Time Is the Fire: the Best of Connie Willis PDF Book
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The four novels Hyperion, The Fall of Hyperion, Endymion and The Rise of Endymion constitute the Hyperion Cantos by the American science fiction writer Dan Simmons. This galactic-empire, epic, science fiction narrative contains a plethora of literary references. The dominant part comes from the nineteenth-century Romantic poet John Keats. The inclusion of passages from his poetry and letters is pursued in my analysis. Employing Lubomír Doležel’s categorizations of intertextuality— “transposition,” “expansion,” and “displacement”—I seek to show how Keats’s writings and his persona constitute a privileged intertext in Simmons’s tetralogy and I show its function. Simmons constructs subsidiary plots, some of which are driven by Keats’s most well-known poetry. In consequence, some of the subplots can be regarded as rewrites of Keats’s works. Although quotations of poetry have a tendency to direct the reader’s attention away from the main plot, slowing down the narrative, such passages in the narratives evoke Keats’s philosophy of empathy, beauty and love, which is fundamental for his humanism. For Keats, the poet is a humanist, giving solace to mankind through his poetry. I argue that the complex intertextual relationships with regards to Keats’s poetry and biography show the way Simmons expresses humanism as a belief in man’s dignity and worth, and uses it as the basis for his epic narrative. Keywords: Dan Simmons; The Hyperion Cantos; John Keats’s poetry and letters; intertextuality; empathy; beauty; love; humanism. Gräslund 2 The American author Dan Simmons is a prolific writer who has published in different genres. -
Connie Willis, June 2019
Science Fiction Book Club Interview with Connie Willis, June 2019 Connie Willis has won eleven Hugo Awards and seven Nebula Awards more major awards than any other writer—most recently the "Best Novel" Hugo and Nebula Awards for Blackout/All Clear (2010). She was inducted by the Science Fiction Hall of Fame in 2009 and the Science Fiction Writers of America named her its 28th SFWA Grand Master in 2011. Wow! So many questions! I’m not sure I can answer all of them, but here goes. 1. Why writing? I don’t think any writer has a good answer for this. You don’t pick it--it picks you. I’ve loved books since I first discovered them--the first one I remember began, "There’s a cat in a hat in a ball in the hall," and I instantly knew, like Rudyard Kipling, that books held in them everything that would make me happy. When I learned to read, I saw that this was true, and I gobbled up LITTLE WOMEN and Gene Stratton Porter’s A GIRL OF THE LIMBERLOST and L. Frank Baum’s WIZARD OF OZ books and everything else I could get my hands on, which mostly meant the books at the public library, though the girl across the street loaned me Frances Hodgson Burnett’s A LITTLE PRINCESS and my great aunt left me Grace Livingston Hill’s THE WHITE FLOWER and one of my mother’s friends loaned me Valentine Davies’ A MIRACLE ON THIRTY-FOURTH STREET. Many of the books I read were had writers as characters--Jo March and Anne of Green Gables and Betsy of the BETSY, TACY, AND TIB books--and I wanted to be exactly like them, which to me meant not only writing books, but wearing long dresses, sitting in a garret reading and eating russet apples, and tying my hand-written manuscripts up with red ribbons. -
Teaching the Conflicts Neal Stephenson's Cryptonomicon And
Teaching the Conflicts Neal Stephenson’s Cryptonomicon and The Baroque Cycle Lee Barbrook Doctor of Philosophy Newcastle University May 2012 Abstract I read Neal Town Stephenson’s Cryptonomicon and The Baroque Cycle to interrogate what types of links they make to US countercultural writing, postmodern discourse in American culture, and perceived uninterrogated links to the term America itself in images of modern progressive liberalism. Postmodernist readings of literary texts came under increasing public scrutiny in intellectual debates of the 80s and 90s. My analysis is to situate and reconsider these fictions within debates happening in the North American academy at this time and the more recent one concerning the demise of poststructuralism in the humanities. Linking together works of Sean McCann, Michael Szalay, John Guillory and Mark McGurl I locate Cryptonomicon as constitutive of the postwar drift from the modernist aesthetic yet simultaneously developing within Sacvan Bercovitch’s model of dissensus. Through reference to McGurl’s work in particular, my thesis will offer the first sustained critical reading of Cryptonomicon relevant to the University’s new