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Baltasar Kormákur
THE DEEP EEN FILM VAN BALTASAR KORMÁKUR WILD BUNCH WILLEMSSTRAAT 24B – 1015 JD – AMSTERDAM WWW.WILDBUNCH.NL [email protected] WILDBUNCHblx THE DEEP – BALTASAR KORMÁKUR PROJECT SUMMARY EEN PRODUCTIE VAN BLUEEYES PRODUCTIONS, FILMHUSET AS TAAL IJSLANDS LENGTE 95 MINUTEN ORIGINELE TITEL DJUPID GENRE DRAMA LAND VAN HERKOMST IJSLAND FILMMAKER BALTASAR KORMÁKUR HOOFDROLLEN ÓLAFUR DARRI ÓLAFSSON, JÓHANN G. JÓHANNSSON, BJÖRN THORS RELEASEDATUM 25 APRIL 2013 FESTIVALS TORONTO INTERNATIONAL FILMFESTIVAL – SPECIAL PRESENTATION KIJKWIJZER SYNOPSIS Als op een koude nacht in 1984 een vissersboot met zijn gehele bemanning aan boord zinkt, is er slechts één iemand die de schipbreuk op miraculeuze wijze weet te overleven. Het is wetenschappelijk onverklaarbaar aangezien Gulli zes uur in het ijskoude water heeft gelegen. Terwijl zijn bovennatuurlijke wil om te overleven hem tot nationale held van IJsland heeft gebombardeerd, herinnert Gulli de zwarte nacht als het moment waarop hij zijn vrienden en collega’s verloor. Gebaseerd op een waargebeurd verhaal. CAST GULLI ÓLAFUR DARRI ÓLAFSSON PALLI JÓHANN G. JÓHANNSSON HALLA PORBJÖRG HELGA PORGILSDÓTTIR GULLI’S FATHER THEODÓR JÚLÍUSSON GULLI’S MOTHER MARÍA SIGURDARDÓTTIR HANNES BJÖRN THORS LÁRUS PRÖSTUR LEÓ GUNNARSSON ERLINGUR GUDJÓN PEDERSEN RAGGI WALTER GRÍMSSON JÓN STEFÁN HALLUR STEFÁNSON CREW DIRECTOR BALTASAR KORMÁKUR SCREENPLAY BALTASAR KORMÁKUR JÓN ATLI JÓNASSON PRODUCER BALTASAR KORMÁKUR AGNES JOHANSEN EXECUTIVE PRODUCER LILJA PÁLMADÓTTIR DAVID LINDE CINEMATOGRAHER BERGSTEINN BJÖRGÚLFSSON EDITOR SVERRIR KRISTJÁNSSON ELÍSABET RONALDSDÓTTIR SOUND KJARTAN KJARTÁNSSON INGVAR LUNDBERG PRODUCTION DESIGNER ATLI GEIR GRÉTARSSON THE DEEP – BALTASAR KORMÁKUR THE DEEP - DIRECTOR’S NOTES I was just a teenager when this actually happened. Like everyone else in our small country I felt for all the people of the Westmann Islands who again had lost men at sea, but I was also fascinated by the news on the sole survivor. -
SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION Stellen Voor Scenariojeroen PERCEVAL En Robin PRONT Regie Robin PRONT
SAVAGE FILM & KINEPOLIS FILM DISTRIBUTION stellen voor scenario Jeroen PERCEVAL en Robin PRONT regie Robin PRONT releasedatum : 14 oktober 2015 inhoudstafel intro ............................................................................................................................................................................. 3 synopsis ..................................................................................................................................................................... 4 intentieverklaring auteur .................................................................................................................................... 5 intentieverklaring regisseur .............................................................................................................................. 6 personages | cast - jeroen perceval ....................................................................................................................................... 7 - kevin janssens .......................................................................................................................................... 8 - veerle baetens ......................................................................................................................................... 9 - jan bijvoet ................................................................................................................................................ 10 regisseur robin pront ...................................................................................................................................... -
Introducing the Dutch Film Sector Black the Netherlands Is Home to a Vibrant Butterflies Paula Van Film Industry
