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Daily Current Affairs MCQ's with Explanation
Daily Current Affairs Android APP MCQ’s with Explanation 5th June 2020 Telegram: @ambitiousbaba Q.1. Name the scheme launched by government to provide jobs to returning Indians from abroad. विदेश से आए भारतीयⴂ को नौकरी देने के लिए सरकार 饍िारा श셂ु की गई योजना का नाम बताइए। (a) Bharosa / भरोसा (b) Hope / होप (c) Samarth / समर्थ (d) Tatpar / तत्पर (e) Swades / स्िदेस Ans.1.(e) Exp. The government has launched a new initiative SWADES (Skilled Workers Arrival Database for Employment Support) to conduct a skill mapping exercise and provide employment opportunities to the returning citizens under the Vande Bharat Mission. This is a joint initiative of the Ministry of Skill Development & Entrepreneurship, the Ministry of Civil Aviation and the Ministry of External Affairs which aims to create a database of qualified citizens based on their skillsets and experience to tap into and fulfil demand of Indian and foreign companies. Q.2. What is the name of the disinfection unit developed by DRDO for PPE Disinfection? PPE कीटाणुशोधन के लिए DRDO 饍िारा विकलसत कीटाणुशोधन इकाई का नाम 啍या है? (a) Corona Swachh / कोरोना स्ि楍छ (b) Ultra Kavach / अल्ट्रा किच (c) PPE Swachh / पीपीई स्ि楍छ (d) Corona Kavach / कोरोना किच (e) Ultra Swachh / अल्ट्रा स्ि楍छ Ans.2.(e) Exp. The Defence Research and Development Organisation (DRDO) on Monday said that it has developed a disinfection unit named ''Ultra Swachh'' to disinfect a wide range of materials, including Personal Protective Equipment (PPEs), electronics items and fabrics. -
Visualisation of Women in Media, Literature and Science -Dr
1 BARTERED BODIES VISUALISATION OF WOMEN IN MEDIA, LITERATURE AND SCIENCE -DR. KAMAYANI KUMAR Women’s bodies have since time immemorial served as a ‘site’ on which (metaphorically) war is fought and albeit conquest is sought. In this paper I seek to discuss the visualization of women in war literature. I will be looking at Rajwinder Singh Bedi’s story, Lajwanti and Guy de Maupassant’s Boile De Saufe. Prof. Rachel Bari Although Bedi’s short story does not respond to the generic classification of war literature yet it deals with a shared fate of women across borders and boundaries of time/ space that is stigmatization of Rape. Ironically, in war crimes which are an emanation of conflict pertaining to boundaries, rape emerges as the inevitable PRASARANGA insult thrust upon women irrespective of temporal, spatial, ethnic, nationalistic demarcations hence conforming that borders are mere “shadow lines” and that borders which serve to demarcate nations also serve to embroil and entwine nations. Violence done KUVEMPU UNIVERSITY against women’s bodies is as old as human civilizations, as Brownmiller states, “Violence, specifically rape against women, has been part of every documented war in history from the battles of Babylonia to the subjugation of Jewish women in World 2 War II”1 In fact, Biblical references depict women as “spoils of that inscribe the victories, defeats, and heroic battles that war” and there are various accounts of the rape of Sabine women primarily reflect men’s experiences of war. in Roman mythology. “The act of rape as a mechanism for “rewarding the troops” with “booty” has been a common feature Temporally/ spatially/ culturally the trajectory of this paper ranges from literary responses to the Franco Prussian war, in the representation of war.”2 Because soldiers of antiquity were frequently not paid regular wages, sanctioning the raping and Partition of Indian subcontinent in 1947against the theoretical pillaging of the enemy served as a way to motivate them to fight. -
Basu Chatterjee (1930 - )
