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PART ON E F IS FOR FORTUNE COPYRIGHTED MATERIAL CCH001.inddH001.indd 7 99/18/10/18/10 77:13:28:13:28 AAMM CCH001.inddH001.indd 8 99/18/10/18/10 77:13:28:13:28 AAMM LOST IN LOST ’ S TIMES Richard Davies Lost and Losties have a pretty bad reputation: they seem to get too much fun out of telling and talking about stories that everyone else fi nds just irritating. Even the Onion treats us like a bunch of fanatics. Is this fair? I want to argue that it isn ’ t. Even if there are serious problems with some of the plot devices that Lost makes use of, these needn ’ t spoil the enjoyment of anyone who fi nds the series fascinating. Losing the Plot After airing only a few episodes of the third season of Lost in late 2007, the Italian TV channel Rai Due canceled the show. Apparently, ratings were falling because viewers were having diffi culty following the plot. Rai Due eventually resumed broadcasting, but only after airing The Lost Survivor Guide , which recounts the key moments of the fi rst two seasons and gives a bit of background on the making of the series. Even though I was an enthusiastic Lostie from the start, I was grateful for the Guide , if only because it reassured me 9 CCH001.inddH001.indd 9 99/18/10/18/10 77:13:28:13:28 AAMM 10 RICHARD DAVIES that I wasn’ t the only one having trouble keeping track of who was who and who had done what. -
LOST the Official Show Auction
LOST | The Auction 156 1-310-859-7701 Profiles in History | August 21 & 22, 2010 572. JACK’S COSTUME FROM THE EPISODE, “THERE’S NO 574. JACK’S COSTUME FROM PLACE LIKE HOME, PARTS 2 THE EPISODE, “EGGTOWN.” & 3.” Jack’s distressed beige Jack’s black leather jack- linen shirt and brown pants et, gray check-pattern worn in the episode, “There’s long-sleeve shirt and blue No Place Like Home, Parts 2 jeans worn in the episode, & 3.” Seen on the raft when “Eggtown.” $200 – $300 the Oceanic Six are rescued. $200 – $300 573. JACK’S SUIT FROM THE EPISODE, “THERE’S NO PLACE 575. JACK’S SEASON FOUR LIKE HOME, PART 1.” Jack’s COSTUME. Jack’s gray pants, black suit (jacket and pants), striped blue button down shirt white dress shirt and black and gray sport jacket worn in tie from the episode, “There’s Season Four. $200 – $300 No Place Like Home, Part 1.” $200 – $300 157 www.liveauctioneers.com LOST | The Auction 578. KATE’S COSTUME FROM THE EPISODE, “THERE’S NO PLACE LIKE HOME, PART 1.” Kate’s jeans and green but- ton down shirt worn at the press conference in the episode, “There’s No Place Like Home, Part 1.” $200 – $300 576. JACK’S SEASON FOUR DOCTOR’S COSTUME. Jack’s white lab coat embroidered “J. Shephard M.D.,” Yves St. Laurent suit (jacket and pants), white striped shirt, gray tie, black shoes and belt. Includes medical stetho- scope and pair of knee reflex hammers used by Jack Shephard throughout the series. -
Jack's Costume from the Episode, "There's No Place Like - 850 H
Jack's costume from "There's No Place Like Home" 200 572 Jack's costume from the episode, "There's No Place Like - 850 H... 300 Jack's suit from "There's No Place Like Home, Part 1" 200 573 Jack's suit from the episode, "There's No Place Like - 950 Home... 300 200 Jack's costume from the episode, "Eggtown" 574 - 800 Jack's costume from the episode, "Eggtown." Jack's bl... 300 200 Jack's Season Four costume 575 - 850 Jack's Season Four costume. Jack's gray pants, stripe... 300 200 Jack's Season Four doctor's costume 576 - 1,400 Jack's Season Four doctor's costume. Jack's white lab... 300 Jack's Season Four DHARMA scrubs 200 577 Jack's Season Four DHARMA scrubs. Jack's DHARMA - 1,300 scrub... 