12 Films De Répertoire Italiens Dont Trois Ressorties En Avant-Première

Total Page:16

File Type:pdf, Size:1020Kb

12 Films De Répertoire Italiens Dont Trois Ressorties En Avant-Première “E VOGA IL CINEMA” 12 FILMS DE RÉPERTOIRE ITALIENS DONT TROIS RESSORTIES EN AVANT-PREMIÈRE CINÉMA LE LOUXOR 170 Boulevard de Magenta, 75010 Paris M° : Barbès-Rochechouart www.cinemalouxor.fr PAUVRES MAIS BEAUX DINO RISI, 1956, 1h41 Avec Marisa Allasio, Renato Salvatori, Maurizio Arena L'amitié entre Romolo et Salvatore est mise à rude épreuve lorsqu'ils tombent amoureux de la même femme, Giovanna. Mer 26/07, Ven 28/07, Dim 30/07 : 14h Jeu 27/07 : 22h BELLES MAIS PAUVRES DINO RISI, 1957, 1h38 Avec Marisa Allasio, Renato Salvatori, Maurizio Arena Romolo et Salvatore sont fiancés à Anna Maria et Marisa et comptent bien les épouser. Mais l'amour ne suffit pas pour se marier, ils doivent également pouvoir subvenir aux besoins de la famille. Mais ni l'un ni l'autre ne travaille, ils se sont alors inscrits à une école, mais seul Romolo réussit. (Sous réserve) LE PIGEON MARIO MONICELLI, 1958, 1h51 Avec Vittorio Gassman, Renato Salvatori Peppe, un ancien boxeur, organise le casse d'un mont-de-piété en compagnie d'un photographe au chômage, d'un petit receleur, d'un ancien jockey... Un cambrioleur à la retraite leur sert de conseiller technique. Mer 26/07, Dim 30/07 : 19h45 Ven 28/07 : 18h Sam 29/07 : 14h Lun 31/07 : 20h PAUVRES MILLIONNAIRES DINO RISI, 1959, 1h41 Avec Maurizio Arena, Renato Salvatori, Lorella de Luca Romolo, Salvatore, Annamaria et Marisa, en voyage de noces, doivent rejoindre Florence. Mais une série d'incidents les bloque à Rome, dans un appartement sans fenêtres. Mer 26/07, Dim 30/07 : 18h Jeu 27/07, Ven 28/07 : 16h Sam 29/07 : 22h Lun 31/07 : 11h Mar 01/08 : 21h45 I MAGLIARI FRANCESCO ROSI, 1959, 1h51 Avec Renato Salvatori, Alberto Sordi, Belinda Lee AVANT-PREMIÈRE Mario, jeune immigré italien en Allemagne, perd son travail et devient un magliaro, soit un vendeur ambulant de tissus et de vêtements de provenance plus ou moins douteuse. Jeu 27/07 : 20h ADUA ET SES COMPAGNES ANTONIO PIETRANGELI, 1960, 1h48 Avec Simone Signoret, Sandra Milo AVANT-PREMIÈRE Après que leur maison close ait été fermée, quatre prostituées s’établissent à leur compte en ouvrant un restaurant. Mais une de leurs anciennes relations, un homme du milieu, se manifeste bientôt pour les faire travailler sous sa coupe… Lun 07/08 : 20h IL MATTATORE (L’ HOMME AUX CENT VISAGES) DINO RISI, 1960, 1h38 Avec Vittorio Gassman, Dorian Gray Gerardo est marié et vit bourgeoisement. Un homme sonne à la porte de l'appartement pour tenter une escroquerie, mais Gerardo connait les ficelles du métier. Après l'avoir démasqué, il raconte son parcours à l'inconnu : comment d'acteur, il devint un escroc fameux, montant des coups de plus en plus audacieux... Mer 26/07, Dim 30/07 : 11h Sam 29/07, Mar 01/08 : 20h Lun 31/07 : 22h IL POSTO ERMANNO OLMI, 1961, 1h33 Avec Alessandro Panseri, Loredana Detto Un fils d'ouvrier de la province lombarde passe le concours d'entrée d'une grande entreprise milanaise. Garçon de courses, puis aide-concierge, il prend ensuite, à la faveur du décès de son titulaire, un obscur poste d'employé de bureau. Mer 26/07, Dim 30/07 : 16h Ven 28/07 : 22h Sam 29/07 : 18h15 Lun 31/07 : 16h10 JE LA CONNAISSAIS BIEN ANTONIO PIETRANGELI, 1965, 1h37 Avec Stefania