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La Civilización Del Islam
Biblioteca Islámica «Fátimah Az-Zahra» www.islamelsalvador.com En el Nombre de Dios el Clemente y Misericordioso LA CIVILIZACIÓN DEL ISLAM Pequeña Enciclopedia de la cultura, las artes, las ciencias, el pensamiento y la fe de los pueblos musulmanes Ricardo Horacio Shamsuddín Elía Organización Islámica Argentina Primera Edición: Organización Islámica Argentina Presente Edición Electrónica: Biblioteca Islámica «Fátimah Az-Zahra» Sitio en Internet: www.islamelsalvador.com Correo Electrónico: [email protected] Biblioteca Islámica «Fátimah Az-Zahra» www.islamelsalvador.com ÍNDICE Introducción La Expansión de la Cultura del Islam 5 El Renacimiento Empieza en Córdoba 18 Al-Ándalus I 24 Al-Ándalus II 45 Al-Ándalus III 56 El Jardín en la tradición islámica 81 Introducción a las cruzadas 95 Los Mamelucos 125 Las dinastías musulmanas del Asia central 138 El impacto de los mongoles en Oriente y 143 Occidente Avempace e Ibn Tufail 153 Ibn Hazm de Córdoba e Ibn Arabi de Murcia 171 Averroes y El Averroísmo 179 Ibn Jaldún: el primer sociólogo de la historia 191 Los judíos del Occidente musulmán 196 Los Otomanos 217 Los Safavíes del Irán 242 Historia de la India islámica 250 El Islam en África 267 Viajeros del Oriente y Occidente musulmán 275 La navegación en el Islam 287 Islamólogos 295 Ornamentos y Decoración del Arte Islámico 326 El Arte Mudéjar en Europa y América 338 Los Aromas de Al-Ándalus 360 Alquimistas y Matemáticos 369 La Música en el Islam 375 Sufismo 388 Poesía 395 Peregrinación 406 La Medicina en el Islam 413 Miniatura Islámica 426 Dante y el Islam 430 2 Biblioteca Islámica «Fátimah Az-Zahra» www.islamelsalvador.com En el Nombre de Dios el Graciabilísimo, el Misericordiosímo LA CIVILIZACIÓN DEL ISLAM Pequeña enciclopedia de la cultura, las artes, las ciencias, el pensamiento y la fe de los pueblos musulmanes ¡Cuánto recreo aquí para los ojos! Ibn Zamrak (1333-1392), poeta andalusí. -
University of Lo Ndo N Soas the Umayyad Caliphate 65-86
UNIVERSITY OF LONDON SOAS THE UMAYYAD CALIPHATE 65-86/684-705 (A POLITICAL STUDY) by f Abd Al-Ameer 1 Abd Dixon Thesis submitted for the degree of Doctor of Philoso] August 1969 ProQuest Number: 10731674 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731674 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 2. ABSTRACT This thesis is a political study of the Umayyad Caliphate during the reign of f Abd a I -M a lik ibn Marwan, 6 5 -8 6 /6 8 4 -7 0 5 . The first chapter deals with the po litical, social and religious background of ‘ Abd al-M alik, and relates this to his later policy on becoming caliph. Chapter II is devoted to the ‘ Alid opposition of the period, i.e . the revolt of al-Mukhtar ibn Abi ‘ Ubaid al-Thaqafi, and its nature, causes and consequences. The ‘ Asabiyya(tribal feuds), a dominant phenomenon of the Umayyad period, is examined in the third chapter. An attempt is made to throw light on its causes, and on the policies adopted by ‘ Abd al-M alik to contain it. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced firom the microfilm master. UMT films the text directly fi’om the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be fi’om any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing fi’om left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Ifowell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 THE EMERGENCE AND DEVELOPMENT OF ARABIC RHETORICAL THEORY. 500 C £.-1400 CE. DISSERTATION Presented m Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Khaiid Alhelwah, M.A. -
Abū Isḥāq's Ode Against the Massacre of 1066 Āq's Ode Against the Jews
Abū Isḥāq's ode against the Jews and the massacre of 1066 CE in Granada L.J.P. Janssen S0735906 MA Thesis MA Middle Eastern Studies: Arabic Studies Leiden University Thesis supervisor: Prof. Dr. P.M. Sijpesteijn 09-08-2016 Contents: Note on transcription, names and words 3 Introduction 4 Chapter 1: A historiographical overview 6 Chapter 2 : Poetry as propaganda and Abū Isḥāq's ode 19 Chapter 3 : Abū Isḥāq’s obscurity in the early sources 30 Chapter 4 : What happened in the 14th century? 