The Wall of Lies
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spring 2020 C O N T E N T S
The CRIMSON HISTORICAL REVIEW An Undergraduate Journal of History at the University of Alabama Volume II, No. II Spring 2020 C O N T E N T S Staff Information ii Contributors Page iii Letter from the Chief Editor Jodi Vadinsky iv A R T I C L E S Demystifying Feminine Ireland During Cecilia Barnard 01 the Rebellion of 1798 Borders and Bodies: The El Paso Eve Galanis 13 Quarantine and Mexican Women’s Resistance Chile: Democracy to Destabilization to Ethan Legrand 29 Dictatorship Turning Point of Cold War Diplomacy: Reuben Francis 41 The Impact of the South Asian Crisis of 1971 on US-Chinese Rapprochement Of Course Someone You Know Is Gay: Victoria Carl 60 Alabama’s Gay Student Union, 1983- 1984 i S T A F F Executive Board Review Board Associates Faculty Editor Cecilia Barnard Nikolas Clark Dr. Margaret Peacock Mariella Giordano Lindsey Glick Troy Watley Declan Smith Chief Editor Katie Kroft Philip Marini Jodi Vadinsky Griffin Specker Jacob Wolfe Production Editor Ashley Terry Caroline Lawrence Lily Mears Jasmine James Jackson C. Foster Logan Goulart Noah Dasinger Production Editor Elect Riley LoCurto James Gibbs John Pace Courtney Lowery Design Editor Copy Editors Charlie Wright Kenzie Wilbourne Ashley Terry Review Board Executive Corinne Baroni Lily Mears Claire Sullivan Aaron Eitson The Crimson Historical Review is composed of undergraduate students at the University of Alabama who are passionate about history, academic writing, and publishing. Interested in becoming a staff member? Undergraduate students at the University of Alabama are invited to contact [email protected]. The CHR is not operated by the University of Alabama. -
Sample File Under Licence
THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CREDITS LINE DEVELOPER: Gareth Ryder-Hanrahan WRITING: Darren Pearce and Gareth Ryder-Hanrahan ADDITIONAL DEVELOPMENT: Nathaniel Torson EDITING: Dominic McDowall-Thomas COVER: Paul Bourne GRAPHIC DESIGN AND LAYOUT: Paul Bourne CREATIVE DIRECTOR: Dominic McDowall-Thomas ART DIRECTOR: Jon Hodgson SPECIAL THANKS: Georgie Britton and the BBC Team for all their help. “My First Begins With An Unearthly Child” The First Doctor Sourcebook is published by Cubicle 7 Entertainment Ltd (UK reg. no.6036414). Find out more about us and our games at www.cubicle7.co.uk © Cubicle 7 Entertainment Ltd. 2013 BBC, DOCTOR WHO (word marks, logos and devices), TARDIS, DALEKS, CYBERMAN and K-9 (wordmarks and devices) are trade marks of the British Broadcasting Corporation and are used Sample file under licence. BBC logo © BBC 1996. Doctor Who logo © BBC 2009. TARDIS image © BBC 1963. Dalek image © BBC/Terry Nation 1963.Cyberman image © BBC/Kit Pedler/Gerry Davis 1966. K-9 image © BBC/Bob Baker/Dave Martin 1977. Printed in the USA THE FIRST DOCTOR SOURCEBOOK THE FIRST DOCTOR SOURCEBOOK B CONTENTS CHAPTER ONE 4 CHAPTER SEVEN 89 Introduction 5 The Chase 90 Playing in the First Doctor Era 6 The Time Meddler 96 The Tardis 12 Galaxy Four 100 CHAPER TWO 14 CHAPTER EIGHT 104 An Unearthly Child 15 The Myth Makers 105 The Daleks 20 The Dalek’s Master Plan 109 The Edge of Destruction 26 The Massacre 121 CHAPTER THREE 28 CHAPTER NINE 123 Marco Polo 29 The Ark 124 The Keys of Marinus 35 The Celestial Toymaker 128 The -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
The Wall of Lies
The Wall of Lies Number 142 Newsletter established 1991, club formed June first 1980 The newsletter of the South Australian Doctor Who Fan Club Inc., also known as SFSA MFinal STATE Adelaide, May--June 2013 WEATHER: Cold, wet, some oxygen Free Austerity Budget for Rich, Evil by staff writers Australian budget mildly inconvenient for terrible people. The Tuesday 14 May 2013 federal Australian budget has upset miners, their friends and well wishers around the world. Miners have claimed $11 billion in tax breaks, largely for purchasing smaller companies who have spent on exploration. Across Europe, countries suffering severe austerity cuts have looked beyond their own suffering to reach out to the maggots unable to use this scam any more. In Cyprus a protest