DOCSLIB.ORG

Basarab " Basarabii "

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Basarab 1 Tugomir ("Negru" selon Şt. Greceanu) Valachie: ~1290 - ~1310 2 Descendance sélective Dynastie Basarab cel Mare ("Negru" selon I.G. Filitti) Basarab Valachie: ~1324 - ~1352 3 " Basarabii " Selon: Dan PLEŞIA vol. Academiei 2000 - 2002 Alexandru Nicolae Valachie: ~1352 - 16.IX.1364 Rédaction, graphisme et mise en page: Mona & Florian BUDU-GHYKA janvier 2007 www.ghika.net 4 Copyright © Mona & Florian Budu-Ghyka Radu I Vladislav Vlaicu Vodă (associé à son frère: 1364-1377) Valachie: 16.XI.1364 - ~1377 Valachie: ~1377 - 1383 5 Mircea cel Bătrân Vlad I Dan I (associé à son frère Dan I: ~1383 - .IX.1386) frère ou fils de DAN I Valachie: ~1383 - .IX.1386 Valachie: 23.IX.1386 - 31.I.1418 Valachie: .XI.1394 - .I.1397 (avec son frère Mircea) 6 Mihai Radu II Vlad II Dracul Alexandru I - Aldea Dan II (associé à son père: 1408 - 1418) Praznaglava Valachie: .XII.1436 - 1442 Valachie: .III.1431 - .XII.1436 Valachie: .VIII.1420 - .III.1431 Valachie: 31.I.1418 - .VIII.1420 Valachie: .V.- XI.1421; ..1423; 1443 - 7.XII.1447 (avec interruptions provoquées ..1424; ..1426; ..1427; par son cousin Radu II) (quelques mois chaque fois) 7 Vlad IV Călugărul Mircea Vlad Ţepeş Vlad III Radu III cel Frumos Dan (Danciu) Basarab II Valachie: .IX.-16.XI.1481 Valachie: .IX - XII.1442; Valachie: .X.- .XI.1448; Valachie: .VIII.1462 - .I.1475 Valachie: .XII.1442 - ~III.1443 .IV.1482 - .IX.1495 .XII.1447 15.IV - 3.VII.1456; (avec interruptions) .VII-.VIII.1462; 8.XI - .XII.1476; 8 Radu Călugărul Radu IV cel Mare Vlad V cel Tânăr Mihnea cel Rău Maria Vladislav II Basarab cel Bătrân Basarab cel Tânăr (Vlad ?, Dragomir ?) Valachie: 15.IX.1495 - .IV.1508 (Vlăduţ) Valachie: .IV.1508 - .X.1509 & Ştefan cel Mare Valachie: .XII.1447 - .X.1448 Basarab III - Laiotă Basarab IV - Ţepeluş Valachie: .X.-.XI.1521 Valachie: .II.1510 - 23.I.1512 Moldavie: .XII.1448 - 15.IV.1456 Valachie: .XI.-.XII.1473. Valachie: .XI.1477 - .IX.1481 voir Muşatinii tué par Vlad Ţepeş .III.-.X.1474 16.XI.1481 - .IV.1482 .I.1475 - 8.XI.1476 .XII.1476 - .XI.1477 9 Vlad VI Vintilă Radu Radu Paisie Radu de la Afumaţi Radu V Mircea III Ciobanul Vlad VII Înecatul Mircea Vladislav Neagoe Basarab de la Slatina (Bădică) (Petru de la Argeş) Valachie: .X.1522 - 4.III.1523 Valachie: .I.1545 - 16.XI.1552 Valachie: 4.VI.1530 - 18.IX.1532 Valachie: 29.X.1509 - .I.1510 Basarab V Valachie: 18.IX.1532 - .IX.1534 Valachie: 8.XI.1523-19.I.1524 Valachie: .IX.-.XI.1534 19.I.-16.VI.1524 11.V.1553 - 28.II.1554 Valachie: 23.I.1512 - 15.IX.1521 .XI.1534 - 10.VI.1535 10.VI.1535 - 17.III.1545 .IX.1524 - 19.IV.1525 .I.1558 - 21.IX.1559 18.VIII.1525 - 2.I.1529 & Chiajna fille de Petru RAREŞ &2 Ruxandra fille de et de Elena Brancović Neagoe BASARAB 10 Pătraşcu cel Bun Radu Ilie Radu VIII Petru cel Tânăr Alexandru II Petru Şchiopul Vladislav Teodosie Valachie: .V.1554 - 26.XII.1557 Valachie: 16.XI.1552 - 11.V.1553 Valachie: 21.IX.1559 - 8.VI.1568 Valachie: 14.VI.1568 - 30.IV.1574 Moldavie: 14.VI.1574 - 23.XI.1577 Valachie: .IV.1523 - .XI.1523 Valachie: 15.IX.