INTRODUCING THE DUTCH FILM SECTOR BLACK The Netherlands is home to a vibrant BUTTERFLIES PAULA VAN film industry. From feature films DER OEST documentaries, animated films and experimental films, the Netherlands has an open and outwardly oriented attitude ING towards international co-production and ILM SECTOR a strong tradition in the production of INTRODUCTHE FDUTCH feature films for children and youth. 2 FACTS AND FIGURES SCREENS RELEASED FILMS CINEMA ATTENDANCE MARKET SHARE FEATURES ARTHOUSE SCREENS DUTCH FEATURE fiLMS 2010 DUTCH fiLM SHOT WHOLLY OR MAinLY in DUTCH DOCUMEntARIES 2011 THE NETHERLANDS SHOT WHOLLY OR MAinLY ABROAD 161 27 20 22,38 24 28,1 30,4 777 296 77,62 28 • In 2011 the Netherlands • In 2011 a total of 343 films • 2011 saw an increase in • In 2011 the market share • 24 features (including was served by 777 screens were released theatrically cinema attendance from for Dutch film including co-productions) were shot of which 161 were dedicated in the Netherlands of which 28.1 million (2010) to 30.4 minority productions was wholly or mainly in the to arthouse film. 47 were Dutch productions million, which accounted 22.38% domestically Netherlands in 2011 and (including minority co pro- for gross box office reve- (6.8 million admissions). 28 feature films (including • In 2011 the Netherlands ductions): 27 feature films nues of € 240 million. co-productions) were shot Film Fund participated and 20 documentaries. • In 2011 production costs wholly or mainly abroad. in 15 minority interna- • Film festivals and markets averaged € 2.6 million. tional feature films and in the Netherlands attract 31 majority feature films. -
Download Persmap (NL)
Persmap - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - F: 020 5308849 - email: [email protected] KID Een Film van Fien Troch De vrolijke zevenjarige Kid, zijn broer Billy en hun moeder wonen samen op een boerderij. Met weinig middelen probeert Mama er een warm liefdevol nest van te maken. Het noodlot slaat echter toe wanneer zij wordt vermoord. De jonge Kid en Billy staan er nu alleen voor in hun zoektocht naar een beetje geluk. Land: België - Speelduur: 90 min. - Jaar: 2013 – Genre: Drama Release datum: 18 April 2013 - Distributie: Cinéart Meer informatie: Publiciteit & Marketing: Cinéart Janneke De Jong Herengracht 328 III 1016 CE Amsterdam Tel: +31 (0)20 5308848 Email: [email protected] Persmap en foto’s staan op: www.cineart.nl - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - F: 020 5308849 - email: [email protected] CAST KID BENT SIMONS BILLY MAARTEN MEEUSEN MAMA GABRIELA CARRIZO MARIA RIT GHOOS CREW DIRECTOR FIEN TROCH SCREENPLAY FIEN TROCH PHOTOGRAPHY FRANK VAN DEN EEDEN EDITING NICO LEUNEN ART DIRECTION WALTER BRUGMANS SOUND PAUL MAERNOUDT COSTUME JUDITH VAN HERCK MUSIC SENJAN JANSEN SOUND DESIGN MICHEL SCHÖPPING MIXAGE MATHIEU COX PRODUCERS ANTONINO LOMBARDO - PRIME TIME JACQUES HENRI BRONCKART - VERSUS ELS VANDEVORST - N279 ENTERTAINMENT PRODUCTION PRIME TIME PRODUCTION PARTNERS N279 ENTERTAINMENT VERSUS PRODUCTION IN COLLABORATION WITH AUGENSCHEIN FILMPRODUKTION - Herengracht 328 III - 1016 CE Amsterdam - T: 020 5308848 - F: 020 5308849 - email: [email protected] ENKELE OVERWEGINGEN OVER MIJN CINEMA – FIEN TROCH Toen ik nadacht over wat de essentie van mijn cinema zou kunnen zijn, kwam ik tot de slotsom dat ik film nooit zal kunnen misbruiken om een verhaal te vertellen. -
Veerle Baetens Alabama Monroe
Diaphana Distribution présente une production Savage Film le premier film de ROBIN PRONT avec DISTRIBUTION Diaphana Distribution JEROEN PERCEVAL BULLHEAD 155, rue du Faubourg Saint-Antoine 75011 Paris KEVIN JANSSENS VERMIST Tél. : 01 53 46 66 66 VEERLE BAETENS ALABAMA MONROE PRESSE Belgique/Pays-Bas - Durée : 1h33 - Scope Le Public Système Cinéma Dossier de presse et photos téléchargeables depuis le site www.diaphana.fr Céline Petit 25, rue Notre-Dame-des-Victoires 75002 Paris SORTIE 13 AVRIL [email protected] Tél. : 01 41 34 23 50 l’histoire Un cambriolage tourne mal. Dave arrive à s’enfuir mais laisse son frère Kenneth derrière lui. Quatre ans plus tard, à sa sortie de prison, Kenneth, au tempérament violent, souhaite reprendre sa vie là où il l’avait laissée et est plus que jamais déterminé à reconquérir sa petite amie Sylvie. Ce qu’il ne sait pas, c’est qu’entre-temps, Dave et Sylvie sont tombés amoureux et mènent