Color Psychology.Cwk (WP)
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Everyday Colour
Everyday Colour Welcome to the amazing world of colour, a vast and interesting subject where there is myriads of information on all forms of colour from light, through textiles and dyes, painting, food, decor and interior design, environmental influences and cultural colours. Colour influences everything. In this course, we are going to be concentrating on specific areas, which will give you hints and tips to enhance your environment and your everyday life with colour. The following topics will be covered during this course ' An Introduction to Everyday Colour': What is colour and how does it work - 'Science Snippets', giving you valuable background information regarding colour and light with 'easy read' information and 'videos' about the relevant visible colours. A little bit of history - 'easy read' information on basic colour history of each colour The impact of colour in your environment - Physical and emotional re-actions to colour and how you can make best use of these colours Applying colour in your life for positive wellbeing - Hints, tips and techniques to help you introduce colour in your environment and what you wear Branding with colour - How to promote and sell using colour with hints and tips to master your power colours Tricky colour issues - when colour all gets a bit too much - how to rebalance Getting to know your colour - a general introduction into your personality colour The Science Snippets Throughout this workbook there are Science and History Snippets which are useful things to know in relation to colour and light. There is extensive information available on the internet, books and CDs, about this science and much of it is very technical - I have broken this down and included in the workbook the parts that I use which have been invaluable to my colour journey, please feel free to ignore or dig deeper. -
Organic Paint(Ing)S: from Representation to Collaboration
Journal of the International Colour Association (2021): 26, 30-40 Lotut Organic paint(ing)s: from representation to collaboration Zoriana Lotut Institute of English Studies, University of Warsaw, Poland Université Paris 1 Panthéon-Sorbonne, École des Arts de la Sorbonne, France Emails: [email protected]; [email protected] Due to the multifaceted nature of colour phenomena, it is important to specify that the artistic practice described in this paper focuses on the materiality of colour, or the notion of colour-materials, i.e., material substances capable of creating chromatic effects. This artistic project aims to present colour- material as an autonomous and self-sufficient subject of artworks. For the purpose of demonstrating this, the organic pigment anthocyanin is chosen. Anthocyanins are organic pigments that are found in the leaves, petals, and fruits of a variety of plants. Together with carotenoids and flavonoids, the anthocyanins constitute the ‘palette’ of flora, and their function is to attract pollinators, protect the plants from ultraviolet light and repel predators. Previously, anthocyanins were used as paint; they have been mentioned in numerous historic colour recipes as a source of purple dyes or inks. However, this fragile, organic colourant could not withstand the rivalry of the constantly evolving and improving dyes and pigments. Anthocyanins were ousted from the domain of arts and textile dyeing because they could not provide sufficient colour stability, which is one of the most sought-after qualities in colours. On the contrary, nowadays, due to the growing concerns about the environmental threats from the extensive use of synthetic dyes, many are looking for alternative organic and environmentally friendly colours, even if they are impermanent. -
Foreword Shades of Yellow
Carol Kapuscinsky Foreword Shades of Yellow It is fitting that Carol Kapuscinsky is presenting us with a body of works entitled, Shades of Yellow. I cannot imagine a more suitable colour for Carol considering the words that best describe her personality would undoubtedly include bright, sunny, cheery and warm. All words embodied by yellow. Yet, the significances of this pigment are far more reaching in her life. Having spent her early childhood in Peru and then most of her developing years in Winnipeg, yellow has played a pivotal role in her life. Whether it was the majesty of the sunflower or the dominance of a prairie field, the presence of this colour was a constant force in her life. Further of course, as a painter, colour is crucial to Carol's work. It is through her honed observational skills, her wealth of experience and her spiritual relationship with the land, that she is able to offer such beautiful and emotionally powerful paintings. Within these skills, her ability to see and create compelling and living colours is critical. Carol's process begins with first-hand experience of the landscape and documenting it. Then she labours over a composition for each canvas. But it is the next steps, those that include the layering of paint and the creating of rich, deep tones that mark the magic and singularity of Carol's paintings. Beginning almost in abstraction, Carol lays forms of colours, one upon another, until the details emerge. In Shades of Yellow, the focus then becomes the unavoidable yellow, which may depict a canola field, or a patch of flowers or may simply be how the light turns the scene golden. -
