Knitting Lace: 10 Free Knitted Lace Patterns
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October 2018
YMOCT18Cover.FINAL:Layout 1 11/1/18 5:21 PM Page CV1 CAN YOU KEEP BE THE LISTEN A SECRET? CHANGE UP! Protect shared The retail Podcasts get you information with landscape is inside the heads of a nondisclosure changing your customers— agreement. quickly.Are literally. you ready? OCTOBER/NOVEMBER 2018 2019: A YARN ODYSSEY FREE COPY DelicatE wslavender eucalyptus grapefruit unscented jasmine h p teatmen o you in ashable YMN1018_Eucalan_AD.indd 1 10/23/18 12:49 PM Plymouth Yarn Pattern #3272 Drape Front Cardi Plymouth Yarn Pattern #3272 Drape Front Cardi 60% Baby Alpaca 25% Extrafine Merino 15% Yak 60% Baby Alpaca 25% Extrafine Merino 15% Yak WWW.PLYMOUTHYARN.COMWWW.PLYMOUTHYARN.COM YMN1018_Plymouth_AD.indd 1 10/23/18 12:48 PM YMOCT18EdLetter.FINAL:Layout 1 10/31/18 2:24 PM Page 2 EDITOR’S LETTER Looking Back, Looking Forward ROSE CALLAHAN Where were you five years ago? It was the fall of 2013. Some of you may not have even owned your business in the yarn industry yet, while others of you had been at it for well over 20 years. Some of you had not yet become parents; others were close to becoming empty nesters. A lot can change in five years, but of course, a lot can stay the same. Five years ago, Yarn Market News made a change. Because of dwindling advertising dollars, we announced that we would be publishing three issues a year instead of five. And this issue marks our first all-digital issue, born out of both a desire to go green and to help the magazine’s struggling bottom line. -
Brosur Ingilizce
Our Products We offer the 100% Acrylic HB yarns, from NM10 to NM40, ecru or dyed, single or twisted; for knitting, socks, circular knitting, weaving, tufting, bath mats and carpets. foundation 100% Acrylic Relax yarns, from NM10 to NM40, for fashion! ecru or dyed, single or twisted; for knitting, socks, weaving, upholstery and velvet. 100% Acrylic Relax yarns from Dralon fiber, from NE16 to NE30; for chenille, lace, knitting and socks. Wool Acrylic Blended yarns, from NM10 to NM40, HB or Relax, single or twisted; for knitting, socks, circular knitting and weaving. Cotton Acrylic Blended yarns, from NE12 to NE30, HB or Relax, ecru or dyed, single or twisted; for knitting, circular knitting and weaving. Viscose Acrylic Blended yarns, HB or Relax, ecru or dyed, single or twisted; for knitting, upholstery and weaving. Linen Viscose Blended yarns, NE12, NE20, NE30, Akren Iplik A.fi. is a member of Textileonly. www.textileonly.com single or twisted, ecru or dyed; for knitting, circular knitting and weaving. Center Office: Linen Cotton Blended yarns, NE12, NE20, NE30, Rumeli Caddesi, No: 2/5 Niflantafl› 34563 - ‹stanbul single or twisted, ecru or dyed; for knitting, circular Tel: +90 (212) 231 04 28 pbx Fax: +90 (212) 233 94 75 knitting and weaving. Yenibosna Plant: 29 Ekim Caddesi, No: 22, Yenibosna 34530 ‹stanbul Tel: +90 (212) 503 21 36 Fax: +90 (212) 639 95 62 100% Acrylic Chenille yarns from Dralon fiber, NM4 Çorlu Plant: and NM6, ecru or dyed; for knitting, upholstery and Velimefle Hac›fleremet Mevkii, Çorlu - Tekirda¤ weaving. Tel: +90 (282) 674 44 48 email: [email protected] Acrylic bouclet and frise yarns, ecru and dyed; for knitting, upholstery and weaving. -
How to Read a Charted Knitting Pattern – Class by Tricia Ennis
How to Read a Charted Knitting Pattern – Class by Tricia Ennis A charted knitting pattern is simply a graphic representation of a written knitting pattern. It takes less room than a written pattern and gives a visual idea of what each motif piece should look like. Think of charts as maps rather than a list of directions. Working from a chart makes is easier to see where you are in a pattern and to identify errors more quickly. Charts are always written as though you are “looking” at the front of the work. After a bit of practice, most knitters find working from charts much more intuitive, quick, and simple than working from line-by-line text instructions. Charts are written in “motifs” so the chart is repeated X number of times across the knitting row/round. Charts are normally presented with a stitch legend or key so it is not necessary to understand all the knitting symbols on a chart to use it. There are many symbols which are common across charts but, sometimes, a specific designer may use a different symbol so it is important to check the key before you start to make sure you are aware of what the symbols mean for the chart you are working. Each square on a chart represents one stitch and each square offers a visual representation of what the completed stitch looks like (for example, a blank square usually represents a k stitch which is nice and smooth, a square with a dot in it usually represents a p stitch which has a little lump at the base, a square with a circle (O) in it usually represents a yo (yarn over) which results in a hole in the work, etc.) Note that these visuals are presented as RS stitches and, in actual fact, the blank square usually means k on RS, p on WS, whereas the square with the dot usually means purl on the RS, knit on WS. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
