Burt Reynolds, One of the Biggest Movie Stars of the 1970S, Died on September 6Th

Total Page:16

File Type:pdf, Size:1020Kb

Burt Reynolds, One of the Biggest Movie Stars of the 1970S, Died on September 6Th Burt Reynolds, one of the biggest movie stars of the 1970s, died on September 6th. Burt Reynolds, who died on September 6th at the age of 82, was once the most popular movie star in the U.S. Although he was charismatic and handsome, he didn’t really think of himself as a great actor — which somehow added to his charm. His extravagant lifestyle led him into financial, physical, and emotional difficulties. But he always said that he would have made the same mistakes all over again. “It’s a tough business,” he once said about working in Hollywood. “Very tough. But…I’ve had a good time through it all.” Burton Leon Reynolds Jr. was born in Lansing, Michigan, in 1936. At the age of ten, his family moved to Florida. Buddy, as he was known, was a high school football star, and won a scholarship to Florida State University. But he injured both his knees during his sophomore year and dropped out of Florida State. A teacher at Palm Beach Junior College helped Reynolds discover his talent for acting. Burt Reynolds won a scholarship to study acting in New York City. He did well there, making friends and landing roles in plays both off- and on Broadway. By the late 1950s, he was appearing in TV shows, hoping that he could do dangerous stunts to get more screen time. By 1959, Burt Reynolds won a regular role on the TV show “Riverboat” with Darren McGavin. Reynolds followed this show up with a three-year stint on “Gunsmoke” as Quint Asper, a half-Indian blacksmith. This led to roles in a number of low-budget action films, and a brief marriage to actress Judy Carne. Copyright 2018 Knowledge Unlimited But Reynolds made his big breakthrough with “Deliverance,” a 1972 movie about four Atlanta men who run into trouble in the Georgia woods. Reynolds broke his tailbone going over rapids in a canoe, but won great reviews for his performance. He also became famous during this time by posing in “Playgirl” Magazine. In the early 70s, he and singer Dinah Shore, who was 20 years older, raised eyebrows with their seemingly happy five-year relationship. Throughout the course of the 1970s, Burt Reynolds became a bigger star with each movie. Things really took off in 1977, with the release of “Smokey and the Bandit” and “Semi-Tough.” In these movies, he was able to display his comedy skills, his stuntman experience, and even his football prowess. From 1978 through 1982, Burt Reynolds was the biggest movie star in the U.S. During these years, he also dated Sally Field, who had appeared with him in the “Smokey and the Bandit” movies. Although he was still a star, Reynolds’ films became less popular in the mid- to late 1980s. He later took himself to task, saying that he wasted some of his best years appearing in bad films. But he stayed in the public limelight by marrying “WKRP in Cincinnati” star Loni Anderson in 1988. Two years later, he staged a comeback by starring in a TV comedy as Wood Newton, a former football player back in his Arkansas hometown in a show called “Evening Shade.” He even won an Emmy for that role. Reynolds’ comeback reached a high point at the end of the 1990s, when he was nominated for a Best Supporting Actor Oscar for his work in the film “Boogie Nights.” The last couple of decades had been difficult for Burt Reynolds. Due to his divorce from Anderson and some bad business decisions, he declared bankruptcy in 1996. Years of doing his own stunts took a serious toll on his health. But he continued to work, even coming up with critically-lauded performances in movies like “The Last Movie Star” and “Miami Love Affair.” He was set to star in a new movie, called “Once Upon a Time in Hollywood,” when he passed away on September 6th of a heart attack. Copyright 2018 Knowledge Unlimited .
Recommended publications
  • See It Big! Action Features More Than 30 Action Movie Favorites on the Big
    FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films
    [Show full text]
  • Empireheads to the Florida Estate of Burt Reynolds To
    presents WORDS PORTRAITS Nick de Semlyen Steve Schofi eld EMPIRE HEADS TO THE FLORIDA ESTATE OF BURT REYNOLDS TO SPEND AN ALL-ACCESS WEEKEND WITH THE BANDIT HIMSELF, ONCE THE BIGGEST MOVIE STAR ON THE PLANET TYPE Jordan Metcalf 120 JANUARY 2016 JANUARY 2016 121 Most character-building of all, he shared a New York apartment with Rip Torn. “He was wild,” Reynolds says of the notoriously volatile Men In Black star. “One time they asked me to go duck- hunting in the Roosevelt Game Reserve for (TV show) The American Sportsman, and I took Rip with me. While we were walking around, some geese fl ew above us, squawking. Rip goes, ‘You know what “IF I’D SAID YES TO STAR they’re saying? They’re saying, “That’s the crazy Rip Torn down there.”’ He took his gun, said, ‘I’ll teach that sonuvabitch WARS, IT WOULD HAVE to talk like that,’ and shot one. I said, ‘Rip, you really are crazy.’ But I couldn’t help but love him. Still do.” Reynolds built a reputation as HIS REFRESHMENTS ARE LAID OUT. MEANT NO SMOKEY a fearless man of action, stoked by his A cluster of grapes, a glass of ice water eagerness to do his own stunts. “The and a bowl of Veggie Straws potato fi rst one involved me going through chips (‘Zesty Ranch’ fl avour), arranged AND THE BANDIT…” a plate-glass window on a show called lovingly on a side-table. Frontiers Of Faith,” he says. “I got 125 The students are assembled. This bucks — a nice chunk of change in 1957.” Friday night, 18 of them have come.
