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Thin Blue Lines: Product Placement and the Drama of Pregnancy Testing in British Cinema and Television
BJHS 50(3): 495–520, September 2017. © British Society for the History of Science 2017. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/S0007087417000619 Thin blue lines: product placement and the drama of pregnancy testing in British cinema and television JESSE OLSZYNKO-GRYN* Abstract. This article uses the case of pregnancy testing in Britain to investigate the process whereby new and often controversial reproductive technologies are made visible and normal- ized in mainstream entertainment media. It shows how in the 1980s and 1990s the then nascent product placement industry was instrumental in embedding pregnancy testing in British cinema and television’s dramatic productions. In this period, the pregnancy-test close- up became a conventional trope and the thin blue lines associated with Unilever’s Clearblue rose to prominence in mainstream consumer culture. This article investigates the aestheticiza- tion of pregnancy testing and shows how increasingly visible public concerns about ‘schoolgirl mums’, abortion and the biological clock, dramatized on the big and small screen, propelled the commercial rise of Clearblue. It argues that the Clearblue close-up ambiguously concealed as much as it revealed; abstraction, ambiguity and flexibility were its keys to success. Unilever first marketed the leading Clearblue brand of home pregnancy test in the mid- 1980s. Since then home pregnancy tests have become a ubiquitous and highly familiar reproductive technology and diagnostic tool. -
Jude Akuwudike
www.hamiltonhodell.co.uk Jude Akuwudike Talent Representation Telephone Madeleine Dewhirst & Sian Smyth +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Television Title Role Director Production Company Delroy Grant (The Night MANHUNT Marc Evans ITV Studios Stalker) PLEBS Agrippa Sam Leifer Rise Films/ITV2 MOVING ON Dr Bello Jodhi May LA Productions/BBC THE FORGIVING EARTH Dr Busasa Hugo Blick BBC/Netflix CAROL AND VINNIE Ernie Dan Zeff BBC IN THE LONG RUN Uncle Akie Declan Lowney Sky KIRI Reverend Lipede Euros Lyn Hulu/Channel 4 THE A WORD Vincent Sue Tully Fifty Fathoms/BBC DEATH IN PARADISE Series 6 Tony Simon Delaney Red Planet/BBC CHEWING GUM Series 2 Alex Simon Neal Retort/E4 FRIDAY NIGHT DINNER Series 4 Custody Sergeant Martin Dennis Channel 4 FORTITUDE Series 2 & 3 Doctor Adebimpe Hettie Macdonald Tiger Aspect/Sky Atlantic LUCKY MAN Doctor Marghai Brian Kelly Carnival Films/Sky 1 UNDERCOVER Al James Hawes BBC CUCUMBER Ralph Alice Troughton Channel 4 LAW & ORDER: UK Marcus Wright Andy Goddard Kudos Productions HOLBY CITY Marvin Stewart Fraser Macdonald BBC Between Us (pty) Ltd/Precious THE NO.1 LADIES DETECTIVE AGENCY Oswald Ranta Charles Sturridge Films MOSES JONES Matthias Michael Offer BBC SILENT WITNESS Series 11 Willi Brendan Maher BBC BAD GIRLS Series 7 Leroy Julian Holmes Shed Productions for ITV THE LAST DETECTIVE Series 3 Lemford Bradshaw David Tucker Granada HOLBY CITY Derek Fletcher BBC ULTIMATE FORCE Series 2 Mr Salmon ITV SILENT WITNESS: RUNNING ON -
A Celebration of Bach Thursday 27 August and Available for 30 Days After Viewing
A Celebration of Bach Thursday 27 August And available for 30 days after viewing St Martin's Voices Gabriella Noble Director Zeb Soanes Presenter Ben Giddens Organ Adrian Bradbury Cello St Martin-in-the-Fields, Trafalgar Square London WC2N 4JJ Tel: 020 7766 1100 Online: www.smitf.org St Martin's Summer Online Festival 2020 St Martin’s is delighted to present St Martin’s Summer Online Festival. Our first concert series since March explores the musical heritage of St Martin’s and features a fresh look at our most-beloved repertoire. Although audiences will need to watch from home for now, all the concerts are recorded in St Martin’s and introduced by much loved BBC Radio 4 presenter and author Zeb Soanes. The performances are broadcast on Thursday evenings at 7.30pm, and available to watch for 30 days afterwards. Tonight's programme includes of some of Bach’s most beautiful and virtuosic choral motets on themes of religious longing, comfort and praise, intertwined with the haunting for Cello Suite No 4 and the celebrated Suite for Cello No 1. Please do keep an eye our final concert in our Summer Online Festival – The Glories of Venice (Thursday 3 September) – tickets are available through the St Martin’s website. As the impact of COVID-19 takes hold, we need people like you to keep helping us and the musicians we work with. Each concert in our festival costs around £2,000 to produce. If you are able to make a donation, please visit www.smitf.org/give. Thank you for helping to keep our doors open this year. -
