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List of Figures and Captions 268 List of Figures and Captions Figure 1.1. The ROC flag (without its pennant) is hung at the entrance to RNG government headquarters in late 1940. Courtesy of the National Archives (London), CN 11/11. Figure 2.1. Wang Jingwei toasting Georg Heinrich Stahmer, German ambassador to China, January 1941. Wikimedia commons [https://commons.wikimedia.org/wiki/File:Wang_and_Nazis.jpg] Figure 3.1. Photograph of Wang Jingwei making a speech at the Second National Congress of the KMT, Guangzhou, January 1926. Photograph by Fu Bingchang. Image courtesy of C. H. Foo, Y. W. Foo, and Historical Photographs of China, University of Bristol (www.hpcbristol.net). Figure 3.2. Studio portrait of Wang Jingwei (photographer unknown), circa 1935, featured as frontispiece in Se-yuan Shu, ed., Poems of Wang Ching-wei (London: George Allen &Unwin, 1938) © British Library Board (X15/4597). Figure 3.3. A cartoon of Chiang Kai-shek and Wang Jingwei, by Zhang Zhengyu, entitled Shizijia [Crucifix], and featured in Duli Manhua [Oriental Puck] 2 (1935), Courtesy of the East Asia Library, Stanford University. Figure 3.4. Unattributed cartoon image of Wang Jingwei looking into mirror, included 269 in a 1939 anti-Wang leaflet produced by the KMT. Courtesy of the KMT Party Archives (yiban 537/21). Figure 3.5. Portrait of Wang Jingwei, circa July 1939, by unknown photographer. Courtesy of The Mainichi Newspaper/AFLO. Figure 3.6. Crowds in Guangzhou carrying a banner of Wang Jingwei, circa 1940. Asahi Shimbun via Getty. Figure 3.7. Cover of Ministry of Publicity, Special Commemoration Issue: Return of the National Government of the Republic of China to its Capital (Nanjing: Ministry of Publicity, 1940), featuring studio portrait of Wang Jingwei. Courtesy of Shanghai Library. Figure 3.8. A photograph of Wang Jingwei admiring an oil painting of himself by an unidentified artist, circa 1940. Chu Minyi Collection (Lot 11700), Prints and Photographs Room, Library of Congress. Figure 3.9. Photograph of Wang Jingwei having his portrait painted by Kan'emon Asai, August 1940. Denshō Digital Repository (ddr-njpa-1-1067), Hawai'i Times Photo Archives. Courtesy of the Hawai'i Times Photo Archives Foundation. Figure 3.10. CNA photograph of military march past in front of large portrait of Wang Jingwei, in Guangzhou, circa 1941. Courtesy of Academia Historica. 270 Figure 3.11. Photograph of Wang Jingwei during an inspection of "Rural Pacification areas" in 1941, possibly by Chen Guoqi. Courtesy of Academia Historica. Figure 3.12. Liang Boping studio portrait of Wang Jingwei in Rural Pacification mode, 1941. Lin Baisheng Collection. Courtesy of the East Asia Library, Stanford University. Figure 3.13. Photograph of Wang Jingwei accepting a bust of himself, circa 1943. Courtesy of Academia Historica. Figure 3.14. Portrait of Wang Jingwei in admiral's uniform by unknown photographer, circa 1942. Lin Baisheng Photographic Collection. Courtesy of the East Asia Library, Stanford University. Figure 3.15. Photograph of Subhas Chandra Bose, Chu Minyi, and other INA and RNG officials on the steps of the Sun Yat-sen Mausoleum, November 1943. Chu Minyi Collection (Lot 11700), Prints and Photographs Room, Library of Congress. Figure 3.16. Photographic feature showing Wang Jingwei undergoing an operation to remove bullet fragments from his body, Zhonghua huabao [China Pictorial] 2, no. 1 (February 1944): 2–3. Courtesy of Shanghai Library. Figure 3.17. Chu Minyi overseeing the planting of plum trees in front of Wang 271 Jingwei's tomb, circa 1944. Chu Minyi Collection (Lot 11700), Prints and Photographs Room, Library of Congress. Figure 4.1. Undated (c. 1937) propaganda leaflet showing a "modern woman" with a male child welcoming Japanese soldiers in north China © The Trustees of the British Museum. Figure 4.2. Kabun advertisement (1940) featuring Li Xianglan applying Rohto eye drops. Courtesy of Rohto Pharmaceutical Company. Figure 4.3. Cover image of Domei-published Huanan huabao [South China Graphic], 1941, featuring Li Huizhen (Left) and a Japanese companion. Courtesy of East Asia Library, Stanford University. Figure 4.4. Cover image of the film magazine Mingxing huabao 2 (January 1943), featuring portrait of Nancy Chan. From the Paul Kendel Fonoroff Collection. Courtesy of the C. V. Starr East Asian Library, University of California, Berkeley. Figure 4.5. A “modern girl” helps rid Shanghai of (anti-RNG) "terrorists." Shi Ping, “Pumie qunchou” [Exterminate