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Thin Blue Lines: Product Placement and the Drama of Pregnancy Testing in British Cinema and Television
BJHS 50(3): 495–520, September 2017. © British Society for the History of Science 2017. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/S0007087417000619 Thin blue lines: product placement and the drama of pregnancy testing in British cinema and television JESSE OLSZYNKO-GRYN* Abstract. This article uses the case of pregnancy testing in Britain to investigate the process whereby new and often controversial reproductive technologies are made visible and normal- ized in mainstream entertainment media. It shows how in the 1980s and 1990s the then nascent product placement industry was instrumental in embedding pregnancy testing in British cinema and television’s dramatic productions. In this period, the pregnancy-test close- up became a conventional trope and the thin blue lines associated with Unilever’s Clearblue rose to prominence in mainstream consumer culture. This article investigates the aestheticiza- tion of pregnancy testing and shows how increasingly visible public concerns about ‘schoolgirl mums’, abortion and the biological clock, dramatized on the big and small screen, propelled the commercial rise of Clearblue. It argues that the Clearblue close-up ambiguously concealed as much as it revealed; abstraction, ambiguity and flexibility were its keys to success. Unilever first marketed the leading Clearblue brand of home pregnancy test in the mid- 1980s. Since then home pregnancy tests have become a ubiquitous and highly familiar reproductive technology and diagnostic tool. -
Thin Blue Lines: Product Placement and the Drama of Pregnancy Testing in British Cinema and Television
BJHS 50(3): 495–520, September 2017. © British Society for the History of Science 2017. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/S0007087417000619 Thin blue lines: product placement and the drama of pregnancy testing in British cinema and television JESSE OLSZYNKO-GRYN* Abstract. This article uses the case of pregnancy testing in Britain to investigate the process whereby new and often controversial reproductive technologies are made visible and normal- ized in mainstream entertainment media. It shows how in the 1980s and 1990s the then nascent product placement industry was instrumental in embedding pregnancy testing in British cinema and television’s dramatic productions. In this period, the pregnancy-test close- up became a conventional trope and the thin blue lines associated with Unilever’s Clearblue rose to prominence in mainstream consumer culture. This article investigates the aestheticiza- tion of pregnancy testing and shows how increasingly visible public concerns about ‘schoolgirl mums’, abortion and the biological clock, dramatized on the big and small screen, propelled the commercial rise of Clearblue. It argues that the Clearblue close-up ambiguously concealed as much as it revealed; abstraction, ambiguity and flexibility were its keys to success. Unilever first marketed the leading Clearblue brand of home pregnancy test in the mid- 1980s. Since then home pregnancy tests have become a ubiquitous and highly familiar reproductive technology and diagnostic tool. -
Eugenie Pastor-Phd Thesis Moving Intimacies
MOVING INTIMACIES: A COMPARATIVE STUDY OF “PHYSICAL THEATRES” IN FRANCE AND THE UNITED KINGDOM EUGÉNIE FLEUR PASTOR ROYAL HOLLOWAY, UNIVERSITY OF LONDON DEPARTMENT OF DRAMA AND THEATRE A Thesis submitted as a partial fulfilment of the requirements of the degree of Ph.D. August 2014 1 DECLARATION OF AUTHORSHIP I, Eugénie Fleur Pastor, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: 7 August 2014 2 ABSTRACT This thesis is an exploration of movement in contemporary “physical theatres”. I develop a renewed understanding of “physical theatres” as embodied framework to experience both spectatorship and theatre-making. I analyse how, in this type of performance, movement blurs distinctions between the intimate and the collective, the inside and the outside, thus challenging definitions of intimacy and tactility. The thesis consists of a comparative study of examples of “physical theatres”, in the 21st century, in France and in the UK. The comparison highlights that “physical theatres” practitioners are under-represented in France, a reason I attribute in part to a terminological absence in the French language. The four case studies range from itinerant company Escale and their athletic embodiment of a political ideal to Jean Lambert-wild’s theatre of “micro-movement”, from Told by an Idiot’s position in a traditional theatre context in the UK to my own work within Little Bulb Theatre, where physicality is virtuosic in its non- virtuosity. For each case study, I use a methodology that echoes this exploration of movement and reflects my position within each fieldwork. -