    [Show full text]
  • Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
    TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America.
    [Show full text]
  • Anne Gordon Center for Active Adults Movie Schedule February 2020 Wednesdays 2:00 PM—4:00 PM FREE Please See the Back for Attendance Rules and Information
    Anne Gordon Center for Active Adults Movie Schedule February 2020 Wednesdays 2:00 PM—4:00 PM FREE Please see the back for attendance rules and information. Feb 5 Once Upon a Time in Hollywood Com, Drama Rated: R Runtime: 2:41 Starring: Leonardo DiCaprio, Brad Pitt, Burt Reynolds, Margot Robbie, In 1960s Los Angeles, silver screen actor Rick Dalton and his stunt double turned best friend, Cliff Booth, struggle to keep pace with the swiftly evolving entertainment industry. They both work to continue their notoriety while facing the demise of Hollywood's Golden Age. Rated R for Bloody Images, Drug Use, Language, Sexual Situations, and Violence. Feb 12 Judy Drama, Musical Rated: PG-13 Runtime: 1:58 Starring: Renée Zellweger, Finn Wittrock, Rufus Sewell, Jessie Buckley Set in late 1968 and early 1969, Judy Garland stars in a five-week engagement of Talk of the Town in swinging London. Behind the scenes, she battles her own management and prepares to fight her ex-husband in court for custody of their children. Despite this period of her life being tumultuous, Garland is able to find love once again. Rated PG-13 by the Motion Picture Association of America for Language, Substance Abuse, Thematic Elements. Feb 19 The Farewell Com, Drama Rated: PG Runtime: 1:40 Starring: Awkwafina, Zhao Shuzhen, X Mayo, Tzi Ma, Shuzhen Zhou In this funny, heartfelt story, Billi's family returns to China under the guise of a fake wedding to stealthily say goodbye to their beloved matriarch, who is the only person that doesn't know she only has a few weeks to live.
    [Show full text]
  • Microfilmed - 1064 Information to Users
    MICROFILMED - 1064 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they ari spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note wfll appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—bepnning below the first row and continuing on until complete.
    [Show full text]
  • SLP Movie Watchlist Week 1
    THE SLP MOVIE WATCHLIST™ THE SLP MOVIE WATCHLIST Every Wednesday Your weekly source of movie recommendations to satisfy your cinematic cravings. Table of Contents SLP Movie Watchlist Themes Week 1……………………………...Random Week 2……………………………..Oscar Winners Week 3……………………………..Crime Drama Week 4……………………………..1980s Comedies Week 5……………………………..Johnny Depp Week 6……………………………..Sci-fi Action Week 7……………………………..Documentaries Week 8……………………………..Films over 3 hours Week 9……………………………..Horror Week 10……………………………Romantic Dramas Week 11…………………………….Fantasy Week 12……………………………Inspiring Sports Films Week 13……………………………Movie Musicals Week 14……………………………Westerns Week 15…………………………….Anime Week 16…………………………….Quentin Tarantino Week 17…………………………….Good Bad Movies Week 18…………………………….Drew Barrymore Week 19…………………………….Martin Scorcese Week 20…………………………….Actors in Multiple Roles Mental, written and directed by P.J. Hogan, is a fun film about an eccentric woman who randomly takes on the role as the nanny of five children who have a “crazy” mother. Through her shenanigans she is able to teach them about the madness of life and the importance of family. Toni Collette and Anthony LaPaglia sink themselves into their roles so brilliantly that you lose yourself in their insanity. Oh, and it’s an Aussie film, which adds yet another level of fun! Mental combines the certifiably loony characters of Best In Show with the heartfelt songs of The Sound of Music, literally. Recommended For: People who can appreciate off-the-wall, zany stories! Silver Linings Playbook is a peculiar story about two people who have experienced loss and want to believe in a better tomorrow. Hope gives them comfort. Jennifer Lawrence and Bradley Cooper spend the majority of the film challenging one another, both as characters and actors.