Studio Classes & Events
STUDIO CLASSES & EVENTS July-August 2016 KNITTING CLASSES MORE ADVANCED BEGINNER LEVEL BEGINNER LEVEL OOPs: Mistakes happen. Some can be passed of as “design elements.: Others can be fatal to your project. It is LEARN TO KNIT: If you have never knitted before then this good to learn the difference. Bring your list of mistakes class is for you. Learn the basics; how to cast on, knit and purl you commonly make and learn how to fix them. Time/Date: stitch and how to cast off. TIME/DATES: Thursdays, July 14 & Sunday, July 10, 1:30-3:30 pm. Fee: $25. Instructor: Jessi- 21, 6-8 pm OR Tuesdays, August 9 & 16, 6-8 pm. FEE: $30 + ca Kerrigan Supplies Instructor: Joan Daniels CRASH COURSE IN KNITTING: This fast-paced class is LITEN KOFTA (Small Cardigan): Make this classic, better suited to those who are re-acquainting themselves with buttoned baby cardigan with a garter ridge round yoke sec- the craft of knitting. In two hours you will review casting on, the tion. The cardigan is worked back and forth in rows from knit stitch and binding off. DATES/TIMES: Fridays, July 8 Or the bottom up . You will learn how to decrease and pick up July 22 OR August 5 OR August 19, 11 am-1 pm FEE: $25 + stitches. Sizes 3 to 12 months. Dates/Times: Thursdays, Supplies. Instructor: Studio Staff July 14 & 28; August 11 & 25, 6:30-8:30 pm. Fee: $40 + Supplies. Instructor: Lynn Haffner ADVANCED BEGINNER LEVEL INTERMEDIATE LEVEL PROJECT MONDAY: This is a great class for those who like to try out new projects but prefer to have an experienced knit- LEARN TO MAKE SOX: If you have never knitted socks ter to help them through the tough spots. -
Mary Walker Phillips: “Creative Knitting” and the Cranbrook Experience
Mary Walker Phillips: “Creative Knitting” and the Cranbrook Experience Jennifer L. Lindsay Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of Decorative Arts Masters Program in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art + Design 2010 ©2010 Jennifer Laurel Lindsay All Rights Reserved TABLE OF CONTENTS LIST OF ILLUSTRATIONS.............................................................................................iii PREFACE........................................................................................................................... x ACKNOWLDGEMENTS ............................................................................................... xiv INTRODUCTION .............................................................................................................. 1 CHAPTER 1. CRANBROOK: “[A] RESEARCH INSTITUTION OF CREATIVE ART”............................................................................................................ 11 Part 1. Founding the Cranbrook Academy of Art............................................................. 11 Section 1. Origins of the Academy....................................................................... 11 Section 2. A Curriculum for Modern Artists in Modern Times ........................... 16 Section 3. Cranbrook’s Landscape and Architecture: “A Total Work of Art”.... 20 Part 2. History of Weaving and Textiles at Cranbrook..................................................... 23 -
Making Sense of Symbols: a Guide to Reading Charts
