Raj Kapoor, Dev Anand and Dilip Kumar by Chandrakant Trivedi Trimurti Is Always an Interesting and Inspiring Topic
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GC Influencers Have Been Chosen Following Research Among Private Practice Lawyers and Other In-House Counsel
v GC Influencers INDIA 2019 Thursday, 14th February 2019 Hyatt Regency Delhi Programme Engaging content, networking and celebration with leading General Counsel and top ranked lawyers globally. GC Influencers For more informationINDIA visit 2019 chambers.com A5-Advert-Forums.idml 1 22/10/2018 12:17 Welcome SARAH KOGAN Editor Chambers Asia-Pacific Meet the most influential General Counsel in India today. Chambers has provided insight into the legal profession for over 30 years. During this time, in-house lawyers and third-party experts have shared their views on the value and importance placed on the role of the General Counsel. No longer just the ethical and legal heart of a business, these professionals now sit as influential participants at board level. Effective mangers, industry pioneers, diversity and CSR champions: these Influencers show the way. Research Methodology: Our GC Influencers have been chosen following research among private practice lawyers and other in-house counsel. We identified the key areas in which GCs have displayed substantial influence: Engaging content, • Effective management and development of an in-house team • Navigation of substantial business projects such as M&A or strategic networking and business change. • Development of litigation strategy and understanding the pressures faced celebration with leading within industry General Counsel and top • Bringing diversity & inclusion and CSR to the forefront of industry. ranked lawyers globally. • Ability to influence and respond to regulatory change Our aim is to celebrate excellence within the legal profession. This dynamic hall of fame encourages collaboration among the in-house legal community. Our GC Influencers have created best practice pathways endorsed by both private practice and other in-house lawyers. -
Naushad Aan Mp3, Flac, Wma
Naushad Aan mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Folk, World, & Country / Stage & Screen Album: Aan Country: India Released: 1983 Style: Hindustani, Bollywood, Soundtrack MP3 version RAR size: 1240 mb FLAC version RAR size: 1369 mb WMA version RAR size: 1829 mb Rating: 4.7 Votes: 380 Other Formats: ADX MMF MP3 VQF AIFF AUD MP4 Tracklist A1 –Mohd. Rafi* Man Mera Ehsan A2 –Shamshad Begum Aag Lagi Tanman Men A3 –Lata Mangeshkar Tujhe Kho Diya Hamne A4 –Mohd. Rafi* Mohabbat Choome Jinke Hath A5 –Shamshad Begum, Lata Mangeshkar, Mohd. Rafi* & Chorus* Gao Tarane Man Ke B1 –Mohd. Rafi* Dil Men Chhupa Ke B2 –Lata Mangeshkar & Chorus* Aaj Mere Man Men Sakhi B3 –Shamshad Begum Main Rani Hoon Raja Ki B4 –Mohd. Rafi* Takra Gaya Tumse B5 –Shamshad Begum, Lata Mangeshkar & Chorus* Khelo Rang Hamare Sang Companies, etc. Record Company – EMI Copyright (c) – The Gramophone Company Of India Ltd. Phonographic Copyright (p) – The Gramophone Company Of India Ltd. Manufactured By – The Gramophone Company Of India Ltd. Distributed By – The Gramophone Company Of India Ltd. Printed By – Printwell Credits Lyrics By – Shakeel Badayuni Music By – Naushad Notes From The Original Soundtrack Hindi movie - Aan Other versions Category Artist Title (Format) Label Category Country Year New Light , 10001, IND 6048-C Naushad Aan (LP) 10001, IND 6048-C 1955 New Light LKDA-350 Naushad Aan (LP) Odeon LKDA-350 Pakistan 1980 Related Music albums to Aan by Naushad Laxmikant Pyarelal - Farz / Jigri Dost Naushad - Baiju Bawra Shankar Jaikishan / S. D. Burman - Jab Pyar Kisi Se Hota Hai / Asli Naqli / Tere Ghar Ke Samne Salil Chowdhury, Shankar-Jaikishan - Maya / Love Marriage Roshan , Sahir - Barsat Ki Rat / Taj Mahal Mohd. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
IFFI 2007–Non-Feature Films
IFFI 2007–Non-Feature Films Abhijit Ghosh-Dastidar The International Film Festival at Goa (November 07) offered beautiful, humane portraits in the non-features section of Indian Panorama. Buddhadeb Das Gupta's ''Naushad Ali—The Melody Continues" (Hindi, colour, 39 mins) is a tribute to Naushad Ali, the legendary music composer from Bombay's film world, and the film landscape of the times. The film commences with Dilip Kumar, the actor, visiting Naushad Ali, admitted in Bombay hospital. Naushad passed away in May 06. An 'alap' song, composed by Naushad and sung by Bade Ghulam Ali, from ''Moghal-e-Azam'', is at the debut of the sound track. The voice over states that Naushad was closely linked to Lucknow, where he was born in December 1919. The camera travels along the lanes and streets of Lucknow, with Moghal monuments in the background. Naushad's father was a munshi in court. Naushad had spent his childhood at his grandmother's house. His uncle, Allam, had a harmonium shop, and soon Naushad found a job in a musical instruments shop. He started watching films from the age of eight at the Royal Cinema hall. He was fascinated by the off screen musicians of silent films. Clips from musical silent films roll by. Babbar Khan coached Naushed on the harmonium. Naushad shifted to Bombay in 1937. He spent nights below a staircase. He joined DN Madhok's film production company, and made music for films like ''Mala'' and ''Prem Nagar'', for which he was paid Rs 300 only for each film. He composed classical music to fit the songs of Shamshad Begum in "Baiju Bawra''. -