-.XII.1521 .V.1574 - 11.IX.1577 .I.1578 - 21.XI.1579 .VI.-.IX.1524 2.IX.1582 - 19.VIII.1591 .IV.-.VIII.1525 11 Vintilă Petru Cercel Mihai Viteazul Mihnea II Turcitul Moise Valachie: .V.1574 Valachie: .VII.1583 - 6.IV.1585 Valachie: .IX.1593 - 9.VIII.1601 Valachie: 11.IX.1577 - .VII.1583 Valachie: 2.I.1529 - .VI.1530 (4 jours) Transylvanie: .XI.1599 - .IX.1600 6.IV.1585 - 19.V.1591 Moldavie: .V. - .IX.1600 (passé à l'islam 1591) 12 Nicolae Pătraşcu Radu IX Mihnea Valachie: .XI.1599 - .IX.1600 Valachie: .IX.1601 - .III.1602 15.I.-.V.1611 .IX.1611 - .VIII.1616 Moldavie: .VII.1616 - .II.1619 Valachie: .VIII.1620 - .VIII.1623 Moldavie: .VIII.1623 -.I.1626 13 Alexandru IV Coconul Mihnea III Valachie: 14.VIII.1623 - 3.XI.1627 (Mihail-Radu) Moldavie: 15.VII.1629 - 29.IV.1630 Valachie: 19.I.1658 - .XI.1659 Basarab / janvier 2007 Copyright © Mona & Florian Budu-Ghyka 2003 - 2007.
Load more

Recommended publications
  • 01:510:255:90 DRACULA — FACTS & FICTIONS Winter Session 2018 Professor Stephen W. Reinert
    01:510:255:90 DRACULA — FACTS & FICTIONS Winter Session 2018 Professor Stephen W. Reinert (History) COURSE FORMAT The course content and assessment components (discussion forums, examinations) are fully delivered online. COURSE OVERVIEW & GOALS Everyone's heard of “Dracula” and knows who he was (or is!), right? Well ... While it's true that “Dracula” — aka “Vlad III Dracula” and “Vlad the Impaler” — are household words throughout the planet, surprisingly few have any detailed comprehension of his life and times, or comprehend how and why this particular historical figure came to be the most celebrated vampire in history. Throughout this class we'll track those themes, and our guiding aims will be to understand: (1) “what exactly happened” in the course of Dracula's life, and three reigns as prince (voivode) of Wallachia (1448; 1456-62; 1476); (2) how serious historians can (and sometimes cannot!) uncover and interpret the life and career of “The Impaler” on the basis of surviving narratives, documents, pictures, and monuments; (3) how and why contemporaries of Vlad Dracula launched a project of vilifying his character and deeds, in the early decades of the printed book; (4) to what extent Vlad Dracula was known and remembered from the late 15th century down to the 1890s, when Bram Stoker was writing his famous novel ultimately entitled Dracula; (5) how, and with what sources, Stoker constructed his version of Dracula, and why this image became and remains the standard popular notion of Dracula throughout the world; and (6) how Dracula evolved as an icon of 20th century popular culture, particularly in the media of film and the novel.
