Thomas Card Camera Collection MS 58 00 Camera ABSTRACT: This Camera Collection Was Donated by the Late Colonel Thomas B
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'Ex-Lexes' Cherished Time on Hawaiian Room's Stage POSTED: 01:30 A.M
http://www.staradvertiser.com/businesspremium/20120622__ExLexes_cherished_time_on_Hawaiian_Rooms_stage.html?id=159968985 'Ex-Lexes' cherished time on Hawaiian Room's stage POSTED: 01:30 a.m. HST, Jun 22, 2012 StarAdvertiser.com Last week, we looked at the Hawaiian Room at the Lexington Hotel in New York City, which opened 75 years ago this week in 1937. The room was lush with palm trees, bamboo, tapa, coconuts and even sported a periodic tropical rainstorm, said Greg Traynor, who visited with his family in 1940. The Hawaiian entertainers were the best in the world. The Hawaiian Room was so successful it created a wave of South Seas bars and restaurants that swept the country after World War II. In this column, we'll hear from some of the women who sang and danced there. They call themselves Ex-Lexes. courtesy Mona Joy Lum, Hula Preservation Society / 1957Some of the singers and dancers at the Hawaiian Room in the Lexington Hotel. The women relished the opportunity to "Singing at the Hawaiian Room was the high point of my life," perform on such a marquee stage. said soprano Mona Joy Lum. "I told my mother, if I could sing on a big stage in New York, I would be happy. And I got to do that." Lum said the Hawaiian Room was filled every night. "It could hold about 150 patrons. There were two shows a night and the club was open until 2 a.m. I worked an hour a day and was paid $150 a week (about $1,200 a week today). It was wonderful. -
Still Photography
Still Photography Soumik Mitra, Published by - Jharkhand Rai University Subject: STILL PHOTOGRAPHY Credits: 4 SYLLABUS Introduction to Photography Beginning of Photography; People who shaped up Photography. Camera; Lenses & Accessories - I What a Camera; Types of Camera; TLR; APS & Digital Cameras; Single-Lens Reflex Cameras. Camera; Lenses & Accessories - II Photographic Lenses; Using Different Lenses; Filters. Exposure & Light Understanding Exposure; Exposure in Practical Use. Photogram Introduction; Making Photogram. Darkroom Practice Introduction to Basic Printing; Photographic Papers; Chemicals for Printing. Suggested Readings: 1. Still Photography: the Problematic Model, Lew Thomas, Peter D'Agostino, NFS Press. 2. Images of Information: Still Photography in the Social Sciences, Jon Wagner, 3. Photographic Tools for Teachers: Still Photography, Roy A. Frye. Introduction to Photography STILL PHOTOGRAPHY Course Descriptions The department of Photography at the IFT offers a provocative and experimental curriculum in the setting of a large, diversified university. As one of the pioneers programs of graduate and undergraduate study in photography in the India , we aim at providing the best to our students to help them relate practical studies in art & craft in professional context. The Photography program combines the teaching of craft, history, and contemporary ideas with the critical examination of conventional forms of art making. The curriculum at IFT is designed to give students the technical training and aesthetic awareness to develop a strong individual expression as an artist. The faculty represents a broad range of interests and aesthetics, with course offerings often reflecting their individual passions and concerns. In this fundamental course, students will identify basic photographic tools and their intended purposes, including the proper use of various camera systems, light meters and film selection. -
The Photographic Revolution Back in 1877 a 23 -Year-Old Bank Clerk, George Eastman, Took up Photography As a Hobby
the photographic revolution Back in 1877 a 23 -year-old bank clerk, George Eastman, took up photography as a hobby. Like all picturetakers of his time, he carried a huge camera and tripod, chemicals, a tent for a darkroom, and other equipment. He had to make a "wet plate" by coating a light-sensitive emulsion on a piece of glass immediately before he exposed it. Picturetaking at that time was hard work, but Eastman felt it could be made easier and more fun. After many experiments in his mother's kitchen, he found a way to mass- produce photographic dry plates, and in 1880 he started to make them com mercially in a rented loft in the downtown section of Rochester, N. Y . In 1884 Eastman introduced a paper-base "film," and in 1888, the No.1 Kodak Camera - the small box camera which simplified photography so that anyone could take pictures. Eastman himself coined the trademark "Kodak" and the famous advertising slogan "You press the button, we do the rest." The Kodak camera caught on quickly, and the company sold over 100,000 of them in the first eight years. Today, some 52 million Americans take more Picturetaking in the days before Kodak cameras. than two billion snapshots each year. Picture taking has become America's number- one hobby. 