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VORTEX Playing Mrs Constance Clarke
THE BIG FINISH MAGAZINE MARCH 2021 MARCH ISSUE 145 DOCTOR WHO: DALEK UNIVERSE THE TENTH DOCTOR IS BACK IN A BRAND NEW SERIES OF ADVENTURES… ALSO INSIDE TARA-RA BOOM-DE-AY! WWW.BIGFINISH.COM @BIGFINISH THEBIGFINISH @BIGFINISHPROD BIGFINISHPROD BIG-FINISH WE MAKE GREAT FULL-CAST AUDIO DRAMAS AND AUDIOBOOKS THAT ARE AVAILABLE TO BUY ON CD AND/OR DOWNLOAD WE LOVE STORIES Our audio productions are based on much-loved TV series like Doctor Who, Torchwood, Dark Shadows, Blake’s 7, The Avengers, The Prisoner, The Omega Factor, Terrahawks, Captain Scarlet, Space: 1999 and Survivors, as well as classics such as HG Wells, Shakespeare, Sherlock Holmes, The Phantom of the Opera and Dorian Gray. We also produce original creations such as Graceless, Charlotte Pollard and The Adventures of Bernice Summerfield, plus the THE BIG FINISH APP Big Finish Originals range featuring seven great new series: The majority of Big Finish releases ATA Girl, Cicero, Jeremiah Bourne in Time, Shilling & Sixpence can be accessed on-the-go via Investigate, Blind Terror, Transference and The Human Frontier. the Big Finish App, available for both Apple and Android devices. Secure online ordering and details of all our products can be found at: bgfn.sh/aboutBF EDITORIAL SINCE DOCTOR Who returned to our screens we’ve met many new companions, joining the rollercoaster ride that is life in the TARDIS. We all have our favourites but THE SIXTH DOCTOR ADVENTURES I’ve always been a huge fan of Rory Williams. He’s the most down-to-earth person we’ve met – a nurse in his day job – who gets dragged into the Doctor’s world THE ELEVEN through his relationship with Amelia Pond. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Download Just Choose the Ones I Can Afford and Take to Have Some Grasp of Whereabouts in the and Own – Any Big Finish Production
WWW.BIGFINISH.COM • NEW AUDIO ADVENTURES REUNITING THE REBELS IN WARSHIP WHAT’S IN STORE IN GALLIFREY V ISSUE 48 • FEBRUARY 2013 ANIMATING THE REIGN OF TERROR PLUS CHASE MASTERSON DISCUSSES VIENNA VORTEX MAGAZINE | PAGE 1 VORTEX MAGAZINE | PAGE 2 SNEAK PREVIEWS EDITORIAL AND WHISPERS ello! You were expecting Nick Briggs weren’t you? I’m H afraid he’s in a booth at the minute, hissing and growling. This is not a condition brought on by overwork… Oh no, he’s back in the armour of an Ice Warrior, acting away for the recording of Doctor Who – The Lost Stories: Lords of the Red Planet. The six-part story, which was originally devised by Brian Hayles for TV back in 1968, will be out on audio in November – and form another part of Big Finish’s massive fiftieth anniversary celebrations. And what celebrations they will be! As I write, we’re well into recording our multi-Doctor special The Light at the End, and it’s been a blast. Admittedly it’s been strange to DOCTOR WHO: THE LIGHT AT THE END see the Doctors in the studio at the same time. We’re so used to them being in separately, and suddenly they’re ‘We want something special from Big Finish for here together! But there’s been a real sense of this being the fiftieth anniversary,’ they said. a massive party – the green room chatter has been really We like a challenge, so we went to town jolly and vibrant. It’s so nice to see that all these actors love with this one – eight Doctors (yes, incarnations Doctor Who just as much as we do. -
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4. -
Doctor Who: the New Series: the Diary of River Song Pdf, Epub, Ebook