teaching standards of diversity and research excellence . Through Lauren Berlant’s concept of an intimate public I argue The Baroque Cycle develops a richly aesthetic form of criticism that challenges the consensus view of culturally affirming alternatives to American sociopolitical and economic life. In addition, each chapter charts specific aspects of the impact of European critical theories that presided over the marriage of intellectualism and professionalism in the North American academy. More specifically, and throwing particular focus on resistances to theory and canon change, I discuss how the politics of the classroom developed within the literary culture wars brought with it a renewed emphasis on what postwar professors taught in the classroom. -
Always As Though for the First Time”: Embodiment, Mediation, and Speculation in Contemporary Transnational Narratives
UNIVERSITY OF CALIFORNIA RIVERSIDE “Always as Though for the First Time”: Embodiment, Mediation, and Speculation in Contemporary Transnational Narratives A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature by Regina Yung Lee December 2013 Dissertation Committee: Dr. Margherita Long, Chairperson Dr. Heidi Brevik-Zender Dr. James Tobias Dr. Sherryl Vint Dr. Yenna Wu Copyright by Regina Yung Lee 2013 The Dissertation of Regina Yung Lee is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGMENTS This dissertation is the result of a concerted group effort to push one new thought from my head onto the following pages. I could not have accomplished it alone. Research for this dissertation was partially funded by a doctoral fellowship from the Social Sciences and Humanities Research Council of Canada. I am grateful to the Department of Comparative Literature and Foreign Languages, the University of California, Riverside, and the University of California Humanities Research Institute for their generous support of my work. I am extremely grateful to the members of my dissertation committee for their support and example, their mentorship and encouragement, and their careful readings and thoughtful responses throughout this project. I am especially grateful to my dissertation chair, Professor Margherita Long, for her intellectual clarity and passionate love of the text, beacons and exemplars during this long and arduous process. An earlier version of chapter 1 of this dissertation was published as “Legitimacy and Legibility: Rereading Civil Discourse Through Feminist Figurations in Lois McMaster Bujold’s Cordelia’s Honor.” From Lois McMaster Bujold: Essays on a Modern Master of Science Fiction and Fantasy © 2013 Edited by Janet Brennan Croft. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
Utopian Projects and the Struggle for the “Good” Anthropocene
UNIVERSITY OF CALIFORNIA, IRVINE The Utopian Call: Utopian Projects and the Struggle for the “Good” Anthropocene DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Comparative Literature by Nathaniel Murphy Dissertation Committee: Professor Susan C. Jarratt, Chair Professor Rajagopalan Radhakrishnan Professor Jonathan Alexander 2019 © 2019 Nathaniel Murphy DEDICATION To Tracy who has been with me every step of the way and whose presence has made every one of those steps utopian in the best possible sense of the word. And to Ryan, Michael, John, and Finn who kindly shared their father with this project over its lifetime. ii TABLE OF CONTENTS Page Acknowledgments iv Curriculum Vitae v Abstract of the Dissertation vi Introduction: The Utopian Call and the “Good” Anthropocene 1 Part I: The Utopian Call Chapter 1: Traitors, Traders, and Monstrous Children: Becoming Utopian Subjects in the Xenogenesis Trilogy 34 Chapter 2: The Hardest Part is Leaving Earth Behind: Utopia and the Movement of History in the Mars Trilogy 93 Part II: Mother Projects Chapter 3: Cathedrals of Our Time: Institutionalizing the Utopian Call in “Mother Projects” 152 Chapter 4: The Call of the Commons: Utopia and Ecological Health 210 Conclusion: Using Visionary Anthropocene Literature 266 to Theorize the Tasks Ahead Works Cited 270 iii ACKNOWLEDGMENTS I would like to thank my adviser and committee chair, Professor Susan Jarratt, for always encouraging me to explore my eclectic range of interests and then reigning me in to make sure that I never lost sight of the tasks at hand. In hindsight good fortune always feels like fate, and so I am pleased that fate paired us together at the beginning of my graduate career. -
THE Conventional