    [Show full text]
  • Bram Stoker's Vampire Trap : Vlad the Impaler and His Nameless Double
    BRAM STOKER’S VAMPIRE TRAP VLAD THE IMPALER AND HIS NAMELEss DOUBLE BY HANS CORNEEL DE ROOS, MA MUNICH EMAIL: [email protected] HOMEPAGE: WWW.HANSDEROOS.COM PUBLISHED BY LINKÖPING UNIVERSITY ELECTRONIC PREss S-581 83 LINKÖPING, SWEDEN IN THE SERIES: LINKÖPING ELECTRONIC ARTICLES IN COMPUTER AND INFORMATION SCIENCE SERIES EDITOR: PROF. ERIK SANDEWALL AbsTRACT Since Bacil Kirtley in 1958 proposed that Bram Stoker’s Count Dracula, the best known literary character ever, shared his historical past with the Wallachian Voivode Vlad III Dracula, an intense debate about this connection has developed and other candidates have been suggested, like the Hungarian General János Hunyadi – a proposal resurfacing in the most recent annotated Dracula edition by Leslie Klinger (2008). By close-reading Stoker’s sources, his research notes and the novel, I will demonstrate that Stoker’s narrative initially links his Count to the person of Vlad III indeed, not Hunyadi, although the novelist neither knew the ruler’s first name, nor his father’s name, nor his epithet “the Impaler”, nor the cruelties attributed to him. Still – or maybe for this very reason – Stoker did not wish to uphold this traceable identity: In Chapter 25, shortly before the decisive chase, he removes this link again, by way of silent substitution, cloaked by Professor van Helsing’s clownish distractions. Like the Vampire Lord Ruthven, disappearing through the “vampire trap” constructed by James R. Planché for his play The Brides of the Isles in the English Opera House, later renamed to Lyceum Theatre and run by Stoker, the historical Voivode Vlad III Dracula is suddenly removed from the stage: In the final chapters, the Vampire Hunters pursue a nameless double.
    [Show full text]
  • U8: ISTORIE Dracula Sau Vlad Ţepeş? a Achiziţiona (Ez)
    Lexic U8: ISTORIE Dracula sau Vlad Ţepeş? a achiziţiona (ez) Ideea de a scrie o povestire cu vampiri îl obseda pe Bram Stoker, iar a croi (esc) el căuta un „tipar” care să-i confere un aer de autenticitate. În jurul crud, crudă, cruzi, crude dragon, i (m) anului 1890, a cunoscut un savant maghiar, profesorul universitar fiu, fii (m) Arminius Vambery, ale cărui conferinţe cu note de călătorie îi erau împărat/ţi (m) familiare. Cei doi au luat cina împreună şi, pe parcursul discuţiilor, închinat, ă, i, e Stoker a fost impresionat de istorisirile profesorului despre Dracula, a înfige „înfigătorul de ţepe”. După ce Vambery s-a întors la Budapesta, Bram a (se) însoţi (esc) Stoker i-a scris, cerându-i mai multe detalii despre faimosul prinţ din a masacra (ez) secolul al XV-lea şi despre locul în care acesta a trăit. Transilvania i se a omorî părea a fi un loc ideal pentru o poveste cu vampiri. păgân, ă, i, e Pe de altă parte, Bram Stoker a găsit în sala de lectură de la British poreclă/e (f) Museum o serie de cărţi vechi, printre care şi legenda românească în prinţ, i (m) propriu, proprie, proprii care se spunea că „în Valahia, Vlad al V-lea, fiul lui Vlad Dracul, şi-a sabie, săbii (f) croit drum la tron cu sabia în mână şi şi-a menţinut domnia printr-o teroare/ori (f) cumplită teroare şi tiranie”: „a masacrat, a tras în ţeapă, a omorât fără tipăritură/i (f) discernământ, pentru propria-i plăcere şi pentru a-şi asigura tronul”.
