The Adroit Journal Summer Mentorship 2018 Booklet
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Rogan's List 2019
Rogan’s List 2019 Greetings WFU parents! Fond thanks to the many of you who recommended this book or that movie or the new restaurant in your home city. Keep ‘em coming! Parents who’ve seen this previously skip this graf, but if you’re new to this odd enterprise: three inspirations converged a dozen-plus years ago. As a still-singleton, felt a response was necessary to my expanding circle of married-with-kids friends’ annual Holiday Letters, tinged with a certain “here’s how life works”-ness. And I loved pal Drew Littman’s roundup of his fave movies/books of the year (Drew also originated the B game/A game you’ll see on next page). Third, I grew up with Roger Angell’s annual New Yorker rhyming ‘poem’ of boldface names, & added my own pale imitation after Angell stopped…then NYer’s Ian Frazier picked up the tradition. Shifted therefore to a ‘found poem’ of lines from songs by millennial/rising-generation musicians; this year’s is after the best-of music page below. Speaking of poems, a stanza from one long beloved, WS Merwin’s To the New Year: so this is the sound of you here and now whether or not anyone hears it this is where we have come with our age our knowledge such as it is and our hopes such as they are invisible before us untouched and still possible On to my favorites of 2019. To adapt a venerable Welsh saying, may the best artistic creations of the decade just ending be the worst of the next. -
The Thought of Literature: Notes to Contemporary Fictions
The Thought of Literature Notes to contemporary fictions Jason Childs A dissertation submitted for the degree of Doctor of Philosophy at the University of Technology Sydney, February 2018. Certificate of original authorship I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This research is supported by an Austalian Government Research Training Program Scholarship. Signature of Candidate: Production Note: Signature removed prior to publication. February 20, 2018 Acknowledgements First and foremost, I am deeply grateful to Robyn Ferrell for taking over my supervision at a late stage in my candidature. Her feedback on my ideas and drafts, always generous and incisive, was invaluable in completing this work. Without Berndt Sellheim’s encouragement, I would not have begun this project; without his support, I would not have finished it. I am blessed to call him my friend. Martin Harrison was an important mentor for several years prior to starting this work and my supervisor during its defining early stages. Fellow students of Martin's will understand when I say that, despite his untimely death in 2014, there is not a sentence here that wasn’t written in conversation with him. -
Fall 2019 Catalog (PDF)
19F Macm Farrar, Straus and Giroux The Topeka School A Novel by Ben Lerner From the award-winning author of 10:04 and Leaving the Atocha Station, a tender and expansive family drama set in the American Midwest at the turn of the century: a tale of adolescence, transgression, and the conditions that have given rise to the trolls and tyrants of the new right Adam Gordon is a senior at Topeka High School, class of 1997. His mother, Jane, is a famous feminist author; his father, Jonathan, is an expert at getting lost boys" to open up. They both work at the Foundation, a well-known psychiatric clinic that has attracted staff and patients from around the world. Adam is a renowned debater and orator, expected to win a national championship before he heads to college. He is an aspiring poet. He is - although it requires a great deal of posturing, weight lifting, and creatine supplements - one of the cool kids, passing himself off as a "real man," ready to fight or (better) freestyle about fighting if it keeps his peers from thinking of him as weak. Adam is also one of the seniors who brings the loner Darren Farrar, Straus and Giroux Eberheart - who is, unbeknownst to Adam, his father's patient - into the social On Sale: Oct 1/19 scene, with disastrous effects. 6 x 9 • 304 pages Deftly shifting perspectives and time periods, Ben Lerner's The Topeka 1 Black-and-White Illustration School is the story of a family's struggles and strengths: Jane's reckoning with 9780374277789 • $34.00 • CL - With dust jacket the legacy of an abusive father, Jonathan's marital transgressions, the Fiction / Literary challenge of raising a good son in a culture of toxic masculinity. -
Boston Review Newsletter Published by Carnegie Corporation of a Small Political and Literary New York