HUMANITIES INSTITUTE Stuart Blackburn, Ph.D. BASU CHATTERJEE (1930 - ) LIFE Basu Chatterjee came from a middle-class family in Rajasthan, where his father worked for the railway department. While studying in Ajmer, he went to the cinema and fell in love with films. After graduating, he went to Bombay and worked there as a cartoonist and illustrator for the weekly magazine Blitz, while at the same time continuing to watch films. After a long 18 years on the magazine, he got a job as assistant director in 1966. In 1969, he directed The Whole Sky (Sara Akash), which won many awards and is still often ranked in the top fifty Indian films of all time. Over the 1970s and 1980s, Chatterjee became one of the most popular directors in Indian cinema, primarily by making films about the lives of ordinary people. He often focused on romance and marriage, always with a light touch but raising the level of the rom-com to new levels in India. Chatterjee also had a successful career directing shows for television. He two daughters, one of whom, Rupali Guha, is also a film director. ACHIEVEMENTS Basu Chatterjee won many prizes at the National Film Awards ceremony in New Delhi, including Best Director for Swami in 1978, Best Movie for Tuberose (Rajnigandha) in 1975, and Best Screenplay for The Whole Sky (Sara Akash) in 1972 and A Small Matter (Chhoti Si Baat) in 1976. FEATURE FILMS (as director) 1969 The Whole Sky (Sara Akash) 1972 My Beloved’s House (Piya ka Ghar) 1974 Tuberrose (Rajnigandha) 1974 Beyond (Us Paar ) 1976 Heart Stealer (Chitchor ) 1976 A -
51 International Film Festival of India, 2020
51st Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] 2020 51st International Film Festival of India, 2020 vkf/kdkfjd foojf.kdk: Hkkjrh; flusek Official Catalogue: Indian Cinema Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 vk;kstd & fQYe lekjksg funs'kky; lwpuk vkSj izlkj.k ea=ky;] Hkkjr ljdkj Organized by the Directorate of Film Festivals Ministry of Information and Broadcasting, Government of India 001 OFFICIAL CATALOGUE INDIAN CINEMA IFFI 2020 Festival Director: Chaitanya Prasad, Additional Director General Indian Panorama, Indian Sections & Administration: Tanu Rai, Deputy Director Editors: Shambhu Sahu (English), Pankaj Ramendu (Hindi) Assisted by: Kaushalya Mehra, Arvind Kumar, Kamlesh Kumar Rawat Festival Coordinator: Sarwat Jabin, Rudra Pratap Singh, Shyam R Raghavendran, Design & Creative Director: Mukesh Chandra Photograph (Jury): Photo Division Acknowledgements: NFAI/NFDC/Film Producers/Production Houses for providing the films and other related materials. We are also grateful to various film and festival publications/websites, the extracts from which have helped enrich this book. All views expressed in this publication are not necessarily that of the editor or of the IFFI Secretariat. Published by the Directorate of Film Festivals Ministry of Information & Broadcasting Government of India You can visit us at www.iffigoa.org. www.dif.gov.in Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 003 UNION MINISTER INFORMATION & BROADCASTING AND ENVIRONMENT, FOREST & CLIMATE CHANGE GOVERNMENT OF INDIA MESSAGE I welcome you all to the 51st edition of the International Film Festival of India. -
Various Baton Baton Mein / Chhoti Si Baat / Rajnigndha / Angoor Mp3, Flac, Wma