Sandrelli, Jean-Claude Brialy Adriana est une jolie provinciale qui rêve de devenir actrice. Elle quitte son village natal pour faire carrière à Rome. Légère et candide, la jeune fille multiplie les aventures et les emplois en quête d’un rôle. Jeu 27/07 : 14h Ven 28/07 : 20h Sam 29/07 : 11h Lun 31/07 : 18h LE CONFORMISTE BERNARDO BERTOLLUCI, 1971, 1h51 Avec Jean-Louis Trintignant, Stefania Sandrelli Depuis son enfance, Marcello est obsédé par un crime qu'il croit avoir commis. En quête obsessionnelle de rachat, il s’efforce de rentrer dans le rang. Il épouse Giulia, une jeune bourgeoise naïve. Fasciste par conformisme, il est envoyé par les services secrets de Mussolini en mission en France pour approcher et supprimer son ancien professeur de philosophie en exil qui lutte au sein d’un groupe de résistance antifasciste. Mer 26/07, Dim 30/07 : 21h45 Jeu 28/07, Mar 01/08 : 18h Ven 28/07 : 11h Lun 31/07 : 14h LA PROPRIÉTÉ C’EST PLUS LE VOL ELIO PETRI, 1973, 2h05 Avec Flavio Bucci, Ugo Tognazzi, Daria Nicolodi Total (Flavio Bucci) est un modeste employé de banque. Son problème : l'argent le dégoute, et son contact provoque chez lui des démangeaisons. Il quitte son emploi et décide de prendre pour cible, celui qui pour lui représente le propriétaire par excellence, un boucher (Ugo Tognazzi). Jeu 27/07 : 11h Sam 29/07 : 16h Mar 01/08 : 14h GINGER ET FRED FEDERICO FELLINI, 1986, 2h Avec Marcello Mastroianni, Giulietta Masina AVANT-PREMIÈRE Ginger et Fred, deux anciens danseurs de claquettes qui formaient un duo célèbre dans les années 1940, remontent sur scène au beau milieu des années 1980 dans le cadre d'une rétrospective organisée pour une émission de télévision. Seulement, les temps ont changé et la féerie du spectacle a laissé place à l'éphémère du monde publicitaire. Sam 05/08 : 20h RÉSERVATION EN CAISSE DU CINÉMA ET SUR WWW.CINEMALOUXOR.FR.
Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
    WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P.
    [Show full text]
  • Federico Fellini and the Experience of the Grotesque and Carnavalesque – Dis-Covering the Magic of Mass Culture 2013
    Repositorium für die Medienwissenschaft Annie van den Oever Federico Fellini and the experience of the grotesque and carnavalesque – Dis-covering the magic of mass culture 2013 https://doi.org/10.25969/mediarep/15114 Veröffentlichungsversion / published version Rezension / review Empfohlene Zitierung / Suggested Citation: van den Oever, Annie: Federico Fellini and the experience of the grotesque and carnavalesque – Dis-covering the magic of mass culture. In: NECSUS. European Journal of Media Studies, Jg. 2 (2013), Nr. 2, S. 606– 615. DOI: https://doi.org/10.25969/mediarep/15114. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5117/NECSUS2013.2.VAND Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 Attribution - Non Commercial - No Derivatives 4.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0 NECSUS – EUROPEAN JOURNAL OF MEDIA STUDIES About the author Francesco Di Chiara (University of Ferrara) 2013 Di Chiara / Amsterdam University Press. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http:// creativecommons.org/licenses/by/2.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly
    [Show full text]
  • Study Guide: the Elderquest in Today’S Movies and Novels
