DOCSLIB.ORG

KFAC Listeners Guild Magazine May June 1980

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MAY/JUNE 1980 $3.35 www.SteamPoweredRadio.Com I wrote the cover profile for this issue of grass-covered ground, and thrilled at the THE GUILD LISTENER high above the Cover Profile sounds of a great orchestra protected clouds aboard an American Airlines DC only by what we today would call a 10 headed for New York on our 1980 "primitive" temporary shell. " World of Opera" tour to the Metropoli­ How times have changed! Smee those tan and New York City Operas on their days, outdoor music festivals have ap­ home ground. My thoughts at that point. ;)I peared annually throughout our country, however, were concerned with the duty and the world's finest music is being en­ not yet accomplished of a report nearly joyed by larger. and often more youthful. due. Therefore. I turned my attention to a audiences. In California alone music fes­ copy of the art work which now graces tivals abound and attract audiences from the cover of this magazine. the length and breadth of the Golden Artist Marie Sansone titled her work State. "Summer's Flowering Notes." A musical " Summer's Flowering Notes!" This note. flower petals and a butterfly are all phrase combines some of the mo re sure signs of approaching summer. To­ beautiful things in life to conjure up gether, they remind us of many pleasant thoughts of happy occasions, pleasant evenings at outdoor concerts - partic­ associations and a greater appreciation ularly at Boston's Esplanade on the of that which nature offers and helps banks of the Charles River. In those days man create. a black-haired Arthur Fiedler directed the Whether it stems from Mane Sansone's Boston Pops Orchestra in anything from scratchboard or whether we see it in its Classics to Swing - from Bach to Bebop, original form, let us hope it remains with while many hundreds of that harbor city's us forever. A musical note, a flower and a dwellers sat on cushions or spread blan­ butterfly -"Summer's Flowering Notes." kets to protect them from the humid - Carl Pnnci Visit Pasadena Old Town PASADENA ANTIQUE THIEVES MARKET, 85-95 North Raymond, Pasadena, Tel. 578-9056 • 578-9059 • 578-9595 • .356-9183 All shops open Sat.-Sun. Some shops every day e~cept Tuesoay. MIMI BRADT BOUTIQUE-Vintage and GREEN ART- Open: Frr.•Sun. Custom ROSIE'S LAST OF THE PAST- Antique Treasured Clothing for ladles Creations wllh liv111g Plants. Exouc Furniture (Our prlces are the best in Plants. Planters. and Macrames town) Also Decorator Items, Plctures. JACK AND RUTH MYERS-SpecIallzmg Jewel1y and GIiis lrom around worhl Dishes and Glass. Antique Beading. In Depression Glass. (213) 449-5854 HUMMY'S-Edna Graham- Jewelry JAN ANO CONNIE'S THIEVES MARKET DARUMA ANTIQUITIES-Japanese and Beaded Purses. Compacts. Olsnes. ANNEX- Everything from Apple Corers Persian Ari Objects. Woodblock Prints. Glassware. Silver to 21 the1s. Glass. China. Furniture, Palnllnos. Ceramics, Bronze, Glass, Paln1Ings, Toys, Political. Deco. Adver­ Samovars. Jewelry THE ENCHANTED DOLL- Norma Van t1sIng Items. Miniatures, Vintage Essen-AntiQue Dolls (French and Clothing, Jewelry. Open 6 days­ THE CARRIAGE TRADE-lee Marlin­ German). Dolls d1essed amt repaired Closed Tuesday. (213) 449.5799 Antiques, Dolls. Laces. Crystal, China, Doll accessories (Ste1ff aM Herman) THE GUNNY SACK-Unique Old Jewelry. Prints. Other selective objects. Some Ol(I bears Also bllY Old dolls Buy as well as sell Clothes. ShOes, Hals and Jewelry. Lovoly oW Lioens. choice Furniture CHAOS AND CHARISMA-Bev Moline, THE LITTLE BOOK SHOP-Rare Finds F11st Editions, Childrens Book:s . pieces. Pictures, Books. Toys and Resident Nut. oilers the old fashioned other paraphernalia "Junk Shop" (213) 449-9056 Classics. sc,encc Flc11on. History, Etc THE PARROT SHOP- A little bit ol BOB AND MARGE SLIGHT-Depression MOUNT GREYLOCK TRADING CO.­ everything! Glass and Depression Era Glass and Memorab1lia•Nostalg1a•Toys•D1sney• Collectibles ana Toy Trains, Toy Cars. Pepsi, Coke. THE VERY INTERESTING co.-1,·s lhO most tantasllc shop you have ever THE HOPE CHEST-Pat Ridale­ MIiitary Photography-Toy Soldters­ Books ana tots 01 etc seen! Old Toys: Disney: Buttons: Specializlng In Antique Lingerie. Stained Glass. and Memories linens, Purses. Hats, Jewelry and STANISLAUS SELECTIONS-Orientalla 01 our past Valentines. (213) 449-9056 GIiis, Al1 ObJec1s. Fine Porcelain, ALYCE MELANDER-Fine Antloues, COLLECTIBLES AND THINGS- Charles Bronzes. Robes Jewelry, Mesh Purses, China. Glass. and Leona Sorter-Palntlngs. Paper­ ELEANOR OSBORN- .. love Me I m Etchings, lamps, Etc weights, Swords, Clocks and Military Small" Glasswarn, Pntlory Lamns (213) 449-9056 MARTHA MARTON-European ana Small Furnlture American Antlciues. China. Small BIBLIOPHILES-Buyers and Sellers of AALl•BABA'S-Anllque Gold-Sliver shop. FurniMe. Glass. Prints, Jewelry, etc Fine Used Books. F11st Editions. Buy Sell Appraise Chlldren's Literature, Calllorniana 'KNIGHTS AND DAMES'-Engllsh Brass Cookery, Collecuno Out-ol,prIn1 HEIDI'S ADORABLES- Anllques & Rubbing Studio Antiques-Collectibles-Old Searches Uniques. Paintings, We have