I Can't Recall As Exciting a Revival Sincezeffirelli Stunned Us with His
Royal Shakespeare Company The Courtyard Theatre Southern Lane Stratford-upon-Avon Warwickshire CV37 6BB Tel: +44 1789 296655 Fax: +44 1789 294810 www.rsc.org.uk ★★★★★ Zeffirelli stunned us with his verismo in1960 uswithhisverismo stunned Zeffirelli since arevival asexciting recall I can’t The Guardian on Romeo andJuliet 2009/2010 134th report Chairman’s report 3 of the Board Artistic Director’s report 4 To be submitted to the Annual Executive Director’s report 7 General Meeting of the Governors convened for Friday 10 September 2010. To the Governors of the Voices 8 – 27 Royal Shakespeare Company, Stratford-upon-Avon, notice is hereby given that the Annual Review of the decade 28 – 31 General Meeting of the Governors will be held in The Courtyard Transforming our Theatres 32 – 35 Theatre, Stratford-upon-Avon on Friday 10 September 2010 commencing at 4.00pm, to Finance Director’s report 36 – 41 consider the report of the Board and the Statement of Financial Activities and the Balance Sheet Summary accounts 42 – 43 of the Corporation at 31 March 2010, to elect the Board for the Supporting our work 44 – 45 ensuing year, and to transact such business as may be transacted at the Annual General Meetings of Year in performance 46 – 49 the Royal Shakespeare Company. By order of the Board Acting companies 50 – 51 The Company 52 – 53 Vikki Heywood Secretary to the Governors Corporate Governance 54 Associate Artists/Advisors 55 Constitution 57 Front cover: Sam Troughton and Mariah Gale in Romeo and Juliet Making prop chairs at our workshops in Stratford-upon-Avon Photo: Ellie Kurttz Great work • Extending reach • Strong business performance • Long term investment in our home • Inspiring our audiences • first Shakespearean rank Shakespearean first Hicks tobeanactorinthe Greg Proves Chairman’s Report A belief in the power of collaboration has always been at the heart of the Royal Shakespeare Company. -
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Radio 4 Listings for 11 – 17 June 2011 Page 1 of 15 SATURDAY 11 JUNE 2011 Good for Wildlife As Long As They Invest in Wildlife Elsewhere
Radio 4 Listings for 11 – 17 June 2011 Page 1 of 15 SATURDAY 11 JUNE 2011 good for wildlife as long as they invest in wildlife elsewhere. had matched their expectations. SAT 00:00 Midnight News (b011pnp4) A trip to a Herefordshire farm illustrates the challenge of The latest national and international news from BBC Radio 4. increasing food producing while protecting the environment. SAT 11:30 From Our Own Correspondent (b011ttfc) Followed by Weather. Jim Egan from the Farming and Wildlife Advisory Group The bloody events in Syria are making the government in (FWAG) explains how farmers can adapt their techniques to neighbouring Turkey uneasy, as Hugh Sykes has been finding benefit the ecosystem. out; Chris Hogg's in Taiwan where, amid a thawing in relations SAT 00:30 Book of the Week (b011s5f3) with mainland China, there are businessmen who are prospering Malcolm X - A Life of Reinvention Presenter: Charlotte Smith; Producer: Angela Frain. in the new climate of detente; corruption in India is now so pervasive, it reaches even the smallest country village but, as Episode 5 Craig Jeffrey's been hearing, it can still be a joking matter; SAT 06:57 Weather (b011pnpl) there's a ban on divorce in the Philippines, but Kate McGeown Manning Marable spent over twenty years writing this The latest weather forecast. tells us, there are ways around the ban, particularly if you have exhaustive account of the life of Malcolm X. In it he challenges money; one of our most seasoned travellers, the reporter and many preconceptions held about Malcolm and examines presenter Robin Lustig's visited 75 countries without losing his Malcolm's own autobiography - revealing the truth about his SAT 07:00 Today (b011ttf3) luggage. -
Creative Writing and Curated Speaking