Various Baton Baton Mein / Chhoti Si Baat / Rajnigndha / Angoor mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Folk, World, & Country / Stage & Screen Album: Baton Baton Mein / Chhoti Si Baat / Rajnigndha / Angoor Country: India Released: 2010 Style: Soundtrack, Hindustani, Bollywood MP3 version RAR size: 1412 mb FLAC version RAR size: 1457 mb WMA version RAR size: 1293 mb Rating: 4.2 Votes: 735 Other Formats: TTA MP1 FLAC MPC DXD AAC AC3 Tracklist Baton Baton Mein 1 –Kishore Kumar & Asha Bhosle Suniye Kahiye Kahiye 2 –Asha Bhosle, Amit Kumar & Chorus* Na Bole Tum Na Maine Kuchh Kaha 3 –Kishore Kumar Kahan Tak Yeh Man Ko Anfhere –Lata Mangeshkar, Pearl Padamsee & Uthe Sab Ke Kadam Dekho Ram Pam 4 Amit Kumar Pam Chhoti Si Baat 5 –Yesudas & Asha Bhosle Jan-E-Man Jan-E-Man 6 –Lata Mangeshkar Na Jane Kyon Hota Hai 7 –Mukesh Yeh Din Kya Aaye Rajnigandha 8 –Mukesh Kai Baar Yun Bhi Dekha hai 9 –Lata Mangeshkar Rajnigandha Phool Tumhare Angoor 10 –Asha Bhosle Hoton Pe Beeti Baat 11 –Asha Bhosle Roz Roz Dali Dali 12 –Sapan Chakraborty Pritam Aan Milo Companies, etc. Marketed By – Saregama India Ltd. Distributed By – Saregama India Ltd. Manufactured By – Saregama India Ltd. Copyright (c) – Saregama India Ltd. Recorded By – The Gramophone Company Of India Ltd. Credits Lyrics By – Amit Khanna (tracks: 1-4), Gulzar (tracks: 10-12), Yogesh (tracks: 5-9) Music By – R. D. Burman (tracks: 10-12), Rajesh Roshan (tracks: 1-4), Salil Chowdhury (tracks: 5-9) Notes Baton Baton Mein - Cineye Films Chhoti Si Baat - B.R. Films(Pvt) Ltd Rajnigandha - Devki Chitra Angoor - A.R. -
Dialogo Oriente-Occidente
DIALOGO ORIENTE-OCCIDENTE: CULTURAS, RELIGIÓN Y SECULARISMO Valladolid, 5 y 6 de julio 2004 DIALOGO ORIENTE-OCCIDENTE: CULTURAS, RELIGIÓN Y SECULARISMO Valladolid, 5 y 6 de julio 2004 5 de julio a las 20:00 h Proyección de la película Mr. India de Shekhar Kapur (1987. India. Subt. en inglés) Película presentada por Shekhar Kapur Lugar: Salón de Actos del Museo Patio Herreriano (Entrada libre hasta completar aforo) 6 de Julio a las 11:30 h Mesa redonda sobre Diálogo Oriente-Occidente Shekhar Kapur. Director de cine, India. Siddhartha. Periodista y activista social, India. Peter Pandimakil. Agustino. Profesor de USP Ottawa y Estudio Agustiniano Valladolid. Oscar Pujol. Indólogo. Director de Programas Educativos de Casa Asia, Barcelona. Moderador: Guillermo Rodríguez Martín. Director ejecutivo de la Casa de la India Lugar: Aula Triste del Palacio Santa Cruz (Entrada libre hasta completar aforo) Organizan: Colaboran: DIALOGO ORIENTE-OCCIDENTE: CULTURAS, RELIGIÓN Y SECULARISMO Valladolid, 5 y 6 de julio 2004 PRESENTACIÓN: Durante los días 1-3 de julio el Forum Barcelona 2004 celebra dentro de la sección “Diálogos” del Forum el Diálogo Oriente-Occidente, un encuentro abierto con personalidades invitadas de todo el mundo para debatir sobre el diálogo intercultural en la sociedad actual. Casa Asia de Barcelona, organizador del Diálogo Oriente- Occidente, y el Forum Barcelona 2004, le han brindado a la Casa de la India de Valladolid la posibilidad de formar parte de este proceso con la organización de unas actividades en las que participan algunos de los protagonistas de este Diálogo. El Diálogo Oriente – Occidente, cuyo antecedente está en la resolución de Naciones Unidas para promover El Diálogo entre Civilizaciones, pretende impulsar un foro de discusión y análisis sobre el papel que tienen los intercambios entre civilizaciones de Oriente y Occidente. -
Ahmed Bin Majed Al-Maadheed, the Qatari Artist Who Drew the Iconic ‘Tamim Al Majd’ Portrait Recalls What Pulled Him to It
Friday, June 5, 2020 Shawwal 13, 1441 AH Doha today 330 - 440 THAT portrait Ahmed bin Majed al-Maadheed, the Qatari artist who drew the iconic ‘Tamim Al Majd’ portrait recalls what pulled him to it. P 2-4 COVER STORY SHOWBIZ BACK PAGE Filmmaker Basu Chatterjee told Diplomatic community hails Qatar’s stories about you and me. resilience on the anniversary of blockade. Page 15 Page 16 2 GULF TIMES Friday, June 5, 2020 COMMUNITY COVER STORY “I drew it with my heart” PRAYER TIME Fajr 3.13am Shorooq (sunrise) 4.44am — Ahmed bin Majed al-Maadheed, Qatari Zuhr (noon) 11.34am Asr (afternoon) 2.58pm Maghreb (sunset) 6.24pm artist who drew ‘Tamim Al Majd’ portrait Isha (night) 7.54pm USEFUL NUMBERS Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Office (Single window facility for the repatriation of bodies) Ministry of Interior 40253371, 40253372, 40253369 Ministry of Health 40253370, 40253364 Hamad Medical Corporation 40253368, 40253365 Qatar Airways 40253374 ote Unquo Qu te “Because things are the way they are, things will not By Azmat Haroon Al Majd’ (Tamim the Glory) quickly his love and faith in the leadership stay the way they are.” became popular. It was everywhere of Qatar. -