41 Conclusion 52 Bibliography 54 Appendix: Abū Isḥāq’s ode against the Jews 62 Cover image: Dīwān of Abū Isḥāq al-Ilbīrī, Ms. Esc. 404, f.10v 2 Note on transcription, names and words 1. The transcription system used in this thesis is that used by Leiden University, as stated here: http://www.hum.leidenuniv.nl/middenoosten/handleiding-formulier/transcriptie-arabisch.html. 2. The transcription of several names in this thesis differs from the norm, but they are either transcribed corresponding to the Arabic in the original sources or they match the transcription used in the Encyclopaedia of Islam, Second Edition (and are then adapted according to the transcription system used in this thesis). These names include: - Ḥasdāy ibn Shaprūṭ - Abū al-Faḍl Ḥasdāy ibn Ḥasdāy - Ismāʿīl - Marīnids 3. Arabic words like wazīr are explained after their first usage and written in italics throughout. This does not include English terms derived from Arabic words, such as dhimmitude. 4. Unknown authors or authors, of whom is not known when they died, have (d.unknown) behind their name. -
Tales of the Alhambra
Tales of the Alhambra Architecture, poetry and meaning in fourteenth-century Granada THE ALHAMBRA Alhambra = Arabic al-ḥamrāʾ, “the red” 1st Comares Palace (Court of the Myrtles) Ismāʿīl I 2nd Comares Palace (Court of the Myrtles) Yūsuf I Garden Palace or Qaṣr al-Riyāḍ (“Court of the Lions”) Muḥammad V THE NAṢRID SULTANS (only those mentioned are shown) Ismāʿīl I (1314-1325) Muḥammad IV (1325-1333) Yūsuf I (1333-1354) Muḥammad V (1354-1359; 1362-1391) Ismāʿīl II (1359-1360) THE POETS OF THE DĪWĀN AL-INSHĀʾ (only those mentioned are shown) ʿAlī ibn al-Jayyāb (b.1274; d. of plague 1349) 1st career, 1295-1314: apprentice, secretary, head of department 2nd career, 1314-1349: secretary, head of department, vizier, double vizier, i.e. of both the pen (civil administration) and the sword (army). Ibn al-Khaṭīb (b.1313; d.1374, murdered in prison in Morocco) 1332-1371: apprentice, secretary, personal secretary to the sultan, head of department, vizier, double vizier; 1371-72, fled to Morocco. Ibn Zamrak (b.1330; d.1393, murdered with his sons) 1354-1393: apprentice, personal secretary to the sultan, head of department, vizier. THE POEMS The Arabic texts of these poems, with a Spanish translation and relevant bibliography, are to be found in García Gómez 1985. However, most of the emendations to the Arabic proposed by García Gómez have been ignored, in favour of the text of the inscriptions themselves. The free English translations (by Nadia Jamil and JJ) that follow have been made specially for this lecture; amongst several interweaving strands of meaning, they follow only those most important for the argument proposed. -
Los Moriscos Esp A:Roles a Tra Ves De Sus Manuscritos
LOS MORISCOS ESPA:ROLES A TRAVES DE SUS MANUSCRITOS ALJAMIADOS María Teresa Narváez Córdova l. Introducción El presente estudio intenta presentar a una nueva luz la situa ción histórica, vital, cultural y aún afectiva de la trágica casta de los moriscos españoles en los años que sigüen al final de la Reconquis ta en 1492. La situación de estos moriscos ha sido generalmente explorada por historiadores que se basan en fuentes, crónicas y documentos que ofrecen el punto de vista cristiano: los Archivos de la Inquisición, los documentos de la Real Academia de la Histo ria y crónicas y documentos de reinos, catedrales y monasterios. Nuestro estudio, por su parte, tendrá como fuente principal la literatura aljamiada, es decir, una fuente morisca. Esto nos permi tira una visión un tanto diferente de la tradicional, ya que estare mos escuchando el punto de vista de los mismos moriscos que pro tagonizaron ese episodio tan completo, tan difícil, pero tan fe cundo, de la historia española de los siglos XV, XVI y XVII. MARIA TERESA NAR VAEZ nació en España, hija de padres puertorrique ños, en el año de 1955 y se trasladó a Puerto Rico en 1957. Para el año de 1977, se graduó con honores de la Universidad de Puerto Rico donde obtuvo el grado de Bachiller en Artes con concentración en Psicología. Actualmente cursa estudios en la concentración de Estudios Hispánicos de la Facultad de Humanidades. Tiene bajo publicación dos artículos: "San Juan de la Cruz y Algazel", que se publicará en el Boletín de la Academia de la Lengua de Puerto Rico, y otro, realizado en colaboración con la Dra. -
The Sermons of 'Ali Ibn Abi Talib