FINAL DAY … I ran out of space yesterday, so I couldn’t list the individual category winners of the new Danish science fiction award, The Niels Klim Award. The winners were: Best novella (tie): Alastair Reynolds for “Skjul” (Hideaway) and “Minlas blomster” (Minla’s Flowers) from Vejen mellem stjernerne (both translated by Niels Dalgaard). Best novelette: A. Silvestri for “Faderens sønner” from Faderens sønner. Best short story THE (tie): Michael Kamp for “Homo Arachnida” and Lars Ahn Pedersen for “En helt almindelig død”, both from Den nye koloni – Lige under overfladen 5. CONventional Also I missed telling about the traditional auction on the Saturday. In the month leading up to Fantasticon, different items are donated or arranged for a 50/50 sale, etc. The huge amounts of books inserted into the FANTASTICON 2012, Fandom Market by Morten “Not MARVEL” mentioned yesterday, has for the past years dominated this auction. Copenhagen, Denmark Author sets and assortments of paperback books has filled up, along the usual DVDs , comics, etc. This year was no different. As per tradition, Klaus Æ. Mortensen (who informs me that he is a futurist, not a futurologist as I wrote yesterday), lead the auction. And as usual he Knud Larn, June 3rd, 2012 could (and did) talk about every single title much longer than needed, so people wanting to buy sits frustrated waiting for the opportunity to give a bid… But then published in two volumes. Naturally such a mammoth again, he probably talks higher prices into us by exactly book scares most reviewers, and Niels Dalgaard who doing it this way Also let us not forget that such had been asked to read and comment on it, were not that introductions are the very thing that neofans need to enthusiastic about it, in his opinion it had two flaws: Too secretly learn and understand why this book is a classic long, and too uneventful in it’s prose. -
Will Human Life on Earth Come to an End?
Will Human Life on Earth Come to an End? Will Human Life on Earth Come to an End? In 1993 science‐fiction writer Kim Stanley Robinson published Red Mars, the first of his Mars trilogy. Red Mars is set in the year 2026. At the beginning of the novel, the spacecraft Ares departs. Aboard the Ares, the space colonists are bound for Mars. The voyage to Mars is portentous. On Earth, corporations are coming to dominate global governance. Nation states still fly their flags, but they owe their allegiance to the transnational corporations. The “trans‐nats,” as the transnational corporations are called, are the real agents of the global economy. They have the power and ability to extract natural resources from the earth. The increasing competition among trans‐nats and growing human population means more and more resources are being removed. This situation threatens the feasibility of life on the planet. Robinson played out this idea over the course of three books. By the end of Red Mars, a world war has erupted on Earth. The second book in the trilogy, Green Mars, documents the terraforming of the red planet. (Terraforming is science‐fiction‐speak for adapting another planet or moon into a planet that can sustain life in the same way Earth can. This process involves creating appropriate © 2013 ReadWorks®, Inc. All rights reserved. Will Human Life on Earth Come to an End? biosphere, atmosphere and surface topography on the new celestial body.) The third book in the trilogy, Blue Mars, picks up at the stage when the terraforming has allowed for water to exist on Mars. -
Capclave 2010 Program Book.Indd
capclave 2010 program book capclave 2010 guests of honor connie willis jeff vandermeer ann vandermeer October 22 – 24, 2010 wsfa press books premiering at capclave 2010 The Three Quests of the Wizard Sarnod, by Jeff VanderMeer, an expanded version with an ad- ditional character, an additional plot thread, and a slightly diff erent ending) of Jeff ’s story that originally appeared in Songs from the Dying Earth, edited by Gardener Dozois and George R. R. Martin. This volume was designed by John Coulthart, a well-known British graphic artist, illustrator, author and designer. It begins with a foreword by Jeff VanderMeer, is followed by an afterword by Ann VanderMeer, and is signed by both Jeff and Anne. The second volume is Fire Watch, Connie Willis’ 1982 Nebula, and 1983 Hugo award winning novelett e relating the experiences of a time-travelling historian who goes back to The Blitz in London, to participate in the fi re watch at St. Paul’s Cathedral. This volume of Fire Watch was designed by John Coulthart, a well-known British graphic artist, illustrator, author and designer. It begins with a foreword by James Patrick Kelly and is signed by Willis and Kelly. Both volumes will be released at Capclave 2010. These special books will initially only be avail- able to members of the convention. Purchases are limited to only one copy of each book per mem- ber. Any remaining copies will be made available after the con to the general public through the WSFA Press Store at wsfapressbooks.org. One of the benefi ts of picking up your copies at Capclave is the special introductory price of $20.00 for each book. -