70`S Hits Booklet
70`S HITS - 200 SONGS 14. Yeh Sham Mastani Artiste: Kishore Kumar 01. Chura Liya Hai Tumne Jo Film: Kati Patang Artistes: Asha Bhosle & Mohammed Rafi 15. Bachna Aye Hasinon Film: Yaadon Ki Baaraat Artiste: Kishore Kumar 02. Tum Aa Gaye Ho Film: Hum Kisise Kum Naheen Artistes: Lata Mangeshkar & 16. Pyar Diwana Hota Hai Kishore Kumar Artiste: Kishore Kumar Film: Aandhi Film: Kati Patang 03. Do Lafzon Ki Hai Dil Ki Kahani 17. O Saathi Re Artistes: Amitabh Bachchan, Artiste: Kishore Kumar Asha Bhosle & Sharad Kumar Film: Muqaddar Ka Sikandar Film: The Great Gambler 18. Kya Hua Tera Vada 04. Meet Na Mila Re Man Ka Artistes: Sushma Shrestha & Artiste: Kishore Kumar Mohammed Rafi Film: Abhimaan Film: Hum Kisise Kum Naheen 05. Hum Ne Tum Ko Dekha 19. Tere Mere Milan Ki Yeh Raina Artiste: Shailendra Singh Artistes: Lata Mangeshkar & Film: Khel Khel Mein Kishore Kumar 06. Bheegi Bheegi Raaton Mein Film: Abhimaan Artistes: Lata Mangeshkar & 20. Achha To Hum Chalte Hain Kishore Kumar Artistes: Lata Mangeshkar & Film: Ajanabee Kishore Kumar 07. Tere Bina Zindagi Se Film: Aan Milo Sajna Artistes: Lata Mangeshkar & 21. Tere Chehre Se Nazar Nahin Kishore Kumar Artistes: Lata Mangeshkar & Film: Aandhi Kishore Kumar 08. Aap Ki Ankhon Mein Kuch Film: Kabhi Kabhie Artistes: Kishore Kumar & 22. Meri Bheegi Bheegi Si Lata Mangeshkar Artiste: Kishore Kumar Film: Ghar Film: Anamika 09. Ab Aan Milo Sajna 23. Maine Tere Liye Artistes: Lata Mangeshkar & Artiste: Mukesh Mohammed Rafi Film: Anand Film: Aan Milo Sajna 24. Bahon Mein Chale Aao 10. O Mere Dil Ke Chain Artiste: Lata Mangeshkar Artiste: Kishore Kumar Film: Anamika Film: Mere Jeevan Saathi 25. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
Volume-15-Harmony-1458-Songs.Pdf
HINDI 1458 Song No Song Name Singer Movie/Album Song In 14131 Aa Aa Bhi Ja Lata Mangeshkar Tesri Kasam Volume-6 14039 Aa Dance Karen Thora Romance AshaKare Bhonsle Mohammed Rafi Khandan Volume-5 14208 Aa Ha Haa Naino Ke Kishore Kumar Hamaare Tumhare Volume-3 14041 Aa Ja Meri Jaan Kishore Kumar Asha Bhonsle Jawab Volume-3 14042 Aa Ja Re Aa Ja Kishore Kumar Asha Bhonsle Ankh Micholi Volume-3 13615 Aa Mere Humjoli Aa Lata Mangeshkar Mohammed RafJeene Ki Raah Volume-6 13616 Aa Meri Jaan Lata Mangeshkar Chandni Volume-6 12605 Aa Mohabbat Ki Basti BasayengeKishore Kumar Lata MangeshkarFareb Volume-3 13309 Aa Re Preetam Pyaare Sarosh Mamta Sharma Rowdy Rathore Volume-8 14209 Aage Se Dekho Peechhe Se Kishore Kumar Amit Kumar Ghazab Volume-3 14344 Aah Ko Chahiye Ghulam Ali Rooh E Ghazal Ghulam AliVolume-12 13618 Aai Baharon Ki Sham Mohammed Rafi Wapas Volume-4 14133 Aai Karke Singaar Lata Mangeshkar Do Anjaane Volume-6 13619 Aaina Hai Mera Chehra Lata Mangeshkar Asha Bhonsle SuAaina Volume-6 14506 Aaiye Barishon Ka Mausam Pankaj Udhas Chandi Jaisa Rang Hai TeraVolume-12 14043 Aaiye Huzoor Aaiye Na Asha Bhonsle Karmayogi Volume-5 14345 Aaj Ek Ajnabi Se Ashok Khosla Mulaqat Ashok Khosla Volume-12 13310 Aaj Hai Sagaai Abhijeet Alkaji Pyaar To Hona Hi Tha Volume-8 14346 Aaj Hum Bichade Hai Jagjit Singh Love Is Blind Volume-12 12404 Aaj Is Darja Pila Do Ki Mohammed Rafi Vaasana Volume-4 14436 Aaj Kal Shauqe Deedar Hai Asha Bhosle Mohammed Rafi Leader Volume-5 14044 Aaj Khushi Se Jhum Raha Sara Asha Bhonsle Suntan Volume-5 14437 Aaj Ki Raat Mohammed -