300 Kate's costume from "There's No Place Like Home" 200 578 Kate's costume from the episode, "There's No Place Like - 1,100 H... 300 Kate's costume from "There's No Place Like Home" 200 579 Kate's costume from the episode, "There's No Place Like - 900 H... 300 Kate's black dress from "There's No Place Like Home" 200 580 Kate's black dress from the episode, "There's No Place - 950 Li... 300 200 Kate's Season Four costume 581 - 950 Kate's Season Four costume. Kate's dark gray pants, d... 300 200 Kate's prison jumpsuit from the episode, "Eggtown" 582 - 900 Kate's prison jumpsuit from the episode, "Eggtown." K... 300 200 Kate's costume from the episode, "The Economist 583 - 5,000 Kate's costume from the episode, "The Economist." Kat.. -
Set Chair for Matthew Fox "Jack" 11 - 1,200 Set Chair for Matthew Fox "Jack." Wooden Director's C
200 Set chair for Matthew Fox "Jack" 11 - 1,200 Set chair for Matthew Fox "Jack." Wooden director's c... 300 200 Set chair for Evangeline Lilly "Kate" 2 - 1,500 Set chair for Evangeline Lilly "Kate." Wooden directo... 300 200 Set chair for Jorge Garcia "Hurley" 3 - 400 Set chair for Jorge Garcia "Hurley." Folding camping ... 300 200 Set chair for Terry O'Quinn "Locke" 4 - 1,700 Set chair for Terry O'Quinn "Locke." Wooden director'... 300 Set chair for Dominic Monaghan "Charlie" 200 5 Set chair for Dominic Monaghan "Charlie." Wooden - 600 dire... 300 200 Set chair for Emilie de Ravin "Claire" 6 - 550 Set chair for Emilie de Ravin "Claire." Wooden direct... 300 200 Set chair for Yunjin Kim "Sun" 7 - 800 Set chair for Yunjin Kim "Sun." Wooden director's cha... 300 Set chair for Naveen Andrews "Sayid" 200 8 Set chair for Naveen Andrews "Sayid." Wooden - 850 director... 300 200 Set chair for Harold Perrineau "Michael" 9 - 375 Set chair for Harold Perrineau "Michael." Wooden dire... 300 200 Set chair for Michael Emerson "Ben" 10 - 1,900 Set chair for Michael Emerson "Ben." Wooden director'... 300 200 Set chair for Nestor Carbonell "Richard Alpert" 11 - 850 Set chair for Nestor Carbonell "Richard Alpert." Wood... 300 200 Set chair for Elizabeth Mitchell "Juliet" 12 - 2,000 Set chair for Elizabeth Mitchell "Juliet." Wooden dir... 300 Set chair for Jeremy Davies "Faraday" 200 13 Set chair for Jeremy Davies "Faraday." Wooden - 950 directo... 300 Chair back from on-set chair for Alan Dale "Widmore" 100 14 Chair back from on-set chair for Alan Dale - 375 "Widmore.".. -
LOST Fandom and Everyday Philosophy
"Accidental Intellectuals": LOST Fandom and Everyday Philosophy Author: Abigail Letak Persistent link: http://hdl.handle.net/2345/2615 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2012 Copyright is held by the author, with all rights reserved, unless otherwise noted. ! ! ! ! ! ! ! ! ! ! This thesis is dedicated to everyone who has ever been obsessed with a television show. Everyone who knows that adrenaline rush you get when you just can’t stop watching. Here’s to finding yourself laughing and crying along with the characters. But most importantly, here’s to shows that give us a break from the day-to-day milieu and allow us to think about the profound, important questions of life. May many shows give us this opportunity as Lost has. Acknowledgements First and foremost I would like to thank my parents, Steve and Jody, for their love and support as I pursued my area of interest. Without them, I would not find myself where I am now. I would like to thank my advisor, Juliet Schor, for her immense help and patience as I embarked on combining my personal interests with my academic pursuits. Her guidance in methodology, searching the literature, and general theory proved invaluable to the completion of my project. I would like to thank everyone else who has provided support for me throughout the process of this project—my friends, my professors, and the Presidential Scholars Program. I’d like to thank Professor Susan Michalczyk for her unending support and for believing in me even before I embarked on my four years at Boston College, and for being the one to initially point me in the direction of sociology. -