II! Textiles•PIc1ures and Prints. Located in the heart of Pasadena's designated "Old Town" next to the historic Crown Theater, the PASADENA ANTIQUE THIEVES MARKET o n North Raymond Avenue has been a paradise lo r collectors and browsers for fifteen years. More than twenty-five shops compnse the marketplace. containing items of classic antiques to selected collectibles. This unique facility 1s frequently the location and setting for movies and telev,sion. As a consequence. the stars and crews of these productions are among the often-seen customers in the Thieves Market While all shops are open Saturday and Sunday, there are some that are open during other days of the week. 2 www.SteamPoweredRadio.Com THE GUILD LISTENER The KFAC Magazine Is pubhsheo b1-montl'lly lor the KFAC Listeners Gulld under the super\lislon ot the KFAC OH1ce of Community involvement Editor in Chlel Carl P11ncI Associate Editor Arhss Goodman AdmImstra11ve Assistant Mary Ann Mille, Staff Artist Marie Sansone Staff Photographer . • .. Conrad J . Fulton. "-S M P CONTRIBUTING EDITORS Clyde Allen Doug Ordun10 - Charles Crowder KFAC Radio Chairman of tl'le Board Ralph Gu1f(J President and General Manager George F111z1nger General Sales Manager Ed Argow Director ot Programming ana • Pnddlnoton • Snoopy • Beatr1x Potter • lambs • Ducks • Pigs • Dogs • Cats • Penguins • Horset Community Involvement Cart Pnnc1 Trall,c Manage, Kathleen Balsis .. Naoonal Sales Manager - George Goldman unique animal gifts and ..e Promotion & Aoverttsmg D1rec1or Arliss Goodman collectables lrom the world of ::;.. AM Program 0trector Fred Crane "'a, MUSIC D1recto1 Clyde Allen. Pl'I 0 ...e Director 01 Eng111eeung Bob Conger Bus111ess Manager Glo11a Spong !! CRITTf;RS Doug OrdunI0 a FM Programmer 0 Steven De Mena Assistant Programme, a:.. encino town and country 17200 ventura boulevard (213) 934-1157 enc1no. california 5773 WILSHIRE BOULEVARD c I'.' 981-9977 " "'r. LOS ANGELES, CA 90036 ~.,.. ..a. (I) w VOLUME 6, No. 3 ..., "' 0 ;;;"' 0 CONTENTS 0 :E :,c.. C Page ...0 ~ Cover Profile . , . , , . , •.• , . • . 2 -:, Hll(lgenogs • Goat~ • Bird! • Kangoroos • Toddy Bears • Frogs • Seats • lions • Seagulls • Hlppos • Rams Message from O C I . , . • .•.• ..... 4 CRITTERS - It's all happening at the zoo ... the "Critter" zoo. that is. Your dreams Letters to the Editor 5 come true amidst a sanctuary of animals fn every size, shape and color: none of Vignettes ..... 6-7 them tn cages and all live forever. Dangerous? Au con/ralre They're bronze. News & Views . , . • . •.• , . 8-9 porcelain, crys tal, ceramic, and plush - a menagerie of gifts and collectibles for The Inn-Crowd . ........ .. .... .10- 11 all ages Encino Town and Country Shopping Center, 17200 Ventura Blvd., Encino 981-9977 FM Program Highlights , . • . 12 Program Guide . ........ ... _.. 13-40 Facts & Fancies . 42 Notes on the Origins of Classical Ballet . • . 43 A Classical Dining Experience ... 44 -45 PAPA Skinny Art Gallery. .. .. 50 Musical Legend . .. .•.• , .• . ..... 51 BACH paperbacks • Quality and Bestseller Paperbacks • Small Press Publications Address Change Please send wnt1en notice and • Art Cards. Posters and Periodicals address label approximately six weeks in acNance • Selected Hardbacks Always 10% Off of change 10 insure prompt l'lan(lling • Discount Specials Everyday All musical programming /I5red 1s on FM only ex• Monday-Thursday. 9:30 AM To 11 PM cepr where simulcasr (,,e AM & FM/ 1s mr11cared. 11317 SANTA MONICA BOULEVARD Fr1day-Sarurday Till Midnight For magazine advertising. please call 655·9932 WEST LOS ANGELES, CALIFORNIA Sunday, Noon To 9 PM Lisleners Guild 1nformatIon hot line 934·8622 KFAC and KFAC-FM operate 24 hours a day on as­ PAPA BACHS - L.A.'s oldest counterc ulture bookstore (and first quality paperback signed trequenclos of 1330 Kilohertz, 5.000 Walls ERP, and 92.3 Megaherlz, 59,000 Watts ERP, respac• bookstore). Papa Bach has outstanding selections 1n poetry, ethnic studies. litera­ lively. KFAC ond KFAC-FM aro Los Angeles' only ture. Marxist writings, western Americana, environmental studies, hiking and commercial classical music stations. licensed by the Federal Communications Com(Tlission for the enler• camping, childbirth and parenting. You'll also find good basic stock 1n just telnmont and Information of the general public. All about every other subject from architecture to zoology. Funky atmosphere and correspondence concerning programming and/or pro• ducllon should be addressed 10 the Program Director. long hours make this a browser's paradise. 3 www.SteamPoweredRadio.Com Message from the Office of Community Involvement CARL PRINCI, Director The preparation of the May/June issue One of the better organized areas of the however, make it a point to be present of THE GUILD LISTENER always brings TOP FORTY operation is the selection for at least a good part of the day this reminders of our TOP FORTY campaign and organization of our Listeners Guild year when I hope to meet those of you I which each year generates a popular re­ volunteers.
Recommended publications
  • Kodály and Orff: a Comparison of Two Approaches in Early Music Education