2017 Design Trends Every Year, Accessa Rounds up Consumer Trends in Coatings and Colors for Homes and Offices from a Range of Sources
SPECIAL EDITION 2017 Design Trends Every year, Accessa rounds up consumer trends in coatings and colors for homes and offices from a range of sources. When your customers ask for it, you’ll be ready. Bathroom in Poised Taupe, Sherwin-Williams 2017 Color of the Year (PRNewsFoto/Sherwin-Williams) COLORS OF THE YEAR INTRODUCING THE 2017 COLOR OF 2017 KEY COLOR COMBINATIONS FEATURING THE YEAR – POISED TAUPE POISED TAUPE… In addition to the “warming up” of neutrals in general, Poised Taupe creates a cozy lifestyle and brings a 2017 will see several key colors emerge in sense of sanctuary into our homes. It diffuses the combination with taupe. stresses of the world outside our doors — so much • Cornflower Hues: Faded indigo and lighter so that we feel restored and in balance when we walk cornflower hues pair with modern white and across our threshold. Poised Taupe for a charming palette, reminiscent of the French countryside. The Danes have a word to describe this feeling, hygge • Organic Re-Imagined: Vegetal green, citrus green, (pronounced hue-gah), which loosely translates as weathered bronze and mustard yellow pair with cozy, or creating a sense of coziness and warmth. Poised Taupe to create a contemporary organic The soft glow of candle-light, a toasty drink, and the palette — re-imagined for the modern world. company of family and friends is certainly hygge, but this feeling comes from creating the right atmosphere. • Vintage Pastels: Pastels take on a vintage vibe with dusty ink, amber, Poised Taupe, sage and There is a particular beauty to be admired in homes oxidized yellow. -
Uplighting Setup Instructions More Color Options Special Programming
UPLIGHTING SETUP INSTRUCTIONS **Keep all packaging materials. Uplights must be returned in same box / packaging.** SELECT COLOR 1. Use the power cord provided to plug the uplight into a power outlet. 2. Press “MENU” repeatedly until “C” shows on the display. 3. Press “ENTER” 4. Use the “UP” or “DOWN” button to select one of the standard color options: C1 = Red C3 = Blue C5 = Magenta C7 = White C2 = Green C4: =Light Blue C6 = Yellow **For More Colors, See Below 5. Press “ENTER” to save the color. SETUP LIGHTS 1. Place the uplight on the floor, close to a wall or other surface. 2. Tilt light towards wall until desired effect is achieved. Adjust legs by twisting knobs on each side. 3. Link uplights together. Power cords can plug into outlet OR another uplight. Link 40 lights per outlet. MORE COLOR OPTIONS To program a custom color, find your color’s “rgb” code from the chart on the back of this page. Then follow these steps: 1. Press “MENU” repeatedly until “U” shows on the display. Press “ENTER” 2. You should see “r” with a number. Press “UP” or “DOWN” to set the “r” value for your color. Press “ENTER” 3. You should see “g” with a number. Press “UP” or “DOWN” to set your “g” value. Press “ENTER” 4. You should see “b” with a number. Press “UP” or “DOWN” to set your “b” value. Press ENTER. You’re Done! SPECIAL PROGRAMMING Sound Active Mode 1. Press the MENU button repeatedly until “P—“ shows on the display. Press ENTER. 2. -
Featured Games, Competi- Ensures That Nobody Can Make an Tions, Seminars, Workshops, Talks, a Unfair Rule All by Themselves
HOLI SPECIAL Volume 01 ISSUE 02 MAR 2011 www.iiserpunenewsletter.webs.com this issue Science Fest Organized At IISER Osmania Medical College Wins MIMAMSA 2011 Pune Sixteen undergraduates from Hy- with a gruelling trial of the intellec- Ig Nobel derabad and Pune racked their tual stamina of the participants. Scientists brains in the finals of MIMAMSA 2011 and the group from Osmania The different rounds of Medical College, Hyderabad beat MIMAMSA were rather fascinat- others in the race to win the com- ing for the teams, as this unique 3 petition. Fergusson College (Pune), quiz has just as many unique BITS Pilani (Hyderabad campus) rounds. ‟Deep Thought‟, and University of Hyderabad fin- ‟Analyzer‟, ‟Talk Round‟ stretched „SCIFEST 2011‟- a unique event At the centre of it all was a cricket I Think, ished at second, third and fourth the participants‟ intellectual prow- was organized at IISER Pune on the match with the rules tweaked by Therefore I place respectively. ess to the limits. The arguments put occasion of National Science Day. the players themselves. The forth by the participants were am It was a mega event stretching over tweaking was based on the famous three days from 26th-28th February Cake Cutting Algorithm which 4 2011. It featured games, competi- ensures that nobody can make an tions, seminars, workshops, talks, a unfair rule all by themselves. book fair, experiment demonstra- tions and much more. It was a Eco-friendly painting saw huge HOLI SPECIAL: novel concept, conceived and en- crowds with many paintings C h r o m e n tirely organized by the students of adorning the beauty of the Earth; C a n v a s.. -