Central School of Speech & Drama Verbatim Events symposium 2006 Creative Writing and Curated Speaking A discussion of the role of the writer in verbatim theatre, where the dialogue is taken from real life interviews with the subjects. The Panel: Tanika Gupta (TG), playwright. Work includes Gladiator Games , a verbatim play about the murder of Zahid Mubarek and the ongoing enquiry Gillian Slovo (GS), novelist and writer of Guantanamo Conor Lennon (CL), development producer for BBC radio Esther Wilson (EW), co-writer of Unprotected which looked at the tolerance zone for prostitution in Liverpool Chair: Prof Dan Rebellato (DR), playwright and Professor of Contemporary Theatre, Royal Holloway, University of London, writer of Outright Terror Bold and Brilliant This event took place as part of a symposium on Verbatim Theatre at Central School of Speech & Drama 13-14 July, 2006 Presentation by Tanika Gupta: It’s terrifying, that word ‘presentation’. I am actually just going to burble at you. Gladiator Games is the first kind of verbatim drama that I have ever attempted. I have written mainly fictional plays, so I was actually approached by a very young director called Charlie Westenra, about a year ago saying that she wanted to do something at Sheffield Crucible about the death of Zahid Mubarek. I’d actually heard about the case – a young Asian lad who’d been beaten to death in a prison cell by his cellmate – but that is all I knew about it. It was just one of those things that you read in the papers, and you tut, and then you think, ‘How awful’ and then you move on with your life. -
Annual Review
ROYAL SHAKESPEARE COMPANY WATERSIDE STRATFORD-UPON-AVON WARWICKSHIRE CV37 6BB Registered Charity No. 212481 TEL: +44 1789 296655 www.rsc.org.uk Find us on Facebook www.facebook.com/theRSC ANNUAL Follow us on Twitter www.twitter.com/theRSC REVIEW Cover image: Paterson Joseph and Cyril Nri in Julius Caesar. 2012-13 Our job is to give the best possible experience of Shakespeare and live theatre to the widest possible audience, and to inspire a lifelong love PEOPLE EXPERIENCED OUR of his work and theatrical performance. Everything we create is made in Stratford-upon-Avon, WORK WORLDWIDE IN 2012/13 Shakespeare’s home town, where we’ve trained generations of actors, directors and crafts people and continue to develop talent for the future. 2012/13 has been a very successful year for the Company. This Review highlights just some of the work we have shared with more than 1.5 million people worldwide this year, and it illustrates the ways in which we have given young people a great first experience of Shakespeare and shared skills with amateur theatre makers. Our commitment to excellence continues more strongly than ever, with a determination to keep Shakespeare at the centre of what we do, both in a historical and contemporary context. We have a new strategy to take us forward into the next decade. At its heart is the entire First Folio. We will stage every one of Shakespeare’s 36 plays on the stage of the Royal Shakespeare Theatre over the next six years, return the Swan Theatre to the work of Shakespeare’s contemporaries and other writers, and reopen our studio theatre, The Other Place, as a creative hub for new work, experimentation INTRODUCTION and artist development, led by Deputy Artistic Director, Erica Whyman. -
Welcome to Lincoln Center Festival 2010. We Have Searched the World to Bring You Some of the Best the Performing Arts Have to Offer
07-15 Disappearing:Gp 3.qxt 7/7/10 12:55 PM Page 1 Sponsor Welcome to Lincoln Center Festival 2010. We have searched the world to bring you some of the best the performing arts have to offer. Over the 18 days of this month’s Festival, we present 45 performances by artists and ensembles from 12 countries, and expand our venues to include a new site on Governors Island. Simon McBurney’s theater company, Complicite, It is always a pleasure to present innovative returns for its fourth Festival appearance. Known work from the world of dance, and wonderful to for pioneering works, their newest endeavor, welcome back the Bill T. Jones/Arnie Zane A Disappearing Number , embraces the universal Dance Company. Bill has never been one to shy relevance of math and the link between two away from difficult subjects, and his Fondly Do very different people—a Cambridge professor We Hope… Fervently Do We Pray is an inspiring and a young clerk from Madras who is either a and emotionally wrenching work. Dancer and genius or completely mad. choreographer Saburo Teshigawara, who made his Lincoln Center Festival debut in 2006, brought Two dynamic directors give new life to classics back his laser-like focus for the compelling one- from literature and film at our newest perfor - man tour-de-force Miroku , and Pichet Klunchun mance venue. An industrial warehouse on brings his brilliant company from Bangkok for Governors Island is the dramatic backdrop for Chui Chai . The title, meaning “transformation,” the North American premieres of Peter Stein’s is as much a metaphor for Pichet’s own mod - marathon adaptation of Dostoyevsky’s novel ernization of Thai classical dance as it is a The Demons and Toneelgroep Amster-dam’s description of the Ramayana, an Indian epic on Teorema , based on the film by Pier Paolo which it is based. -
29 March 2013 Page 1 of 17