villains], Zhongguo manhua [Chinese cartoons] 1 (September 1942): 7. Courtesy of Shanghai Library. Figure 4.6. Line drawing of Wang Jingwei and RNG men rising up in anger, from Zhongguo manhua [Chinese cartoons] 5 (March 1943): 7. The text reads: "Those who 272 have strength should contribute it; those who have money should contribute it. We are all of one heart. Under Chairman Wang’s leadership, the people of China have joined the crest of the wave to join the war." Courtesy of Shanghai Library. Figure 4.7. MoP poster celebrating the RNG's Declaration of War and featuring an RNG soldier. Courtesy of the Hoover Institution Archive (Hoover Poster Archive, CC 102), Stanford University. Figure 4.8. Undated photograph of RNG seaman operating spotlight. Courtesy of Academia Historica. Figure 4.9. Cover image of Xin Zhonguo manhua [New China Pictorial] 9, no. 4 (September 1942), featuring RNG soldier dressed as a kendoka. East Asian Reading Room, Library of Congress. Figure 4.10. Youth groups marching in the presence of Wang Jingwei in 1943. Lin Baisheng Collection. Courtesy of the East Asia Library, Stanford University. Figure 4.11. Undated and unattributed photograph of RNG Boy Scouts © Imperial War Museum (HU 73372). Figure 4.12. Photomontage featuring male youth activist Zhonghua huabao [The China Pictorial] 1, no. 1 (August 1943). Courtesy of Shanghai Library. Figure 4.13. Front and back cover of Zhonghua huabao [The China Pictorial] 1, no. 2 273 (September 1943), showing image of Youth activist, and wedding portrait of Nancy Chan. Courtesy of Shanghai Library. Figure 5.1. An unattributed image of dawn rising over a Chinese river, featuring calligraphy by Wang Jingwei, which reads: "Huan women Dong Ya ren benlai de mianmu" [Return to we east Asians our original countenance]. From Huang Qingshu (Wong Hing-sue), ed. Wang zhuxi fang Ri jinian huakan [Special pictorial in commemoration of Chairman Wang's visit to Japan] (Nanjing: Xuanchuanbu, 1941). Courtesy of the Hoover Institution Library, Stanford University. Figure 5.2. A "map of darkness and light in China" [Zhongguo ming'an tu] produced by the Japanese military in spring 1940, depicting those areas of China under RNG rule as being wealthy and happy. Courtesy of the Institute of National Defense Studies, Tokyo. Figure 5.3. A woodcut of "new Nanjing" by Wang Yingxiao, and featured in Kabun: Huawen Daban meiri 8, no. 7 (April 1942). Courtesy of the East Asia Library, Stanford University. Figure 5.4. The characters "heping jinguo" (peace and nation-building) emerge from the ground as an edifice emitting light in this undated poster, produced by the North China Political Affairs Commission. Courtesy of the Hoover Institution Archive (Hoover Poster Archive, CC 106), Stanford University. 274 Figure 5.5. Photograph of Wang Jingwei (and other Peace Movement advocates) leaving the Sun Yat-sen Mausoleum in Nanjing ten days prior to the huandu. Photo by The Asahi Shimbun via Getty Images. Figure 5.6. The angel of peace looks down upon oxherds riding water buffaloes in a "paradise of East Asian peace" (Dong Ya heping leyuan), as depicted by an unattributed artist in Dong Ya lianmeng huabao [The Toa Pictorial] 4 (June 1941). Courtesy of the East Asia Library, Stanford University. Figure 5.7. Cover of Xin Wuhan [New Wuhan] (Wuhan: Hankou Shi zhengfu, 1940), including an unattributed and stylized illustration showing the Wuhan custom house (Jianghan guan dalou) and the Yangtze riverfront. Courtesy of the East Asia Library, Stanford University. Figure 5.8. RNG troops saluting the ROC flag as it is raised above offices of the offices of the Shanghai Municipal Council in August 1943. Chu Minyi Collection (Lot 11700), Prints and Photographs Room, Library of Congress. Figure 5.9. Undated photograph of unidentified Rural Pacification cadres rousing peasants © Imperial War Museum (HU 73374). Figure 5.10. Cartoon depiction of Rural Pacification village by Wen Ying, in Zhongguo manhua [Chinese cartoons] 2 (October 1942): 46 275 Figure 5.11. A Jiangsu peasant boy collects the harvest in Guomin xinwen huabao 3 (March 1942). Courtesy of Shanghai Library. Figure 5.12. "Fengren de Zhuawa" [A bumper harvest in Java]: Unattributed image featured on the cover of Xin Zhonghua huabao 6, no. 4 (April 1944). Asian Reading Room, Library of Congress. Figure Con. 1. Jiang Fan, "Qishi" [Begging for food], Zhonghua huabao [The China Pictorial] 1, no. 5 (December 1943): 28. Courtesy of Shanghai Library. .
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