2 © 1962 Eastman Kodak Company -I.. .. 1 I ~ , The No. 1 Kodak The first Folding New styling was fea· The popular Brownie Camera of 1888 sim· Brownie Camera was tured in Baby Brown Starflash Camera was plified photography. offered in 1904. -
Photo History Newsletters • Vol
THE AMALGAMATED PHOTO HISTORY NEWSLETTERS • VOL. 2-2 2021 We hope that the Covid pandemic soon passes away so we can get back to normal with regular meetings and events. In the interim here are addi- tional newsletters to keeping you read- ing. Please enjoy. Ken Metcalf of the Graflex Journal has another interesting issue which should entertain you well. Another fine newsletter comes from The Western Canada Photographic Historical Association in British Colum- bia with some fine reading content. Permissions granted: Graflex Journal– Ken Melcalf The Western Canada Photographic Historical Association– Tom Parkinsion SHARING INFORMATION ABOUT GRAFLEX AND THEIR CAMERAS ISSUE 3 2020 FEATURES some leather that was a good match. Thickness was right, color was good, and the pebble grain was close National Graflex Gets a New Coat by Paul S. Lewis……..….....….....….1 enough. So, I had them send me a large sheet; 12x17. Camera Group - Roger Beck………….…….………...….…..…………....2 Having a good supply would allow for some mistakes Viewing Wild Animals at Night by William V. Ward …….…...…………..4 and assure me that there would be enough length and Hold It! Part 1 by Ken Metcalf.……………….…………….…………….....5 width to cover the missing panels with one complete Graflex Patents by Joel Havens….…..………………...…………….…...12 piece. The source I used was Cameraleather ([email protected]). I did just check with them to be sure similar material is available. The report is that although the material is available, supply is limited. So, with material and camera in hand, the next step Ed: Mr. Lewis is a Graflex Journal subscriber and author was to get the new cover panels cut out and attached. -
Kodak Movie News; Vol. 3, No. 1; Jan
VOLUME 3, NUMBER 1 JANUARY-FEBRUARY 1955 lntroducing in HERE's a new program on TV Peepers ... a nd Jamie. He also has to his T whichyou willwant to see! Forwethink credit the first Alan Young Show, Operation you will not only delight in "Norb.y" as a Airlift, October Story, and others. Before show, but will also welcome the Iast-minute these TV successes, his unusual talent was news of photo products and developments apparent in Walt Disney's Pinocchio, Peter which the program will bring you-in full Pan, Snow White, and many other films. TV color, if you're equipped to receive it Dave Swift has a deft and sure tauch audi- or in regular black-and-white, as most ences recognize and appreciate. folks will see it. He thinks "Norby" will be the best thing "Norby" is Kodak's first venture jnto he has dorre. So do we. TV. For years we've sought the right ve- "Norby" hicle. Here's why we think you'll like the The story result : The play is named after its leading.character, "Norby" is created, directed, a:nd pro- Pearson Norby, who, in the first show, becomes duced by David Swift. There are two other vice-president in charge of smail loans of the current TV hits, born of his active and per- ceptive mind, you probably know. Mr. Every week on NBC-TV Your family will Iove the NORBY family! Evan Elliot, as Hank Norby, , , Joan Lorring, as Helen Norby . .. Susan Halloran, as Dianne . and David Wayne, as Pearson Norhy First National Bank of Pearl River. -
Eastman Business Park Site Newsletter