march of malnourished children wound its way through Nicosia, Greeks self immolated and an ensemble of Latvians showed solidarity by playing The Smallest Violins In The World. “Come on, what else are you going to do with the rocks? Leave them in the ground until someone who’s O ut willing to pay to dig them up comes along?” asked a t N An untended consequence of No bloated mining executive. ow the severe budget involves pets ! unable to afford faces. But then apparently choked on their own bile. BBC/ABC Divorce, Dr Who Love Child by staff writers BBC cancels ABC contract, Doctor Who excluded. News broke on 17 April 2013 via a joint BBC/Foxtel press release that BBC Worldwide (formerly BBC Enterprises) had decided to Chameleon Factor # 80 finish its output deal with the ABC when the current three year O contract expires mid-2014. -
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4. -
Vector 273 Worthen 2013-Fa BSFA
VECTOR 273 — AUTUMN 2013 Vector The critical journal of the British Science Fiction Association Best of 2012 Issue No. 273 Autumn 2013 £4.00 page 1 VECTOR 273 — AUTUMN 2013 Vector 273 The critical journal of the British Science Fiction Association ARTICLES Torque Control Vector Editorial by Shana Worthen ........................ 3 http://vectoreditors.wordpress.com BSFA Review: Best of 2012 Features, Editorial Shana Worthen Edited by Martin Lewis ................................ 4 and Letters: 127 Forest Road, Loughton, Essex IG10 1EF, UK [email protected] In Review: The Best of US Science Fiction Book Reviews: Martin Lewis Television, 2012 14 Antony House, Pembury Sophie Halliday ........................................... 10 Place, London E5 8GZ Production: Alex Bardy UK SF Television 2012: Dead things that [email protected] will not die Alison Page ..................................................12 British Science Fiction Association Ltd The BSFA was founded in 1958 and is a non-profitmaking organisation entirely staffed by unpaid volunteers. Registered in England. Limited 2012 in SF Audio by guarantee. Tony Jones ................................................... 15 BSFA Website www.bsfa.co.uk Company No. 921500 Susan Dexter: Fantasy Bestowed Registered address: 61 Ivycroft Road, Warton, Tamworth, Mike Barrett ................................................ 19 Staffordshire B79 0JJ President Stephen Baxter Vice President Jon Courtenay Grimwood RECURRENT Foundation Favourites: Andy Sawyer ... 24 Chair Ian Whates [email protected] Kincaid in Short: Paul Kincaid ................. 26 Treasurer Martin Potts Resonances: Stephen Baxter ................... 29 61 Ivy Croft Road, Warton, Nr. Tamworth B79 0JJ [email protected] THE BSFA REVIEW Membership Services Peter Wilkinson Inside The BSFA Review ............................ 33 Flat 4, Stratton Lodge, 79 Bulwer Rd, Barnet, Hertfordshire EN5 5EU Editorial by Martin Lewis........................... -
Meet the Cast on the All New Series of Doctor Who
Monday 23 October 2017 Meet the cast on the all new series of Doctor Who When Jodie Whittaker takes over as the thirteenth Doctor on the global hit show next year, she will be joined by an all new regular cast. BBC announces today that Bradley Walsh, Tosin Cole and Mandip Gill will line-up as the new regular cast on Doctor Who. Bradley will star as Graham, Tosin will play Ryan and Mandip will play Yasmin. Also joining the series in a returning role is Sharon D Clarke. New head writer and executive producer Chris Chibnall, who made the decision to cast the first ever woman in the iconic role, is also shaking up who will travel with the Doctor in the TARDIS, with a team of new characters. In more exclusive news, it is confirmed that the new series will be a ten-week run of fifty-minute episodes, kicking off with a feature length hour for the opening launch. Chris Chibnall says: “The new Doctor is going to need new friends. We’re thrilled to welcome Mandip, Tosin and Bradley to the Doctor Who family. They’re three of Britain’s brightest talents and we can’t wait to see them dive into brand new adventures with Jodie’s Doctor. Alongside them, we’re delighted that Sharon D Clarke is also joining the show." Jodie Whittaker says: "I am so excited to share this huge adventure with Mandip, Tosin and Bradley. It's a dream team!" Bradley Walsh says: “I remember watching William Hartnell as the first Doctor. -