Radio 4 Listings for 23 – 29 March 2013 Page 1 of 17 SATURDAY 23 MARCH 2013 who takes Helen to one of his favourite hidden gems, a Rowlatt's investigating the mining boom bringing riches to woodland near the village of Muff where he walks and feeds the Mongolia - he meets one man he describes as Mongolia's most SAT 00:00 Midnight News (b01r9wgk) red squirrels who call the woodland home. influential since Genghis Khan! The latest national and international news from BBC Radio 4. Presenter: Helen Mark Producer: Helen Chetwynd. Producer: Tony Grant. Followed by Weather. SAT 06:30 Farming Today (b01rft3n) SAT 12:00 Money Box (b01rft3z) SAT 00:30 Book of the Week (b01r9wcb) Farming Today This Week Budget lowdown, how safe are your savings, and when is 0% Jared Diamond - The World Until Yesterday interest not 0%? Farming needs new blood . What better than to educate the next Diet and Health generation about the farming life in school. Charlotte Smith HELP WITH MORTGAGES talks with students at The Rural Enterprise Academy in Help to Buy is the new multibillion pound scheme to assist Diet and health. Staffordshire, which is the first land based free school in homebuyers with 5% deposits buy homes worth up to £600,000. England. Equity Loan will lend up to 20% of the price of a new build Extract from Pulitzer Prize-winning author Jared Diamond's home - interest free for five years and with a low rate thereafter powerful new book which suggests that traditional societies Presented by Charlotte Smith. -
14 February 2014 Page 1 of 17
Radio 4 Listings for 8 – 14 February 2014 Page 1 of 17 SATURDAY 08 FEBRUARY 2014 Should farmland be managed for nature, or for growing food? SAT 11:00 The Week in Westminster (b03tqx9x) Charlotte Smith visits the Marlborough downs nature Steve Richards of The Independent talks to MPs caught up in SAT 00:00 Midnight News (b03t00nf) improvement area in Wiltshire, a 10 thousand hectare landscape the floods. He consults a former education secretary about The latest national and international news from BBC Radio 4. of arable fields, chalk downland and tussocky hills. There are Michael Gove. And which way are the polls moving on Scottish Followed by Weather. twelve nature improvement areas in England but, uniquely, this independence? area is run by a group of 42 farmers. Editor: Peter Mulligan. SAT 00:30 Book of the Week (b03t02x8) Charlotte meets farmer David White, an arable farmer and Where Memories Go: Why Dementia Changes Everything passionate wildlife photographer. She discovers how he has set aside strips of land to plant wild bird seed mixes and helps him SAT 11:30 From Our Own Correspondent (b03tqx9z) A Peaceful End to spread seed for birds to tide them through the Winter. The Robots Come Out at Night Higher up on the downs, Charlotte meets project ornithologist 'If dementia were a country it would be the world's 18th largest Matt Prior who's passionate about tree sparrows, a bird which as Robots are doing the cleaning up in an old people's home in economy, somewhere between Turkey and Indonesia.' seen an 89% decline in the UK between 1970 and 2008. -
CHRIS SEAGER BSC - Director of Photography
McKinney Macartney Management Ltd CHRIS SEAGER BSC - Director of Photography THE ALIENIST Director: Paco Cabezas. Producer: Jamie Payne. Starring: Luke Evans, Dakota Fanning and Daniel Brühl. Anonymous Content / TNT. THE WHITE PRINCESS Director: Jamie Payne. Producer: Lachlan MacKinnon. Starring: Jodie Comer, Jacob Collins-Levy and Michelle Fairley. Company Pictures / Starz. GUILT (Series 1) Directors: Gary Fleder and Larry Shaw. Exec Producer: Todd Slavkin. Producer: Gideon Amir. Starring: Kevin Ryan, Rebekah Wainwright and Sam Cassidy. ABC. UNDERCOVER Director: James Hawes. Producer: Richard Stokes. Starring: Sophie Okonedo, Adrian Lester and Derek Riddell. BBC. GRANDFATHERED (Pilot) Director: Chris Koch. Executive Producers: Dan Fogelman and Daniel Chun. Producer: Justin McEwan. Starring: John Stamos, Paget Brewster, Josh Peck and Christina Milian. ABC / FOX. A KIND OF MURDER Director: Andy Goddard. Producers: David Hinojosa, Ted Hope, Vishal Rungta and Christine Vachon. Starring: Haley Bennett, Jessica Biel, Patrick Wilson and Eddie Marsan. Killer Films / Sierra Inifinity. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 CHRIS SEAGER BSC Contd … 2 GALAVANT (Pilot & Series 1) Directors: Chris Koch, John Fortenberry and James Griffiths. Producers: Chris Koch and Helen Flint. Executive Producer: Dan Fogelman. Starring: Timothy Omundson, Joshua Sasse, Mallory Jansen, Karen David Hugh Bonneville, Ricky Gervais, Rutger Hauer and Vinnie Jones. ABC Studios. SET FIRE TO THE STARS Director: Andy Goddard. Producer: Andrew Riach. Executive Producer: Steve Clark-Hall. Starring: Elijah Wood, Celyn Jones, Shirley Henderson, Steven Mackintosh and Kelly Reilly. BAFTA Cymru Nomination 2015 – Best Photography & Lighting TYRANT (Pilot) Director: David Yates.