    THE ElderquestIN TODAY'S MOVIES AND NOVELS A Study Guide Developed by the Osher Lifelong Learning Institute (OLLI) At the University of Massachusetts Boston Funded in part by a grant from The National Endowment for the Humanities Visit Our Website: www.olli.umb.edu\elderquest © Copyright, 2006, the Gerontology Institute, John W. McCormack Graduate School of Policy Studies, University of Massachusetts Boston. Gerontology Institute University of Massachusetts Boston 100 Morrissey Blvd. Boston, MA 02125-3393 Call: (617) 287-7300; fax: (617) 287-7080 e-mail: [email protected] Gerontology Institute website: http://www.geront.umb.edu/ Osher Life Long Learning Institute website: http://www.olli.umb.edu Study Guide: The Elderquest in Today’s Movies and Novels Introduction For Facilitators and Discussion Leaders The background information and many of the questions for discussion contained in this study guide seemed essential since the Elderquest, its history, its nature, and its implications are such new subjects, ones that have been researched, developed, and tested by Chuck Nicholas and the other members of the project staff. The insistence that all facilitators have doctorates in the humanities is, on the other hand, a requirement that the National Endowment for the Humanities builds into all its educational program grants. Some of you have had to ask for exceptions to this requirement, and in all instances, we have approved these exceptions because you have come up with people who are both experienced teachers and also have a special interest in film, literature, and/or aging. In short, we are fully confident that you will all do an excellent job introducing your students to this new, timely, entertaining and yet extremely important subject, one that promises to have a direct personal impact on its participants.
    [Show full text]
  • Un Film De Federico Fellini
    Les Acacias présentent LA STRADA UN FILM DE FEDERICO FELLINI AU CINÉMA LE 28 NOVEMBRE 2018 DISTRIBUTION PRESSE LES ACACIAS ETIENNE LERBRET 63 rue de Ponthieu 36 rue de Ponthieu 75008 Paris 75008 Paris Tél. 01 56 69 29 30 Tél. : 01 53 75 17 07 [email protected] [email protected] Dossier de presse et photos téléchargeables sur www.acaciasfilms.com SYNOPSIS Gelsomina, une jeune femme naïve et généreuse, a été vendue par sa mère à un bateleur de foire brutal et obtus, Zampano, qui présente un numéro de briseur de chaînes sur les places publiques. À bord d’un étrange équipage – une moto à trois roues aménagée en roulotte – le couple sillonne les routes d’Italie, menant la rude vie des forains. Surgit Il Matto (le fou), violoniste et poète, qui seul sait parler à Gelso - mina. “ PARMI LES CLOWNS ET LES BRUTES, FELLINI A TROUVÉ LE DIVIN ” Pendant quelque temps, je vou lais initier ma fille cadette, qui a maintenant dix-sept ans, au cinéma de Federico Fellini, et, pour com mencer, le film le plus évident me semblait être La Strada . Après tout, c'était un Fellini exemplaire : le cirque et la plage, les places la nuit et les mariages en plein air, l'humour et la compassion, dans un monde souvent hostile et gro - tesque et pourtant rempli d'apparitions et de surprises, où le rire et la mélan colie sont mêlés. Il y a aussi la parti tion de Nino Rota, la photographie en noir et blanc d'Otello Martelli, et par-dessus tout l'interprétation mémorable de Giulietta Ma - sina en Gelsomina, la pauvre enfant demeurée que domine un athlète de foire brutal.