    [Show full text]
  • This Trans Am Has a Hidden Identity
    1976 Grand Safari Loaded with Options & SMOKE History SIGNALS GR RRR The Official Publication of the Pontiac - Oakland Club International February 2017 Split Personality This Trans Am has a Hidden Identity 2017 POCI Board Election Read the Bios - Vote Now 1975 GMC Gentleman Jim Limited Edition Model Photo Feature Event Coverage • Wichita & Wisconsin First-Born Bandit This unique special edition Trans Am is the by Richard Price the early ‘70s, General Mo- tors Design Vice President Bill Mitchell was intrigued by the black-and-gold John Player Specials then racing in Formula 1. Being an avid motorcycle enthusiast, he had a pair of his personal bikes done up in this same color scheme and was pleased enough with it that he made a suggestion to Pontiac Design Stu- dio #2 Director John Schinella that he apply it to a Trans Am. Schinella requisitioned a Buccaneer Red 455 automatic ‘73 Trans Am which was deliv- ered to the Design Center paint shop, where the entire car — including the rear bumper — was painted a custom black metallic lacquer with gold metalflakes mixed in. The tailpipes, grilles and head- light bezels were painted metallic gold and the Hon- eycomb wheels were covered with a genuine gold coating. Gold pinstriping was then applied around the grille openings, wheel arches, rear bumper, the upper portion of the car, around all of the glass openings and over the roof. Finally, special one-off Trans Am decals (including the hood bird, made from a gold foil) were applied. 22 SMOKE SIGNALS • FEBRUARY 2017 has Split Personality earliest known production Y82 in existence photos - various contributors Inside, the otherwise stock Trans Am Deluxe inte- rior was redone in a light tan with a parachute-silk fabric on the horsecollar buckets.
    [Show full text]
  • Burt Reynolds, Sally Field and Jackie Gleason Hit the Highway As 1977'S
    * * MEDIA ALERT * * MEDIA ALERT * * MEDIA ALERT * * May 3, 2017 Burt Reynolds, Sally Field and Jackie Gleason Hit the Highway as 1977’s Blockbuster Action-Comedy Smokey and the Bandit Returns to U.S. Cinemas May 21 and 24 This Iconic Film Returns to Big Screens Nationwide for 40th Anniversary as Part of TCM Big Screen Classics Series WHAT: The summer of 1977 might be best known for a certain intergalactic adventure, but across the country the other summertime smash combined three things America couldn’t get enough of: Burt Reynolds, CB radio and Coors beer. Forty years later, Smokey and the Bandit makes its way back to movie screens nationwide for two days only on Sunday, May 21 and Wednesday, May 24 as part of the year-long TCM Big Screen Classics series from Turner Classic Movies and Fathom Events. This screening will also include specially- produced commentary from TCM host Ben Mankiewicz, both before and after the feature. “The Bandit” (Reynolds) has 28 hours to drive a truckload of Coors beer from Texarkana, Texas, to Atlanta – while doing everything he can to avoid the relentless pursuit of “Smokey,” aka Sheriff Buford T. Justice (Jackie Gleason), while accompanied by runaway bride “Frog” (Sally Field). But the story takes a backseat to the stunt-driven action of director Hal Needham, the still-sizzling on-screen chemistry of Reynolds and Field, and the good-ol’-boy antics of the film’s easy-going cast, including Jerry Reed, Paul Williams, Pat McCormick and Mike Henry. WHO: Fathom Events, Turner Classic Movies and Universal Pictures WHEN: Sunday, May 21, 2017; 2:00 p.m.
    [Show full text]
  • A Look Into the South According to Quentin Tarantino Justin Tyler Necaise University of Mississippi
    University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2018 The ineC matic South: A Look into the South According to Quentin Tarantino Justin Tyler Necaise University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the American Studies Commons Recommended Citation Necaise, Justin Tyler, "The ineC matic South: A Look into the South According to Quentin Tarantino" (2018). Honors Theses. 493. https://egrove.olemiss.edu/hon_thesis/493 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. THE CINEMATIC SOUTH: A LOOK INTO THE SOUTH ACCORDING TO QUENTIN TARANTINO by Justin Tyler Necaise A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2018 Approved by __________________________ Advisor: Dr. Andy Harper ___________________________ Reader: Dr. Kathryn McKee ____________________________ Reader: Dr. Debra Young © 2018 Justin Tyler Necaise ALL RIGHTS RESERVED ii To Laney The most pure-hearted person I have ever met. iii ACKNOWLEDGEMENTS Thank you to my family for being the most supportive group of people I could have ever asked for. Thank you to my father, Heath, who instilled my love for cinema and popular culture and for shaping the man I am today. Thank you to my mother, Angie, who taught me compassion and a knack for looking past the surface to see the truth that I will carry with me through life.