LOST the Official Show Auction Catalog
LOST | The Auction 70 1-310-859-7701 Profiles in History | August 21 & 22, 2010 221. JACK’S SEASON TWO COSTUME. Jack’s blue jeans, blue t-shirt and shoes worn in Season Two. $200 – $300 219. JACK’S SEASON TWO COSTUME. Jack’s blue jeans and green t-shirt worn in Season Two. $200 – $300 220. JACK’S SEASON TWO COS- TUME. Jack’s blue jeans and gray t-shirt worn in Season Two. $200 – $300 222. JACK’S MEDICAL BAG. Dark brown leather shoulder bag used by Jack in Season Two to carry medical supplies. $200 – $300 71 www.liveauctioneers.com LOST | The Auction 225. KATE’S COSTUME FROM THE EPISODE, “WHAT KATE DID.” Kate’s brown corduroy pants, brown print t-shirt, and jean jacket worn in the episode, “What Kate Did.” $200 – $300 223. KATE’S SEASON TWO ISLAND COS- TUME. Kate’s white tank top, beige long- sleeve shirt and brown corduroy cargo pants worn in Season Two. $200 – $300 224. KATE’S COSTUME FROM THE EPISODE, “WHAT KATE DID.” Kate’s jeans, jean jacket and Janis Joplin print shirt worn in the episode, “What Kate Did.” $200 – $300 226. HURLEY’S SEASON TWO COSTUMES. Hurley’s olive green shorts and red t- shirt worn on the Island in the episode, “S.O.S..” Includes Hurley’s black jeans, gray t-shirt and black hoodie worn in Season Two. $200 – $300 72 1-310-859-7701 Profiles in History | August 21 & 22, 2010 227. HURLEY’S MR. CLUCK’S CHICKEN SHACK COSTUME. Hurley’s black pants, green Mr. -
{PDF} Night Lost
NIGHT LOST PDF, EPUB, EBOOK Lyn Viehl | 304 pages | 09 Oct 2008 | Penguin Putnam Inc | 9780451221025 | English | New York, United States Night Lost PDF Book I liked that she is a very strong female character and basically gets along fine without Gabriel. It is a great read that could stand alone but I suggest reading her previous novels which introduce all the characters. Jul 04, Ladiibbug rated it really liked it. And there is a steep price paid for the use of Old Magick! Archived from the original on November 13, I voice my hopes here because guys, there are 2 more books confirmed to wrap up this series. What path lies ahead of Aphrodite, now that she has her new Mark? She is fascinating and I simply liked her. While reading this book, however, I got more and more convinced that it was actually the most ingenious way P. Audio help More spoken articles. As much as I loved Zoey, she truly Received a copy from the publisher for review. The second timeline, called the "flash-sideways" narrative, follows the lives of the main characters in a setting where Oceanic never crashed, though additional changes are revealed as other characters are shown living completely different lives than they did. I can't really argue that her "human" characters are interesting and she has tallent. Readers also enjoyed. Now reading them and I'm older, though I still like the series, the only challenge for me is getting past some of the language. Shannon's departure eight episodes into season two made way for newcomers Mr. -
The Digital Transmedia Narrative Composition of the Storytelling of Lost La Construcción Narrativa Transmedia Digital Del Relato De Lost