ANUARIO DE ESTUDIOS MEDIEVALES 42/1, enero-junio de 2012, pp. 201-228 ISSN 0066-5061 doi:10.3989/aem.2012.42.1.10 THE SERMONS OF ‘ALI IBN ABI TALIB: AT THE CONFLUENCE OF THE CORE ISLAMIC TEACHINGS OF THE QUR’AN AND THE ORAL, NATURE-BASED CULTURAL ETHOS OF SEVENTH CENTURY ARABIA1 LOS SERMONES DE ‘ALI IBN ABI TALIB: EN LA CONFLUENCIA ENTRE LAS ENSEÑANZAS ISLÁMICAS DEL CORÁN Y LA ÉTICA CULTURAL BASADA EN LAS TRADICIONES ORALES SOBRE LA NATURALEZA DE LA ARABIA DEL SIGLO VII TAHERA QUTBUDDIN The University of Chicago Abstract: Sermons attributed to ‘Ali ibn Resumen: Los sermones atribuidos a ‘Ali Abi Talib (c. 600-661, fi rst Shi‘a imam ibn Abi Talib (c. 600-661, primer imam and fourth Sunni caliph) promoted core chií y cuarto califa suní) fomentaron las Qur’anic doctrine and ethics through an doctrinas y la ética coránicas fundacio- aesthetic steeped in the oral, nature-based, nales mediante una estética oratoria, im- poetic culture of seventh-century Arabia. buida de la cultura poética oral basada en Using traditional Arabian metaphors of metáforas de la naturaleza, característica camels, watering holes, and pithy, rhyth- de la Arabia del siglo VII. ‘Ali utilizaba mic, orality-grounded cadences, ‘Ali metáforas tradicionales de camellos y urged his audience to worship the One abrevaderos, junto con expresiones rít- God, follow the guidance of His prophet micas y lacónicas llenas de cadencias de Muhammad, shun worldliness, perform la oralidad, para instar a los oyentes a good deeds, and prepare for the imminent adorar al Dios único, seguir la dirección hereafter. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) [Review of: W. Werkmeister (1983) Quellenuntersuchungen zum Kitab al-'Igd al- farid des Andalusiers Ibn 'Abdrabbih (246/869-328/940): ein beitrag zur Arabischen literaturgeschichte] Schippers, A. Publication date 1985 Document Version Final published version Published in Bibliotheca Orientalis Link to publication Citation for published version (APA): Schippers, A. (1985). [Review of: W. Werkmeister (1983) Quellenuntersuchungen zum Kitab al-'Igd al-farid des Andalusiers Ibn 'Abdrabbih (246/869-328/940): ein beitrag zur Arabischen literaturgeschichte]. Bibliotheca Orientalis, 42, 727-732. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:05 Oct 2021 727 BIBLIOTHECA ORIENTALIS XLII N" 5/6, September-November 1985 728 Walter WERKMEISTER, Quellenuntersuchungen zirni the Prophet's Companions and their direct successors. -
Ibn Asim E Ibn Zamrak
LA ALMUNIA DE LOS ALIJARES SEGÚN DOS AUTORES ÁRABES: IBN ASIM E IBN ZAMRAK ALICIA DE LA HIGUERA / ANTONIO MORALES DELGADO LA ALMUNIA DE LOS ALIJARES SEGÚN DOS AUTORES ÁRABES: IBN ASIM E IBN ZAMRAK The present article is based on the analysis of two Arab sources, Í'unnat al-ridá by Ibn 'Asim al-Garnati and Dtwan by the poet Ibn Zamrak. The information contained in the text of Ibn Asim about what was the almunia de los Alijares pleasure palace of the Alhambra is of great value for the knowledge it provides us about this royal site of which littel information is available from the Castillian sources. This description is, moreover, unique in its genr for not being usual in historians of the Arabic languaje of that period. The profusion of details that he author gives makes possible, for the first time, a virtual reconstruction of the mentioned architectonic complex, which will constitute the second part of this study. At the lame time, the edition of the DTwán of Ibn Zamrak which contains the epigraphic poems that in their day decorated the niches of the qubbas of the royal palace together with other descriptive poems which refer to this palace, complete the information available about the mentioned site, providing the authors of this article, furthermore, will ideal material to analyse from other points of view the complex mentaliry that made possible the pala- ce complex that today no longer exists. This first part of the article ends with an exhaustive revision ot the erymology of the term al-disár. -
Translated by Wordport from Nota Bene Ver. 4 Document