BEYOND T H E BASICS Making Sense of Symbols: A Guide to Rea ding Charts Ann Budd ANY BEGINNING KNITTERS pale at the right side of the knitting is always facing out), all M the sight of a knitting pattern, temporar- rows are read from right to left. ily paralyzed by the seemingly complicated Most charts, including the ones in Interweave Knits, abbreviations and symbols (k2tog, ssk, brackets, pa- are plotted on a square grid. Because knitted stitches rentheses, asterisks, . .). But most knitters quickly tend to be wider than they are tall, motifs worked from realize that pattern language is actually quite simple; such charts will appear squatter in the actual knitting rather than an unbreakable code, it is truly a useful than they appear on the grid. To avoid this discrep- shorthand. Curi ously, however, ancy when designing your own many knitters never make the project, you can use proportional Common Chart Symbols jump to following charted pat- & Definitions knitter’s graph paper (available at terns, failing to understand how knitting stores). right side: knit logical and, yes, easy to follow, wrong side: purl Symbols: Though not all pub- they really are. right side: purl lications use exactly the same Charts have several advan- wrong side: knit symbols (for example, some use a tages over row-by-row knit- right side: k2tog horizontal dash to denote a purl ting instructions written out wrong side: p2tog stitch, others use a dot), for the in words: They let you see at right side: k3tog most part, the symbols represent a glance what’s to be done and wrong side p3tog what the stitches look like when what the pattern will look like right side: ssk viewed from the right side of the knitted; they help you recognize wrong side: ssp knitting. -
Beth Brown Reinsel Interview
An Interview with Beth Brown-Reinsel at EduKnit This PDF is intended to serve as a resource to go along with our interview post with Beth Brown-Reinsel, found here: http://eduknit.com/?p=2212 We hope you’ll enjoy reading the highlights from Beth’s interview! Types of Color Knitting Beth says that Intarsia isn't her favorite style of knitting, but she could do stranded knitting forever. She mentions that even though most people think of Fair Isle as the only method for color knitting, that's a misnomer. She explains that Fair Isle has a particular set of rules, such as only including two colors in each round or how many stitches you can "float" the yarn along in a row. So Fair Isle is a part of stranded knitting, but not all stranded knitting is Fair Isle. Several other types of color knitting exist - including Norwegian, Swedish, and Latvian knitting - and those often incorporate several colors in one row or round. Beth explains that "technique is technique" - and there are many ways to knit color work, using one or both hands according to the knitter's preference. Each style of stranded knitting tends to have its preferences where that is concerned. Steeking Steeking isn't just the act of cutting your knitting - it's the act of putting extra stitches into your knitting for the purpose of cutting them later. Shetland wool has many microscopic "hooks" in each fiber, which helps to hold the fibers together. So as Beth explains, you can cut Shetland wool and it won't really go anywhere, making it ideal for color work that will be steeked. -
Warp and Weft Knitting | Knitting | Basic Knitted Fabrics
Weft vs. Warp Knitting Weft Warp Weft knitting. Weft knitting uses one continuous yarn to form courses, or rows of loops, across a fabric. There are three fundamental stitches in weft knitting: plain-knit, purl and rib. On a machine, the individual yarn is fed to one or more needles at a time. Weft knitting machines can produce both flat and circular fabric. Circular machines produce mainly yardage but may also produce sweater bodies, pantyhose and socks. Flatbed machines knit full garments and operate at much slower speeds. The simplest, most common filling knit fabric is single jersey. Double knits are made on machines with two sets of needles. All hosiery is produced as a filling knit process. Warp Knitting. Warp knitting represents the fastest method of producing fabric from yarns. Warp knitting differs from weft knitting in that each needle loops its own thread. The needles produce parallel rows of loops simultaneously that are interlocked in a zigzag pattern. Fabric is produced in sheet or flat form using one or more sets of warp yarns. The yarns are fed from warp beams to a row of needles extending across the width of the machine (Figure 9b). Two common types of warp knitting machines are the Tricot and Raschel machines. Raschel machines are useful because they can process all yarn types in all forms (filament, staple, combed, carded, etc.). Warp knitting can also be used to make pile fabrics often used for upholstery. Back Knitting To form a fabric by the intermeshing of loops of yam. wale course Wen €hitting Loops are formed by needles knitting the yam across the width Each weft thread is fed at right angles to the direction of fabric formation. -
13, 53, 56-57 Imogene Shawl. Knits: 13, 53, 57-58 Corsage Scarf