    Kodály and Orff: a Comparison of Two Approaches in Early Music Education

    ZKÜ Sosyal Bilimler Dergisi, Cilt 8, Sayı 15, 2012 ZKU Journal of Social Sciences, Volume 8, Number 15, 2012 KODÁLY AND ORFF: A COMPARISON OF TWO APPROACHES IN EARLY MUSIC EDUCATION Yrd.Doç.Dr. Dilek GÖKTÜRK CARY Karabük Üniversitesi Safranbolu Fethi Toker Güzel Sanatlar ve Tasarım Fakültesi Müzik Bölümü [email protected] ABSTRACT The Hungarian composer and ethnomusicologist Zoltán Kodály (1882-1967) and the German composer Carl Orff (1895-1982) are considered two of the most influential personalities in the arena of music education during the twentieth-century due to two distinct teaching methods that they developed under their own names. Kodály developed a hand-sign method (movable Do) for children to sing and sight-read while Orff’s goal was to help creativity of children through the use of percussive instruments. Although both composers focused on young children’s musical training the main difference between them is that Kodály focused on vocal/choral training with the use of hand signs while Orff’s main approach was mainly on movement, speech and making music through playing (particularly percussive) instruments. Finally, musical creativity via improvisation is the main goal in the Orff Method; yet, Kodály’s focal point was to dictate written music. Key Words: Zoltán Kodály, Carl Orff, The Kodály Method, The Orff Method. KODÁLY VE ORFF: ERKEN MÜZİK EĞİTİMİNDE KULLANILAN İKİ METODUN BİR KARŞILAŞTIRMASI ÖZET Macar besteci ve etnomüzikolog Zoltán Kodály (1882-1967) ve Alman besteci Carl Orff (1895-1982) geliştirmiş oldukları farklı 2 öğretim metodundan dolayı 20. yüzyılda müzik eğitimi alanında en etkili 2 kişi olarak anılmaktadırlar. Kodály çocukların şarkı söyleyebilmeleri ve deşifre yapabilmeleri için el işaretleri metodu (gezici Do) geliştirmiş, Orff ise vurmalı çalgıların kullanımı ile çocukların yaratıcılıklarını geliştirmeyi hedef edinmiştir.
  • HANS-URS WILI CARL ORFF: Carmina Burana