    [Show full text]
  • Route Through Transylvania, Tailormade by Car 17/01
    Romania: Route through Transylvania, tailor­made by car The Carpathians in Romania, much more than haunting castles, mist­shrouded mountains and the legendary Count Dracula Surrounded by the Carpathian mountain range, Transylvania covers the central part of Romania and is one of the best­known regions outside the country. Much of this is due to the famous vampire Count Dracula, the literary character created by Bram Stoker and inspired by Vlad the Impaler. Thanks to this fascinating road trip, you can follow in the footsteps of the Romanian prince infamous for cruelly impaling his enemies and even explore the ruins of his former fortress, Poenari Castle. You can also visit the perfectly preserved Bran Castle, the bastion chosen by the communist dictator Nicolae Ceausescu to locate the residence of Vlad the Impaler and the imaginary vampire Count in an attempt to draw in more tourism to Romania. Or the house where he spent his formative years of life in Sighisoara and which was owned by his father, Vlad II Dracul. Yet despite being firmly placed on the tourist map, Transylvania offers visitors many other attractions than everything surrounding the immortal Dracula. In fact, this region has been controlled by the Dacians, the Romans, the Hungarians, the Transylvanian Saxons and the Ottomans, who all left behind a spectacular multicultural heritage that is very much alive today. Transylvania, translated from its Latin name as 'the land beyond the forest', is actually called Ardeal in Romanian, Erdély in Hungarian and Siebenbürgen in German. In Romania, you'll be enchanted by the beauty of its mountainous landscapes, its lush forests and its architectural heritage that includes iconic buildings such as the communist­era Palace of the Parliament in Bucharest; the Biserica Neagra in Brasov, the largest Gothic­style church in Romania and Southeast Europe; the Citadel of Rasnov; the famous fortified churches of Prejmer and Harman; and the Cathedral of Curtea de Arges, among many other exceptional tourist attractions.
    [Show full text]
  • “Dracula: Facts & Fictions” Spring Semester 2014
    PROSPECTUS FOR 01:510:255 “Dracula: Facts & Fictions” Spring Semester 2014 CONTACT INFORMATION > Instructor: Stephen W. Reinert (Professor) > Meeting Times: M/TH, 2nd Period (9:50-11:10 AM) > Meeting Place: College Avenue Campus, Murray Hall, Room 212 > Instructor's Email: [email protected] > Instructor's Office: Van Dyck Hall, Room 218, College Avenue Campus > Office Hours: by arrangement, and always available by Skype THEMES & OBJECTIVES OF THE COURSE Everyone's heard of "Dracula" and knows who he was (or is!), right? Well ... While it's true that "Dracula" — aka "Vlad III Dracula" and "Vlad the Impaler" — are household words throughout the planet, surprisingly few have any detailed comprehension of his life and times, or comprehend how and why this particular historical figure came to be the most celebrated vampire in history. Throughout this class we'll track those themes, and our guiding aims will be to understand: (1) "what exactly happened" in the course of Dracula's life, and three reigns as prince (voivod) of Wallachia (1448; 1456-62; 1476); (2) how serious historians can (and sometimes cannot!) uncover and interpret the life and career of "The Impaler" on the basis of surviving narratives, documents, pictures, and monuments; (3) how and why contemporaries of Vlad Dracula launched a project of vilifying his character and deeds, in the early decades of the printed book; (4) to what extent Vlad Dracula was known and remembered from the late 15th century down to the 1890s, when Bram Stoker was writing his famous novel ultimately entitled Dracula; (5) how, and with what sources, Stoker constructed his version of Dracula, and why this image became and remains the standard popular notion of Dracula throughout the world; (6) how modern historians developed a credible reconstruction of Vlad III's life and career, from the 19th century to the present; (7) how Dracula evolved as an icon of 20th century popular culture, particularly in the media of film and the novel.