Carnegie ResultsSPRING 2008 Carnegie Results is a quarterly Boston Review newsletter published by Carnegie Corporation of A Small Political and Literary New York. It highlights Magazine Dramatically Increases Corporation-supported Its Visibility and Impact organizations and projects that have produced reports, Celebrating more than three decades of publication, Boston continues to fine-tune itself as a nexus for people seek- results or information of Review ing cutting-edge ideas in a forum that encourages dialog about special note. politics and culture. Recently, the magazine has found ways to boost its visibility and impact. Over the years Boston Review has evolved into a forum where its devoted readers find a debate-like approach to serious political issues and avant garde cultural articles and poetry. Like many small publica- tions, it scrambles to stay afloat financially, but has been developing innovative ways to exponentially boost its readership and garner more media attention. In the summer of 2007, the magazine launched a modernized web site that has engaged thousands of additional readers and led to robust discussions in the blogosphere. This effort, Carnegie Results combined with a new book publishing pro- readership way beyond the base of 8,000 gram, enhanced marketing strategies and print subscribers. streamlined business systems are giving the “It’s amazing to see that we have been get- magazine renewed vigor. ting as many as 120,000 visits (to the web In 2007 alone, Boston Review readers were site) each month,” says Joshua Cohen, richly rewarded with in-depth articles on co-editor of Boston Review and professor of subjects such as global warming, refugees political philosophy at Stanford University. -
Boston Review — Marjorie Perloff: Poetry on the Brink
Boston Review — Marjorie Perloff: Poetry on the Brink http://www.bostonreview.net/BR37.3/marjorie_perloff_poetry_l... MAY/JUNE 2012 Poetry on the Brink Reinventing the Lyric Marjorie Perloff SAFETY FIRST brief fast has made me dangerously thirsty for juice. —Craig Dworkin, Motes (2011) Dejà vu? What happens to poetry when everybody is a poet? In a recent lecture that poses this question, Jed Rasula notes: The Barbara Stumm colleges and universities that offer graduate degrees in poetry employ about 1,800 faculty members to support the cause. But these are only 177 of the 458 institutions that teach creative writing. Taking those into account, the faculty dedicated to creative writing swells to more than 20,000. All these people must comply with the norms for faculty in those institutions, filing annual reports of their activities, in which the most important component is publication. With that in mind, I don’t need to spell out the truly exorbitant numbers involved. In a positive light, it has sanctioned a surfeit of small presses . to say nothing of all the Web-zines. What makes Rasula’s cautionary tale so sobering is that the sheer number of poets now plying their craft inevitably ensures moderation and safety. The national (or even transnational) demand for a certain kind of prize-winning, “well-crafted” poem—a poem that the New Yorker would see fit to print and that would help its author get one of the “good jobs” advertised by the Association of Writers & Writing Programs—has produced an extraordinary uniformity. Whatever the poet’s ostensible subject—and here identity politics has produced a degree of variation, so that we have Latina poetry, Asian American poetry, queer poetry, the poetry of the disabled, and so on—the poems you will read in American Poetry Review or similar publications will, with rare exceptions, exhibit the following 1 of 25 5/2/12 11:39 AM Boston Review — Marjorie Perloff: Poetry on the Brink http://www.bostonreview.net/BR37.3/marjorie_perloff_poetry_l.. -
THE EMERGING WORLDVIEW: How New Progressivism Is Moving Beyond Neoliberalism a Landscape Analysis
THE EMERGING WORLDVIEW: How New Progressivism Is Moving Beyond Neoliberalism A Landscape Analysis REPORT BY FELICIA WONG JANUARY 2020 ABOUT THE ROOSEVELT INSTITUTE Until the rules work for every American, they’re not working. The Roosevelt Institute is a think tank and student-driven national network that believes in an economy and democracy by the people, for the people. The few at the top—corporations and the richest among us— hold too much wealth and power today, and our society will be stronger when that changes. Armed with a bold vision for the future, we want our work to move the country toward a new economic and political system: one built by many for the good of all. ABOUT THE AUTHOR ACKNOWLEDGMENTS Felicia Wong is the president and CEO of the Roosevelt This report draws on research Institute, which seeks to reimagine the social and economic and analysis conducted by Nell policies of Franklin and Eleanor Roosevelt for the 21st century. Abernathy, Ariel Evans, Mike She is the coauthor of Hidden Rules of Race: Barriers to Konczal, and Katy Milani. The an Inclusive Economy (Cambridge University Press, 2017). author thanks Joelle Gamble, She holds a PhD in political science from the University of Angela Hanks, Jennifer Harris, California, Berkeley. Chris Hughes, Michael Linden, JW Mason, Julie Margetta Morgan, Lenore Palladino, Brishen Rogers, K. Sabeel Rahman, Ganesh Sitaraman, Dorian Warren, and Tracy Williams for their comments and insight. Roosevelt staff Kendra Bozarth, Matt Hughes, Jeff Krehely, Tayra Lucero, and Victoria Streker all contributed to the project. This report was made possible with the generous support of the Hewlett Foundation and the Omidyar Network. -
For Love of Country?