désormais une vie rangée ensemble. Avouer la vérité à Kenneth pourrait tourner au règlement de compte… L’histoire se déroule comme un thriller qui atteint son climax dans les Ardennes (en Wallonie, la région francophone du sud de la Belgique). Je voulais explorer le thème de la loyauté entre frères, en me concentrant plus particulièrement sur l’environnement extrêmement brutal dans lequel vivent les personnages. C’est également un thème récurrent dans mes courts-métrages. Des personnages qui agissent selon des standards et des valeurs qui sont différents de ce que l’on considère comme normaux et qui vivent dans un monde où la violence est la solution, et où la drogue est constamment présente. -
Jaarverslag VAF/Filmfonds 2008
COVER BUITEN [ONTWERP KERN 02] Vlaams Audiovisueel Fonds vzw | Jaarverslag 2008 - 1 - COVER BINNEN [WITTE PAGINA] Vlaams Audiovisueel Fonds vzw | Jaarverslag 2008 - 2 - Vlaams Audiovisueel Fonds vzw Jaarverslag 2008 Vlaams Audiovisueel Fonds vzw | Jaarverslag 2008 - 3 - Uitgegeven door het Vlaams Audiovisueel Fonds vzw Bischoffsheimlaan 38 – 1000 Brussel T 02 226 06 30 - F 02 219 19 36 [email protected] - www.vaf.be Met de steun van de Vlaamse Minister van Cultuur Vlaams Audiovisueel Fonds vzw | Jaarverslag 2008 - 4 - Inhoudsopgave 1. De opdracht van het VAF binnen het Vlaams audiovisueel beleid .............- 14 - 2. Overzicht cijfers 2008 ..............................................................................- 19 - 2.1. Inleiding ..............................................................................................- 19 - 2.2. Onderscheid tussen goedkeuringen en contracteringen...............................- 19 - 2.3. Boekhoudkundige cijfers ........................................................................- 19 - 3. Steun aan creatie......................................................................................- 23 - 3.1 Inleiding ...............................................................................................- 23 - 3.2 Het selectiesysteem................................................................................- 23 - 3.3 Coaching ..............................................................................................- 23 - 3.4 Financiële steun per categorie..................................................................- -
BIO Tom Heene, °1969, Lives in Brussels, Belgium. Tom Is An
version of 15/08/14 BIO Tom Heene, °1969, lives in Brussels, Belgium. Tom is an audiovisual artist developing multidisciplinary projects in film and other audiovisual arts. He is active as a director, assistant director and production manager and worked on movies made by filmmakers like Frédéric Fonteyne, Olivier Smolders, Alex Stockman, Patrice Toye, Laurent Van Lancker, Jürgen Leth and Lars Von Trier. Tom's films explore the tense crossing of human trajectories in his hometown Brussels, which he considers as an endless source of inspiration. In 2012 his feature film ‘Welcome Home’ was premiered at the Venice Film Festival. In media arts Tom has worked with visual artists, choreographers, scientists and code artists on interactive environments using digital tools. The issues in his media installations are about questioning alternative cinematic experiences, the future of society and the human relation with new media and technologies. Tom collaborated on several Arts & Science projects and received funding for his research on storytelling and participation in film and new media arts. He has given various workshops linking new media with the performing arts and has worked as a production manager on several art exhibitions. He is a member of Brussels based "iMAL, Centre for Digital Cultures and Technologies" (imal.org) and has been part of the "RGB~Toysband"; performers using electronic toys as instruments to play in public spaces. Tom is also a founding member of the artists collective "r-Ohm" which reflects on visual arts, new media, biology, food and economics (r-ohm.be). http://tomheene.be/ 1/3 version of 15/08/14 CV works in film, television & digital arts Tom Heene was born in Ghent, Belgium, on the 16th of August 1969. -