    [Show full text]
  • PLAY GUIDE | 2019 Contents
    PLAY GUIDE | 2019 Contents Notes on Dracula by Julieta Vitullo, PhD Page 2 Synopsis Page 3 The Playwright Page 4 Bram Stoker’s Biography Page 6 Was Dracula a Real Person? Page 7 Characters of DRACULA Page 8 Vampires Behavior & Rules Page 9 Glossary & Themes Page 11 Designs for the Production Page 16 Sources Page 17 Notes on DRACULA by Dramaturturg Julieta Vitullo, PhD There are infinite entry points to Dracula because vampires provide such a rich myth, without a doubt one of the most powerful and prevalent myths in modern literature and film, but also one that ties back to much older stories and very primal fears ingrained in human consciousness, with a tradition that is even older than Bram Stoker’s novel. Published in 1897, Stoker’s Dracula has been in print ever since. Bram Stoker was born in Ireland and raised in an Anglo-Irish tradition. He experienced the transition from a traditional (Victorian) world to a modern one. The novel was written while scientific and technological discoveries were speeding up the belief in progress, and changing social norms challenged the traditional ways. It is interesting to note this context as Stoker’s Dracula explores themes of science, re- ligion, the role of women in society, and ideas about romance and sexuality. I think Steven Dietz’s play adaptation picks up on something that is present in the novel, which is that the female character of Mina is intellectually sophisticated and can often outsmart the men, especially her husband. At the same time, there’s a force that fights against that kind of social progress, which is the force of the past, where superstitions rule and wolves lurk in the shadows of civilization, not bound to morality, only to survival.
    [Show full text]
  • BERLIN to BUDAPEST Via Transylvania!!!
    Transfagarasan Mountain Road BERLIN TO BUDAPEST via Transylvania!!! Berlin to Budapest, via Transylvania! is a fascinating 15-day Key attractions include: journey through Eastern Europe, covering the best of • Historic Cities of Dresden, Wroclav and Kraków Romania, Hungary, Czech Republic, Slovakia, Germany and Poland. As the name implies, a major attraction of • Tatra Mountain Crossing Between Poland and Slovakia this tour is the week we spend on the exhilarating • Transalpina Pass Road and Transfagarasan Mountain Road mountain roads of Transylvania. Perhaps to the average • “Iron Gate” on the Danube River person Transylvania is best known as Dracula’s stomping grounds, but for motorcyclists there’s nothing to compare • Semenic Cheile National Park to the mighty pass roads of the Carpathian range – Transal- • Transylvania pina and Transfagarasan, the latter having been called one of the most spectacular roads in the world. is tour also • Famous Old Saxon Cities of Brașov, Sibiu, Timisoara and features the Giant Mountains in Czech Republic and the Cluj-Napoca High Tatra Mountains in Poland and Slovakia. Traveling • Numerous UNESCO World Heritage Sites Such as on these roads that seem to have been built for motorcy- Sighisoara and Budapest clists, we will pass through numerous medieval towns fortied with 13th century German-Saxon walls, towers and bastions. ere is no end to the charming cobblestone streets, market squares and gothic churches in these vibrant historic towns. is 5-country tour ends in Budapest, a UNESCO World Heritage Site
    [Show full text]
  • His Father, Vlad II Dracul, Was a Member of the Order of the Dragon That Was Founded to Protect Christianity in Eastern Europe
    Vlad III Tepes Dracula Vlad III Tepes Dracula was born in 1431, in Wallachia (a region in Romania). His father, Vlad II Dracul, was a member of the Order of the Dragon that was founded to protect Christianity in Eastern Europe. That's why Vlad was named Dracula which means "Son of the Dragon" in Romanian. His father wanted to have peace with the Turks, so he sent Vlad as a hostage when he was only 11 years old. Five years later, Vlad was freed but he had suffered a lot in the Turkish prisons. No wonder Vlad hated the Turks! Aged 25, he became Prince of Wallachia. When he was at war against his enemies, the Turks, he quickly became famous as a tyrant because he took sadistic pleasure in torturing and killing. His practice of impaling his enemies is central to his historical reputation. As a result he was nic hundred thousand people! In 1462, Vlad went to Transylvania (another Romanian region) in order to seek help from the King of Hungary who had him imprisoned. Consequently he was held in captivity from 1463 to 1475. He died two years later, decapitated by the Turks who wanted proof that the Impaler was dead. He was indeed dead, but that was the beginning of the legend... Reading comprehension A. TIMELINE 1442 1462 1463-1475 Freed from 1. Prince of Birth Turkish Death Wallachia prison 2. B. FULL QUESTIONS for FULL ANSWERS 1) Where and when was Vlad Tepes born? ________________________________________________ 2) In which century did he live? O the 14th century O the 15th century O the 16th century 3) Who was his father? ______________________ 4) What mission did his father have? ___________________________________________________ 6) Vlad and his brother visited Turkey as tourists.