Democracy Forum operates at a level ofliteracy and respon sibility which is all too rare in our time." -John Kenneth Galbraith Other books in the NEW DEMOCRACY FORUM series: The New Inequality: Creating Solutionsfor PoorAmerica, by Richard B. Freeman A Community ofEquals: The Constitutional Protection ofNew Americans, by Owen Fiss For Love Metro Futures: Economic Solutionsfor Cities and Their Suburbs, by Daniel D. Luria andJoel Rogers of Country? Urg~nt Times: Policing andRights in Inner-City Communities, by Tracey L. Meares and Dan M. Kahan Will Standards Save Public Education?by Deborah Meier Do Americans Shop Too Much? byJuliet Schor Beyond Bachyard Environmentalism, by Charles Sabel, Archon Fung, and Bradley Karkkainen Is Inequality Bad.for Our Health? by Norman Daniels, Bruce Kennedy, and Ichiro Kawachi Martha C. Nussbaum l'Vhat's Wrong with a Free Lunch?by Philippe Van Parijs Edited by Josh"a eonen for Sosto" Review Are Electionsfor Sale? by David Donnelly,Janice Fine, and Ellen S. Miller Whose Vote Counts?by Robert Richie and Steven Hill Contents Editor's Preface byJoshua Cohen • VII Beacon Press 25 Beacon Street Introduction byMartha C. Nussbaum IX Boston, Massachusetts 02108-.28g2 www.beacon.org I. Martha C. Nussbaum Beacon Press books PATRIOTISM AND COSMOPOLITANISM are published under the auspices of 3 the Unitarian Universalist Association of Congregations. Il. Kwame Anthony Appiah © 1996,200.2 by Martha C. Nussbaum andjoshua Cohen COSMOPOLITAN PATRIOTS 21 All rights reserved Benjamin R. Barber CONSTITUTIONAL FAITH 0 30 Printed in the United States of America 05 04°3 Sissela Bok TIllS bookis printed on acid-free paper that meets the uncoated paper ANSljNISO specifications for FROM PART TO WHOLE • 38 permanence as revised in 1992. -
Fall 2019 Coursebook
SCHOOL COLUMBIA UNIVERSITY OF THE ARTS Fall 2 019 Coursebook Workshops Seminars Lectures Master Classes Updated: August 27, 2019 TABLE OF CONTENTS LIST OF COURSES BY DAY AND TIME WORKSHOPS 1 SEMINARS 2 LECTURES 5 MASTER CLASSES 6 COURSE DESCRIPTIONS SEMINARS 7 LITERARY TRANSLATION WORKSHOP 26 LECTURES 27 MASTER CLASSES 29 SPECIAL PROJECTS WORKSHOP 39 WORKSHOPS FICTION – OPEN (6 points) NONFICTION – OPEN (6 points) Sam Lipsyte Michelle Orange Mon., 10am-1pm Mon., 2pm-5pm Rivka Galchen Brenda Wineapple Mon., 2pm-5pm Tue., 2pm-5pm Brit Bennett Maria Venegas Tue., 10am-1pm Wed., 9:30am-12:30pm Lynn Steger Strong Sarah Perry Tue., 10am-1pm Fri., 2pm-5pm Binnie Kirshenbaum Tue., 2pm-5pm NONFICTION – THESIS (9 points) Joshua Furst Second-Years only Wed., 2pm-5pm Joanna Hershon Leslie Jamison Thu., 10am-1pm Mon., 10am-1pm Paul Beatty Phillip Lopate Thu., 2pm-5pm Mon., 2pm-5pm Nicholas Christopher Wendy S. Walters Thu., 2pm-5pm Tue., 10am-1pm Ben Metcalf Richard Locke Thu., 2pm-5pm Tue., 2pm-5pm Anelise Chen Michael Greenberg Fri., 10am-1pm Wed., 2pm-5pm James Cañón Fri., 2pm-5pm POETRY – OPEN (6 points) Phillip B. Williams Mon., 10am-1pm Timothy Donnelly Wed., 2pm-5pm Shane McCrae Thu., 10am-1pm Lynn Xu Thu., 10am-1pm Emily Skillings Fri., 2pm-5pm 1 SEMINARS ——MONDAY—— ——TUESDAY—— Rivka Galchen (FI) Monica Ferrell (CG) Not Exactly Historical Fiction Word and Image: Reading and Writing Mon., 10am-12pm Contemporary Poetry for Prose Writers Tue., 10am-12pm Lincoln Michel (FI) Structure and Its Discontents Leslie Jamison (NF) Mon., 10am-12pm Archive -
Rogers an Interview Excerpt