Eastman Business Park Site Newsletter Issue 3 Letter from Mike Alt Letter from Arline Liberti Director, Manager, Kodak Fall 2010 Eastman Business Park Rochester Facilities I’ve now been the Director of Eastman Amid all the change and challenge that Business Park (EBP) for five months and surrounds us today in our business world, during this time have had the opportu- the Kodak Rochester Facilities (KRF) mis- nity to meet most of our tenants. sion of creating value in the delivery and Shortly, with the arrival of our three quality of service to our tenants remains Cody Gate Companies, there will be 30 at the core of everything we do. We are tenants at EBP. excited about the new prospects resulting I have spent most of my time networking from Mike’s efforts to attract new tenants externally, focusing on understanding to the site, and are also pleased to share what we need to do to attract new busi- with you a number of improvement initia- nesses and tenants. I’ve attended over tives that will create greater sustainability 10 events, spoke at a NYS Economic De- in support of your business operations on velopment Conference, and hosted at EBP site. more than 20 tours. My learning’s from networking were applied to the develop- 43 Boiler Tube Replacement – On Sep- ment of a strategy for our future busi- tember 12, 2009, the site experienced a ness development. major steam and electric shutdown due to a tube failure on 43 boiler and subsequent Here are the key elements: www.eastmanbusinesspark.com shutdown of other operating boilers. -
My Mother's Camera
Manning 1 Pam Manning Marydorsey Wanless Retro Camera Seminar AR399 F April 10, 2011 My Mother’s Camera The Kodak Brownie camera has a long history with the Eastman Kodak company which began in February 1900 with the introduction of a very basic cardboard box camera with a simple lens that took 2¼ inch square pictures and cost only $1. The Brownie introduced the concept of snapshot photography and was intended to introduce photography to everyone, not just professional photographers (Kodak). What is considered one of the greatest slogans in advertising history, “You push the button, we do the rest” reinforced the simplicity of the Brownie camera (American Heritage). Designed and marketed for children, the Brownie camera was named after popular characters created by Palmer Cox, a children’s author and illustrator. Cox was the Walt Disney of his day. His Brownie characters were as well known in the 1880’s as Mickey Mouse is today (Kodak). Like Disney’s characters, Cox’s Brownies often appeared in ads. They helped sell everything from candies to cigars, coffee to ice cream, and even painkillers. Brownie dolls, games, puzzles, and trading cards were eagerly sought. And so was the Brownie camera, far beyond anyone’s expectations (Kodak). My history with the Kodak Brownie began when my mother took my picture with her Kodak Brownie Hawkeye. She would direct me to stand in a certain pose or perform a certain task. When she was happy with what she saw she would then back away from me, hold the camera about waist height, look down into the viewfinder and click. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Basic View Camera
PROFICIENCY REQUIRED Operating Guide for MEDIA LOAN CALUMET 4X5 VIEW CAMERA Media Loan Operating Guides are available online at www.evergreen.edu/medialoan/ View cameras are usually tripod mounted and lend When checking out a 4x5 camera from Media Loan, themselves to a more contemplative style than the more patrons will need to obtain a tripod, a light meter, one portable 35mm and 2 1/4 formats. The Calumet 4x5 or both types of film holders, and a changing bag for Standard model view camera is a lightweight, portable sheet film loading. Each sheet holder can be loaded tool that produces superior, fine grained images because with two sheets of film, a process that must be done in of its large format and ability to adjust for a minimum of total darkness. The Polaroid holders can only be loaded image distortion. with one sheet of film at a time, but each sheet is light Media Loan's 4x5 cameras come equipped with a 150mm protected. lens which is a slightly wider angle than normal. It allows for a 44 degree angle of view, while the normal 165mm lens allows for a 40 degree angle of view. Although the controls on each of Media Loan's 4x5 lens may vary in terms of placement and style, the functions remain the same. Some of the lenses have an additional setting for strobe flash or flashbulb use. On these lenses, use the X setting for use with a strobe flash (It’s crucial for the setting to remain on X while using the studio) and the M setting for use with a flashbulb (Media Loan does not support flashbulbs). -
EXPENDITURE REPORT Page:1 April 1, 2020 to September 30, 2020 SENATOR JOSEPH P
