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Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects. -
Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post-independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. While Shankar's musical jhankar propels divine dwellers to zoom in unison with ecstasy, romantic effervescence of Jaikishan music brings divine feelings on to earth. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social. -
Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions. -
Celluloid Anthropology
CELLULOID ANTHROPOLOGY Film, after all, is more than mere Uncle Ike and my father, Jacob celluloid. It is socially constructed within a three-cornered association between filmmakers, film spectators, and the film texts themselves, and at every point in that nexus of relationships we encounter negotiation and interaction involving active social beings and institutionalized social practices.--Andrew Tudor, “Sociology and Film” As a bit of tea-soaked madeleine summoned Marcel’s memories of holidays in Combray, the aroma of sandalwood soap, simply cooked lentils, and hot sweet milk with a cream skin call up the general sensation of one period I spent in India. Sparing my kind father from her hormonal vicissitudes, my pregnant and homesick mother left Chicago for the duration of her pregnancy and took me along to her maternal house. There she was properly pampered and I was entertained by a merry cast of characters from a world to which I belonged, all of us in giddy anticipation of my sister’s birth. Like those “sonorous, fragrant, limpid hours” Proust’s protagonist spent in the country, the time I spent as an only child suddenly plunged into a warm extended family continues to affect and color my life. I cling to the sense of security, contentment, and connection I sensed in what was, for six months, my world instead of the one I so lightly inhabit. So shocked I was by our return to America that when I saw my own sweet father I blinked at him frankly and said, “I’m shy of you.” The people of that faraway land were very different from the quiet wintry Chicago to which we returned, and if I was borne of that world then I was forever very different too. -
Paper 2 Practice of Advertising Lesson 1
PAPER 2 PRACTICE OF ADVERTISING LESSON 1 Newspaper, Magazine LESSON 2 Radio, Doordarshan LESSON 3 Film and Miscellaneous Media LESSON 4 Poster, Banner, Hoarding, Wall Writing, and Transit Media LESSON 5 Characteristics of Media LESSON 6 Internet Advertising LESSON 7 Layout and Design LESSON 8 Creativity in Advertising LESSON 9 Layout and Designing of Advertisement for Journal and Magazine LESSON 10 Cartoon and Graphics LESSON 11 Advertising Campaign LESSON 12 Media Planning Course Code : 02 Author: Prof Pradeep Mathur Lesson-1 NEWSPAPER, MAGAZINE STRUCTURE:- 1.1 Objective 1.2 Introduction 1.3 Advertising Definition Background and History 1.4 Newspaper Printed media Growth and variety Advantages of newspaper Disadvantages of newspapers Future of newspapers 1.5 Magazine Magazine as an advertising medium Types of magazine Cost of production of magazine Advantages of magazine Disadvantages of magazines Future of magazines 1.6 Summary 1.7 Keywords 1.8 Questions for practice 1.9 Suggested readings 1.1 Objectives The aim of this lesson is to project newspaper and magazine as advertising medium. In print medium they are most commonly. After going through this lesson you will be able to: Describe and understand the print media scence in the country. Identify the potent tools for advertising in print media. Understand the role of these media in social developments. Compare both of them and know which one to use and when. Indicate the future prospects of the print media. 1.2 Introduction Advertising media consists of any means by which sales can be conveyed to potential buyers. The choices of media is immense in the developed countries but somewhat limited in the developing countries. -