DOCTOR WHO: THE NEW SERIES: THE DIARY OF RIVER SONG PDF, EPUB, EBOOK Jenny T. Colgan, Justin Richards, James Goss, Matt Fitton, Ken Bentley, Howard Carter, Steve Foxton, Tom Webster, Alex Kingston, Paul McGann | none | 31 Mar 2016 | Big Finish Productions Ltd | 9781781789421 | English | Maidenhead, United Kingdom Doctor Who: The New Series: The Diary of River Song PDF Book Disc 2. Disc 1. Later, the Doctor returned the diary to River, telling her that all the writing had returned, but he hadn't peeked; foreknowledge is dangerous. They did I nice job with this temporally paradoxical mash-up. I think I'm addicted. The story is perfectly interesting, to begin with, but feels very disappointing by the end. This particular boxset takes place some time after her last on-screen adventure She's River, it's timey-wimey, who knows! River meeting earlier incarnations of her husband has almost become a running joke by this point. River is very sick and is being attended to by her husband. View all Our Sites. Has image. It is well worth listening to if you like River Song in any capacity plus 8 shows up in one of the adventures. Definitely one of the best things Big Finish did all year. Ghosts by Jonathan Morris is the final story in the set, bringing the Tenth Doctor and River Song together for one last time on the spooky planet of Demonese 2. Exactly this River I wanted to get to know better, space parties, ancient tombs, feminism, and cosmic freemasonry. That was so good. -
Emmy Nominated Transformers Rescue Bots Returns to Discovery Family Channel with Back-To-Back Premiere Episodes Beginning Saturday, April 23
FOR IMMEDIATE RELEASE April 7, 2016 CONTACT: Jared Albert, (347) 449-1085 [email protected] EMMY NOMINATED TRANSFORMERS RESCUE BOTS RETURNS TO DISCOVERY FAMILY CHANNEL WITH BACK-TO-BACK PREMIERE EPISODES BEGINNING SATURDAY, APRIL 23 – This Season, Celebrity Guest Stars Kristen Schaal and Alex Kingston Visit Griffin Rock and TRANSFORMERS RESCUE BOTS Celebrates its 100th Episode Milestone – (New York) – Power up, energize and roll to the rescue as the fourth season of TRANSFORMERS RESCUE BOTS premieres on Discovery Family Channel with back-to-back episodes on Saturday, April 23 at 8 AM ET/7 AM CT and 8:30 AM ET/7:30 AM CT. Additionally, the animated series will introduce new characters – the first-ever female Rescue Bot “Quickshadow” voiced by Alex Kingston (“ER”) and “Chickadee” voiced by Kristen Schaal (“Bob’s Burgers”). TRANSFORMERS RESCUE BOTS will also celebrate its 100th episode milestone this season. In the season four back-to-back premiere episodes “New Normal” and “Bridge Building,” the invasion of an evil alien race forces the Rescue Bots to reveal their true extraterrestrial identities to the citizens of Griffin Rock. But before the townspeople vote on whether to let the robots in disguise stay in their town, the Autobots are transported to the Sahara Desert and must band together with their human counterparts to get home safely. Throughout the action-packed season, the Bots work tirelessly on a new project, construction of the Mainland Training Center and continue to test the powerful “Groundbridge” portal that allows them to transport between their firehouse headquarters and training center. TRANSFORMERS RESCUE BOTS follows the adventures of four young Transformers and their human counterparts – a family of emergency responders with 12-year-old Cody Burns at the center. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
TORCHWOOD T I M E L I N E DRAMA I 2 K S 2 Sunday BBC3, Wednesday BBC2 ~*T0&> ' ""* Doctor Who Viewers Have Hear
DRAMA SundayI2KS BBC3,2 Wednesday BBC2 TORCHWOOD TIMELINE ~*t0&> ' ""* Doctor Who viewers have heard the name Torchwood before... 