    [Show full text]
  • S Ep T E M B Er
    BFI SOUTHBANK SEPTEMBER REDEFINING REBELLION 3 UNLOCKED 7 FOCUS ON FELLINI 12 YOUR BIG SCREEN CLASSICS 14 LONDON INDIAN 19 FILM FESTIVAL HOW TO BOOK PATRONS AND CHAMPIONS bfi.org.uk/whatson Wed 19 Aug (from 10:00) 020 7928 3232 MEMBERS 10:00 – 18:00 (Mon-Fri) until 31 Aug Thu 20 Aug (from 10:00) 11:30 – 20:30 (daily) from 1 Sep onwards PUBLIC Mon 24 Aug (from 10:00) BECOME A BFI MEMBER FOR PRIORITY BOOKING & DISCOUNTS: BFI.ORG.UK/JOIN CONTENTS Cover: Perfect 10 Growing up I wanted to be The Outsiders’ Dallas Winston or Brando on a motorcycle. I heard mythic tales about the two Jameses, Cagney and Dean. And De Niro – the king of cool. It’s an indictment of cinema, what a British teenager with South Asian parents was being served up as the epitome of rebellion. Then came La Haine. It felt different from my favourite film, Spike Lee’s Do the Right Thing: director Mathieu Kassovitz was telling a story about three best friends from different cultural backgrounds who grew up on the estate. People just like me, and my friends. I and, more importantly, a plethora of filmmakers felt emboldened to tell their stories. La Haine is the heart of a cinematic journey that started with Battleship Potemkin’s mutiny against the state, continued through damning societal injustice in New Hollywood Cinema, and on to headbutting gender and racial stereotypes. Redefining Rebellion. REDIFINING REBELLION Kaleem Aftab REDEFINING REBELLION La Haine Les Misérables Battleship Potemkin Bronenosets Potemkin France 1995. Dir Mathieu Kassovitz.
    [Show full text]
  • Calendar of Events
    Calendar of Events Film Festival Diva\Divo: Gender in a Generation of Italian Film 1950-1980 SEPTEMBER 26 - NOVEMBER 21 A cinematic journey in postwar Italy through movie genres, history, models, myths, and images of femininity and masculinity. The Directors highlighted in this series are: Vittoria De Sica, Federico Fellini, Luchino Visconti, Dino Risi, Lina Wertmuller and Ettore Scola. SEPTEMBER 26 time: 7:30pm L'oro di Napoli di Vittoria De Sica (Sophia Loren, Vittorio De Sica, Paolo Stoppa, Toto', Silvana Mangano) 1954 - Italy Guest Speaker: Nelson Moe BIO: Nelson Moe is an associate professor of Italian at Barnard College, Columbia University. He recently published “The View from Vesuvius: Italian Culture and the Southern Question” (California University Press, 2002). He is currently writing a book on the representation of the south in Italian cinema, as well as a study of Antonio Gramsci and the Southern Question. OCTOBER 2 time: 7:30pm Lo sciecco bianco di Federicao Fellini (Alberto Sordi, Giulietta Masina) 1951 - Italy Guest Speaker: Alexander Stille BIO: Alexander Stille is a free-lance writer who lives in New York. His latest book, “The Future of the Past” (Farrar, Straus & Giroux) is an exploration of the cultural impact of technological change and its effect on our relation to the historical past. He is also the author of “Benevolence and Betrayal: Five Italian-Jewish Families Under Fascism” (Penguin), which won the 1992 Los Angeles Times Book Award for best work of General Non- Fiction; and “Excellent Cadavers: The Mafia and the Death of the First Italian Republic” (Vintage), which came out in 1995.
    [Show full text]
  • OTTAVIA PICCOLO COMPAGNIA KATZENMACHER/Alfonso
    OTTAVIA PICCOLO COMPAGNIA KATZENMACHER/ALFONSO SANTAGATA ISA DANIELI/ARCA AZZURRA LILLO&GREG FARIE TEATRÂL FURLANE ATIR/SERENA SINIGAGLIA ARTEMIS DANZA MADDALENA CRIPPA ASCANIO CELESTINI CANZONIERE DI AIELLO EUROPEAN WIND SOLOISTS THE NEW YORK SPIRIT OF GOSPEL VALLI&FAVOT QUARTET GIORGIO CONTE URI CAINE ACOUSTIC TRIO MASSIMO BUBOLA & GIULIO CAVALLI STAGIONE 2011/2012 DI PROSA DANZA MUSICA CINEMA A cervignano prosa danza musica cinema a Taglia il traguardo della stagione numero 15 il Teatro Cervignano Pasolini di Cervignano del Friuli, il teatro che ha sempre stagione n. coltivato una vocazione forte e necessaria: diventare 15 un centro di animazione culturale, di accoglienza e socializzazione per i tanti Comuni e le comunità che chiedono un’offerta di spettacolo e cultura di qualità, articolata, innovativa, specchio del tempo, ad ampio una stagione raggio fra le espressioni artistiche. ideata e promossa da C’è un pubblico che cresce – tutti voi che vi siete Associazione Culturale rivolti in questi anni al Teatro Pasolini come ad Teatro Pasolini un orizzonte stimolante e di riferimento. Un pubblico in collaborazione con che sceglie di partecipare alla sua vita culturale, che CSS Teatro stabile di innovazione del FVG esprime predilezioni e punti di vista, gusti e aspettative. Cooperativa Bonawentura Per esaudire questa domanda importante in una comunità Euritmica - Associazione culturale civile, il teatro articola da sempre a 360 gradi la sua con il sostegno di programmazione: cinema in prima visione e d’essai, Comune di Cervignano del Friuli teatro per adulti e per bambini e ragazzi, musica colta, Regione Friuli Venezia Giulia pop e classica, la danza contemporanea e il balletto classico, le creazioni artistiche che emergono dal nostro territorio assieme al meglio della produzione italiana e internazionale.
