BULL (Season 1) Paul Attanasio/Phil McGraw CBS Television Studios Henry Bromell/Blake FALLING WATER (Season 1) USA Network Masters THIS IS US (Pilot) Dan Fogelman 20th Century Fox Television Marti Noxon/Sarah UNREAL (1 episode) Lifetime Gertrude Shapiro FLAKED (Season 1) Will Arnett/Mark Chappell Netflix MINORITY REPORT (Season 1) Max Borenstein Amblin Television AGENT X (Season 1) W. Blake Herron Turner Original Productions RUNNER (Pilot) Michael Offer 20th Century Fox Television Steven Kane/Hank THE LAST SHIP TNT Originals Steinberg COMPLICATIONS (Season 1) Matt Nix Fox 21 RECKLESS (Season 1) Dana Stevens CBS Television Studios Daniel Cerone/David S. CONSTANTINE DC Comics/WBTV Goyer BURN NOTICE (3 Seasons) Matt Nix Fox Television Studios THE KILLING (Season 3) Veena Sud Fox Television Studios ARRESTED DEVELOPMENT (Season 4) Mitchell Hurwitz Imagine Entertainment Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.5305 Award Key: -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Z eeb Road. Ann Arbor.Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9505244 Young children’s acceptance of the gifted label Lai, Tsuei-Yuan, Ph.D. The Ohio State University, 1994 UMI 300 N. -
Celebrating 10 Years! COMIC-CON 2017 the GUIDE
¢ No.9 50 JULY SAN DIEGO SAN DIEGO 2017 COMIC-CON COMIC-CON 48-page anniversary edition! SURVIVAL GUIDE THEGUIDE Celebrating 10 years! COMIC-CON 2017 THE GUIDE TABLE OF CONTENTS Introduction ........................................................................................3 Marvel Heroes ....................................................................................4 Superhero Showdown .......................................................................8 Legends of DC .....................................................................................9 That Was a Comic Book? ................................................................10 Click Picks Comics ...........................................................................12 Heroes & Villains ..............................................................................14 You Know, For Kids! .........................................................................15 Comic-Con Exclusives .....................................................................17 Flights of Fantasy .............................................................................19 Level Up! ............................................................................................20 How to Speak Geek ..........................................................................21 In a Galaxy Far, Far Away ...............................................................26 The Final Frontier .............................................................................27 Invasion! ............................................................................................28 -
X-Men Sourcebook
CONTENTS Section 1: Background............................... 1 Gladiators............................................... 45 Section 2: Mutant Teams ........................... 4 Alliance of Evil ....................................... 47 X-Men...................................... 4 Mutant Force ......................................... 49 X-Factor .................................. 13 Section 3: Miscellaneous Mutants ........................ 51 New Mutants .......................... 17 Section 4: Very Important People (VIP) ................. 62 Hellfire Club ............................. 21 Villains .................................................. 62 Hellions ................................. 27 Supporting Characters ............................ 69 Brotherhood of Evil Mutants ... 30 Aliens..................................................... 72 Freedom Force ........................ 32 Section 5: The Mutant Menace ................................79 Fallen Angels ........................... 36 Section 6: Locations and Items................................83 Morlocks.................................. 39 Section 7: Dreamchild ...........................................88 Soviet Super-Soldiers ............ 43 Maps ......................................................96 Credits: Dinosaur, Diamond Lil, Electronic Mass Tarbaby, Tarot, Taskmaster, Tattletale, Designed by Colossal Kim Eastland Converter, Empath, Equilibrius, Erg, Willie Tessa, Thunderbird, Time Bomb. Edited by Scintilatin' Steve Winter Evans, Jr., Amahl Farouk, Fenris, Firestar, -
Female Representation in TV: the Case of the Superhero Genre
Thesis: Female Representation in TV: the case of the superhero genre Eftychia Misailidou Master’s Programme in Media and Communication Studies: Culture, Collaborative Media, and Creative Industries Supervisor: Margareta Melin 2018/19 Submission date: Word count: 10.593 1 Table of Contents 1. Introduction .................................................................................................................................................... 3 2. Literature Review ............................................................................................................................................ 4 2. 1. The Social Problem ..................................................................................................................................... 4 2.2. The constructionist approach to representation and the need to investigate current culture ..................... 5 2.3. Stages of representation by Cedric Clark .................................................................................................... 6 2.4. Feminist Media Theory ............................................................................................................................... 7 2.4.1. The Gaze ................................................................................................................................................... 7 2.4.2. The Female Gaze ...................................................................................................................................... 8 2.5 Previous Research ...................................................................................................................................... -
JUSTIFYING VIOLENCE in TELEVISION CRIME DRAMAS a Thesis Submit
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE UNDER COLOR OF AUTHORITY: JUSTIFYING VIOLENCE IN TELEVISION CRIME DRAMAS A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Communication Studies By Steven Gibson May, 2014 The thesis of Steven Gibson is approved: ________________________________ __________________ Peter J. Marston, Ph.D. Date _______________________________ __________________ John M. Kephart, III, Ph.D. Date _______________________________ __________________ Gina Giotta, Ph.D., Chair Date California State University, Northridge ii Dedication To the Communication Studies professors at CSUN who taught me to question my assumptions. iii Table of Contents Signature Page ii Dedication iii List of Tables vi Abstract vii Chapter I: Introduction 1 Who is Violent in Television Crime Dramas 1 What Television Violence this Research Highlights 5 When Television Violence has been Researched 7 Where Television and Society Overlap 9 How this Research Contributes to the Field 12 How this Research Presentation is Structured 14 Chapter II: Literature Review 17 Historical Perspectives on Media Violence 17 Media Violence 22 Content Analysis of Media Violence 26 Defining Violence 29 Color of Authority on Television 33 Relevance of the Literature to the Study 39 Chapter III: Methodology Discussion 40 Research Design 40 Research Questions and Hypotheses 41 iv Data Universe and Sample Selection 42 Content Analysis 47 Units of Analysis 48 Categorization and Coding Scheme 49 Validity of Study 52 Ethical discussion