70`S Hits Booklet
70`S HITS - 200 SONGS 14. Yeh Sham Mastani Artiste: Kishore Kumar 01. Chura Liya Hai Tumne Jo Film: Kati Patang Artistes: Asha Bhosle & Mohammed Rafi 15. Bachna Aye Hasinon Film: Yaadon Ki Baaraat Artiste: Kishore Kumar 02. Tum Aa Gaye Ho Film: Hum Kisise Kum Naheen Artistes: Lata Mangeshkar & 16. Pyar Diwana Hota Hai Kishore Kumar Artiste: Kishore Kumar Film: Aandhi Film: Kati Patang 03. Do Lafzon Ki Hai Dil Ki Kahani 17. O Saathi Re Artistes: Amitabh Bachchan, Artiste: Kishore Kumar Asha Bhosle & Sharad Kumar Film: Muqaddar Ka Sikandar Film: The Great Gambler 18. Kya Hua Tera Vada 04. Meet Na Mila Re Man Ka Artistes: Sushma Shrestha & Artiste: Kishore Kumar Mohammed Rafi Film: Abhimaan Film: Hum Kisise Kum Naheen 05. Hum Ne Tum Ko Dekha 19. Tere Mere Milan Ki Yeh Raina Artiste: Shailendra Singh Artistes: Lata Mangeshkar & Film: Khel Khel Mein Kishore Kumar 06. Bheegi Bheegi Raaton Mein Film: Abhimaan Artistes: Lata Mangeshkar & 20. Achha To Hum Chalte Hain Kishore Kumar Artistes: Lata Mangeshkar & Film: Ajanabee Kishore Kumar 07. Tere Bina Zindagi Se Film: Aan Milo Sajna Artistes: Lata Mangeshkar & 21. Tere Chehre Se Nazar Nahin Kishore Kumar Artistes: Lata Mangeshkar & Film: Aandhi Kishore Kumar 08. Aap Ki Ankhon Mein Kuch Film: Kabhi Kabhie Artistes: Kishore Kumar & 22. Meri Bheegi Bheegi Si Lata Mangeshkar Artiste: Kishore Kumar Film: Ghar Film: Anamika 09. Ab Aan Milo Sajna 23. Maine Tere Liye Artistes: Lata Mangeshkar & Artiste: Mukesh Mohammed Rafi Film: Anand Film: Aan Milo Sajna 24. Bahon Mein Chale Aao 10. O Mere Dil Ke Chain Artiste: Lata Mangeshkar Artiste: Kishore Kumar Film: Anamika Film: Mere Jeevan Saathi 25. -
Internationales Filmfestival Karlovy Vary
Internationales Filmfestival Karlovy Vary Das Internationale Filmfestival Karlovy Vary (tschechisch Mezinárodní filmový festival Karlovy Vary, englische Kurzform KVIFF) findet jedes Jahr Anfang Juli im böhmischen Kurort Karlsbad statt. Das KVIFF zählt zu den 13 A-Festivals, gehört in dieser Gruppe der weltweit führenden Festivals allerdings zu den kleineren Veranstaltungen. Gemessen an der Zahl der verkauften Tickets (etwa 130.000) liegt es zwischen dem etwas größeren Festival von Locarno (147.000) und dem kleineren Warschauer Festival (108.000). Inhaltsverzeichnis Logo des Festivals Geschichte Preisträger Siehe auch Weblinks Einzelnachweise Geschichte 41. Internationales Filmfestival in Das Filmfestival in Karlsbad ist eine der ältesten Filmschauen der Welt. Karlsbad, 2006 Premiere feierte es 1946, wobei es im ersten Jahr mit Marienbad einen zweiten Austragungsort gab. In den drei folgenden Jahren fand das Festival sogar ausschließlich in Marienbad statt, ab 1950 dann nur noch in Karlsbad. Die ersten Preise wurden 1948 verliehen. Damit blicken nur die Filmfestspiele von Venedig und das Moskauer Filmfestival, die bereits in den 1930er Jahren begründet wurden, auf eine längere Tradition zurück. Die Filmfestspiele von Cannes und das Festival von Locarno wurden ebenfalls erstmals 1946 veranstaltet, beide allerdings einige Wochen nach dem ersten Karlsbader Festival. Von 1958 bis 1992 fand das Filmfestival Karlovy Vary lediglich alle zwei Jahre – im Wechsel mit dem Moskauer Filmfestival – statt. Aus diesem Grund konnte das Festival im Jahr 2015 erst seine 50. Austragung feiern, obwohl es zu dem Zeitpunkt bereits 69 Jahre existierte.[1] Zu größeren Veränderungen kam es schließlich bei der 29. Auflage des Festivals im Jahr 1994, als auf einen jährlichen Austragungsrhythmus umgestellt wurde. Zuvor hatten das tschechische Kultusministerium, die Stadt Karlsbad und das ortsansässige Grand-Hotel Pupp eine Stiftung für das Festival gegründet, die den bekannten tschechischen Schauspieler Jiří Bartoška als Präsidenten des Festivals engagierte. -