In Peshawar, Pakistan
Sci.Int.(Lahore),29(4),851-859, 2017 ISSN 1013-5316;CODEN: SINTE 8 851 SIGNIFICANT DILAPIDATED HAVELIES (RESIDENTIAL PLACES) IN PESHAWAR, PAKISTAN Samina Saleem Taxila Institute of Asian Civilizations Quaid-i-Azam University Islamabad Present address: Government Degree College for Women, Muslim Town Rawalpindi, Pakistan [email protected] ABSTRACT:: This research is mainly based on the documentation of enormous havelies in Peshawar, which are not documented. It was noticed during the survey that the area of Qissa Khwani bazaar in Peshawar is overwhelmingly filled with enormous Havelies and buildings. It seems that constructing massive residential places was a tradition of Peshawar city, because Muslims, Hindus and Sikhs who were financially well-off always liked to spend generously on their residential places. Havelies are such living places, which are called havelies either for their enormous size or for some other significancefor being used as social, cultural, religious and business place. Unfortunately the buildings are in a dilapidated state due to the negligence of the authorities and the residents. The main focus of the research is on the residential places of the iconic stars of Indian Films who used to reside in these havelies before Independence of Pakistan. The famous havelies that will be discussed are Raj Kapoor haveli, Dilip Kumar haveli, Shah Rukh Khan Haveli and some important features of havelies of Sethi family. This research is significant because these havelies have never been documented and even now no efforts are being done to protect or restore them. The woodwork in the buildings, which is very intricate especially doors and windows and the architectural style used in these Havelies, which is a combination of Hindu and Mughal building style and sometimes Central Asian influences can also be seen due to the strategic situation of Peshawar. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects. -
Bollywood Star Kangana Ranaut Takes on the Media with Panache. P4-5
Community Community Toastmasters World District renowned DJ P7116-Qatar P16 and American emerges as the electronic music topmost district in the producer Marshmello world for the 2018-19 to perform at QNCC ranking. today. Thursday, July 25, 2019 Dhul-Qa’da 22, 1440 AH Doha today: 320 - 390 SStartar wwarsars COVER Bollywood star Kangana Ranaut takes STORY on the media with panache. P4-5 REVIEW SHOWBIZ Tarnished gold lurking Casting directors in the Hollywood hills. play big part today. Page 14 Page 15 2 GULF TIMES Thursday, July 25, 2019 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.29am Shorooq (sunrise) 4.58am Zuhr (noon) 11.42am Asr (afternoon) 3.08pm Maghreb (sunset) 6.25pm Isha (night) 7.55pm USEFUL NUMBERS Arsass Karaan opinion about life. understand their families but are given a DIRECTION: Gippy Grewal The elderly men believe spending time week to accomplish this. CAST: Gippy Grewal, Gurpreet with each other and communicating may Will Sehaj and Magic manage to fi nd Ghuggi, Meher Vij help bridge their gap. But each time the a common thread for the three diff ering SYNOPSIS: Ardass Karaan explores family plans to spend time with each generations to live together in harmony? the generation gap faced by families. other they end up arguing. How will they use Ardaas (prayer) to Emergency 999 Three elderly men live in Canada with One day, the elderly gentlemen come convey their message about life? Worldwide Emergency Number 112 their families and realise that each across Sehaj and Magic who are full Kahramaa – Electricity and Water 991 generation -
Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post-independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. While Shankar's musical jhankar propels divine dwellers to zoom in unison with ecstasy, romantic effervescence of Jaikishan music brings divine feelings on to earth. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social. -
Rahul Regrets Misquoting SC