Knits Index Through Knits Summer 2017 Issue abbreviations: F = Fall W = Winter Sp = Spring Su = Summer This index covers Knits magazine, and special issues of Crochet, Knit.Wear, Knit.Purl and Knitscene magazine before they became independent journals. To find an article, translate the issue/year/page abbreviations (for example, “Knitting lace. Knits: Su06, 11” as Knits, Summer 2006, page 11.) This index also includes references to articles and patterns on the website, some of which are for subscribers only. Some of these are reprinted from the magazine; others appear only on the website. The first issue of Crochet magazine appeared in Fall, 2007. This index includes all of the special issues of Knits magazine devoted to crochet before Crochet became its own publication. After Spring, 2007, Crochet issues do not appear in this index, but can be found in the Crochet index. For articles indexed before that time, translate “City Stripes. Knits (Crochet): special issue F06, 90” as the special issue of Knits, labeled “Interweave Crochet,” Fall 2006, p. 90. The first issue of Knitscene magazine as an independent journal appeared in Spring, 2011. This index includes all of the special issues of Knitscene magazine before Knitscene became its own publication. After Spring, 2011, Knitscene issues do not appear in this index, but can be found in the Knitscene index. For articles indexed before that time, translate “City Stripes. Knits (Knitscene): special issue F06, 90” as the special issue of Knitscene, labeled “Interweave Knitscene,” Fall 2006, p. 90. The first issue of Knit.wear as an independent journal appeared in Spring, 1017. -
Memory in the Fingers: an Exploration of Knitting Through the Lens of Modern Knitters' Lives Sinclair Rishel University of Mississippi
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2016 Memory in the Fingers: An exploration of knitting through the lens of modern knitters' lives Sinclair Rishel University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Journalism Studies Commons Recommended Citation Rishel, Sinclair, "Memory in the Fingers: An exploration of knitting through the lens of modern knitters' lives" (2016). Honors Theses. 866. https://egrove.olemiss.edu/hon_thesis/866 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. Memory in the Fingers An exploration of knitting through the lens of modern knitters’ lives By Sinclair Rishel A thesis submitted to the faculty of the University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford, Mississippi April 2016 Approved by __________________________________ Advisor: Dr. Kathleen Wickham __________________________________ Reader: Ms. Ellen Meacham __________________________________ Reader: Mr. Charlie Mitchell © 2016 Sinclair Rishel ALL RIGHTS RESERVED ii Acknowledgements I would like to take this opportunity to thank those who have been instrumental in the creation of this thesis. To all of my interviewees, your stories have inspired and excited me. It was my great pleasure to tell each one and I thank you for sharing them with me. I hope I’ve done them justice. To my thesis advisor, Dr. -
Free Knitting Pattern Lion Brand®Vanna's Choice
Free Knitting Pattern Lion Brand® Vanna’s Choice Cabled Wrap Pattern Number: 60716 ©2016 Lion Brand Yarn Company, all rights reserved. Lion Brand® Vanna’s Choice Cabled Wrap Pattern Number: 60716 SKILL LEVEL - Intermediate SIZE One size Finished Circumference at Upper Edge: 46 in. (117 cm) MATERIALS Lion Brand® Vanna’s Choie (Art. #860) . 133 Brick 8 balls . or color of your choice Lion Brand® knitting needles size 10 1/2 (6.5 mm) Lion Brand® circular knitting needle size 10 1/2 (6.5 mm), 29 in. (73.5 cm) Lion Brand® cable needle Lion Brand® large-eyed blunt needle GAUGE 16 sts + 18 rows = 4 in. (10 cm) in St st (k on RS, p on WS). BE SURE TO CHECK YOUR GAUGE. STITCH EXPLANATION 4/4 RC (4 over 4 right cross) Slip 4 sts to cable needle and hold in back, k4, then k4 from cable needle. STITCH PATTERN Welt Pattern Rows 1-5: Knit. Row 6: Purl. Row 7: Knit. Row 8: Purl. Rep Rows 1-8 for Welt Pattern. NOTE Wrap is worked back and forth using circular needle to accommodate large number of sts. NECK STRIP Cast on 36 sts. Rows 1, 3, 5, 7 and 9 (WS): K4, *p8, k4; rep from * to last 8 sts, p8. Rows 2, 4 and 8 (RS): *K8, p4; rep from *. Row 6 (RS): *4/4RC, p 4; rep from *. For thousands of free patterns, visit our website www.LionBrand.com To order visit our website www.lionbrand.com or call: (800) 258-YARN (9276) any time! Copyright ©1998-2016 Lion Brand Yarn Company, all rights reserved.