Thin Blue Lines: Product Placement and the Drama of Pregnancy Testing in British Cinema and Television
BJHS 50(3): 495–520, September 2017. © British Society for the History of Science 2017. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/S0007087417000619 Thin blue lines: product placement and the drama of pregnancy testing in British cinema and television JESSE OLSZYNKO-GRYN* Abstract. This article uses the case of pregnancy testing in Britain to investigate the process whereby new and often controversial reproductive technologies are made visible and normal- ized in mainstream entertainment media. It shows how in the 1980s and 1990s the then nascent product placement industry was instrumental in embedding pregnancy testing in British cinema and television’s dramatic productions. In this period, the pregnancy-test close- up became a conventional trope and the thin blue lines associated with Unilever’s Clearblue rose to prominence in mainstream consumer culture. This article investigates the aestheticiza- tion of pregnancy testing and shows how increasingly visible public concerns about ‘schoolgirl mums’, abortion and the biological clock, dramatized on the big and small screen, propelled the commercial rise of Clearblue. It argues that the Clearblue close-up ambiguously concealed as much as it revealed; abstraction, ambiguity and flexibility were its keys to success. Unilever first marketed the leading Clearblue brand of home pregnancy test in the mid- 1980s. Since then home pregnancy tests have become a ubiquitous and highly familiar reproductive technology and diagnostic tool. -
Frommer's Scotland 8Th Edition
Scotland 8th Edition by Darwin Porter & Danforth Prince Here’s what the critics say about Frommer’s: “Amazingly easy to use. Very portable, very complete.” —Booklist “Detailed, accurate, and easy-to-read information for all price ranges.” —Glamour Magazine “Hotel information is close to encyclopedic.” —Des Moines Sunday Register “Frommer’s Guides have a way of giving you a real feel for a place.” —Knight Ridder Newspapers About the Authors Darwin Porter has covered Scotland since the beginning of his travel-writing career as author of Frommer’s England & Scotland. Since 1982, he has been joined in his efforts by Danforth Prince, formerly of the Paris Bureau of the New York Times. Together, they’ve written numerous best-selling Frommer’s guides—notably to England, France, and Italy. Published by: Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5744 Copyright © 2004 Wiley Publishing, Inc., Hoboken, New Jersey. All rights reserved. No part of this publication may be reproduced, stored in a retrieval sys- tem or transmitted in any form or by any means, electronic, mechanical, photo- copying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978/750-8400, fax 978/646-8600. Requests to the Publisher for per- mission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317/572-3447, fax 317/572-4447, E-Mail: [email protected]. -
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14 SATURDAY 02 MAY 2020 Professor Martin Ashley, Consultant in Restorative Dentistry at panel of culinary experts from their kitchens at home - Tim the University Dental Hospital of Manchester, is on hand to Anderson, Andi Oliver, Jeremy Pang and Dr Zoe Laughlin SAT 00:00 Midnight News (m000hq2x) separate the science fact from the science fiction. answer questions sent in via email and social media. The latest news and weather forecast from BBC Radio 4. Presenter: Greg Foot This week, the panellists discuss the perfect fry-up, including Producer: Beth Eastwood whether or not the tomato has a place on the plate, and SAT 00:30 Intrigue (m0009t2b) recommend uses for tinned tuna (that aren't a pasta bake). Tunnel 29 SAT 06:00 News and Papers (m000htmx) Producer: Hannah Newton 10: The Shoes The latest news headlines. Including the weather and a look at Assistant Producer: Rosie Merotra the papers. “I started dancing with Eveline.” A final twist in the final A Somethin' Else production for BBC Radio 4 chapter. SAT 06:07 Open Country (m000hpdg) Thirty years after the fall of the Berlin Wall, Helena Merriman Closed Country: A Spring Audio-Diary with Brett Westwood SAT 11:00 The Week in Westminster (m000j0kg) tells the extraordinary true story of a man who dug a tunnel into Radio 4's assessment of developments at Westminster the East, right under the feet of border guards, to help friends, It seems hard to believe, when so many of us are coping with family and strangers escape. -
Gemma Lawrence