NEW YORK STATE SENATE EXPENDITURE REPORT Page:1 April 1, 2020 to September 30, 2020 SENATOR JOSEPH P. ADDABBO, JR. DEPUTY MAJORITY WHIP OF THE SENATE CHAIR OF RACING, GAMING AND WAGERING COMMITTEE PERSONAL SERVICE EXPENDITURES MEMBER EXPENDITURES Dates Of Service Title Pay Type Amount ADDABBO JR, JOSEPH P 03/19/20 - 09/30/20 MEMBER RA $59,230.78 STAFF EXPENDITURES Employee Dates Of Service Title Pay Type Amount CASSIDY, SHANNA M 03/05/20 - 09/16/20 COMMITTEE DIR & SR. LEGISLATIVE ASST SA $32,307.80 CLARK, VICTORIA L 03/05/20 - 09/16/20 LEGISLATIVE DIRECTOR RA $42,000.00 D'ANGELO, JOHN G 03/05/20 - 09/16/20 CONSTITUENT LIAISON RA $22,615.46 DELLANNO, THOMAS A 03/05/20 - 09/16/20 ASSISTANT COMMUNITY LIAISON SA $5,710.46 DEWEESE, KELLY C 03/05/20 - 09/16/20 DEPUTY DIRECTOR OF COMMUNICATIONS RA $35,538.58 DOREMUS, SANDEE 03/05/20 - 09/16/20 COMMUNITY LIAISON RA $22,677.91 GIANNELLI, NEIL C 03/05/20 - 09/16/20 CHIEF OF STAFF RA $35,865.34 GIUDICE, ANTHONY 03/05/20 - 09/16/20 PRESS SECRETARY/SPECIAL EVENTS COORD RA $23,961.56 GRECH, EVA 03/05/20 - 09/16/20 COMMUNITY LIAISON RA $18,389.48 KASH, JANET K 02/21/20 - 08/19/20 COMMUNICATIONS DIRECTOR TE $4,500.00 MOORE, CARL V 03/05/20 - 09/16/20 CONSTITUENT LIAISON RA $24,500.00 PORTH, KRISTI D 03/05/20 - 09/16/20 SCHEDULER RA $23,961.56 SPELLMAN, SARAH E 03/05/20 - 09/16/20 OFFICE MANAGER - MIDDLE VILLAGE RA $25,785.34 GENERAL EXPENDITURES MAINTENANCE & OPERATIONS EXPENDITURES Check Date Voucher# Vendor Description Amount 04/17/20 51071 OFFICE OF GENERAL SERVICES D.O. -
Calumet's Digital Guide to View Camera Movements
Calumet’sCalumet’s DigitalDigital GuideGuide ToTo ViewView CameraCamera MovementsMovements Copyright 2002 by Calumet Photographic Duplication is prohibited under law Calumet Photographic Chicago IL. Copies may be obtained by contacting Richard Newman @ [email protected] What you can expect to find inside 9 Types of view cameras 9 Necessary accessories 9 An overview of view camera lens requirements 9 Basic view camera movements 9 The Scheimpflug Rule 9 View camera movements demonstrated 9 Creative options There are two Basic types of View Cameras • Standard “Rail” type view camera advantages: 9 Maximum flexibility for final image control 9 Largest selection of accessories • Field or press camera advantages: 9 Portability while maintaining final image control 9 Weight Useful and necessary Accessories 9 An off camera meter, either an ambient or spot meter. 9 A loupe to focus the image on the ground glass. 9 A cable release to activate the shutter on the lens. 9 Film holders for traditional 4x5 film holder image capture. 9 A Polaroid back for traditional test exposures, to check focus or final art. VIEW CAMERA LENSES ARE DIVIDED INTO THREE GROUPS, WIDE ANGLE, NORMAL AND TELEPHOTO WIDE ANGLES LENSES WOULD BE FROM 38MM-120MM FOCAL LENGTHS FROM 135-240 WOULD BE CONSIDERED NORMAL TELEPHOTOS COULD RANGE FROM 270MM-720MM FOR PRACTICAL PURPOSES THE FOCAL LENGTHS DISCUSSED ARE FOR 4X5” FORMAT Image circle- The black lines are the lens with no tilt and the red lines show the change in lens coverage with the lens tilted. If you look at the film plane, you can see that the tilted lens does not cover the film plane, the image circle of the lens is too small with a tilt applied to the camera. -
Features of Mamiya RB 67
INSTRUCTIONS Congratulations on your pur chase of a Mamiya RB67 camera. Reading this manual carefully before· hand will ensure correct camera opera· tion and eliminate any possibility of malfunction. The Mamiya RB67 camera is part of a 'unique camera system, developed by the Mamiya Camera Company, the re· cognized world leader in large format photography. It takes its place alongside the famous Mamiya C Professional and the Mamiya Press cameras. The versatility of the Mamiya RB67, embodying fine performance and various capabilities, results in a large format camera that meets and satisfies all the requirements of the advanced amateur as weil as the professional photographer. Its interlocking use of many Mamiya Press camera accessories further widens its range of photographic application. • Special Pointers in Using the Mamiya RB 67 Under any of the following conditions the cameras safety interlock mechanism will engage. This may seem to be a ca me ra malfunction. A few of these conditions are listed below. The page in the instruction manual covering these situations is indicated in parenthesis. Condition: Shutter release button will not release. 1. When the mirror is up: Press the shutter cocking lever (pg. 12). 2 . When the dark slide is not pulled out: Pull out the dark slide (pg. 18). 3 . When the shutter release button is locked: Turn the shutter release lock ring counterclockwise (pg. 12). 4 . When the revolving adapter is not turned fully to the click stop position: Turn the revolving adapter a full 90° until it clicks and stops (pg. 14). 5 . When the slide lock is stopped halfway:.