    [Show full text]
  • Federico Fellini: a Life in Film
    Federico Fellini: a life in film Federico Fellini was born in Rimini, the Marché, on 20th January 1920. He is recognized as one of the greatest and most influential filmmakers of all time. His films have ranked in polls such as ‘Cahiers du cinéma’ and ‘Sight & Sound’, which lists his 1963 film “8½” as the 10th-greatest film. Fellini won the ‘Palme d'Or’ for “La Dolce Vita”, he was nominated for twelve 'Academy Awards', and won four in the category of 'Best Foreign Language Film', the most for any director in the history of the Academy. He received an honorary award for 'Lifetime Achievement' at the 65th Academy Awards in Los Angeles. His other well-known films include 'I Vitelloni' (1953), 'La Strada' (1954), 'Nights of Cabiria' (1957), 'Juliet of the Spirits' (1967), 'Satyricon' (1969), 'Roma' (1972), 'Amarcord' (1973) and 'Fellini's Casanova' (1976). In 1939, he enrolled in the law school of the University of Rome - to please his parents. It seems that he never attended a class. He signed up as a junior reporter for two Roman daily papers: 'Il Piccolo' and 'lI Popolo di Roma' but resigned from both after a short time. He submitted articles to a bi- weekly humour magazine, 'Marc’Aurelio', and after 4 months joined the editorial board, writing a very successful regular column “But are you listening?” Through this work he established connections with show business and cinema and he began writing radio sketches and jokes for films. He achieved his first film credit - not yet 20 - as a comedy writer in “Il pirato sono io” (literally, “I am a pirate”), translated into English as “The Pirate’s Dream”.
    [Show full text]
  • Panoramiques
    Document généré le 1 oct. 2021 21:10 24 images Panoramiques Numéro 28-30, automne 1986 URI : https://id.erudit.org/iderudit/22075ac Aller au sommaire du numéro Éditeur(s) 24/30 I/S ISSN 0707-9389 (imprimé) 1923-5097 (numérique) Découvrir la revue Citer ce compte rendu (1986). Compte rendu de [Panoramiques]. 24 images, (28-30), 75–90. Tous droits réservés © 24 images inc., 1986 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Panoramiques Elle Castiel. Jean Charbonneau, Luc Chaput, Luc Dansereau, Laurence Degros, Frédéric Julien, Benoît Parent, Benoit Patar, Hélène Wazana films parus du 15 février au 15 Juin 1986 A COUP DE CROSSE BLUE CITY (Fr.-Esp. 1984. Ré: Vincent Aranda. Int: Fanny Cottençon, Bruno (É.-U. 1985. Ré. Michelle Manning. Int: Judd Nelson, Ally Cremer, Francisco Algora, Berta Cabré, lan Sera.) 91 minutes. Sheedy, Anita Morris, Scott Wilson, Paul Winfield, David Dist: Vidéovision. Caruso.) 83 minutes. Dist: Paramount. ADRAMÉLECH BOY MEETS GIRL (Que. 1985. Ré: Pierre Grégoire. Int: Jacques Allard, Jean Peti- Contrairement à une certaine tradition cinématographique clerc, Benoît Aumais, François Trottier.) 80 minutes.