Nowhere Mana FILM by PATRICE TOYE Tel: +32 2 534 6808 / Fax: +32 2 534 7818 Email: [email protected]
Contact : La Parti Production 109 rue du Fort 1060 Brussels, Belgium nowhere manA FILM BY PATRICE TOYE Tel: +32 2 534 6808 / Fax: +32 2 534 7818 Email: [email protected] / www.laparti.com World Sales / Ventes internationales : Funny Balloons In Venice August 27th to 31st Peter Danner Mobile +33 6 74 49 33 40 - [email protected] Marta Ravani Mobile +33 6 99 42 34 10 - [email protected] Paris Office 4bis rue Saint Sauveur 75 002 Paris, France Tel: +33 1 40 13 05 84 / Fax: +33 1 42 33 34 99 Email: [email protected] / www.funny-balloons.com The pictures and press kit of the film can be downloaded at www.funny-balloons.com & www.venice-days.com/filmphotogallery.asp?idfilm=9 nowhere man a film by / un film de Patrice Toye LOGLINE PITCH Have you ever fantasised about going out for a walk one Avez-vous jamais rêvé de sortir faire une promenade, evening, and never returning ? Have you ever thought un soir, et de ne plus jamais revenir ? Avez-vous jamais about stepping out of your life and into some new pensé à sortir de votre vie et à pénétrer dans une réalité reality, without asking permission ? nouvelle, sans demander la permission ? SYNOPSIS SYNOPSIS Tomas is in his 40s. He lives a seemingly normal and Tomas a la quarantaine. Il mène une vie agréable, good life. His wife Sara is a beautiful and gentle woman, d’apparence tout à fait normale. Sa femme Sara est well thought of by everybody. They live in a fairly nice belle, gentille, et appréciée de tous. -
ZOMBIES VAN DE ZEE “A Harrowing Tale and Lovely Acted Film, Set During the Algerian Civil War” Hollywood Reporter
AANGEBODEN DOOR UW FILMTHEATER, FDN & NVBF WAAD EL-KATEAB OVER FOR SAMA ‘FILMEN IS EEN DAAD VAN VERZET’ IFFR 2020 BEANPOLE HET TRAUMA EN DE RUSSISCHE ZIEL DISNEY EN HET EINDE VAN DE MAINSTREAM A HIDDEN LIFE MALICK ZWIERT DOOR DE TWEEDE WERELDOORLOG 20 #428 20 FEBRUARI ATLANTIQUE ZOMBIES VAN DE ZEE “A HARROWING TALE AND LOVELY ACTED FILM, SET DURING THE ALGERIAN CIVIL WAr” HOLLYWOOD REPORTER “FULL OF ENGAGEMENT SPARKED BY ITS SISTERLY SOLIDARITY” SCREEN INTERNATIONAL PAPICHAEEN FILM VAN MOUNIA MEDDOUR vanaf 13 februarI te zI en In de fIlmtheaters TROUW CINEMAGAZINE VPRO CINEMA DE VOLKSKRANT ★★★★★ ★★★★★ ★★★★ ★★★★ EEN FILM VAN LJUBO STEFANOV EN TAMARA KOTEVSKA “OOGVERBLINDENDE, KRAAKheldere beelden” - TROUW - “Verbluffend fraai” - DE VOLKSKRANT - “hyPNOTISERENDE Schoonheid” - CINEMAGAZINE - nu te zien in de filmtheaters DE FILMKRANT #428 FEBRUARI 2020 3 REDACTIONEEL ‘Van Khartoem tot Santiago, van Beiroet tot Hong Kong, van Algiers tot de Champs-Élysées: al anderhalf jaar stromen golven van mensen door de straten en over de pleinen. We zien ze voorbijtrekken op tv’s en smartphoneschermen. Individueel en collectief zijn we dagelijks fil- mers, kijkers, tegenstanders, voorbijgangers van beelden.’ Aldus een tekst bij de tentoonstelling Les peuples des images, vrij vertaald ‘het volk van de verbeelding’, die van 24 januari tot 9 februari te zien is in het Parijse Centre Pom- pidou. Binnenkort hebben we een verslag online. Op pagina 18 schrijven we over Ladj Ly’s Les Misérables, over de groeiende protesten in de Parijse voorsteden en pagina 24 kijken we naar het Hongkong-programma Ordinary Heroes op IFFR, dat zich vanzelfsprekend ook richt op de protesten daar. -
PRÉSENTATION DE LA 33E ÉDITION
PRÉSENTATION DE LA 33e ÉDITION Collection Gaumont Collection Collections CINEMATEK - @ Chantal Akerman Foundation - @ Chantal Akerman CINEMATEK Collections © Christian Schulz Président du Festival : Jérôme CLÉMENT Président de l’Association : Jean-Michel CLAUDE Délégué Général et Directeur Artistique : Claude-Éric POIROUX www.premiersplans.org LES PARTENAIRES Partenaires institutionnels Mécènes Partenaires privés Organismes professionnels Dossier de présentation Festival Premiers Plans - 33e édition - 25 / 31 janvier 2021 2 Dossier de présentation Festival Premiers Plans - 33e édition - 25 / 31 janvier 2021 3 Lieux partenaires Partenaires de l’éducation et de l’enseignement supérieur Partenaires techniques COMMUNICATION Partenaires