Variety Shade Cultivar Color Price Achillea Moonshine Canary Yellow 5.99 Achillea Saucy Seduction Hot Pink 5.99 Aconitum Fischeri Lg
Variety Shade Cultivar Color Price Achillea Moonshine Canary yellow 5.99 Achillea Saucy Seduction hot pink 5.99 Aconitum fischeri lg. purple blue hooded fl. 7.95 Ajuga Burgundy Glow reddish purple fol. White and pink 5.99 Ajuga Catlin's Giant bronze foliage 4.99 Ajuga Chocolate Chip chocolate foliage 5.99 Ajuga Pink Lightening crinkled light green/cream edges 5.99 Alcea Las Vegas mix 5.99 Alcea Mars Magic bright red 5.99 Alcea Mallow Zebrina pink flowers/purplish veins 5.99 Alchemilla Yes Gold Strike yellow gold flowers 5.99 Allium Millenium 2" round, bright rosy purple 7.99 Alyssum Golden Spring Bright yellow 5.99 Alyssum Saxatile Summit bright yellow 5.99 Anemone pulsatilla violet 5.99 Anemone rubra red 5.99 Anemone sylvestris white 5.99 Aquilegia Yes Swan Series Blue & White blue and white 5.99 Aquilegia Yes Swan Series Burgundy and White rich burgundy and white 5.99 Aquilegia Yes Swan Series Pink and Yellow lt. pink outer and yellow inner 5.99 Aquilegia Yes Swan Series Violet and White violet and white 5.99 Aquilegia Yes Swan Series Yellow yellow and cream 5.99 Arabis Snowfix small white 5.99 Aralia Yes Sun King bright gold leaves 10.99 Aralia Yes Sun King bright gold leaves 12.99 Arenaria Blizzard Compact cup shaped white/yellow flowers 5.99 Armeria Maritima Morning Star Deep Rose rose pink 5.99 Artemesia Silver Mound silver 5.99 Aruncus Yes Dwarf Goatsbeard white 5.99 Aruncus Yes Goatsbeard white 5.99 Asclepias Butterfly Flower orange flr 2-3' 6.99 Asclepias Butterfly Flower orange flr 2-3' 5.99 Asclepias Cinderella incarnata pink -
A Study of Maturity Indices for Halehaven Peaches
A STUDY OF MATURITY INDICES FOR HALEHAVEN PEACHES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Surinder Singh Attrl, B. A,, M. S. ****** The Ohio State University 1959 Approved by Adviser Department of Horticulture ACKNOWLEDGMENTS Throughout the course of this study the following people have materially aided the author* In acknowledgment of their help and the value of their association* the author wishes to express his appreciation* To Dr* Freeman S* Hewlett, Chairman* Department of Horticulture* for his invaluable advice* criticism* and suggestion in the writing of this dissertation* and particularly far his guidance and one ouragement • To Professor Donald Comin* who has given freely and willingly of his time* interest* guidance* and advice* To Dr* C* R. Weaver* Statistician* Ohio Agricultural Experi ment Station* for his interest and assistance in the statistical analysis of the data* To Jfr. Harold S* Steamer, whose co-operation and assistance in operating the equipment used for this work has materially aided the author* Surinder Singh Attri ii TABLE OF CONTENTS Chapter PaC° I. INTRODUCTION....................................... 1 II. REVIEW 01'’ LITERATURE................................ 4 A. Teminolo^' of Maturity.......................... 4 1* ihturo and its Derivatives........••••.••••..••.*4 2. lUpe and its Derivatives ...... ...5 B, Indicos of Maturation, ............ 6 1, Color.......... ,••••...••6 2, Pressure.......... •••««••». ,.•••...... .£ 3, Soluble Solids......... ••..•••,..10 4* Acidity, ......... ••••........ ,,10 5. Ifcrdrogen Ion Concentration.........11 6. Index Humber................ ...*........ ...12 7. Soluble Solids/Acids Ratio,....... •••••12 T, Cliloropliyll .......................... 13 9. Carotono and Carotonoids,.,.••.•••..,••••••••••13 III. MATERIALS AND METHODS............................. 14 A. Firmness Tests,, .... •••••.••.... .,,17 1, Test with the Durcmeter,.•••••••••••... -
Shades of Colours General Adjectives to Describe a Person Different
Shades of colours General adjectives to describe a person Different shades of red: Positive things ( ´ ▽ ` )ノ ~ Light - ★ Elated - happy ● Vermillion ★ Saccharine - excessively sweet in emotion ● Cherry ★ Beatific - blissful happiness ★ Rapturous - enthusiastic ● Rose ★ Euphoric - extremely happy ● Sanguine ★ Amicable - friendly / good natured Dark - ★ Munificent - generous ● Mahogany ★ Voracious - very eager / enthusiastic ● Wine ★ Winsome - attractive/pleasing in an innocent light ● Garnet ★ Sage - wise ★ Stalwart - loyal and reliable Different shades of yellow: ★ Hedonistic - self-indulgent Light - ★ Convivial - kind ★ Venerable - acclaimed; having borne a copious ● Honey amount of respect/wisdom ● Gold ★ Eminent - famous/respected ● Lemon ★ Prudent - showing great care for the future ● Sallow (an unhealthy shade) ★ Demure - (usually for women) modest/shy Dark - ★ Seraphic - angelic ● Medallion ● Dijon Stuck up/superior/powerful/evil, etc: ● Haughty - arrogantly superior Different shades of green: ● Puissant - powerful/potent ● Vindictive - showing unreasoning desire for Light - revenge ● Parakeet ● Supercilious - feeling superior to others ● Emerald ● Disdainful - lack of respect ● Fern ● Cynical ● Forest-green ● Callous - unsympathetic Dark - ● Apathetic - showing no interest/emotion ● Juniper ● Philistine - being hostile to culture/the arts ● Seaweed ● Perilous - dangerous ● Pine ● Vehement - strong feelings/passion (can be either negative or positive) ● Sage ● Impolitic - opposite of prudent ● Dissentious - quarrelsome Different -