    HANS-URS WILI CARL ORFF: Carmina Burana

    HANS-URS WILI 1 CARL ORFF: Carmina Burana (1937) 19.04.2012/huw (Wohlen2012NovORFF0.docx) Zum Konzert des Singkreises Wohlen vom 10. November 2012 im Casino Basel und vom 11. November 2012 im Casino Bern: CARL ORFF (1895-1982): Carmina Burana. Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis (1937) Bst. Inhalt Rz. S. A Einleitung ……………………………………………………………… 1-2 1 B CARL ORFFs Leben ……………………………………………………. 3-32 2-16 C Carmina Burana ……………………………………………………. 33-91 16-37 Ca Zum Inhalt der Carmina Burana …………………………………. 35-37 17-18 Cb Historische Hintergründe …………………………………. 38-69 18-31 Cb.I Eigenkirchenwesen …………………………………. 38-42 18-21 Cb.II Kreuzzugswirren …………………………………. 43-46 21-23 Cb.III Zölibat und klerikale Elitenentwicklung ………………. 47-54 23-27 Cb.IV Universität und Gelehrte ………………………… 55-60 27-28 Cb.V Latein …………………………………………………….. 61 29 Cb.VI Elitäre Obszönitäten ………………………………….. 62-64 29-30 Bc.VII Leichs ……………………………………………………... 65-69 30-31 Cc Zur Musik der Carmina Burana ………………………………….. 70-91 31-37 Cc.I Persiflagen ………………………………...…………. 70-75 31-33 Cc.II Zitate ……………………………..………………………. 76-77 33-34 Cc.III Charakter der Musik ………………………………….. 78-91 34-37 D Benediktbeuren ………………………………………………………………. 92-94 38-39 E Fortuna und (Anankè) …………………………………………… 95 39 F Literatur ………………………………………………………………. - 39-42 A Einleitung 1 Mit CARL ORFFS Carmina Burana singen der Projektchor SMW Frick und der Singkreis Wohlen gemeinsam das wohl populärste Werk der E-Musik des 20. Jahrhunderts.1 Dabei kann man sich fragen, inwieweit das Werk überhaupt zu Recht der E-Musik zugerechnet wird. Derbheit und karikierende Parodie verschiedener Gesänge haben musikalisch Schlager inspiriert und führen Bilder einer Spottlust vor Augen, die landläufig weit eher der U-Musik zugeordnet werden könnte.
  • Famous Composers and Their Music

    Famous Composers and Their Music

    iiii! J^ / Digitized by the Internet Archive in 2011 with funding from Brigham Young University http://www.archive.org/details/famouscomposerst05thom HAROLD BLEBLffiR^^ PROVO. UTAH DANIEL FRANCOIS ESPRIT AUBER From an engraving by C. Deblois, 7867. 41 .'^4/ rii'iiMia-"- '^'', Itamous COMPOSERS AND THEIR MUSIC EXTRA ILLUSTPATED EDITION o/' 1901 Edited by Theodore Thomas John Knowlej Paine (^ Karl Klauser ^^ n .em^fssfi BOSTON M'^ J B MILLET COMPANY m V'f l'o w i-s -< & Copyright, 1891 — 1894— 1901, By J. B. Millet Company. DANIEL FRANCOIS ESPRIT AUBER LIFE aiore peaceful, happy and making for himself a reputation in the fashionable regular, nay, even monotonous, or world. He was looked upon as an agreeable pianist one more devoid of incident than and a graceful composer, with sparkling and original Auber's, has never fallen to the ideas. He pleased the ladies by his irreproachable lot of any musician. Uniformly gallantry and the sterner sex by his wit and vivacity. harmonious, with but an occasional musical dis- During this early period of his life Auber produced sonance, the symphony of his life led up to its a number of lietier, serenade duets, and pieces of dramatic climax when the dying composer lay sur- drawing-room music, including a trio for the piano, rounded by the turmoil and carnage of the Paris violin and violoncello, which was considered charm- Commune. Such is the picture we draw of the ing by the indulgent and easy-going audience who existence of this French composer, in whose garden heard it. Encouraged by this success, he wrote a of life there grew only roses without thorns ; whose more imp^i/rtant work, a concerto for violins with long and glorious career as a composer ended only orchestra, which was executed by the celebrated with his life ; who felt that he had not lived long Mazas at one of the Conservatoire concerts.
  • Faust-Education-Pack.Pdf