Kishore Kumar - Duet Volume - 3
Best Of Kishore Kumar - Duet Volume - 3 A collection of LEGENDRY Songs of Kishore Kumar & Duet. Total 223 Hindi songs. For detail of Song, TM Song Number, Composer, Movie check the Song List SONG CARD of theVolume in Specification. Volume 1: Kishore Kumar: 117 2: Kishore Kumar & Asha Bhonsle: 42 3 3: Kishore Kumar & Lata Mangeshkar: 19 4: Kishore Kumar & Various: 45 Phone: +91 0265 2255704/05 .+91 9904000289 Help Line No.: +91 8511133142 Best Of Kishore Kumar Volum-3 (223) Songs No Songs Name Singer Movie Songs In 14208 Aa Ha Haa Naino Ke Kishore Kumar Hamaare Tumhare Vol-3 14041 Aa Ja Meri Jaan Kishore Kumar Asha Bhonsle Jawab Vol-3 14042 Aa Ja Re Aa Ja Kishore Kumar Asha Bhonsle Ankh Micholi Vol-3 12605 Aa Mohabbat Ki Basti BasayengeKishore Kumar Lata MangeshkarFareb Vol-3 14209 Aage Se Dekho Peechhe Se Kishore Kumar Amit Kumar Ghazab Vol-3 12806 Aaj Mujhe Kuchh Kehna Hai Kishore Kumar Sudha MalhotraGirl Friend Vol-3 12204 Aaj Rona Pada To Samjhe Kishore Kumar Girl Friend Vol-3 12407 Aake Seedhi Lage Dil Pe Jaise Kishore Kumar Half Ticket Vol-3 14045 Aap Sa Koi Haseen Kishore Kumar Asha Bhonsle Chandi Sona Vol-3 14136 Aayi Aayi Main To Aayi Kishore Kumar Asha Bhonsle Jaani Dost Vol-3 14046 Abhi Gyarah Nahin Baje Kishore Kumar Phandebaaz Vol-3 14047 Abhi To Hum Huye Jawan Kishore Kumar Bulundi Vol-3 14137 Achha Chalo Ji Baba Maaf Kar Kishore Kumar Usha MangeshkarHamaare Tumhare Vol-3 14049 Ae Mere Dil Kishore Kumar Albela Vol-3 12618 Ae Meri Topi Palat Ke Aa Kishore Kumar Funtoosh Vol-3 14052 Agar Leta Hoon Tera Naam Kishore Kumar Dil-E-Nadaan -
Political Education in Plural Societies: Using the Anti-Bias Approach to Challenge Oppression in Bombay and Berlin
Dissertation zur Erlangung des akademischen Grades einer Doktorin der Wirtschafts- und Sozialwissenschaften (Dr. rer. pol.) an der Universität Kassel im FB05 Gesellschaftswissenschaften mit dem Thema POLITICAL EDUCATION IN PLURAL SOCIETIES: USING THE ANTI-BIAS APPROACH TO CHALLENGE OPPRESSION IN BOMBAY AND BERLIN vorgelegt von Rubaica Jaliwala Tag der mündlichen Prüfung: 05.07.2012 Erstgutachter: PD Dr. Aram Ziai Zweitgutachter: Prof. Dr. Helen Schwenken Abstract This study addresses the effectivity of the Anti-Bias approach and training methodology as a pedagogical political strategy to challenge oppression among student groups in the cities of Bombay and Berlin. The Anti-Bias trainings conducted within the framework of this study also become the medium through which the perpetuation of oppressive structures by students within and outside the school is investigated. Empirical data from predominantly qualitative investigations in four secondary schools, two each in Bombay and Berlin, is studied and analysed on the basis of theoretical understandings of prejudice, discrimination and identity. This study builds on insights offered by previous research on prejudices and evaluations of anti-bias and diversity interventions, where the lack of sufficient research and thorough evaluations testing impact has been identified (Levy Paluck, 2006). The theoretical framework suggests that prejudices and discriminatory practices are learnt and performed by individuals over the years by way of pre-existing discourses, and that behaviour and practices can be unlearnt through a multi-step process. It proposes that the discursive practices of students contribute to the constitution of their viable selves and in the constitution of ‘others’. Drawing on this framework, the study demonstrates how student-subjects in Bombay and Berlin perpetuate oppressive discourses by performing their identities and performing identities onto ‘others’.