médias Le Festival Premiers Plans remercie ACOR - association des cinémas de l’ouest pour la recherche / Angers Nantes Opéra / Anjou Théâtre / Allô Angers Taxi / Ambassade de France et Institut Français d’Algérie / Les Amis du Comedy Club / Angers Loire Métropole / Appart’City / Association de la cause freudienne d’Angers / Association pour le Développementde la Fiction / BiblioPôle / Bibliothèque municipale d’Angers / Boîtes à Culture de Bouchemaine / Le Boléro / Bureau d’Accueil des Tournages des Pays de la Loire / Centre Hospitalier Universitaire / Ciné’fil de Lys-Haut- Layon / Ciné-ma Différence / Cinéma Parlant / Le Chabada / Direction Générale de l’Enseignement scolaire / DSDEN 49 - Direction des services départementaux de l’éducation nationale / Douces Angevines / Écran Total / Esra Bretagne / Fé2A - -
SURVIVAL MOVIES. a THEOLOGICAL PERSPECTIVE – Phd THESIS –
“BABEŞ-BOLYAI” UNIVERSITY, CLUJ-NAPOCA FACULTY OF THEATRE AND FILM SURVIVAL MOVIES. A THEOLOGICAL PERSPECTIVE – PhD THESIS – – SUMMARY– SCIENTIFIC COORDINATORS: Prof. Univ. Habil. DORU-AUREL POP, PhD Fr. Prof. Univ. IOAN CHIRILĂ, PhD PhD STUDENT: IOAN BUTEANU CLUJ-NAPOCA 2021 1 TABLE OF CONTENTS Introduction ................................................................................................................................................... 4 Chapter 1. Research Methodologies. The Fundaments of Anthropology and Film Studies from Christian Perspectives................................................................................................................................................. 11 1.1 Overview. The relation between Theology and Film Studies ........................................................... 12 1.2 The Orthodox Christian Anthropological Approach to Film Studies ............................................... 17 1.2.1 Conceptual delineations ............................................................................................................. 17 1.2.2 Presentation of the image of God in man through some elements that compose it ................... 20 1.2.3 Conclusions. Christian Anthropology and Survival Movies ...................................................... 25 1.3. The Method ...................................................................................................................................... 28 Chapter 2. Survival movies defined through genre elements .................................................................... -
Investigating Nordic Noir
Investigating Nordic Noir By Sofia Alexi A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts Victoria University of Wellington 2017 3 Abstract Alexi Sofia, Film Studies, Victoria University of Wellington Abstract of Master’s Thesis, Submitted 10 April 2017: “Investigating Nordic noir” Scandinavian crime films and television series have become popular in recent years. This thesis explores some of the key texts in ‘Nordic noir’ through a discussion of detectives, the environment, and visual style. The emphasis in the project is on textual analysis. The first chapter examines the figures of Wallander and Lund in Wallander and Forbrydelsen respectively. I argue that the conflicts Nordic detectives often have between work and the domestic sphere are an indication of how gender stereotypes are challenged in the Scandinavian crime genre. The second chapter considers the role of the natural and built environments in Nordic noir. Features such as forests and water play a crucial role in Forbrydelsen because of the ways in which they create uncertainty, anticipation, and suspense. The urban spaces of Bron/Broen develop a sense of anonymity that recalls the function of the city in classic film noir. Rather than developing links between Sweden and Denmark, the series suggests that the Øresund bridge that spans the two countries is ultimately a disconnecting, centrifugal force that functions as what Marc Augé would call a ‘non-place’. The final chapter considers the role of colour and light in the films Insomnia and Jar City. My analysis demonstrates that Nordic noir encompasses more than naturalism and realism.