n ntrv th Bn Lrnr l Rr Contemporary Literature, Volume 54, Number 2, Summer 2013, pp. 218-238 (Article) Pblhd b nvrt f nn Pr DOI: 10.1353/cli.2013.0021 For additional information about this article http://muse.jhu.edu/journals/cli/summary/v054/54.2.rogers.html Access provided by Boston College (21 Dec 2014 13:44 GMT) BEN LERNER Courtesy of Coffee House Press an interview with BEN LERNER Conducted by Gayle Rogers ne of the most important and prodigious young writers in America today, Ben Lerner is an omniv- orous reader whose work situates itself in relation O to a host of antecedents, many of them notably opposed to theories of writing as the expression or revelation of a singular, coherent interiority. Perhaps the clearest line extends, as Marjorie Perloff might trace it, from the early modernism of Ezra Pound, Gertrude Stein, and William Carlos Williams to Objectivism, through the Black Mountain poets and Language poetry, and to current figures such as John Ashbery, Charles Bernstein, and those whom Stephen Burt has termed “elliptical” poets. If there is or was a tradition of the American avant-garde, Lerner would seem to belong to it, and the theories of referen- tiality and unoriginality posited by Ron Silliman or Allen Gross- man that he cites in this interview seem explicatory. But this genealogy is partial. One is likely to find, in Lerner’s poetry and prose alike, traces of or allusions to Leo Tolstoy, Ludwig Witt- genstein, or Walt Whitman; or quotations from Walter Benjamin, Jean Baudrillard, or Jacques Derrida colliding with cliche´s from TV melodrama; or oblique citations of theories of images and simulacra, not as explanatory or exegetical concepts, but as fig- ures for the acts of poesis and consumption. -
The Responsibility of Intellectuals
The Responsibility of Intellectuals EthicsTheCanada Responsibility and in the FrameAesthetics ofofCopyright, TranslationIntellectuals Collections and the Image of Canada, 1895– 1924 ExploringReflections the by Work Noam of ChomskyAtxaga, Kundera and others and Semprún after 50 years HarrietPhilip J. Hatfield Hulme Edited by Nicholas Allott, Chris Knight and Neil Smith 00-UCL_ETHICS&AESTHETICS_i-278.indd9781787353008_Canada-in-the-Frame_pi-208.indd 3 3 11-Jun-1819/10/2018 4:56:18 09:50PM First published in 2019 by UCL Press University College London Gower Street London WC1E 6BT Available to download free: www.ucl.ac.uk/ucl-press Text © Contributors, 2019 Images © Copyright holders named in captions, 2019 The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as authors of this work. A CIP catalogue record for this book is available from The British Library. This book is published under a Creative Commons Attribution Non-commercial Non-derivative 4.0 International license (CC BY-NC-ND 4.0). This license allows you to share, copy, distribute and transmit the work for personal and non-commercial use providing author and publisher attribution is clearly stated. Attribution should include the following information: Allott, N., Knight, C. and Smith, N. (eds). The Responsibility of Intellectuals: Reflections by Noam Chomsky and others after 50 years. London: UCL Press, 2019. https://doi.org/10.14324/ 111.9781787355514 Further details about CC BY licenses are available at http://creativecommons.org/licenses/ Any third-party material in this book is published under the book’s Creative Commons license unless indicated otherwise in the credit line to the material. -
Download the Season Brochure