Your Gateway to the Film Industry
MIT SCHOOL OF FILM & TELEVISION at Raj Kapoor Memorial, Pune MITSFT - your Gateway to the Film Industry www.mitsft.in PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor VISION MIT School of Film and Television, MIT School of Film and Television, Rajbaug, Pune is committed to providing Rajbaug, Pune envisages a 'niche position' advanced training and thus nurturing for Indian films, film m‘ akers and ‘ knowledge-driven visionary filmmakers ‘ ‘ technicians in the world of cinema, where who will have great potential and creative they will be considered as a benchmark of SION abilities and who will make the finest films quality all across the globe. in world cinema, while exhibiting their talent in all departments of film making. MIS 1) RajbaugCONTENTS – The Garden of The King...........................................................................................................04 16) Art Direction and Production Design...........................................................................................................30 2) Raj Kapoor Memorial...............................................................................................................................07 17) Television Production.................................................................................................................................32 3) Raj Kapoor – The Legend, The Man..........................................................................................................08 18) Admission Procedure................................................................................................................................33 -
Volume-15-Harmony-1458-Songs.Pdf
HINDI 1458 Song No Song Name Singer Movie/Album Song In 14131 Aa Aa Bhi Ja Lata Mangeshkar Tesri Kasam Volume-6 14039 Aa Dance Karen Thora Romance AshaKare Bhonsle Mohammed Rafi Khandan Volume-5 14208 Aa Ha Haa Naino Ke Kishore Kumar Hamaare Tumhare Volume-3 14041 Aa Ja Meri Jaan Kishore Kumar Asha Bhonsle Jawab Volume-3 14042 Aa Ja Re Aa Ja Kishore Kumar Asha Bhonsle Ankh Micholi Volume-3 13615 Aa Mere Humjoli Aa Lata Mangeshkar Mohammed RafJeene Ki Raah Volume-6 13616 Aa Meri Jaan Lata Mangeshkar Chandni Volume-6 12605 Aa Mohabbat Ki Basti BasayengeKishore Kumar Lata MangeshkarFareb Volume-3 13309 Aa Re Preetam Pyaare Sarosh Mamta Sharma Rowdy Rathore Volume-8 14209 Aage Se Dekho Peechhe Se Kishore Kumar Amit Kumar Ghazab Volume-3 14344 Aah Ko Chahiye Ghulam Ali Rooh E Ghazal Ghulam AliVolume-12 13618 Aai Baharon Ki Sham Mohammed Rafi Wapas Volume-4 14133 Aai Karke Singaar Lata Mangeshkar Do Anjaane Volume-6 13619 Aaina Hai Mera Chehra Lata Mangeshkar Asha Bhonsle SuAaina Volume-6 14506 Aaiye Barishon Ka Mausam Pankaj Udhas Chandi Jaisa Rang Hai TeraVolume-12 14043 Aaiye Huzoor Aaiye Na Asha Bhonsle Karmayogi Volume-5 14345 Aaj Ek Ajnabi Se Ashok Khosla Mulaqat Ashok Khosla Volume-12 13310 Aaj Hai Sagaai Abhijeet Alkaji Pyaar To Hona Hi Tha Volume-8 14346 Aaj Hum Bichade Hai Jagjit Singh Love Is Blind Volume-12 12404 Aaj Is Darja Pila Do Ki Mohammed Rafi Vaasana Volume-4 14436 Aaj Kal Shauqe Deedar Hai Asha Bhosle Mohammed Rafi Leader Volume-5 14044 Aaj Khushi Se Jhum Raha Sara Asha Bhonsle Suntan Volume-5 14437 Aaj Ki Raat Mohammed -