11 Jure 2005 In the series one episode It may be a Doctor Who spin-off, but Torchwood Sad Wolf, Torchwood is an is very much its own beast, says Russell T Davies answer on Weakest Link with Anne-droid (pictured above). % Jack's back. But he's changed - he's of course, their leader, and two of the other angrier. The last we saw of Captain actors have also appeared in Doctor Who: Eve 25 December 2005 Jack Harkness, at the tail end of the Myles, who played Victorian maid Gwyneth In The Christmas Invasion, Prime Minister Harriet Jones rejuvenated Doctor Who series one, he'd in The Unquiet Dead; and Naoko Mori continues reveals she knows about top- been exterminated by Daleks (see picture to play the role of Dr Toshiko Sato, last seen secret Torchwood - and orders below), been brought back to life and then examining a pig in a spacesuit in Aliens of London. it to destroy the Sycorax ship. abandoned by the Doctor to fend for himself. As you'll see from the cover and our profile on What does a flirtatious, sexy-beast Time Agent page 14, they're a glamorous bunch. Or, as 22 April 2006 from the 51 st century, understandably miffed at Myles puts it, "It's a very sexy world." In Tooth and Claw, set in being dumped, do next? Easy: he joins Torchwood. Their objective? Nothing less than keeping the Torchwood House, Queen Doctor Who fans - and there are a few - will world safe from alien threat. -
Plague of the Daleks Iris Wildthyme
ISSUE #10 DECEMBER 2009 FREE! NOT FOR RESALE PLAGUE OF THE DALEKS Susan Brown & Keith Barron take a trip to Stockbridge IRIS WILDTHYME Katy Manning and David Benson get into the Christmas spirit CYBERMAN 2 THERE IS NOTHING TO FEAR FROM MARK MCDONNELL & barnaby EDWARDS PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL THE BIG FINISH SALE Hello! This month’s editorial comes to you direct Now, this month, we have Sherlock Holmes: The from Chicago. I know it’s impossible to tell if that’s Death and Life, which has a really surreal quality true, but it is, honest! I’ve just got into my hotel to it. Conan Doyle actually comes to blows with Prices slashed from 1st December 2009 until 9th January 2010 room and before I’m dragged off to meet and his characters. Brilliant stuff by Holmes expert greet lovely fans at the Doctor Who convention and author David Stuart Davies. going on here (Chicago TARDIS, of course), I And as for Rob’s book... well, you may notice on thought I’d better write this. One of the main the back cover that we’ll be launching it to the public reasons we’re here is to promote our Sherlock at an open event on December 19th, at the Corner Holmes range and Rob Shearman’s book Love Store in London, near Covent Garden. The book will Songs for the Shy and Cynical. Have you bought be on sale and Rob will be signing and giving a either of those yet? Come on, there’s no excuse! couple of readings too. -
THE TWO JACKS! We Bring You EXCLUSIVE Interviews with JOHN and CAROLE BARROWMAN and the Real Captain Jack, MATT RIPPY!
Issue Seven Hey folks? You miss me? THE TWO JACKS! We bring you EXCLUSIVE interviews with JOHN AND CAROLE BARROWMAN and the real Captain Jack, MATT RIPPY! PLUS! We talk to Trevor Baxendale about his Torchwood novels! EDITORIAL CONTENTS “Hey Jack: is that a missile in your 4-5: Inside the Hub- All the latest Torchwood news pocket or are you just pleased to see me?” 6-11: TORCHWOOD TALES: The Barrowmans Welcome to one of the most exciting 12-13: A Salute to Jack issues of The Hub I’ve ever produced. Firstly, apologies we did not release on the previously ad- vertised date of 1st September. I have been in Devon for a week and didn’t get as 14-17: TORCHWOOD TALES: Matt Rippy much time to edit as I thought. It probably didn’t help I purchased “The Walking Dead Season Two” on DVD… And the large amount of reading 18-21: Episode Guide: Captain Jack Harkness The Hub Issue Seven I had for some Sixth Form courses I’m taking… Editor (Captain Jack): Matt Powell Assistant Producers (Gwen and Ianto): 22-28: Fiction: 21st January. 1941 This issue has been such fun to produce and it all started with the Bar- Louise Mills, Debs Forrest Copy Editor: Lisa Moran rowman’s interview. I remember the night when I had Debs email me saying she’d got them. We were over the moon. I couldn’t believe that we’d 30-37: Trevor Baxendale Article Writers: got them at first! Jack is a character we all love and adore. -