Doctor Who's Feminine Mystique
Doctor Who’s Feminine Mystique: Examining the Politics of Gender in Doctor Who By Alyssa Franke Professor Sarah Houser, Department of Government, School of Public Affairs Professor Kimberly Cowell-Meyers, Department of Government, School of Public Affairs University Honors in Political Science American University Spring 2014 Abstract In The Feminine Mystique, Betty Friedan examined how fictional stories in women’s magazines helped craft a societal idea of femininity. Inspired by her work and the interplay between popular culture and gender norms, this paper examines the gender politics of Doctor Who and asks whether it subverts traditional gender stereotypes or whether it has a feminine mystique of its own. When Doctor Who returned to our TV screens in 2005, a new generation of women was given a new set of companions to look up to as role models and inspirations. Strong and clever, socially and sexually assertive, these women seemed to reject traditional stereotypical representations of femininity in favor of a new representation of femininity. But for all Doctor Who has done to subvert traditional gender stereotypes and provide a progressive representation of femininity, its story lines occasionally reproduce regressive discourses about the role of women that reinforce traditional gender stereotypes and ideologies about femininity. This paper explores how gender is represented and how norms are constructed through plot lines that punish and reward certain behaviors or choices by examining the narratives of the women Doctor Who’s titular protagonist interacts with. Ultimately, this paper finds that the show has in recent years promoted traits more in line with emphasized femininity, and that the narratives of the female companion’s have promoted and encouraged their return to domestic roles. -
Doctor Who: Time Warrior
His spaceship crippled in an interstellar battle, the Sontaran warrior, Linx, is forced to crash-land on earth. He arrives in the Middle Ages, a time too primitive to provide the technology he needs to repair his ship. Allying himself with the local robber chief, Linx uses his powers to ‘borrow’ scientists and equipment from twentieth-century earth. Doctor Who tracks down the missing scientists and journeys into the past to save them. But can he defeat the ruthless Linx and his savage human allies before the course of human history is changed forever? Distributed in the USA by Lyle Stuart Inc, 120 Enterprise Ave, Secaucus, New Jersey 07094 UK: £1 · 35 *Australia: $3 · 95 USA: $2 ·95 *Recommended Price Science Fiction/TV tie-in ISBN 0 426 20023 3 DOCTOR WHO AND THE TIME WARRIOR Based on the BBC television serial by Robert Holmes by arrangement with the British Broadcasting Corporation TERRANCE DICKS A Target Book published by the Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1978 by the Paperback Division of W. H. Allen & Co. Ltd. A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Terrance Dicks 1978 Original script copyright © Robert Holmes 1974 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1974, 1978 Printed in Great Britain by Anchor Brendon Ltd, Tiptree, Essex ISBN 0 426 20023 3 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Torchwood Doctor Who: Wicked Sisters Big Finish
ISSUE: 140 • OCTOBER 2020 WWW.BIGFINISH.COM THE TENTH DOCTOR AND RIVER SONG TOGETHER AGAIN, BUT IN WHAT ORDER? PLUS: BLAKE’S 7 | TORCHWOOD DOCTOR WHO: WICKED SISTERS BIG FINISH WE MAKE GREAT FULLCAST AUDIO WE LOVE STORIES! DRAMAS AND AUDIOBOOKS THAT ARE AVAILABLE TO BUY ON CD AND OR ABOUT BIG FINISH DOWNLOAD Our audio productions are based on much-loved TV series like Doctor Who, Torchwood, WWW.BIGFINISH.COM Dark Shadows, Blake’s 7, The @BIGFINISH Avengers, The Prisoner, The THEBIGFINISH Omega Factor, Terrahawks, Captain Scarlet, Space: BIGFINISHPROD 1999 and Survivors, as well BIG-FINISH as classics such as HG Wells, BIGFINISHPROD Shakespeare, Sherlock