    Faust-Education-Pack.Pdf

    Faust Music by Charles Gounod Libretto by Jules Barbier English Translation by Ruth Martin & Thomas Martin adapted by SCO Doctor Faust is alone. The promise of love and the return of his youth is enough to convince Faust to make a deal with the devil, Méphistophélès As Méphistophélès’ plan unravels, Faust is led down an increasingly darker path that will lead to love, death, greed and madness. Contents Introduction… 4 Faust by Gounod…5 - What is Opera?... 5 - Who was Gounod?... 6 - Who was Goethe?...6 - Who are SCO?... 7 The Story of Faust…8 - Plot summary…8 Key Characters of Faust…10 Creative view for Faust… 11 - Challenges of Touring …11 - Design of Faust…12 Cast of Faust Interviews… 13 Lesson Plans…14 - Music…14 - Drama…16 Tour Dates… 18 Introduction In September 1846 Verdi started work on a project to turn Johann Wolfgang von Goethe’s play Faust: Part 1 into an opera. The play tells the story of a doctor who is seduced by the devil with the promise of youth and love, and tracks his tragic fall into greed, lust and bloody violence. Gounod was seduced by the play’s dramatic plot, its elements of the supernatural, and the potential for creating a spectacular theatrical experience. Working with “… Musical ideas sprang to the poet Jules Barbier from a version of Goethe’s play by Michael Carré called ”Faust et Marguerite”, my mind like butterflies, and Gounod created a five act opera in French that was all I had to do was to stretch first performed in Paris in 1859.
  • Palazzetto Bru Zane -Ciclo Gounod

    Palazzetto Bru Zane -Ciclo Gounod

    La sua musica è divina tanto quanto la sua persona è nobile e distinta. Gounod è giustamente considerato l’apostolo di un romanticismo lirico, sensuale e seduttivo. Dal rapito stupore dell’«aria dei gioielli» del Faust CICLO Gounod ha un al candore pastorale di Mireille passando per la voluttuosità della scena del giardino in Roméo et Juliette, il compositore ha saputo cogliere immenso avvenire. e tradurre in musica i palpiti dell’anima umana vittima dell’amore, CHARLES Pauline Viardot sia esso folgorante o contrastato. Ma Gounod non fu solo il cantore del desiderio: l’obiettivo del ciclo che il Palazzetto Bru Zane gli dedica è appunto mostrarne tutti i diversi aspetti. E dunque, composizioni GOUNOD, poco note (il Concerto per pianoforte con pedaliera, la trascrizione da Mozart per coro a cappella) affiancheranno un evento quale la prima creazione in tempi moderni della sua ultima opera lirica, Le Tribut (1818-1893) de Zamora; al contempo, verrà rivolto uno sguardo nuovo a brani più famosi, in particolare la prima versione del Faust con testi parlati, DALLA CHIESA interpretata con strumenti d’epoca. ALL'OPERA In occasione del bicentenario della nascita del compositore, il Palazzetto Bru Zane si propone di far conoscere meglio un musicista che non fu soltanto l’autore del Faust e di Roméo et Juliette. 17 La sua musica è divina tanto quanto la sua persona è nobile e distinta. Gounod è giustamente considerato l’apostolo di un romanticismo lirico, sensuale e seduttivo. Dal rapito stupore dell’«aria dei gioielli» del Faust CICLO Gounod ha un al candore pastorale di Mireille passando per la voluttuosità della scena del giardino in Roméo et Juliette, il compositore ha saputo cogliere immenso avvenire.
  • Inhaltsverzeichnis