Color Theory Guide
Contents The Three Dimensions of Color ........................................................................................ 2 Using the Three Dimensions of Color .......................................................................... 2 Special Effects, Pearls and Metallics ................................................................................. 3 Color Shifts and Tri-Coats ................................................................................................. 3 When Colors Flop ............................................................................................................. 4 Techniques for Adjusting Color ......................................................................................... 4 Application .................................................................................................................. 5 Equipment ................................................................................................................... 5 Shop Conditions .......................................................................................................... 5 Solvent ........................................................................................................................ 5 Page 1 Color Theory The Three Dimensions of Color Value, hue and chroma are standard terms used in the color industry to describe the three dimensions of color. Understanding value, hue and chroma is necessary for successful color adjustment. Please refer to the following graphic of the Color Sphere when -
SAS/GRAPH ® Colors Made Easy Max Cherny, Glaxosmithkline, Collegeville, PA
Paper TT04 SAS/GRAPH ® Colors Made Easy Max Cherny, GlaxoSmithKline, Collegeville, PA ABSTRACT Creating visually appealing graphs is one of the most challenging tasks for SAS/GRAPH users. The judicious use of colors can make SAS graphs easier to interpret. However, using colors in SAS graphs is a challenge since SAS employs a number of different color schemes. They include HLS, HSV, RGB, Gray-Scale and CMY(K). Each color scheme uses different complex algorithms to construct a given color. Colors are represented as hard-to-understand hexadecimal values. A SAS user needs to understand how to use these color schemes in order to choose the most appropriate colors in a graph. This paper describes these color schemes in basic terms and demonstrates how to efficiently apply any color and its variation to a given graph without having to learn the underlying algorithms used in SAS color schemes. Easy and reusable examples to create different colors are provided. These examples can serve either as the stand-alone programs or as the starting point for further experimentation with SAS colors. SAS also provides CNS and SAS registry color schemes which allow SAS users to use plain English words for various shades of colors. These underutilized schemes and their color palettes are explained and examples are provided. INTRODUCTION Creating visually appealing graphs is one of the most challenging tasks for SAS users. Tactful use of color facilitates the interpretation of graphs by the reader. It also allows the writer to emphasize certain points or differentiate various aspects of the data in the graph. -
Container Brochure 2015.Psd
Warm Weather Containers 2015 – The Scott Arboretum Container gardening has attained growing popularity as it is ideal for gardeners who may not have the time, space, or economic means to garden on a large scale. Containers need not be restricted to traditional terra cotta or plastic, but can be anything sizable, durable, and fashioned out of various materials, such as metal or wood. Our examples are intended to inform and inspire anyone to indulge in container gardening. Each container at the Scott Arboretum has a numbered stake corresponding to the number found within this brochure. For each numbered container, the plants are listed with a short description allowing visitors to pinpoint specific plants. Containers designed and planted by Josh Coceano and John Bickel. Wister Center: 1. Alcantarea odorata – silver, pineapple-like foliage bromeliad Fuchsia ‘Hidcote Beauty’ – salmon-pink corolla with creamy white sepals, cascading Fuchsia magellanica ‘Riccartonii’ – dark green leaves; floriferous, with pendulous Fuchsia-colored sepals and reproductive structures with true purple petals Pellionia pulchra – (Satin pellionia) unique trailing plant, matte gray-green leaves with dark silver veins, purple undersides and brownish-red stems Pilea glauca ‘Aquamarine’ – small, matte green-silver leaves growing on fleshy red-purple stems Peperomia griseo-argentea – (Ivy-leaf peperomia) Silver and gray, puckered, heart-shaped leaves with long cream spikes of inconspicuous flowers 2. Alcantarea odorata – silver, pineapple-like foliage bromeliad Fuchsia