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Serendipitous Rescue 2018-10-10
Serendipitous Rescue Lowell Dunn ESCONDIDO, CALIFORNIA: Word Wizards® Copyright © 2016, 2018 by Lowell Dunn All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior permission of the author and publisher (except for brief excerpts for review purposes). Manufactured in the United States of America. For electronic editions of this book: receiving an authorized copy entitles the reader to a limited license that does not include the rights to distribute or prepare derivative works of the book. Published by Word Wizards® Communications Excellence since 1972 P.O. Box 300721 Escondido, California 92030-0721 United States of America 760/ 781-1227 Internet: http://www.wordwiz72.com Cover art by Rafael Matigulin Third printing ISBN: 978-0-944363-10-2 (Paperback print edition) 2 CONTENTS ★ Acknowledgements ............................................................. vii Part 1 — 1951 - 1971 ....................................................9 1 Tutu House ...........................................................................11 2 The Farm ..............................................................................23 3 A New Life ..........................................................................35 4 A New Home .......................................................................49 5 Settling In .............................................................................61 6 -
In the Break: the Aesthetics of the Black Radical Tradition
In the Break This page intentionally left blank In the Break The Aesthetics of the Black Radical Tradition Fred Moten University of Minnesota Press Minneapolis • London Copyright 2003 by the Regents of the University of Minnesota Portions of chapter 1 were originally published as “Voices/Forces: Migration, Surplus, and the Black Avant-Garde,” in Writing Aloud: The Sonics of Language, edited by Brandon LaBelle and Christof Migone (Los Angeles: Errant Bodies Press, 2001); reprinted by permission of Errant Bodies Press. Portions of chapter 1 also appeared as “Sound in Florescence: Cecil Taylor Floating Garden,” in Sound States: Innovative Poetics and Acoustical Technologies, edited by Adalaide Morris (Chapel Hill: University of North Carolina Press, 1998); copyright 1998 by the University of North Carolina Press; reprinted by permission of the University of North Carolina Press. An earlier version of chapter 2 appeared as “From Ensemble to Improvisation,” in Hambone 16 (Fall 2002); reprinted by permission of Hambone. An earlier version of chapter 3 appeared as “Black Mo’nin’ in the Sound of the Photograph,” in Loss, edited by David Kazanjian and David Eng (Berkeley: University of California Press, 2002); copyright 2002 by the Regents of the University of California; reprinted by permission of the University of California Press. Translated poetry by Antonin Artaud in chapter 1 originally appeared in WatchWends and Rack Screams: Works from the Final Period, edited and translated by Clayton Eshleman and Bernard Bador (Boston: Exact Change, 1995); reprinted courtesy of Exact Change. Lush Life, by Billy Strayhorn, copyright 1949 (renewed) by Music Sales Corporation (ASCAP) and Tempo Music Corporation (BMI); all rights administered by Music Sales Corporation (ASCAP); international copyright secured; all rights reserved; reprinted by permission. -
PDF Trash & Darlins
By CaraNo Disclaimer: I don’t own Twilight Chapter 1 – Good And Proper Darlin' Bella's POV. These last couple of weeks have been… taxing. Starting with packing my shit and hauling my sweet ass across the country in a beat up Chevy, to arrive here… in Texas, and then the whole mess of finding a job, a place to live… Yeah, taxing. I should explain, right? Well, don't worry, my story isn't long. I grew up in bumfucked Forks, Washington, with two drunken parents, and as soon as I could, I left. Packed up my shit and left. College isn't for me, and I couldn't give a rat's ass about my folks. Told ya my story ain't long. So, now I'm here. At the age of twenty. In Baytown, Texas. Cedar Cove to be exact. I wanted to come right after High School, but I needed to get cash so I could move, but better late than never, right? And why Baytown, Texas? 'Cause my cousin on dad's side lives here. Emmett McCarty is in fact the owner of the RV Park I'm now calling home, and I have my very own trailer, too. Yeah, cousin Em and his wife hooked me up with my own trailer, one of them silver bullet ones, and I have to say I love it. Have to say I love Texas, too. I missed it here. Not that I've been here many times before, but my dad's from Texas so we've visited a few times over the years. -
The Hilltop 2-13-2004
Howard University Digital Howard @ Howard University The iH lltop: 2000 - 2010 The iH lltop Digital Archive 2-13-2004 The iH lltop 2-13-2004 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_0010 Recommended Citation Staff, Hilltop, "The iH lltop 2-13-2004" (2004). The Hilltop: 2000 - 2010. 160. https://dh.howard.edu/hilltop_0010/160 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 2000 - 2010 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. The Student Voice of Howard University Since 1924 Soth Year in Print VOLUME 87, NO. 39 Friday, February 13, 2004 www.thehilltoponline.com Students HUSA Celebrates Black History Through Song Support By Charreah Jackson Anthem, "Lift Every Voice and Sing.~ Hilltop Staff Writer As different faces of the Howard community, from HUSA staff members Convicted Tuesday evening kicked off the cele to Mr. and ~1s. Howard, told of the bration of the Arts and Entertainment undeniable place music has played in Week of HUSA's month long Black the history of bJ.,cks, the audience not High School History Celebration, as the Howard only were entertained ·with talent, but Gospel Choir, spoken word organization enlightened \•tith profound knowledge. Poutre, the Vizion Performance Team "I am glad I came to this program, Athlete and others celebrated the performing as it evokes us to reflect on accomplish arts. ments of those who have come before By Brian Kasoro The program, entitled The Sounds us, while also encouraging school spirit Contributing Writer that Sustained Us: A Celebration of and for us to support our peers, as they African Americans in Performing Arts, do positive things," Larry Brown, Jr., a W11ile Marcus Dixon sits though not widely ad\'ertised. -
I Stay Black and Die: on Melancholy and Genius by I. Augustus Durham
Stay Black and Die: On Melancholy and Genius by I. Augustus Durham Department of English Duke University Date:_______________________ Approved: ___________________________ Tsitsi Jaji, Supervisor ___________________________ Maurice Wallace ___________________________ Nathaniel Mackey ___________________________ Priscilla Wald Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2018 i v ABSTRACT Stay Black and Die: On Melancholy and Genius by I. Augustus Durham Department of English Duke University Date:_______________________ Approved: ___________________________ Tsitsi Jaji, Supervisor ___________________________ Maurice Wallace ___________________________ Nathaniel Mackey ___________________________ Priscilla Wald An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2018 i v Copyright by I. Augustus Durham 2018 Abstract This dissertation draws on Sigmund Freud’s essay “Mourning and Melancholia” (1917) to track melancholy and genius in black letters, culture, and history from the nineteenth century to the contemporary moment; it contends that melancholy is a catalyst for genius, and that genius is a signifier of the maternal. Throughout the twentieth and twenty-first centuries, Freud prefigures an array of discourses in black studies; one mode of interrogation occurs with relation to his aforementioned essay. Some African American literature, such as Richard Wright’s Black Boy, invokes this work indirectly, just as theoretical texts, like Joseph Winters’s Hope Draped in Black: Race, Melancholy, and the Agony of Progress, have direct engagement. Nevertheless, Freud’s attendance to mourning and melancholia is pertinent. -
Advance Titan-May 9, 2019
The advancetitan.com VOL. 124, ADVANCE- NO. 24 May 9, 2019 INDEPENDENTTITAN STUDENT NEWSPAPER OF THE UNIVERSITY OF WISCONSIN OSHKOSH CAMPUSES Stay Connected The AdvanceTitan 5K for mental health awareness by Megan Behnke taking their own life.” @atitan Welcome speaker and for- [email protected] mer running back for the San Seven hundred partici- Francisco 49ers and Green @theadvancetitan pants showed up for the an- Bay Packers Harry Sydney nual 5K for Mental Health said people have to under- and Suicide Awareness at stand they can all make a [email protected] Oshkosh North High School difference. last Saturday. “It all starts with one per- The National Alliance on son,” Sydney said. “When Mental Illness hosted the you walk in and go out there, Top Stories 5K. NAMI provides educa- trying to make a difference, tion, advocacy and support you can change things. I can to help people cope with change things. But it starts Opinion mental illness. with one person, regardless NAMI Executive Director of how big or small.” Vacinations Mary Lord Janness said the Singer-songwriter Ca- organization started in the mille Rae, who performed at The Advance-Titan staff 1970s in Madison. the event, said a little over gives their opinion about “It was started by two a year ago, someone who women whose sons suffered meant a lot to her took their whether or not UWO from schizophrenia,” Jan- own life. should have a vacination ness said. “They were look- “It’s very hard to deal policy. ing for better care for their with. There aren’t enough sons. -
Open Final Whalen Dissertation.Pdf
The Pennsylvania State University The Graduate School GIVING VOICE TO THE TRANSFORMATIVE LEARNING OF MOTHERS WHO LOST A CHILD TO SUICIDE A Dissertation in Lifelong Learning and Adult Education by Gina C. Whalen © 2020 Gina C. Whalen Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Education December 2020 ii The dissertation of Gina C. Whalen was reviewed and approved by the following: Elizabeth J. Tisdell Professor of Lifelong Learning and Adult Education Professor-in-Charge, Doctor of Education in Lifelong Learning and Adult Education Dissertation Advisor Chair of Committee Robin Redmon Wright Associate Professor of Lifelong Learning and Adult Education Gina M. Brelsford Professor of Psychology Anne A. Verplanck Associate Professor of American Studies, School of Humanities iii ABSTRACT The purpose of this study is to understand the experience of mothers who lost a child to suicide, in particular how they have learned to cope with their devastating loss. The study is grounded in two theoretical frameworks: feminist perspectives on adult learning and transformative learning theory, which explores the process of change in an individual’s taken-for- granted worldview to make the worldview more inclusive. The study is designed to combine narrative inquiry and autoethnography. The personal experiences of the researcher are intertwined with the narratives of the four participating mothers who, like the researcher, have each lost a child to suicide. Data collection consisted of two sets of semi-structured interviews with each of the four participants. An autoethnographic analysis was employed through a series of reflections on the participants’ narratives supplied during the initial interview. -
I Hear a Symphony
1 I Hear a Symphony BLACK MASCULINITY AND THE DISCO TURN You should see this whole Roxy Music thing. It’s so elegant and cool and -fashionable. —Nile Rodgers to Bernard Edwards, cofounders of -Chic isco snuck up on America like a covert operation. This wasn’t how it had been in the sixties, when shifts in popular music—the arrival of the mop-headed British Invasion bands, Bob Dylan’s galvanizing electric turn, the emergence of Dpsychedelic rock—were unmissable cultural events immediately accorded the status of milestones. The rock “ revolution” of the sixties, like the Vietnam War and the protests it provoked, was the object of intense media coverage. Newsweek, Life, Time, and all the rest pounced on the story with prairie-fire speed. In a blink, whole new publications, including that soon-to-be arbiter of countercultural taste, Rolling Stone, emerged to chronicle the music, personalities, and culture of rock. The major labels may have been bewildered by the scruffiness, long hair, and druggy vibe of groups such as Big Brother and the Holding Company and the Grateful Dead, but they barely paused before racing to sign them up, even when they were little known outside of San Francisco’s hippie enclave, Haight--Ashbury. Six years later, when another musical revolution was taking shape, record companies opened neither their arms nor their coffers, with the result that disco developed slowly and at first largely off the official map. By the time Vince Aletti wrote about what he called “party music” and “discotheque rock,” in a fall 1973 issue of Rolling Stone, gay men had been dancing in discos for three years. -
Country Y R T N U O C Country
COUNTRY COUNTRY .................................1 BEAT, 60s/70s.............................50 AMERICANA/ROOTS/ALT. ........................14 SURF ........................................60 OUTLAWS/SINGER-SONGWRITER ..................16 REVIVAL/NEO ROCKABILLY .......................62 WESTERN .....................................20 BRITISH R&R ...................................67 WESTERN SWING ...............................21 AUSTRALIAN R&R ...............................68 TRUCKS & TRAINS ..............................22 INSTRUMENTAL R&R/BEAT ........................68 C&W SOUNDTRACKS............................22 POP .......................................69 C&W SPECIAL COLLECTIONS ......................23 LATIN ........................................82 COUNTRY CANADA .............................23 JAZZ.........................................83 COUNTRY AUSTRALIA/NEW ZEALAND ...............24 SOUNDTRACKS ................................84 COUNTRY DEUTSCHLAND/EUROPE .................25 SWING.......................................85 BLUEGRASS ...................................25 ........................86 NEWGRASS ...................................27 DEUTSCHE OLDIES KLEINKUNST / KABARETT .........................88 INSTRUMENTAL ................................28 OLDTIME .....................................28 BOOKS ....................................89 HAWAII ......................................29 DISCOGR./REFERENCES STYLES ....................94 CAJUN/ZYDECO/TEX MEX ........................30 PRICE GUIDES .................................94 -
DIRTY LITTLE SECRETS of the RECORD BUSINESS
DIRTY BUSINESS/MUSIC DIRTY $24.95 (CAN $33.95) “An accurate and well-researched exposé of the surreptitious, undisclosed, W hat happened to the record business? and covert activities of the music industry. Hank Bordowitz spares no It used to be wildly successful, selling LI one while exposing every aspect of the business.” LI outstanding music that showcased the T producer of Talking Heads, T performer’s creativity and individuality. TLE SE —Tony Bongiovi, TLE Aerosmith, and the Ramones Now it’s in rapid decline, and the best music lies buried under the swill. “This is the book that any one of us who once did time in the music SE business for more than fifteen minutes and are now out of the life wish This unprecedented book answers this CR we had written. We who lie awake at nights mentally washing our hands CR question with a detailed examination LITTLE of how the record business fouled its as assiduously yet with as much success as Lady Macbeth have a voice DIRTYLITTLE ET DIRTY in Hank Bordowitz. Now I have a big book that I can throw at the ET own livelihood—through shortsighted- S liars, the cheats, and the bastards who have fooled me twice.” S ness, stubbornness, power plays, sloth, and outright greed. Dirty Little Secrets o —Hugo Burnham, drummer for Gang of Four, o f of the Record Business takes you on a former manager and major-label A&R executive f the the hard-headed tour through the corridors ofof thethe of the major labels and rides the waves “Nobody should ever even think about signing any kind of music industry SECRSECRETSETS contract without reading this book. -
Variations on a Theme: Forty Years of Music, Memories, and Mistakes
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-15-2009 Variations on a Theme: Forty years of music, memories, and mistakes Christopher John Stephens University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Stephens, Christopher John, "Variations on a Theme: Forty years of music, memories, and mistakes" (2009). University of New Orleans Theses and Dissertations. 934. https://scholarworks.uno.edu/td/934 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Variations on a Theme: Forty years of music, memories, and mistakes A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts In Creative Non-Fiction By Christopher John Stephens B.A., Salem State College, 1988 M.A., Salem State College, 1993 May 2009 DEDICATION For my parents, Jay A. Stephens (July 6, 1928-June 20, 1997) Ruth C. -
The G.O.P. and the American Worker
JULY 2021 THE JESUIT REVIEW OF FAITH AND CULTURE THE G.O.P. AND THE AMERICAN By Rachel Lu WORKER p28 Can Catholic social teaching reinvigorate the Republican Party? PLUS: The Catholic Women Writers of Hollywood p20 Kenneth R. Himes on ‘Rerum Novarum’ and the Gig Economy p34 Valerie Schultz on Sex and the Senior Catholic p42 1 | AMERICAMAGAZINE.ORG JULY 2021 AMERICA | PB The Way of Peace Islamophobia Global Catholicism Catholic Social Readings for a Harmonious Life What Christians Should Know Profiles and Polarities Teaching MICHAEL LEACH (and Do) about Anti-Muslim THOMAS P. RAUSCH, SJ A User’s Guide With writings by figures from Discrimination Examines and analyzes the emerg- WILLIAM O’NEILL, SJ Michelle Obama to Thomas Merton, JORDAN DENARI DUFFNER ing patterns and trends that point Presents outlines of both recent and Pope Francis to John Lewis, this Argues that Islamophobia is both a to a Church that is polycentric historic church documents to help anthology will inspire and motivate social justice and a religious freedom rather than European, one that is less Catholics appreciate and share their readers to cultivate peace. issue, and that Christian faith calls us privileged, with more comprehensive rich heritage of following Jesus 978-1-62698-416-5 224pp pbk $20 to stop religious discrimination in governance, an expanded ministry, command to “love one another.” any form. 978-1-62698-410-3 224pp pbk $22 99 Names of God a Church emphasizing dialogue with 978-1-61698-417-2 192pp pbk $24 culture and other religions. DAVID STEINDL-RAST, OSB The Promise The Word 978-1-62698-396-0 256pp pbk $30 Brother David offers meditations on of Deliverance Became Culture all 99 name of God from the Islamic Reading Second Isaiah The Art of Disruptive Cartographers: creed, with beautiful Arabic calligra- MICHAEL CASEY, OCSO Indigenous Doing Theology Latinamente phy of each name.