Gemma Lawrence Agents Jess Alford Associate Agent [email protected] Ellie Blackford [email protected] 020 3214 0800 Roles Film Production Character Director Company FRAIL Rachel Leslie Rogers Suspended Films Ltd A BUNCH OF AMATEURS Verity Andy Cadiff CinemaNX/Trademark Films ENLIGHTENMENT Marianne Julia Ford Honor Oak Films Television Production Character Director Company SHAKESPEARE & Belle Roehampton Piotr Szkpiok BBC HATHAWAY 18 - CLASH OF FUTURES Jessica Mitford Frédéric Goupil/Jan Arte Peter HOLBY CITY Violet Cornish Jan Bauer BBC LUTHER (Series 3) Maxine Farren Blackburn BBC MISFITS Ellie Tom Green Clerkenwell Films for E4 1066 Judith Justin Hardy Channel 4 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company THE BILL Lucy Nigel Douglas Thames Television for ITV CASUALTY Lisa David Innes BBC Television Edwards WAKING THE DEAD Therese Tim Fywell BBC Television TIME OF YOUR LIFE Chloe Colin Hutton ITV STIR IT UP Carmel Colin Hutton IWC Media for Channel 4 ALL ABOUT GEORGE Amy (Regular) Eros Lyn Granada Television AHEAD OF THE CLASS Reena Adrian Shergold ARG Productions/ITV Stage Production Character Director Company SUNNYMEAD COURT Marie James Hillier Tristan Bates Theatre ANYTHING IS POSSIBLE Alex Kate Budgen Southwark Playhouse NOT TALKING Amanda James Hillier Arcola Theatre FIVE PLAYS: NUCLEAR W Natalie Young Vic Denton WASTED Charlotte Jamie Woods Orange Tree Theatre ALL MY SONS Ann Deever -
Review of Burleson
BOOK REVIEWS Stephen Fisher (ed.). Recreation and the Sea. common thread in Waltons case studies of Exeter: Universi ty of Exeter Press, 1997. ix + 181 Brighton, Nice, and San Sebastian, and Cusack pp., figures, maps, tables, photographs. £13.99, and Ryan both recognise its role in the develop- paper; ISBN 0-85989-540-8. Distributed in No rth ment of yachting. On a more practical level, America by Northwestern University Press, improvements in transpo rtation — from steam- Evanston, IL. boats to trains to automobiles — encouraged mass tourism and permitted the emergence of seaside This is a collection of six essays originally pre- resort towns and even resort "clusters." [Walton, sented at a 1993 conference organised by the 46] With the onset of mass tourism, advertising Centre for Maritime Historical Studies at the assumed a key role, as Morgan makes clear for University of Exeter. John Travis writes on Torquay. As for image, Walton and Morgan both English sea-bathing between 1730 and 1900; argue convincingly that, at least until 1939, local John Walton looks at the spread of sea-bathing communities had a large say in how they wished from England where it began to other European to be portrayed to potential visitors. centres during the period 1750 to 1939; Paul There is little with which to quibble in this Thornton provides a regional study of coastal fine collection. Travis offers no explanation for tourism in Cornwall since 1900; Nigel Morgan the nineteenth-century transition in bathing examines the emergence of modern resort activi- circles from a medicinal focus to an emphasis on ties in inter-war Torquay; and Janet Cusack and the physical activity of swimming, though he Roger Ryan write on aspects of English yachting admits that this was "a fundamental ch ange in the history, the former focusing on the Thames and bathing ritual." [16] Citing Perrys work on Corn- south Devon, the latter on the northwest. -
University of London Deviant Burials in Viking-Age
UNIVERSITY OF LONDON DEVIANT BURIALS IN VIKING-AGE SCANDINAVIA Ruth Lydia Taylor M. Phil, Institute of Archaeology, University College London UMI Number: U602472 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602472 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT DEVIANT BURIALS IN VIKING-AGE SCANDINAVIA The thesis brings together information yielded from archaeology and other sources to provide an overall picture of the types of burial practices encountered during the Viking-Age in Scandinavia. From this, an attempt is made to establish deviancy. Comparative evidence, such as literary, runic, legal and folkloric evidence will be used critically to shed perspective on burial practices and the artefacts found within the graves. The thesis will mostly cover burials from the Viking Age (late 8th century to the mid- 11th century), but where the comparative evidence dates from other periods, its validity is discussed accordingly. Two types of deviant burial emerged: the criminal and the victim. A third type, which shows distinctive irregularity yet lacks deviancy, is the healer/witch burial. -
Recommended Reading List Is a Book by Nassim Nicholas Taleb, the Black Swan