Follow us on: facebook.com/dailypioneer RNI No.2016/1957, REGD NO. SSP/LW/NP-34/2019-21 @TheDailyPioneer instagram.com/dailypioneer/ Established 1864 OPINION 8 WORLD 12 SPORT 15 Published From MONEY RULES US TO SANCTION NATIONS FOR NEYMAR RETURNS AS DELHI LUCKNOW BHOPAL BHUBANESWAR IMPORTING IRANIAN OIL RANCHI RAIPUR CHANDIGARH THE ROOST PSG BEAT MONACO 3-1 DEHRADUN HYDERABAD VIJAYWADA Late City Vol. 155 Issue 109 LUCKNOW, TUESDAY APRIL 23, 2019; PAGES 16 `3 *Air Surcharge Extra if Applicable ARSHAD IS UNDERSTATED: VIDYA} BALAN } 14 VIVACITY www.dailypioneer.com Rahul regrets misquoting SC But Cong president repeats ‘Chowkidar chor’ hai in Amethi PNS n NEW DELHI/AMETHI formation campaign” being led of executive power and a lead- by senior BJP functionaries as ing example of the corruption ongress president Rahul well as the Government that of the BJP Government led by CGandhi on Monday the December 14 last year Prime Minister Modi, which expressed regret in the judgment gave a “clean chit” to deserves to be investigated Supreme Court over his the Modi Government on the thoroughly by a Joint remarks attributing certain Rafale deal. Parliamentary Committee and comments against Prime He also referred to a media proceeded against thereafter”. Minister Narendra Modi on the interview by Prime Minister Away from the SC pro- basis of a recent order of the top Narendra Modi in which he ceedings, Rahul once again court in the Rafale deal case, had said the apex court had raked up his often-repeated but wasted no time in repeat- given a clean chit to the poll theme of alleged corrup- ing his “Chowkidar chor” jibe Government in the Rafale deal. -
Sept 4, 2020 1. a David Rebello, Haryana 2. AJ
Press Release: Sept 4, 2020 WE, THE CITIZENS, OBJECT TO THE MANNER OF THE DELHI RIOTS PROBE FULL LIST OF SIGNATORIES 1. A David Rebello, Haryana 2. A J Jawad, Advocate, Tamil Nadu 3. Aabha Muralidharan, Documentary photographer and activist, Kerala 4. Aali Dadhich, Student, Rajasthan 5. Aamir Ismail, Researcher, Central University Of Rajasthan, Ajmer, Rajasthan 6. Aarthi S, Researcher, Karnataka 7. Abdul Aziz, Retired employee, Maharashtra 8. Abdul Khader Mohammed, Consultant, Telangana 9. Abdul Mujeeb Khan, Andhra Pradesh 10. Abdul Raiuf, Computer Programmer, Private Sector, Telangana 11. Abdul, Director, Snehi, New Delhi 12. Abdulsalam CM, Retired Engineer, Kerala State Electricity Board, Kerala 13. Abha Bhaiya, Social Activist, Rajasthan 14. Abha Jeurkar, Researcher, Maharashtra 15. Abha Rani Devi, Assam 16. Abhijit Mitra, Professor, IIIT Hyderabad, Telangana 17. Abhimanyu, Activist, Jan Jagran Shakti sangathan, Araria, Bihar 18. Abhiti, Lawyer, New Delhi 19. Abid Shah, Journalist, Uttar Pradesh 20. Aboobacker, Student, Kerala 21. Adeeb Sanjeeda, Architect, Interplan Architect, Telengana 22. Adil Farouqui, Soft Skills Trainer, Freelance Consultant corporate Trainer, Telangana 23. Adil, Engineer, Private, Telangana 24. Aditi Arur, Assistant Professor, Goa 25. Aditi mehta, Retired govt servant, IAS, New Delhi 26. Aditya Khurana, Associate Director, PWC, New Delhi 27. Aditya Naique, Android app developer, Goa 28. Aditya Nigam, Professor, New Delhi 29. Admiral L Ramdas, Former Chief of Naval Staff, Maharashtra 30. Advocate Md Tanweer Arshad, Lawyer, Legal, Bihar 31. Aftab, Social worker, SIO, Tamil Nadu 32. Afzal khan, Chairperson Idara Islahul Fikr Society, IIFSSR, Himachal Pradesh 33. Agyatmitra, Certified Trainer, Play for Peace, Maharashtra 34. Aijaz Ahmed, Managing Director, Full Stack Academy Hyderabad, Telangana 35. -
Nobel Laureate Toni Morrison Turns Blazing Intellect on Current Issues in the Source of Self-Regard
Community Community Al Jazeera Embassy Academy of France P6achieves P16 organises accreditation by the ‘Women and Diversity team of Western Lunch Talk’ to mark Association of International Schools and Colleges. Women’s Day. Tuesday, March 5, 2019 Jumada II 28, 1440 AH Doha today: 160 - 260 COVER Notes of wisdom STORY Nobel laureate Toni Morrison turns blazing intellect on current issues in The Source of Self-Regard. P4-5 POP SPOT SHOWBIZ Self-titled debut album I’ve become greedier and brings fame for AJ Tracey. selective in fi lms: Divya. Page 14 Page 15 2 GULF TIMES Tuesday, March 5, 2019 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 4.38am Shorooq (sunrise) 5.54am Zuhr (noon) 11.45am Asr (afternoon) 3.07pm Maghreb (sunset) 5.40pm Isha (night) 7.10pm Take Point Forces Minister in an underground bunker below the DIRECTION: Byung-woo Kim Korean demilitarised zone. However, they get caught in the USEFUL NUMBERS CAST: Jung-woo Ha, Sun-kyun Lee, Jennifer Ehle crossfire which causes tensions to escalate to the brink of SYNOPSIS: On the day of the US presidential election World War III. in 2024, Ahab and his team of elite mercenaries embark on a secret CIA mission to abduct North Korea’s Armed THEATRES: Royal Plaza, Landmark Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity