Student Achievements 2019 - 2020
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Repertoire List
APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op. -
View List (.Pdf)
Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No. -
Bach, Barber, and Brahms: Masters of Emotive Violin Composition Edward Charity Southern Illinois University Carbondale, [email protected]
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Summer 6-30-2014 Bach, Barber, and Brahms: Masters of Emotive Violin Composition Edward Charity Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Charity, Edward, "Bach, Barber, and Brahms: Masters of Emotive Violin Composition" (2014). Research Papers. Paper 551. http://opensiuc.lib.siu.edu/gs_rp/551 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. BACH, BARBER, AND BRAHMS: MASTERS OF EMOTIVE VIOLIN COMPOSITION by Edward Charity B.M., Northwestern State University, 2011. A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Music Department of Music in the Graduate School Southern Illinois University Carbondale August 2014 RESEARCH PAPER APPROVAL BACH, BARBER, AND BRAHMS: MASTERS OF EMOTIVE VIOLIN COMPOSITION By Edward Charity A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Music Performance Approved by: Michael Barta, Chair Eric Lenz Jacob Tews Graduate School Southern Illinois University Carbondale June 28, 2014 AN ABSTRACT OF THE RESEARCH PAPER OF Edward Charity, for the Master of Music degree in Music Performance, presented on June 30, 2014, at Southern Illinois University Carbondale. TITLE: BACH, BARBER, AND BRAHMS: MASTERS OF EMOTIVE VIOLIN COMPOSITION MAJOR PROFESSOR: Michael Barta Three seminal works of the violin repertory will be examined: J.S. -
Gordon Crosse
“Mixed Doubles” Double Concertos by John Manduell and Gordon Crosse CD1: Music by Gordon Crosse (b. 1937) 1 Brief Encounter, for oboe d’amore, recorder and strings (2009) 10.09 Concerto for viola and strings with french horn (2009) 22.50 2 I. Prelude: Andante calmo –più mosso – vivace 8.18 3 II. Song: Lento semplice – più mosso – lento 7.08 4 III. Finale: Vivace 7.24 5 Fantasia on ‘Ca’ the Yowes’, for recorder, harp and strings (2009) 9.51 Total duration CD1 43.05 CD2: Music by John Manduell (b. 1928) Flutes Concerto, for flautist, harp, strings and percussion (2000) 26.56 1 I. Vivo – Lento 9.55 2 II. Quasi adagio 9.24 3 III. Allegro – Allegretto – Languido 7.37 Double Concerto, for oboe, cor anglais, strings and percussion (1985/2012) 28.14 4 I. Quasi adagio – allegro molto 10.43 5 II. Adagio molto 12.18 6 III. Allegro vivo 5.13 Total duration CD2 55.19 Michael Cox flute Richard Simpson oboe/oboe d’amore Alison Teale cor anglais John Turner recorder Matthew Jones viola Timothy Jackson french horn Anna Christensen harp (CD1 track 5) Deian Rowlands harp (CD2 tracks 1-3) MANCHESTER SINFONIA leader Richard Howarth conducted by Timothy Reynish The Music Gordon Crosse writes: All three pieces on CD1 were composed in the Summer and Autumn of 2009 which was the most exciting and productive year I have ever experienced. I had returned to composing after a break of some 18 years and I found I couldn't stop working. The music was simpler than it was in 1990 but I think more communicative because more concentrated and focused. -
VIOLIN J.S. BACH Violin Concerto No. 1 in a Minor Violin Concerto No
VIOLIN HARP J.S. BACH Violin Concerto No. 1 in A Minor DEBUSSY Danses Sacree et Profane (in entirety) Violin Concerto No. 2 in E Major DITTERSDORF Harp Concerto in A Major BEETHOVEN Romance No. 1 in G Major HANDEL Harp Concerto in Bb Major, Op. 4, No. 6 Romance No. 2 in F Major MOZART Concerto for Flute and Harp in C Major BRUCH Violin Concerto No. 1 in G Minor RAVEL Introduction and Allegro HAYDN Violin Concerto in C Major Violin Concerto in G Major FLUTE LALO Violin Concerto No. 2 in D Minor GRIFFES Poem MENDELSSOHN Violin Concerto in E Minor HANSON Serenade for Flute MOZART Violin Concerti Nos. 1 – 5 MOZART Flute Concerto No. 1 in G Major SAINT-SAËNS Introduction & Rondo Capriccioso Flute Concerto No. 2 in D Major Violin Concerto No. 3 in B Minor TELEMANN Suite in A Minor SCHUBERT Rondo in A Major for Violin & Strings VIVALDI All flute concerti (Op 10, Nos. 1–6) VIVALDI The Four Seasons WIENIAWSKI Violin Concerto No. 1 in F# Minor PICCOLO Violin Concerto No. 2 in D Minor VIVALDI Piccolo Concerto in C Major, Op. 44, No. 11 Piccolo Concerto in A Minor VIOLA HANDEL Viola Concerto in B Minor OBOE HINDEMITH Trauermusik ALBINONI Oboe Concerto in Bb Major, Op. 7, No. 3 MOZART Sinfonia Concertante in Eb Major Oboe Concerto in D Minor, Op. 9, No. 2 TELEMANN Viola Concerto in G Major J.S. BACH Concerto for Oboe and Violin HAYDN Oboe Concerto in C Major VIOLONCELLO MOZART Oboe Concerto in C Major BOCCHERINI All cello concerti HAYDN Cello Concerto No. -
Graduate Recital in Viola
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2017 Graduate recital in viola Isaak Walter Sund University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2017 Isaak Walter Sund Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Music Performance Commons Recommended Citation Sund, Isaak Walter, "Graduate recital in viola" (2017). Dissertations and Theses @ UNI. 413. https://scholarworks.uni.edu/etd/413 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. GRADUATE RECITAL IN VIOLA An Abstract of a Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Music in Performance Isaak Walter Sund University of Northern Iowa July 2017 This Study by: Isaak Sund Entitled: Graduate Recital in Viola has been approved as meeting the thesis requirement for the Degree of Master of Music in Performance ___________ _____________________________________________________ Date Dr. Julia Bullard, Chair, Thesis Committee ___________ _____________________________________________________ Date Dr. Rebecca Burkhardt, Thesis Committee Member ___________ _____________________________________________________ Date Dr. Alison Altstatt, Thesis Committee Member ___________ _____________________________________________________ Date Dr. Kavita R. Dhanwada, Dean, Graduate College This Recital Performance by: Isaak Sund Entitled: Graduate Recital in Viola Date of Recital: March 29, 2017 has been approved as meeting the recital requirement for the Degree of Master of Music in Performance ___________ _____________________________________________________ Date Dr. Julia Bullard, Chair, Graduate Recital Committee ___________ _____________________________________________________ Date Dr. -
Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue. -
Program Notes
with the NASHVILLESYMPHONY CLASSICAL SERIES THURSDAY, FEBRUARY 21, AT 7 PM | FRIDAY & SATURDAY, FEBRUARY 22 & 23, AT 8 PM NASHVILLE SYMPHONY GIANCARLO GUERRERO, conductor CONCERT PARTNER ALBAN GERHARDT, cello AARON JAY KERNIS Symphony No. 4, “Chromelodeon” Out of Silence Thorn, Rose | Weep, Freedom (after Handel) Fanfare Chromelodia SAMUEL BARBER This weekend's performances are made Concerto for Cello and Orchestra, Op. 22 possible through the generosity of Allegro moderato Drs. Mark & Nancy Peacock. Andante sostenuto Molto allegro ed appassionato Alban Gerhardt, cello – INTERMISSION – LUDWIG VAN BEETHOVEN Symphony No. 7 in A Major, Op. 92 Poco sostenuto – Vivace Allegretto Presto Allegro con brio This concert will last 1 hour and 55 miutes, including a 20-minute intermission. INCONCERT 33 TONIGHT’S CONCERT AT A GLANCE AARON JAY KERNIS Symphony No. 4, “Chromelodeon” • New York City-based composer Kernis has earned the Pulitzer Prize in Music and the prestigious Grawemeyer Award, as well a 2019 GRAMMY® nomination for Best Contemporary Classical Composition. (Winners had not yet been announced at the time of the program guide’s printing.) He also serves as workshop director for the Nashville Symphony’s Composer Lab & Workshop. • The title of his latest symphony, “Chromelodeon,” comes from an unusual word previously used by maverick American composer Harry Partch to describe one of his musical inventions. As defined by the composer, this word aptly describes his own creation here: “chromatic, colorful, melodic music performed by an orchestra.” • The idea of color is especially significant in Kernis’ work, as the composer has synesthesia, a condition that associates specific notes and chords and with distinct colors. -
Notes on the Program by James M
Notes on the Program By James M. Keller, Program Annotator, The Leni and Peter May Chair Concerto in D major for Violin and Orchestra, Op. 77 Johannes Brahms ohannes Brahms was the chief acolyte of time. It was Joachim who had championed Jthe conservative stream of 19th-century Beethoven’s Violin Concerto to a degree that Romanticism. As a young composer, he lifted it in musical prestige from a perceived sought out the composer and critic Robert footnote in Beethoven’s catalogue to a reper- Schumann in 1853. Schumann was hugely toire masterwork. He would introduce such impressed by the young man’s talent, and on important works as Schumann’s Phantasie October 28 of that year he published in the for Violin and Orchestra (1854) and Violin Neue Zeitschrift für Musik, a musical maga- Concerto (though the latter only in private zine he had founded, an effusive article that performances beginning in 1855) and the acclaimed Brahms as a sort of musical Mes- final version of Max Bruch’s Violin Concer- siah, “destined to give ideal presentation to to No. 1 (in 1868), as well as Brahms’s Violin the highest expression of the time, … spring- Concerto and Double Concerto for Violin ing forth like Minerva fully armed from the and Cello. head of Jove.” Joachim’s presence looms large in the Brahms filled Schumann’s prophecy and case of Brahms’s Violin Concerto, as the became the figure who most fully adapted composer consulted with him very closely the models of Beethoven (via Mendelssohn while writing the piece and there is no ques- and Schumann himself) to the evolving aes- tion that Joachim’s influence on the final thetics of the mid-to-late 19th century. -
2019 CCPA Solo Competition: Approved Repertoire List FLUTE
2019 CCPA Solo Competition: Approved Repertoire List Please submit additional repertoire, including concertante pieces, to both Dr. Andrizzi and to your respective Department Head for consideration before the application deadline. FLUTE Arnold, Malcolm: Concerto for flute and strings, Op. 45 strings Arnold, Malcolm: Concerto No 2, Op. 111 orchestra Bach, Johann Sebastian: Suite in B Minor BWV1067, Orchestra Suite No. 2, strings Bach, Carl Philipp Emanuel: Concerto in D Minor Wq. 22, strings Berio, Luciano: Serenata for flute and 14 instruments Bozza, Eugene: Agrestide Op. 44 (1942) orchestra Bernstein, Leonard: Halil, nocturne (1981) strings, percussion Bloch, Ernest: Suite Modale (1957) strings Bloch, Ernest: "TWo Last Poems... maybe" (1958) orchestra Borne, Francois: Fantaisie Brillante on Bizet’s Carmen orchestra Casella, Alfredo: Sicilienne et Burlesque (1914-17) orchestra Chaminade, Cecile: Concertino, Op. 107 (1902) orchestra Chen-Yi: The Golden Flute (1997) orchestra Corigliano, John: Voyage (1971, arr. 1988) strings Corigliano, John: Pied Piper Fantasy (1981) orchestra Devienne, Francois: Concerto No. 7 in E Minor, orchestra Devienne, Francois: Concerto No. 10 in D Major, orchestra Devienne, Francois: Concerto in D Major, orchestra Doppler, Franz: Hungarian Pastoral Fantasy, Op. 26, orchestra Feld, Heinrich: Fantaisie Concertante (1980) strings, percussion Foss, Lucas: Renaissance Concerto (1985) orchestra Godard, Benjamin: Suite Op. 116; Allegretto, Idylle, Valse (1889) orchestra Haydn, Joseph: Concerto in D Major, H. VII f, D1 Hindemith, Paul: Piece for flute and strings (1932) Hoover, Katherine: Medieval Suite (1983) orchestra Hovhaness, Alan: Elibris (name of the DaWn God of Urardu) Op. 50, (1944) Hue, Georges: Fantaisie (1913) orchestra Ibert, Jaques: Concerto (1933) orchestra Jacob, Gordon: Concerto No. -