    Inhaltsverzeichnis

    Carl Orff Zur Navigation springen Zur Suche springen Orff ist eine Weiterleitung auf diesen Artikel. Weitere Bedeutungen sind unter Orff (Begriffsklärung) aufgeführt. Carl Orff (1956) Carl Orff um 1970 Carl Orff (* 10. Juli 1895 in München; † 29. März 1982 ebenda) war ein deutscher Komponist und Musikpädagoge. Sein bekanntestes Werk ist die szenische Kantate Carmina Burana, die zu einem der populärsten Chorwerke des 20. Jahrhunderts wurde. Inhaltsverzeichnis • 1 Leben o 1.1 Verhältnis zum NS-Staat o 1.2 Weitere Tätigkeiten o 1.3 Privatleben • 2 Werke o 2.1 Bühnenwerke o 2.2 Andere Werke • 3 Ehrungen (Auswahl) • 4 Nachwirken und Rezeption • 5 Schüler • 6 Siehe auch • 7 Literatur • 8 Weblinks • 9 Einzelnachweise Leben Carl Orff, 1895 in der Maillingerstraße 16 (heute: Hausnr. 30[1]) im Münchener Stadtteil Neuhausen geboren,[2] war der Sohn des Berufsoffiziers Heinrich Orff und erhielt ab 1900 Klavier-, Cello- und Orgelunterricht. In diesem Jahr erschien auch seine erste Komposition. Frühe Erfahrung im Musizieren in der Gruppe sammelte er als Schüler des Wittelsbacher- Gymnasiums, wo er das Schulorchester auf der Orgel, dem Klavier oder Harmonium begleitete und im Schulchor Solopartien als Sopran übernahm. Außerdem sang er sonntags im Kirchenchor, und zuhause, von seiner Mutter am Klavier begleitet, Opernpartien nach Klavierauszügen. Mit 14 Jahren war er nach dem Besuch der Oper Der Fliegende Holländer von Richard Wagner tagelang so erregt, dass er diese bald darauf mit einem Klavierauszug ausgestattet erneut besuchen musste, um wieder ansprechbar zu werden.[3] Nachdem Carl Orff 1911 unter anderem Gedichte von Hölderlin und Heine für Gesang und Klavier vertont hatte, studierte er von 1913 bis 1914 an der Königlichen Akademie der Tonkunst in München und widmete sich daneben der Musikpädagogik.
  • Magistrsko Delo

    Magistrsko Delo

    UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za anglistiko in amerikanistiko Eva ZORE MAGISTRSKO DELO Maribor 2018 UNIVERZA V MARIBORU FILOZOFSKA FAKULTETA Oddelek za anglistiko in amerikanistiko MASTER’S THESIS Operatic Adaptation of Shakespeare’s Romeo and Juliet MAGISTRSKO DELO Operna adaptacija Shakespearove drame Romeo in Julija Mentor: Kandidatka: izr. prof. dr. Tomaž Onič Eva Zore Maribor 2018 Lektor povzetka v slovenščini: Andraž Gradišnik, mag. prof. angl. in slov. ZAHVALA It is only with the heart that one can see rightly. — Antoine de Saint-Exupéry Velika zahvala gre mojemu mentorju, izr. prof. dr. Tomažu Oniču, profesorju z veliko začetnico, za strokovne nasvete in vsestransko pomoč pri nastajanju tega magistrskega dela. Hvala red. prof. dr. Michelle Gadpaille za jezikovni pregled magistrskega dela. Hvala, mami in ati – brez vaju ta pot ne bi bila mogoča. IZVLEČEK To magistrsko delo analizira Gounodovo operno adaptacijo Shakespearove drame Romeo in Julija. Ljubezenska zgodba med Romeom in Julijo je postala arhetip ljubezni, zato lahko njuna lika zasledimo v različnih umetniških disciplinah. Na področju glasbe je bila Shakespearova zgodba prikazana v številnih žanrih, med drugim najvidneje v Bellinijevi operi I Capuleti e i Montecchi (1830), Berliozovi simfoniji Roméo and Juliette (1839), Gounodovi romantični operi Roméo et Juliette (1867), baletu Sergeja Prokofjeva Ромео и Джульетта (1938) in v Bernsteinovem muzikalu West Side Story (1961). Gounodeva opera Roméo et Juliette je delo v petih dejanjih na francoski libreto Julesa Barbiera in Michela Carréja. Prvič je bila uprizorjena leta 1867 v pariškem gledališču Théâtre-Lyrique. Magistrsko delo analizira in primerja dve primarni besedili: Shakespearovo dramo Romeo and Juliet in libreto opere Charlesa Gounoda Roméo et Juliette.