Holmes, The Phantom of the SUBSCRIPTIONS Opera and Dorian Gray. If you subscribe to our Doctor We also produce original BIG FINISH APP Who The Monthly Adventures creations such as Graceless, The majority of Big Finish range, you get free audiobooks, Charlotte Pollard and The releases can be accessed on- PDFs of scripts, extra behind- Adventures of Bernice the-go via the Big Finish App, the-scenes material, a bonus Summereld, plus the Big available for both Apple and release, downloadable audio Finish Originals range featuring Android devices. readings of new short stories seven great new series: ATA and discounts. Girl, Cicero, Jeremiah Bourne in Time, Shilling & Sixpence Secure online ordering and Investigate, Blind Terror, details of all our products can Transference and The Human be found at: bgfn.sh/aboutBF Frontier. BIG FINISH WELL, THIS is rather exciting, isn’t it, more fantastic THE DIARY OF adventures with the Tenth Doctor and River Song! For many years script editor Matt Fitton and I have both dreamed of RIVER SONG hearing stories like this. -
The Eighth Detective
Begin Reading Table of Contents About the Author Copyright Page Thank you for buying this Henry Holt and Company ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on the author, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. 1 SPAIN, 1930 The two suspects sat on mismatched furniture in the white and almost featureless lounge, waiting for something to happen. Between them an archway led to a slim, windowless staircase: a dim recess that seemed to dominate the room, like a fireplace grown to unreasonable proportions. The staircase changed direction at its midpoint, hiding the upper floor from view and giving the impression that it led up to darkness and nothing else. “It’s hell, just waiting here.” Megan was sitting to the right of the archway. “How long does a siesta normally take, anyway?” She walked over to the window. Outside, the Spanish countryside was an indistinct orange color. It looked uninhabitable in the heat. “An hour or two, but he’s been drinking.” Henry was sitting sideways in his chair, with his legs hooked over the arm and a guitar resting on his lap. -
ARTHUR AROHA KAMINSKI DA SILVA.Pdf
UNIVERSIDADE FEDERAL DO PARANÁ ARTHUR AROHA KAMINSKI DA SILVA UM OCEANO DE HESITAÇÕES: AS CONSTITUIÇÕES DO EU E DO FANTÁSTICO EM O OCEANO NO FIM DO CAMINHO DE NEIL GAIMAN. CURITIBA 2018 ARTHUR AROHA KAMINSKI DA SILVA UM OCEANO DE HESITAÇÕES: AS CONSTITUIÇÕES DO EU E DO FANTÁSTICO EM O OCEANO NO FIM DO CAMINHO DE NEIL GAIMAN. Dissertação apresentada ao Programa de Pós- Graduação em Letras, do Setor de Ciências Humanas da Universidade Federal do Paraná (PPGL/UFPR), como requisito parcial à obtenção do título de Mestre em Letras na área de Estudos Literários. Orientador: Prof. Dr. Alexandre André Nodari. CURITIBA 2018 FICHA CATALOGRÁFICA ELABORADA PELO SISTEMA DE BIBLIOTECAS/ UFPR COM OS DADOS FORNECIDOS PELO (A) AUTOR(A) BIBLIOTECA DE CIÊNCIAS HUMANAS BIBLIOTECÁRIO: RITA DE CÁSSIA ALVES DE SOUZA – CRB-9/ 816 Silva, Arthur Aroha Kaminski da. Um oceano de hesitações : as constituições do eu e do fantástico em O oceano no fim do caminho de Neil Gaiman / Arthur Aroha Kaminski da Silva. – Curitiba, 2018. 263 f. Dissertação (Mestrado) – Universidade Federal do Paraná. Setor de Ciências Humanas, Programa de Pós-Graduação em Letras. Orientador: Prof. Dr. Alexandre André Nodari. AGRADECIMENTOS Esta dissertação foi escrita em dois lugares, e consequentemente foi influenciada por diversas pessoas e seres aos quais devo agradecer. Uma primeira parte das ideias aqui contidas foi discutida e produzida nas cercanias de um edifício que frequento desde que tinha cinco anos, e ao qual, de tempos em tempos, sempre pareço voltar: a reitoria da UFPR, no centro de Curitiba, capital paranaense. Este curioso espaço, com seus numerosos e congelantes corredores de pedra, seus excêntricos frequentadores, suas inconfundíveis e intermináveis rampas, e seu aprazível pátio onde se praticam obscuros esportes, sempre se constituiu para mim como uma espécie de segunda casa, e eu posso afirmar, sem sombra de dúvidas, de que foi lá que, em grande medida, eu cresci.