    [Show full text]
  • The 15Th International Gothic Association Conference A
    The 15th International Gothic Association Conference Lewis University, Romeoville, Illinois July 30 - August 2, 2019 Speakers, Abstracts, and Biographies A NICOLE ACETO “Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut”: The Terror of Domestic Femininity in Shirley Jackson’s The Haunting of Hill House Abstract From the beginning of Shirley Jackson’s The Haunting of Hill House, ordinary domestic spaces are inextricably tied with insanity. In describing the setting for her haunted house novel, she makes the audience aware that every part of the house conforms to the ideal of the conservative American home: walls are described as upright, and “doors [are] sensibly shut” (my emphasis). This opening paragraph ensures that the audience visualizes a house much like their own, despite the description of the house as “not sane.” The equation of the story with conventional American families is extended through Jackson’s main character of Eleanor, the obedient daughter, and main antagonist Hugh Crain, the tyrannical patriarch who guards the house and the movement of the heroine within its walls, much like traditional British gothic novels. Using Freud’s theory of the uncanny to explain Eleanor’s relationship with Hill House, as well as Anne Radcliffe’s conception of terror as a stimulating emotion, I will explore the ways in which Eleanor is both drawn to and repelled by Hill House, and, by extension, confinement within traditional domestic roles. This combination of emotions makes her the perfect victim of Hugh Crain’s prisonlike home, eventually entrapping her within its walls. I argue that Jackson is commenting on the restriction of women within domestic roles, and the insanity that ensues when women accept this restriction.
    [Show full text]
  • The Reign, Culture and Legacy of Ştefan Cel Mare, Voivode of Moldova: a Case Study of Ethnosymbolism in the Romanian Societies
    The reign, culture and legacy of Ştefan cel Mare, voivode of Moldova: a case study of ethnosymbolism in the Romanian societies Jonathan Eagles Thesis submitted for the degree of PhD Institute of Archaeology University College London 2011 Volume 1 ABSTRACT The reign, culture and legacy of Ştefan cel Mare, voivode of Moldova: a case study of ethnosymbolism in the Romanian societies This thesis seeks to explain the nature and strength of the latter-day status of Ştefan cel Mare in the republics of Romania and Moldova, and the history of his legacy. The regime and posthumous career of Ştefan cel Mare is examined through studies of history, politics and archaeology, set within the conceptual approach to nationalism that is known as “ethnosymbolism”. At the heart of this thesis lie the questions why does Ştefan cel Mare play a key role as a national symbol and how does this work in practice? These questions are addressed within an ethnosymbolist framework, which allows for the ethnosymbolist approach itself to be subjected to a critical study. There is a lacuna in many ethnosymbolist works, a space for a more detailed consideration of the place of archaeology in the development of nationalism. This thesis contends that the results of archaeological research can be included in a rounded ethnosymbolist study. First, the history of archaeological sites and monuments may contribute to understanding the way in which historically attested cultural symbols are adopted by communities over time. Secondly, if studied carefully, archaeological evidence may have the potential to trace the evolution of identity characteristics, in line with ethnosymbolism’s attempt to account for the formation of national identity in the pre- modern era.