Disability, Literature, Genre: Representation and Affect in Contemporary Fiction REPRESENTATIONS: H E a LT H , DI SA BI L I T Y, CULTURE and SOCIETY
Disability, Literature, Genre: Representation and Affect in Contemporary Fiction REPRESENTATIONS: H E A LT H , DI SA BI L I T Y, CULTURE AND SOCIETY Series Editor Stuart Murray, University of Leeds Robert McRuer, George Washington University This series provides a ground-breaking and innovative selection of titles that showcase the newest interdisciplinary research on the cultural representations of health and disability in the contemporary social world. Bringing together both subjects and working methods from literary studies, film and cultural studies, medicine and sociology, ‘Representations’ is scholarly and accessible, addressed to researchers across a number of academic disciplines, and prac- titioners and members of the public with interests in issues of public health. The key term in the series will be representations. Public interest in ques- tions of health and disability has never been stronger, and as a consequence cultural forms across a range of media currently produce a never-ending stream of narratives and images that both reflect this interest and generate its forms. The crucial value of the series is that it brings the skilled study of cultural narratives and images to bear on such contemporary medical concerns. It offers and responds to new research paradigms that advance understanding at a scholarly level of the interaction between medicine, culture and society; it also has a strong commitment to public concerns surrounding such issues, and maintains a tone and point of address that seek to engage a general audience. -
Robinson, Kim Stanley
KIM STANLEY ROBINSON’S “MARTIAN TRILOGY”: “THIS IS WHERE WE START AGAIN” By John C. Tibbetts Telephone interview, 17 March 1993 “The beauty of Mars exists in the human mind,” says one of the astronauts in Kim Stanley Robinson’s Red Mars. “It's we who understand it, and we who give it meaning.” Kim Stanley Robinson (1951--)— “Stan” to his friends—first encountered the real Mars when he saw the photos from the Viking expeditions in 1977 and 1978. He was then a graduate student at the University of California, San Diego, where he was teaching freshman composition. After earning a master’s degree from Boston University and a doctorate from the University of California-San Diego, he began writing the novels and stories which have won him international acclaim, including the Nebula, Asimov, John W. Campbell, and World Fantasy Awards—The Wild Shore, The Memory of Whiteness, Pacific Edge (1990), the “Mars Trilogy.” More recent novels include Antarctica (1997), a work about ecology, and Years of Rice and Salt (2002), an “alternate history” story. In 2010, Robinson will be the guest of honor at the 68th World Science Fiction Convention, which will be held in Melbourne, Australia. He is the very embodiment of the definition of science fiction writing offered by his friend and colleague, James Gunn: “Although science fiction writers may toy with time, putter about in the past, or transport themselves to alternate worlds, their real home is the future.” Note: About the Mars Trilogy Few projects in the history of science fiction have elicited more enthusiastic critical response than Kim Stanley Robinson’s “Mars Trilogy” (1992-1994). -
The Science Fiction Handbook
The Science Fiction Handbook M. Keith Booker and Anne-Marie Thomas A John Wiley & Sons, Ltd., Publication The Science Fiction Handbook The Science Fiction Handbook M. Keith Booker and Anne-Marie Thomas A John Wiley & Sons, Ltd., Publication This edition first published 2009 # 2009 by M. Keith Booker and Anne-Marie Thomas Wiley-Blackwell is an imprint of John Wiley & Sons, formed by the merger of Wiley’s global Scientific, Technical, and Medical business with Blackwell Publishing. Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK Editorial Offices The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK 9600 Garsington Road, Oxford, OX4 2DQ, UK 350 Main Street, Malden, MA 02148–5020, USA For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book, please see our website at www.wiley.com/wiley- blackwell. The right of the authors to be identified as the authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Designations used by companies to distinguish their products are often claimed as trademarks.