  • Konzert Im Fronhof G R U B S G U A

    Jun M onatspr ogramm Karten- und Kulturservice Telefon +49 (0) 89 53297-222 Unsere Tipps 6., 18., 25. Juni, 19:30 Uhr Residenztheater Der Hausmeister von Harold Pinter Auf Andrea Breth ist Verlass: Die hochangesehene Regisseurin, die zum ersten Mal in München inszeniert, gilt als Garantin des Literaturtheaters, dem Wort des Dichters verpflichtet, nirgends Videos, keine fremden Texteinschübe, null Mätzchen. Genau so setzt sie ihr Wunschstück, Pinters „Hausmeister“ aus den Sechzigerjahren, in Szene. Die Guckkastenbühne ist auf Minia - turformat geschrumpft, das vollgerümpelte Messie-Zimmer zweier ungleicher Brüder wird neuerdings von dem Obdachlo - sen Davies mitbewohnt, besser: besetzt. Der freundliche Aston mit Psychiatrie-Karriere hat dem unangenehmen alten Mann eine Bleibe angeboten, die dieser fortan mit List und Tücke verteidigt, auch gegen Mick, der übel gegen den kleinen Bruder ausgespielt werden soll. Ein subtiler Krimi vielleicht, unheim - lich, mysteriös. „Man muss nicht jedes Rätsel lösen“, sagte Breth in der SZ. Und schlägt uns mit ihrem Vertrauen zur Spra - che, ihrer Kunst der Pausen und der Langsamkeit in Bann. Da laufen die drei Schauspieler, der große alte Hans-Michael Reh - berg, der neue „Resi“-Star Shenja Lacher und Norman Hacker zur Höchstform auf. Welch glückliche Fügung! sis 19. Juni – 6. Juli, 19. Juli – 17. August, Mi. – So., 19:30 Uhr Münchens Kleinstes Opernhaus in der Pasinger Fabrik La Bohème von Giacomo Puccini Nach „Tosca“ (2012), der ersten Puccini-Inszenierung in der Pasinger Fabrik, freuen sich die Pasinger Opernmacher auf das wohl bedeutendste Werk Puccinis „La Bohème“. Nach den überaus großen Erfolgen 2006 mit „Hochzeit des Figaro“, 2008 mit „Cosi fan tutte“ und 2010 „La Traviata“ wird Doris Sophia Heinrichsen zum vierten Mal am Haus Regie führen, die musi - kalische Leitung liegt in den bewährten Händen von Andreas Pascal Heinzmann.
  • Catullus in Verona Skinner FM 3Rd.Qxd 9/22/2003 11:39 AM Page Ii Skinner FM 3Rd.Qxd 9/22/2003 11:39 AM Page Iii

    Catullus in Verona Skinner FM 3Rd.Qxd 9/22/2003 11:39 AM Page Ii Skinner FM 3Rd.Qxd 9/22/2003 11:39 AM Page Iii

    Skinner_FM_3rd.qxd 9/22/2003 11:39 AM Page i Catullus in Verona Skinner_FM_3rd.qxd 9/22/2003 11:39 AM Page ii Skinner_FM_3rd.qxd 9/22/2003 11:39 AM Page iii Catullus in Verona A Reading of the Elegiac Libellus, Poems 65–116 MARILYN B. SKINNER The Ohio State University Press Columbus Skinner_FM_3rd.qxd 9/22/2003 11:39 AM Page iv Copyright © 2003 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Skinner, Marilyn B. Catullus in Verona : a reading of the elegiac libellus, poems 65-116 / Marilyn B. Skinner. p. cm. Includes bibliographical references and index. ISBN 0-8142-0937-8 (Hardcover : alk. paper) — ISBN 0-8142-9023- X (CD-ROM) 1. Catullus, Gaius Valerius. Carmen 65-116. 2. Catullus, Gaius Valerius—Knowledge—Verona (Italy) 3. Elegiac poetry, Latin— History and criticism. 4. Verona (Italy)—In literature. I. Title. PA6276 .S575 2003 874'.01—dc21 2003004754 Cover design by Dan O’Dair. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 Skinner_FM_3rd.qxd 9/22/2003 11:39 AM Page v D. M. parentibus carissimis Edwin John Berglund, 1903–1993 Marie Michalsky Berglund, 1905–1993 hoc vobis quod potui Skinner_FM_3rd.qxd 9/22/2003 11:39 AM Page vi Skinner_FM_3rd.qxd 9/22/2003 11:39 AM Page vii Ghosts Those houses haunt in which we leave Something undone.
  • Romeo and Juliet Opera Box Lesson Plan Title Page with Related Academic Standards

    Romeo and Juliet Opera Box Lesson Plan Title Page with Related Academic Standards