Raj Kapoor, Dev Anand and Dilip Kumar by Chandrakant Trivedi Trimurti Is Always an Interesting and Inspiring Topic
Federation of Indian Associations (FIA) Sunday / December 20, 2020 Federation of Indian Associations NY-NJ-CT. 501(C)3 The Largest Non-Profit Grassroot Umbrella Organization in the Tri-state of NY-NJ-CT Sunday / December 20, 2020 Issue: 25 100% VOLUNTEER RUN ORGANIZATION EST. 1970 FIA Hosts India Visa and OCI Deconstructing Christmas, Indian Rapper DIVINE Town Hall to Aid Community to a Supreme Religious and of ‘Gully Boy’ Fame Better Understand Working of Social Mega Celebration Featured on Times New Visa Outsourcing Agency Worldwide Square Billboard FIA Hosts India Visa and OCI Town Hall to Aid Community to Better Understand Working of New Visa Outsourcing Agency Record number of people attend one-of-a-kind event with Consul General of India in New York and his staff The Federation of Indian Associations of New York, Randhir Jaiswal, Deputy Consul General, the tristate area of New York, New Jersey and Shatrughna Sinha, and Consul, consular, passport Connecticut (FIA-Tristate) hosted a virtual Town and visa division, Murugesan Ramaswamy. Hall on India Visa and OCI (Overseas Citizenship In the first segment of the Town Hall, Consul of India) card, on Dec. 7. The first of its kind event General Jaiswal and his staff answered collectively aimed to expand the community’s understanding compiled questions regarding the transition process of the workings of the new agency, VFS Global, as from the previous processing agency to VFS Global; well as the details about the transition from the old and its impact on the Indian American community. agency, CKGS, to the new agency, VFS Global. -
Downloads/NZJAS-%20Dec07/02Booth6.Pdfarameters.Html
Ph.D. Thesis ( FEMALE PROTAGONIST IN HINDI CINEMA: Women’s Studies A COMPARATIVE STUDY OF REPRESENTATIVE FILMS FROM 1950 TO 2000 ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ) Doctor of Philosophy IN WOMEN’S STUDIES SIFWAT MOINI BY SIFWAT MOINI UNDER THE SUPERVISION OF DR. PITABAS PRADHAN (Associate Professor) 201 6 ADVANCED CENTRE FOR WOMEN’S STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (INDIA) 2016 DEPARTMENT OF MASS COMMUNICATION ALIGARH MUSLIM UNIVERSITY Dr. Pitabas Pradhan Associate Professor Certificate This is to certify that Ms. Sifwat Moini has completed her Ph.D. thesis entitled ‘Female Protagonist in Hindi Cinema: A Comparative Study of Representative Films from 1950 to 2000’ under my supervision. This thesis has been submitted to the Advanced Centre for Women’s Studies, Aligarh Muslim University, Aligarh for the award of degree of Doctor of Philosophy. It is further certified that this thesis represents original work and to the best of my knowledge has not been submitted for any degree of this university or any other university. (Dr. Pitabas Pradhan) Supervisor Sarfaraz House, Aligarh Muslim University, Aligarh-202002 Phone: 0571-2704857, Ext.: 1355,Email: [email protected], [email protected] ACKNOWLEDGEMENT I owe all of my thankfulness to the existence of the Almighty and the entities in which His munificence is reflected for the completion of this work. My heartfelt thankfulness is for my supervisor, Dr. Pitabas Pradhan. His presence is a reason of encouragement, inspiration, learning and discipline. His continuous support, invaluable feedback and positive criticism made me sail through. I sincerely thank Prof. -
Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social. In fact, Jaikishan was mostly the point of contact for producers, directors and actors to incorporate their requests due to his friendly nature. Of course, both were great human beings, and were incredibly simple in spite of fame and richness.