GORDON GRAHAM’S Reading Recommendations on Risk Management These are the books that I review regularly regarding the discipline of risk management and some related issues. Each of these gives you hints on Recognition, Prioritization and Mobilization for the risks you face in your organization. I constantly scan Amazon looking for “risk management” in their search engine. How to read a book: I had a full time Mom as a kid and also I am a victim of 12 years of Catholic school. Reading was a big part of my life for as long as I can remember. After I buy/obtain a book and start to read it, I always have a highlighter and pen alongside. I highlight items in the book that I want to remember and make note of my thoughts in the margin. I then turn back the corner on that page. When I finish a great book with a lot of value, I put it on a shelf I have dedicated to books I really liked. At least annually, I review these books. Now, I don’t have to read the whole book, just the turned back pages and read the “yellow” areas and the notes. Just a thought for you, but this technique has worked well for me. Also, I recommend Harvard Business Review, the MIT Sloan Management Review journal, Foreign Affairs, Psychology Today, and The Wall Street Journal for regular reading to keep up with trends and issues of interest. So, in no particular order, here are my risk-based reading recommendations for you. -
Eugenie Pastor-Phd Thesis Moving Intimacies
MOVING INTIMACIES: A COMPARATIVE STUDY OF “PHYSICAL THEATRES” IN FRANCE AND THE UNITED KINGDOM EUGÉNIE FLEUR PASTOR ROYAL HOLLOWAY, UNIVERSITY OF LONDON DEPARTMENT OF DRAMA AND THEATRE A Thesis submitted as a partial fulfilment of the requirements of the degree of Ph.D. August 2014 1 DECLARATION OF AUTHORSHIP I, Eugénie Fleur Pastor, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: 7 August 2014 2 ABSTRACT This thesis is an exploration of movement in contemporary “physical theatres”. I develop a renewed understanding of “physical theatres” as embodied framework to experience both spectatorship and theatre-making. I analyse how, in this type of performance, movement blurs distinctions between the intimate and the collective, the inside and the outside, thus challenging definitions of intimacy and tactility. The thesis consists of a comparative study of examples of “physical theatres”, in the 21st century, in France and in the UK. The comparison highlights that “physical theatres” practitioners are under-represented in France, a reason I attribute in part to a terminological absence in the French language. The four case studies range from itinerant company Escale and their athletic embodiment of a political ideal to Jean Lambert-wild’s theatre of “micro-movement”, from Told by an Idiot’s position in a traditional theatre context in the UK to my own work within Little Bulb Theatre, where physicality is virtuosic in its non- virtuosity. For each case study, I use a methodology that echoes this exploration of movement and reflects my position within each fieldwork. -
2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin Was a Furniture Designer Best Known for His Injection Nali
Radio 4 Extra Listings for 27 March – 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin was a furniture designer best known for his injection Nali ...... Nina Conti moulded polypropylene stacking chair, of which over 20 million Libby ...... Sarah Kendall SAT 00:00 Dream Story by Arthur Schnitzler (m000tg86) have been manufactured. Joan ...... Sarah Thom Episode 5 The Days shared a vision of good, affordable design for all. Mrs Singh ...... Nina Wadia Having infiltrated a secret masked ball where the female Together they established themselves as Britain's most Cilla ...... Gbemisola Ikumelo revellers are naked, Fridolin is discovered and must face his celebrated post-war designer couple, often been compared to Zoanna ...... Gbemisola Ikumelo hosts. US contemporaries, Charles Eames and Ray Eames. Roland ...... Colin Hoult Read by Paul Rhys. But despite their growing fame in the 1950s and 60s they Producer: Alexandra Smith Published in 1926, Arthur Schnitzler’s ‘Dream Story’ was remained uncomfortable with the public attention they received. A BBC Studios production for BBC Radio 4 first broadcast in alternately titled ‘Rhapsody’ and, in the original German, They shared a passion for nature and spent more and more time November 2016. ‘Traumnovelle’. outdoors. Lucienne drew much of her inspiration from plants SAT 05:30 Stand-Up Specials (m000tcl3) Credited as the novella that inspired Stanley Kubrick's last film. and flowers and Robin was a talented and obsessive mountain Jacob Hawley: Class Act Translated by JMQ Davies. climber. Stevenage soft lad Jacob Hawley left his hometown behind a Producer: Eugene Murphy Wayne reflects on the many layers to Robin and Lucienne and, decade ago and has ascended Britain's social class system, Made for BBC7 and first broadcast in September 2003.