STATION NULL STATION NULL Unser Besonderer Dank Geht an Russell T
JOHN BARROWMAN • CAROLE BARROWMAN NEIL EDWARDS • NICOLA RIGHI STATION NULL STATION NULL Unser besonderer Dank geht an Russell T. Davies, James Goss, Scott Handcock, dem Team von Big Finish, Mandy Thwaites, Edward Russell, Derek Ritchie, Kirsty Mullan, Kate Bush und Ed Casey für ihre große Hilfe Die deutsche Ausgabe von TORCHWOOD 2 – Station Null wird von der Panini Verlags GmbH herausgegeben, Rotebühlstr. 87, 70178 Stuttgart. Geschäftsleitung: Hermann Paul; Head of Editorial: Jo Löffler (v.i.S.d.P.); Redaktion: Steffen Volkmer (verantw.), Rebecca Haar; Übersetzung: Claudia Kern; Head of Marketing: Holger Wiest; Marketing & Kooperationen: Rebecca Haar (E-Mail: [email protected]); Produktion: Sanja Ancic; Grafik & Lettering: LetterFactory · Michael Beck; Druck: Printed in Italy; Anzeigen: BLAUFEUER VERLAGSVERTRETUNGEN GmbH, [email protected]. Es gilt die Anzeigenpreisliste Nr. 14 vom 01.10.2016, Vertriebsservice: stella distribution, Hamburg, Fax: 040/808053050. Presse & PR: Steffen Volkmer. ISBN 978-3-74160-448-5. 1. Auflage, Oktober 2017 Digitale Ausgaben: 978-3-7367-3485-2 (PDF), 978-3-7367-3486-9 (EPUB), 978-3-7367-3487-6 (MOBI) Diese Ausgabe enthält die englischen Originalausgaben Torchwood #5 - #8. Torchwood is a BBC Worldwide Production for the BBC. Executive Producers: Russell T. Davies, Julie Gardner, and Jane Tranter. Original series created by Russell T. Davies, and developed and produced by BBC Cymru Wales. BBC, ‘TORCHWOOD’ and the Torchwood word marks, logos and devices are trademarks of the British Broadcasting Corporation and are used under license. BBC logo © BBC 1996. All rights reserved. The Ice Maiden and its designated crewmembers are © John Barrowman and Carole E. Barrowman 2012, as originated in the Torchwood novel ‘The Exodus Code.’ With the exception of artwork used for review purposes, no portion of this book may be reproduced or transmitted in any form or by any means, without the express permission of the publisher Titan Comics or the BBC. -
Doctor Who's Feminine Mystique
Doctor Who’s Feminine Mystique: Examining the Politics of Gender in Doctor Who By Alyssa Franke Professor Sarah Houser, Department of Government, School of Public Affairs Professor Kimberly Cowell-Meyers, Department of Government, School of Public Affairs University Honors in Political Science American University Spring 2014 Abstract In The Feminine Mystique, Betty Friedan examined how fictional stories in women’s magazines helped craft a societal idea of femininity. Inspired by her work and the interplay between popular culture and gender norms, this paper examines the gender politics of Doctor Who and asks whether it subverts traditional gender stereotypes or whether it has a feminine mystique of its own. When Doctor Who returned to our TV screens in 2005, a new generation of women was given a new set of companions to look up to as role models and inspirations. Strong and clever, socially and sexually assertive, these women seemed to reject traditional stereotypical representations of femininity in favor of a new representation of femininity. But for all Doctor Who has done to subvert traditional gender stereotypes and provide a progressive representation of femininity, its story lines occasionally reproduce regressive discourses about the role of women that reinforce traditional gender stereotypes and ideologies about femininity. This paper explores how gender is represented and how norms are constructed through plot lines that punish and reward certain behaviors or choices by examining the narratives of the women Doctor Who’s titular protagonist interacts with. Ultimately, this paper finds that the show has in recent years promoted traits more in line with emphasized femininity, and that the narratives of the female companion’s have promoted and encouraged their return to domestic roles.