John Bale's Prefaces to Anne Askew's Examinations
Framing the Reformation Woman Writer: John Bale’s Prefaces to Anne Askew’s Examinations Patricia Pender As a site in which the cultural meanings of female authorship are contested and negotiated, the preface is a key feature of the authorial apparatus that introduces the woman writer to her early modern reading public. John Bale’s prefaces to The Examinations of Anne Askew (1546/7) articulate a strident defence of Askew’s Reformist convictions, positioning her as an exemplary martyr in a ‘primitive’, proto-Protestant English tradition. Providing historical precedent and scriptural justification for both Askew’s authorship and his own role as editor, Bale’s prefaces provide valuable insights into the ways women’s writing was produced, framed, circulated, and promoted for its earliest print audiences. Spatially, formally, and historically, the preface occupies a unique role in the apparatus of authorship. Over the past thirty years, developments in the material history of the book, in formalist literary analysis, and in critical theory have championed the preface as a crucial component of the printed book, as a primary site for authorial self-fashioning, and as a location that most clearly marks and yet also problematizes the complex relationship between text and paratext. In early modern literary studies, these developments have revivified interest in a genre previously neglected as marginal, and renewed attention to the preface’s multiple roles in the production, transmission, and reception of early modern texts.1 In its focus on the preface, this article 1 Wendy Wall’s The Imprint of Gender: Authorship and Publication in the Renaissance (Chicago: Chicago University Press, 1993) offers a fascinating exploration of the preface’s role in negotiating the early modern stigma of print, elaborating allegories of reading and writing, and encoding the erotics of the commodified book.
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