    [Show full text]
  • The Nameauth Package
    The nameauth package Charles P. Schaum charles dot schaum at att dot net v1.26 from 2012/04/24 Abstract Using the nameauth package, an author can encode names according to a name authority. Index entries are consistent with input parameters. In-text formatting of names is predictable and automated, making it easier to go from drafts to a final manuscript. This package mainly supports Western names, with basic features for ancient, royal, and Eastern names. Contents 1 Introduction2 2.4.3 Suffix Removal..9 1.1 Typesetting, Indexing, 2.4.4 Accented Names. 10 and Design........2 2.4.5 Name Formatting. 12 1.2 Thanks..........2 2.4.6 Formatting Cer- 1.3 Disclaimer.........2 tain Sections... 13 2.4.7 Tweaks: \ForgetName 2 Usage3 and \SubvertName 13 2.1 Package Options.....3 2.5 Name Variant Macros.. 14 2.2 Quick Start Guide....4 2.5.1 Introduction and 2.2.1 Rules of Thumb.4 Manual Index 2.2.2 Basic Naming...4 Entries....... 14 2.2.3 Intermediate 2.5.2 \AKA ........ 15 Naming......5 2.5.3 \PName ...... 16 2.2.4 Common Pitfalls.6 2.6 Indexing Macros..... 16 2.3 Naming Macros......7 2.6.1 \IndexName .... 16 2.3.1 Surnames: \Name 2.6.2 \TagName ..... 17 and \Name* ....7 2.6.3 \UntagName .... 17 2.3.2 Forenames: \FName 8 2.6.4 \ExcludeName .. 18 2.4 Advanced Naming Topics9 2.6.5 Indexing Certain 2.4.1 Naming Conven- Sections...... 18 tions........9 2.6.6 Variant Spellings. 18 2.4.2 Hyphenation...9 2.7 Error Handling.....
    [Show full text]
  • Bram Stoker's Vampire Trap
    BRAM STOKER’S VAMPIRE TRAP VLAD THE IMPALER AND HIS NAMELEss DOUBLE BY HANS CORNEEL DE ROOS, MA MUNICH EMAIL: [email protected] HOMEPAGE: WWW.HANSDEROOS.COM PUBLISHED BY LINKÖPING UNIVERSITY ELECTRONIC PREss S-581 83 LINKÖPING, SWEDEN IN THE SERIES: LINKÖPING ELECTRONIC ARTICLES IN COMPUTER AND INFORMATION SCIENCE SERIES EDITOR: PROF. ERIK SANDEWALL AbsTRACT Since Bacil Kirtley in 1958 proposed that Bram Stoker’s Count Dracula, the best known literary character ever, shared his historical past with the Wallachian Voivode Vlad III Dracula, an intense debate about this connection has developed and other candidates have been suggested, like the Hungarian General János Hunyadi – a proposal resurfacing in the most recent annotated Dracula edition by Leslie Klinger (2008). By close-reading Stoker’s sources, his research notes and the novel, I will demonstrate that Stoker’s novel initially links his Count to the person of Vlad III indeed, not Hunyadi, although the novelist neither knew the ruler’s first name, nor his father’s name, nor his epithet “the Impaler”, nor the cruelties attributed to him. Still – or maybe for this very reason – Stoker did not wish to uphold this traceable identity: In Chapter 25, shortly before the decisive chase, he removes this link again, by way of silent substitution, cloaked by Professor van Helsing’s clownish distractions. Like the Vampire Lord Ruthven, disappearing through the “vampire trap” constructed by James R. Planché for his play The Brides of the Isles in the English Opera House, later renamed to Lyceum Theatre and run by Stoker, the historical Voivode Vlad III Dracula is suddenly removed from the stage: In the final chapters, the Vampire Hunters pursue a nameless double.
    [Show full text]