    [Show full text]
  • SCREEN ACTORS GUILD INFORMAL COLLECTION LIST to Arrange Onsite Research Viewing Access at UCLA, Please Contact the Archive Research and Study Center [email protected]
    SCREEN ACTORS GUILD INFORMAL COLLECTION LIST To arrange onsite research viewing access at UCLA, please contact the Archive Research and Study Center [email protected] . PREFIX LOCATION EPISODE TITLE_SERIES SCREEN ACTORS GUILD DVD 1460 ALFRE WOODARD FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1669 ANDY DICK FOUNDATION: CONVERSATIONS ANDY GARCIA MODERATED BY SCREEN ACTORS GUILD DVD 8699 TODD AMORDE FOUNDATION: CONVERSATIONS ANDY RICHTER MODERATED BY SCREEN ACTORS GUILD DVD 7020 SARAH KUHN FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1484 ANGLE LANSBURY FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 1409 ANN DORAN FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 2010 ANTHONY HOPKINS FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1483 ANTHONY LAPAGLIA FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1434 BARBARA BAIN FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 1413 BARRY GORDON FOUNDATION: LEGACY BEN AFFLECK MODERATED BY SCREEN ACTORS GUILD DVD 6348 PETE HAMMOND FOUNDATION: CONVERSATIONS BEN COOPER MODERATED BY SCREEN ACTORS GUILD DVD 8697 DAVIDSON LLOYD FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1486 BEN KINGSLEY FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1500 BENICIO DEL TORO FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1674 BETTY GARRETT FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1416 BEVERLY GARLAND FOUNDATION: CONVERSATIONS BILL AND SUSAN SEAFORTH SCREEN ACTORS GUILD DVD 1843 HAYES FOUNDATION: CONVERSATIONS BILL PAXTON MODERATED BY SCREEN ACTORS GUILD DVD 7019 JENELLE RILEY FOUNDATION: CONVERSATIONS SCREEN ACTORS
    [Show full text]
  • '77 Pontiac ® Firebird ®
    KIT 4027 85402700200 NOTE: DO NOT DIP DECAL # 28, 29 IN WATER. CAREFULLY CUT OUT AND USE WHITE GLUE TO ATTACH. REMARQUE: NE PAS IMMERGER DANS L’EAU LES DÉCALCOMANIES # 28, 29. DÉCOUPER SOIGNEUSEMENT ET UTILISER DE LA COLLE BLANCHE POUR FIXER. ® ® 13 NOTA: NO SUMERJA LAS CALCOMANÍAS NO. 28, 29 EN AGUA. RECORTE CUIDADOSAMENTE Y UTILICE COLA BLANCA PARA SUJETAR. '77 PONTIAC FIREBIRD SMOKEY AND THE BANDIT ™ 35 32 30 1 4 Before there were cell phones, the CB radio was Avant l’avènement des téléphones cellulaires, la radio CB Antes de los teléfonos celulares, la radio de banda ciudadana 29 2 33 28 (CB, por sus siglas en inglés) era el medio de comunicación. THE form of communication. While not in the credits, était LE moyen de communication. Bien qu’elle ne figure pas au générique, la radio CB était la meilleure amie de Aunque no se incluyó en los créditos, la radio CB fue la the CB radio was the Bandit’s best friend in the hit mejor amiga del Bandido (Bandit) en la taquillera película 11 Bandit dans ce film à succès réalisé par Hal Needham. movie directed by Hal Needham. The Bandit, played Bandit, que personnifiait Burt Reynolds, utilisait sa radio dirigida por Hal Needham. El Bandido, interpretado por by Burt Reynolds, used his CB radio and gleaming CB et sa rutilante Firebird noire pour éviter de manière Burt Reynolds, utilizó su radio CB y su reluciente Firebird black Firebird to skillfully avoid Smokey, played for savante Smokey, que jouait pour nous faire rire Jackie negro para evitar hábilmente a Smokey, interpretado laughs by Jackie Gleason, on one long movie chase.
    [Show full text]
  • CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries.
    [Show full text]