The digital transmedia narrative composition of the storytelling of Lost La construcción narrativa transmedia digital del relato de Lost Víctor Álvarez Rodríguez. PhD student in the Interuniversity Doctoral Programme in Communication at the Uni- versities of Sevilla, Malaga, Cadiz and Huelva. Master’s Degree in Script, Narrative and Audiovisual Creativity from the University of Sevilla. Degree in Advertising and Public Relations from the University of Cadiz. Research line: analysis of audiovisual communication and advertising. University of Cádiz, Spain [email protected] ORCID: 0000-0003-4918-4261 Received: 08/07/2019 - Accepted: 12/11/2019 Recibido: 08/07/2019 - Aceptado:12/11/2019 Abstract: Resumen: Analysing the transmedia narrative through the virtual environment Analizar la narrativa transmedia a través del entorno virtual supo- ISSN: 1696-019X / e-ISSN: 2386-3978 means recognizing the communication model used by television ne reconocer el modelo de comunicación empleado por las ficciones fiction today and the behaviour of its audience. Thanks to the televisivas en la actualidad y el comportamiento de su audiencia. development of digital media, numerous audio-visual productions Gracias al desarrollo de los medios digitales, numerosas produccio- have addressed these platforms to transmit and expand their nes audiovisuales han abordado estas plataformas para transmitir narrative. The pioneering production in this field is the fantasy y expandir su narrativa. La producción pionera en este campo es la genre series Lost (2004-2010). Therefore, this research proposes serie de género fantástico Lost (2004-2010). Por ello, esta investiga- a methodology of analysis of the narrative discourse of three ción plantea una metodología de análisis del discurso narrativo de transmedia works in order to identify and study their repercussions tres obras transmedia con el fin de identificar y estudiar sus reper- in the final narrative of the work. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9325552 The Ray Bradbury Theater: A case study of the adaptation process from the written artifact to the cinematic text McConnell, Mary Beth Petrasik, Ph.D. -
2019 Entered Dogs
2019 Master National Confirmed Entries Dogs Entered (8/16/2019) N=1,020 (Please Refresh your Browser) Name Owner Breed Sex Handler 3 Ring Tycho's Supernova Of Tgk MH Josh Cochran Lab M Justin Jackson 3m Jazzed That Tequila Sunrise Up JH Alanna McFatridge Lab F Rusty Haglund A Legend In Her Own Mind MH Kevin Forehand Lab F Rody Best Abandoned Road's Caffeine Explosion MH MNH4 Charles and Judy Pugh Lab F Charles Pugh ACADEMY'S ALL AMERICAN MH MNH6 Tim Mitchell Lab M Derek Randle/Kristen Ingram Academy's Buy a Lady a Drink MH Tim Mitchell Lab F Derek Randle/Kristen Ingram Academy's Deacon Howl'n Amen M Bullen/S Bullen Lab M Derek Randle Academys Good Golly Miss Molly MH Dr. Dale Brett Lab F Derek Randle/Kristen Ingram Academy's Shoot 'Em Down Turn Around MH Beth Walizer Lab F Derek Randle / Kristen Ingram Addi's Big Debut MH Marcus Bice Lab F Marcus Bice Adirondac High Speed Chase MH Carol Lantiegne Golden F Carol Lantiegne Adirondac Lake Effect MH CCA Carol Lantiegne Golden M Drew Neubauer AimPowers Roxie's Blue Bonnet MH LINDA HOOVER Lab F Oliver Burman Ain'T Whistling 'Dixie' Bell MH Jerry Gisclair II Lab F Jerod Newman Ajax's Teufel Hunden MH QAA Joshua Burch Lab M Alan Sandifer Ajs Labs Once Upon A Time MH Anja and Joel Walters Lab F Lee Howard Ajs Sailor Katy's I Shot The Sheriff MH Anja and Joel Walters Lab M Lee Howard Ajs Sailor Katy's Whips And Things MH Joel and Anja Walters Lab M Lee Howard Ajtop Chiefs Blessed Beau MH Kenneth Jenkins Lab M Justin Hergert Ajtop Cody's Kajun Pride MH Catherine Billings Lab M Chad Vidrine / Ken -