    O p e r a B o x Table of Contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .12 Synopsis and Musical Excerpts . .40 Flow Charts . .44 Charles Gounod – a biography ..............................51 Catalogue of Gounod’s Operas . .53 Background Notes . .54 World Events in 1867 ....................................64 History of Opera ........................................65 History of Minnesota Opera, Repertoire . .76 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................80 Elements of Opera .......................................81 Glossary of Opera Terms ..................................85 GIOACHINO ROSSINI Glossary of Musical Terms .................................91 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .94 Word Search, Crossword Puzzle . .97 Evaluation . .100 CHARLES GOUNOD Acknowledgements . .101 JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 620 North First Street, Minneapolis, MN 55401 Kevin Ramach, PRESIDENT AND GENERAL DIRECTOR Dale Johnson, ARTISTIC DIRECTOR Dear Educator, Thank you for using a Minnesota Opera Opera Box. This collection of material has been designed to help any educator to teach students about the beauty of opera. This collection of material includes audio and video recordings, scores, reference books and a Teacher’s Guide. The Teacher’s Guide includes Lesson Plans that have been designed around the materials found in the box and other easily obtained items. In addition, Lesson Plans have been aligned with State and National Standards. See the Unit Overview for a detailed explanation. Before returning the box, please fill out the Evaluation Form at the end of the Teacher’s Guide.
  • Carmina Bura- What?

    Carmina Bura- What?

    Carmina Bura- What? HIFA - HIFA 2010 Wednesday, 28 April 2010 07:34 ARTICLE INDEX Carmina Bura- What? More Info Watch the Video All Pages A s the fireworks went off last night to mark the ending of the HIFA opening concert and the official start of the 2010 edition of the six day festival there were some who remained sitting there on the ground, awed by what they had just seen and heard while others were jostling to get out of the Telecel Main Stage arena as quickly as possible. ^ Sacrifice to the gods? A scene from Carmina Burana. The opening show, a uniquely Zimbabweanized rendition of Carl Orff's famous choral work, Carmina Burana, was presented by the Embassy of Spain in association with OSISA and supported by BancABC. This enduringly popular work, based on the medieval collection of poems by the same name, was delivered last night through the combined talent of 90 Zimbabwean voices drawn from different choirs, including New Life Covenant Choir, Celebration Choir, Chitungwiza Harmony Singers and others. http://www.zimbojam.com/culture/harare‐international‐festival‐of‐the‐arts/93‐hifa‐2010/1360‐carmina‐bura‐what.html?showall=1 ^ The 90 strong choir on stage. The show was full of surprises as men on stilts appeared unexpetedly, ghost like figures emerged from wooden boxes placed in front of the stage and awe-inspiring visual multi-media projections were beamed onto a huge semi-transparent screen covering the whole stage (which went up periodically to reveal the choir on stage) and onto another jug-shaped screen, left of the arena.
  • 1 Abstracts for the Ams Nys-Sl Chapter Meeting, May

    1 Abstracts for the Ams Nys-Sl Chapter Meeting, May

    ABSTRACTS FOR THE AMS NYS-SL CHAPTER MEETING, MAY 1-3, 2015 FRIDAY, MAY 1 Keynote Paper Professor Jeremy Dibble, University of Durham From ‘Prometheus’ to ‘Judith’: Parry’s choral odyssey 1880-1888’ Jeremy Dibble studied music at Trinity College, Cambridge (with Philip Radcliffe, Richard Marlow, Peter le Huray and Robin Holloway) and at Southampton University (with Peter Evans). Before he was appointed as a lecturer at Durham in 1993, he was a lecturer in music at University College, Cork. In 2010 the Royal School of Church Music awarded him a Fellowship (FRSCM) for services to church music and, in 2013, he was awarded a Fellowship (FGCM) by the Guild of Church Musicians. Professor Dibble’s research specialisms lie in British and Irish music of the nineteenth and twentieth centuries, an area which includes not only composer studies, but also musical criticism and aesthetics, church music, hymnology, song, light music, opera and instrumental music. He is best known for his monographs C. Hubert H. Parry: His Life and Music (Oxford: OUP, 1992 rev. 1998) and Charles Villiers Stanford: Man and Musician (Oxford: OUP, 2002), John Stainer: A Life in Music (Woodbridge: Boydell & Brewer, 2007), Michele Esposito (Dublin: Field Day Press, 2010) and Hamilton Harty: Musical Polymath (Woodbridge: Boydell & Brewer, 2013), and for his edition of Parry’s Violin Sonatas for Musica Britannica (Vol. LXXX, 2003). Professor Dibble’s paper will be followed by a question period and an informal talk by Professor Stephanie Martin (York University), who will talk about mounting the first North American performance of Parry’s Judith at Koerner Hall, Toronto, May 3, 2015.