2010 Repertoire Comparison Conductors with Over 30 Works
2010 Repertoire Comparison Conductors with over 30 Works Bychkov, Semyon Jarvi, Paavo Slatkin, Leonard Woods, Kenneth 1. BARTOK: The Miraculous 1. J.S. Bach: Brandenburg Concerto No.1 1. ADAMS: Violin Concerto 1. Arnold- The Inn of Sixth Happiness in F major, BWV 1046 Mandarin Suite, Op 19 2. BARBER: Capricorn Concerto 2. Bach- Goldberg Variations (arr. 2. J.S. Bach: Keyboard Concerto No.4 in 2. BARTOK Viola Concerto 3. BARBER: Cello Concerto Sitkovetsky for string trio) (5) 3. BEETHOVEN: Piano Concerto No A Major, BWV 1055 (Awadagin Pratt) 3. Beethoven- Coriolan Overture 3. Bach (orch.Webern): Fuga Ricercare 4. BARBER: Symphony No. 1 2 4. Beethoven- Fidelio Overture from The Musical Offering 4. BEETHOVEN: Piano Concerto 5. BATES: Liquid Interface 5. Beethoven String Trio in G Major, 4. J. S. Bach: Suite No.2 in B minor, BWV 6. BEETHOVEN: Symphony No. 3, No5 (Emperor) 1067 opus 9 no. 1 (9) 5. BERLIOZ: Symphonie Fantastique 5. Bartók: Divertimento “Eroica” 6. Beethoven- String Trio in D Major, 6. BRAHMS: Concerto for Violin and 6. Bartók: Piano Conc. No.1 (Yefim 7. BEETHOVEN: Symphony No. 8 op 9 no. 2 (5) Cello in A minor Op 102 Bronfman) 8. BERLIOZ: Le Corsaire 7. Beethoven- Romance no. 1 for 7. BRAHMS Symphony No 2 7. Bartók: Piano Concerto No.3 (Radu 9. BRAHMS: Symphony No. 2 Violin and Orchestra Lupu) 8. BRAHMS: Symphony No 3, Op 90, 10. BERLIOZ: Roman Carnival Overture 8. Beethoven- Symphony no. 2 F major 8. Berlioz: Les nuits d’été 9. Beethoven- Symphony no. 3 9. -
Clarinet Concertos Clarinet
Clarinet 14CD Concertos 95787 ClaRINet Concertos 14CD CD1 Molter Concertos Nos. 1–5 CD9 Mercadante Concertino Concertos Nos. 1 & 2 CD2 Spohr Concertos Nos. 1 & 4 Sinfonia concertante No.3 CD3 Spohr Concertos Nos. 2 & 3 CD10 Hoffmeister Concerto CD4 Mozart Concerto in A K622 Sinfonie concertanti Nos. 1 & 2 Bruch Clarinet & Viola Concerto CD11 Baermann Concertstück in G minor CD5 Weber Concertino Clarinet Concertinos Opp. 27 & 29 Concertos Nos. 1 & 2 Sonata No.3 in D minor/F Busoni Concertino CD12 Finzi Concerto CD6 Crusell Concertos Nos. 1–3 Stanford Concerto Copland Concerto (1948 version) CD7 Krommer Concerto Op.36 Double Concertos Opp. 35 & 91 CD13 Nielsen Concerto Tansman Concerto Stamitz CD8 Concerto No.1 Hindemith Concerto Double Concerto Clarinet & Bassoon Concerto CD14 Rietz Concerto Rossini Introduction, theme & variations Mendelssohn Concert Pieces Opp. 113 & 114 Performers include: Davide Bandieri · Kevin Banks · Kálmán Berkes · Per Billman Jean-Marc Fessard · Henk de Graaf · Sharon Kam · Dieter Klöcker · Sebastian Manz Oskar Michallik · Robert Plane · Giuseppe Porgo · Giovanni Punzi · David Singer Tomoko Takashima · Maria du Toit · Kaori Tsutsui · Eddy Vanoosthuyse C 2018 Brilliant Classics DDD/ADD STEMRA Manufactured and printed in the EU 95787 www.brilliantclassics.com Clarinet 14CD Concertos 95787 Clarinet Concertos historical interest. The solo writing – composed for a high clarinet in D – suggests the virtuosity of Most musical instruments in use today derive from very ancient ancestors. The oboe, for example, a coloratura soprano. may be traced back to the shawm, an instrument with a double-reed and wooden mouthpiece, Louis Spohr (1784–1859), born in Brunswick, established a reputation as a violinist and conductor, used from the 12th century onwards.