10 Lost Wanted
Wanted updated 03-12-13 LOST Season 1 Missing: Oceanic 815 Puzzle Cards (1:11 packs) M1 Charlie: Get it? Hurley: Dude, quit asking me Walkabout M3 Claire: I'm having contractions. Jack: How man Pilot Pt. 1 M4 Jack: Come on. Come on! Come on! Come on! Big Pilot Pt. 1 M5 Jack: We must have been at about forth thousan Pilot Pt. 1 M6 Michael: Hey, hey, where you going, man? Walt: Walkabout M7 Charlie: How does something like that happen? Pilot Pt. 1 M8 Pilot: Six hours in, our radio went out. No on Pilot Pt. 1 M9 Kate: Jack! Jack: There's someone else still o White Rabbit Numbers Die-Cut Cards (1:17 packs) 15 Sawyer: That what I think it is? Michael: Some Exodus, Pt. 2 23 Kate: I wanted you to make sure that Ray Mulle Tabula Rasa 42 Hurley: ...Stop! What are you doing?! Why'd yo Exodus, Pt. 2 Autograph Cards (1:36 packs) A-1 Evangeline Lilly as Kate Austen A-2 Josh Holloway as James "Sawyer" Ford A-3 Maggie Grace as Shannon Rutherford A-5 Mira Furlan as Danielle Rousseau A-6 William Mapother as Ethan Rom A-7 John Terry as Dr. Christian Shephard A-9 Daniel Roebuck as Dr. Leslie Arzt A-11 Kevin Tighe as Anthony Cooper A-12 Swoosie Kurtz as Emily Annabeth Locke AR1 (Redemption Card) Pieceworks Cards (1:36 packs) PW-1 Shirt worn by Evangeline Lilly as Kate Austen The Greater Good PW-2 T-shirt worn by Josh Holloway as Sawyer Ford Pilot PW-3 Top worn by Maggie Grace as Shannon Rutherford Hearts and Minds PW-4 T-shirt worn by Matthew Fox as Jack Shepherd All the Best Cowboys Have Daddy Issues PW-5 T-shirt worn by Dominic Monaghan as Charlie Pace Pilot PW-6 T-shirt worn by Terry O'Quinn as John Locke Numbers PW-8 T-shirt worn by Jorge Garcia as Hugo "Hurley" Reyes Hearts and Mind PW-10 Top worn by Yunjin Kim as Sun Kwon Exodus Pt. -
The Etiology of Character Realization, Within Rhetorical Analysis of the Series
i Found: The Etiology of Character Realization, within Rhetorical Analysis of the Series LOST, through the Application of Underhill’s and Turner’s Classic Concepts of the Mystic Journey ____________________________________________ Presented to the Faculty Liberty University School of Communication Studies ______________________________________________ In Partial Fulfillment of the Requirements for the Master of Arts in Communication By Lacey L. Mitchell 2 December 2010 ii Liberty University School of Communication Master of Arts in Communication Studies Michael P. Graves Ph.D., Chair Carey Martin Ph.D., Reader Todd Smith M.F.A, Reader iii Dedication For James and Mildred Renfroe, and Donald, Kim and Chase Mitchell, without whom this work would have been remiss. I am forever grateful for your constant, unwavering support, exemplary resolve, and undiscouraged love. iv Acknowledgements This work represents the culmination of a remarkable journey in my life. Therefore, it is paramount that I recognize several individuals I found to be indispensible. First, I would like to thank my thesis chair, Dr. Michael Graves, for taking this process and allowing it to be a learning and growing experience in my own journey, providing me with unconventional insight, and patiently answering my never ending list of inquiries. His support through this process pushed me towards a completed work – Thank you. I also owe a great debt to the readers on my committee, Dr. Cary Martin and Todd Smith, who took time to ensure the completion of the final product. I will always have immense gratitude for my family. Each of them has an incredible work ethic and drive for life that constantly pushes me one step further.