DWIGHT FLETCHER REYNOLDS Full Professor IX Arabic Language & Literature Department of Religious Studies University of California Santa Barbara, CA 93106 Email: [email protected] ACADEMIC & ADMINISTRATIVE POSITIONS Visiting Professor, École des Hautes Études de Sciences Sociales, Paris (April 2018) Senior Research Fellow, New York University Abu Dhabi (Jan-March 2018) Gastprofessor, Seminar für Semitistik und Arabistik, Freie Universität, Berlin (DAAD fellowship) (Spring 2012) Director, Center for Middle East Studies, UCSB (2000-02; 2008-15) Vice-Chair, Department of Religious Studies, UCSB (2005-2010) Acting Chair, Department of Religious Studies, UCSB (Winter 2009) Section Editor (Music), Encyclopaedia of Islam, Third Edition (2002-2009) Director, UC EAP Study Center, Granada, Spain (2002-2005) Chair, Middle East & North Africa Regional Advisory Panel, Social Science Research Council [SSRC] (2001-2006) Contributing Editor, Cambridge History of Arabic Literature, Vol. V (1996-2005) Chair, Islamic & Near Eastern Studies, UCSB (1998-2002) Fellow, Institute for Advanced Studies, Princeton (1997-1998) Affiliate Faculty Member, Theater/Dance, UCSB (2017- ) Affiliated Faculty Member, Latin American & Iberian Studies, UCSB (2005- ) Affiliated Faculty Member, Department of Music, UCSB (1994- ) Affiliated Faculty Member, Comparative Literature Program, UCSB (1994- ) Faculty member, Department of Religious Studies, UCSB (1991- ) Junior Fellow, Harvard Society of Fellows (1986-1990) EDUCATION University of Pennsylvania , Ph.D. Folklore and Folklife -
IBN AL-R M 'S SINGING SLAVE-GIRL This Essay Will
SENSIBILITY AND SYNAESTHESIA: IBN AL-R�M�'S SINGING SLAVE-GIRL This essay will explore the function of wasf (description) by dealing with the relation between verbal art and the musical art of gesture and singing in a medieval Arabic qasadah or ode from the ninth century A.D., which describes a singing slave-girl. Re-examining why and how the ode has entranced the listener or the reader, I shall make use of modern Western modes of interarts studies, while not neglecting conventional Arabic literary compo- nents and the medieval Arabic social, artistic milieu of singing-girls. As theoretical tools, I will use the concept of the "gestural" developed by Lawrence Kramer.' As to the social ambience, an essay on singing slave- girls by al-Jahiz (A.D. 776-869), one of the most prominent classical Arab litterateurs, will be our source. I will also rely on George Sawa's study of the theory and practice of musical performance in the classical Middle East.' For the purpose of re-discovering the quintessence of the qasidah, I hope that innovative and untried methods will provide us with wider and new perspectives on the poetic tradition. Wa?f (description) occupies a central role in the Arabic qasidah tradition and is commonly held to be characteristic of the genre.3 Description is one of the literary strategies used by the poet to reflect an aspect of "reality," either actual or fictional. The qasidah was evaluated negatively by tradi- An earlier version of this article was delivered at the 1999 Annual Meeting of the Middle East Studies Association of North America in Washington, D.C., U.S.A., Nov. -
Ethics and Aesthetics in H Ad嚽th Literature and Classical Arabic Adab
Bulletin of SOAS, 70, 3 32007), 459±486. E School of Oriental and African Studies. Printed in the United Kingdom. Man's ``Hollow Core'': ethics and aesthetics in HadõÅth literature and classical Arabic adab* Ç Stefan Sperl School of Oriental and African Studies [email protected] Abstract Classical Arabic HadõÅth literature is largely composed of micro- narratives recordingÇ the sayings and deeds of the Prophet Muhammad. This study seeks to examine their literary form by focusingÇ on selected examples listed in the canonical HadõÅth compendia under the heading of adab, a term which may be renderedÇ here as ``practical ethics'' but which is also commonly used to designate classical Arabic belles-lettres. While the latter is a type of literature quite distinct from the literature of HadõÅth the texts here studied point to a certain interface betweenÇ them. The ethical dimension of adab as it appears in HadõÅth is examined further in the light of Haydon White's theory onÇ the relation between narrativity and law. Contrasting the micro-narrative of HadõÅth with the ``macro- narrative'' of the epic provides further insightÇ into its approach to adab and serves to highlight its distinct literary and religious aesthetic. Works of classical Arabic prose often consist of brief statements and tales narrated by transmitters and covering a range of topics for the purpose of generating the composite image of a history, a personality or an idea. This style of writing, in which the author's acclaimed function is primarily that of editor and compiler, is