Churchill Arts Council 2019-20 Season Brochure 34TH ANNUAL ARTS EVENT SEASON 2019-20 SEASON EVENTS CALENDAR THE CHURCHILL ARTS COUNCIL is a private, non-profit arts organization PERFORMING ARTS bringing high quality arts events to Fallon, Churchill County and Northern Ellis Dyson & the Shambles – August 17, 2019 Nevada. For over three decades, we’ve enriched the cultural and social life of Laurie Lewis & the Right Hands – October 19, 2019 our region by offering educational and experiential opportunities in the arts on The Selwyn Birchwood Band – November 16, 2019 many levels, including: an annual performing arts series; visual art exhibitions; Sarah Borges & the Broken Singles – January 25, 2020 literary readings and conversations with artists in all disciplines; screenings of Kroma Quartet – March 28, 2020 classic and foreign films; a juried local artists’ exhibition; scholarships to pursue Quiana Lynell – April 25, 2020 studies in the arts; publication of print and online visual arts catalogs as well Le Vent du Nord – May 16, 2020 as a monthly newsletter. We are committed to excellence in multi-disciplinary Rupa & the April Fishes – June 20, 2020 programming as you’ll see by this overview of our 2019-20 Season. VISUAL ARTS PHYSICAL ADDRESS Keith Goodhart – August 3 - November 16, 2019 Oats Park Art Center » Artist’s Talk & Reception: August 3 151 East Park Street Gesine Janzen – August 3 - November 16, 2019 Fallon, Nev. 89406 » Artist’s Talk & Reception: September 7 Austin Pratt – December 15, 2019 - April 4, 2020 CONTACT INFORMATION » Panel Discussion & Reception: February 1 775-423-1440 Ahren Hertel – December 15, 2019 - April 4, 2020 [email protected] » Panel Discussion & Reception: February 1 P. -
Writers' Week 2019
CAMPUS MAP The UNCW Department of Creative Writing Presents WRITERS’ WEEK 2019 Readings Monday, Nov. 4 Craft Talks - Friday, Publishing FSC Lumina Theater Professionals FUU Fisher University Union Nov. 8 /crw.uncw @uncwcrw Alumni Guests WRITERS’ WEEK2019 THE UNCW DEPARTMENT OF CREATIVE WRITING is a community of passionate, dedicated writers who believe that the creation of art is a pursuit valuable to self and culture. Our faculty fosters a rigorous yet supportive environment in which writers grow as artists and individuals. The department is devoted to the pursuit of excellence in writing through an informed application of craft. We value versatility, and we encourage writers to explore aesthetics and methods across genre lines. The department offers degree programs leading to the Master of Fine Arts and the Bachelor of Fine Arts, in addition to an undergraduate Certificate in Publishing. Our primary genres are fiction, poetry, and creative non fiction; classes in screenwriting are also available, as is the study of editing and publishing through The Pub lishing Laboratory. Each fall the department hosts a Writers’ Week symposium, a festival of workshops, panels, readings, and manuscript conferences. Writers’ Week brings together graduate students, undergraduate students, and the community interested in the art of writing to promote the discussion of craft. We invite our students, faculty, and guests to join together for our fall 2019 Writers’ Week. Prepare to be delighted, challenged, and inspired as we welcome a distinguished group of poets, prose writers, and publishing professionals into our midst once more. All events are free and open to the public. For more information on Writers’ Week, or to learn more about the UNCW creative writing program, contact the office at (910) 962-3070 or visit uncw.edu/writers.