    [Show full text]
  • Lincoln Center Pays Tribute to Anna Magnani Published on Iitaly.Org (
    Lincoln Center Pays Tribute to Anna Magnani Published on iItaly.org (http://www.iitaly.org) Lincoln Center Pays Tribute to Anna Magnani i. I. (May 05, 2016) A special series dedicated to the film work of iconic Italian actress Anna Magnani, May 18 – June 1. The 24-title retrospective will screen entirely on 35mm and 16mm. The Film Society of Lincoln Center [2] and Istituto Luce Cinecittà have announced the lineup for La Magnani, a series dedicated to the film work of iconic Italian actress Anna Magnani, May 18 – June 1. The 24-title retrospective will screen entirely on 35mm and 16mm. Anna Magnani’s blend of fiery passion, earthy humor, and unvarnished naturalism made her the symbol of postwar Italian cinema. Launched to worldwide superstardom through her indelible turn in Roberto Rossellini’s Rome Open City, she represented something startlingly new to audiences Page 1 of 15 Lincoln Center Pays Tribute to Anna Magnani Published on iItaly.org (http://www.iitaly.org) accustomed to movie-star glamour: here, in all its raw, gritty glory, was life. Equally adept at drama and comedy, she could harness her explosive emotional intensity to move an audience to laughter, tears, or both at once. La Magnani highlights the actress’s illustrious international career, including powerhouse performances for directors like Rossellini, Luchino Visconti (Bellissima), Pier Paolo Pasolini (Mamma Roma), Federico Fellini (L’amore and Roma), Sidney Lumet (The Fugitive Kind), George Cukor (Wild Is the Wind), William Dieterle (Volcano), Mario Monicelli (The Passionate
    [Show full text]
  • Nomes Famosos Esquecidos Em Obras Sobre O Cinema: O Caso Especial Do Ator E Heroi De Guerra Audie Murphie
    NOMES FAMOSOS ESQUECIDOS EM OBRAS SOBRE O CINEMA: O CASO ESPECIAL DO ATOR E HEROI DE GUERRA AUDIE MURPHIE José Raimundo Gomes da Cruz Procurador de Justiça de São Paulo aposentado O jornal O Estado de S. Paulo de 19/12/14 noticiava: “VIRNA LISI – 1936/2014 – Morre, aos 78 anos, a musa do cinema italiano”. Subtítulo: “Atriz venceu um prêmio de interpretação no Festival de Cannes pelo seu papel em „A Rainha Margot‟, em 1994”. Destaque sobre sua carreira: “desde 1953, centenas de filmes e séries de TV”. Tento localizar alguma informação no livro Legendary Movies, de Paolo D‟Agostini, com prefácio de Franco Zefirelli (Vercelli, Itália : White Star, 2008), em vão: consta o nome de Sophia Loren, com indicação de cinco páginas do livro, mas não se acha nem Lisi, nem Lollobrigida, que deveriam ficar na vizinhança daquela (p. 596, 1ª col.). Passo a examinar o livro Cinema Year by Year – The Complete Illustrated History of Film (Ed. Robyn Karney. Londres : DK, 2006). No índice, consta, à página 843, “Lisa, Virna – Cannes award for La Reine Margot 23/05/94” com indicação da página 716. Nesta, lê-se rápida referência a Virna Lisa, e não Lisi, a propósito do prêmio de Cannes, em 1994. Com frequência, consulto o livro 1000 Que Fizeram 100 Anos de Cinema (São Paulo : Ed. Três, 1995). Virna Lisi deveria achar-se nas páginas 140/141, entre Max Linder e Anatole Litvak. Duas páginas adiante acham-se suas colegas italianas referidas: Gina Lollobrigida e Sophia Loren. Além do nome de Virna Lisi, anotei na margem superior das mesmas páginas o nome da atriz Viveca Lindfors (1920-1995), com pouco mais de 5 mil resultados atuais no Google, era uma atriz de teatro e cinema sueca, incluindo-se entre seus filmes Stargate (1994), Adventures of Don Juan (1946), O Reis dos Reis (1961), Creepshow (1982) e The Way We Were 1973).
    [Show full text]