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Albion Full Cast Announced
Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Lamda.Ac.Uk Review of the Year 1 WELCOME
REVIEW OF THE YEAR 17-18 lamda.ac.uk Review of the Year 1 WELCOME Introduction from our Chairman and Principal. This year we have been focussing on: 2017-18 has been a year of rapid development and growth for LAMDA Our students and alumni continue to be prolific across film, theatre and television • Utilising our new fully-accessible building to its maximum potential and capacity. production, both nationally and internationally; our new building enables us to deliver • Progressing our journey to become an independent Higher Education Provider with degree gold standard facilities in a fully accessible environment; and our progress towards awarding powers. registration as a world-leading Higher Education Provider continues apace. • Creating additional learning opportunities for students through new collaborations with other arts LAMDA Examinations continues to flourish with 2017/18 yielding its highest number of entrants to organisations and corporate partners. date, enabling young people across the globe to become confident and creative communicators. • Widening access to ensure that any potential student has the opportunity to enrol with LAMDA. We hope you enjoy reading about our year. • Extending our global reach through the expansion of LAMDA Examinations. Rt. Hon. Shaun Woodward Joanna Read Chairman Principal lamda.ac.uk Review of the Year 2 OUR PURPOSE Our mission is to seek out, train and empower exceptional dramatic artists and technicians of every generation, so they can make the most extraordinary impact across the world through their work. Our examinations in drama and communications inspire people to become confident, authentic communicators and discover their own voice. Our vision is to be a diverse and engaged institution in every sense, shaping the future of the dramatic arts and creative industries, and fulfilling a vital role in the continuing artistic, cultural and economic success of the UK. -
Stardom: Industry of Desire 1
STARDOM What makes a star? Why do we have stars? Do we want or need them? Newspapers, magazines, TV chat shows, record sleeves—all display a proliferation of film star images. In the past, we have tended to see stars as cogs in a mass entertainment industry selling desires and ideologies. But since the 1970s, new approaches have explored the active role of the star in producing meanings, pleasures and identities for a diversity of audiences. Stardom brings together some of the best recent writing which represents these new approaches. Drawn from film history, sociology, textual analysis, audience research, psychoanalysis and cultural politics, the essays raise important questions for the politics of representation, the impact of stars on society and the cultural limitations and possibilities of stars. STARDOM Industry of Desire Edited by Christine Gledhill LONDON AND NEW YORK First published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc. 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1991 editorial matter, Christine Gledhill; individual articles © respective contributors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
DOCUMENT RESUME ED 360 972 IR 054 650 TITLE More Mysteries
DOCUMENT RESUME ED 360 972 IR 054 650 TITLE More Mysteries. INSTITUTION Library of Congress, Washington,D.C. National Library Service for the Blind andPhysically Handicapped. REPORT NO ISBN-0-8444-0763-1 PUB DATE 92 NOTE 172p. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS Annotated Bibliographies; Audiodisks; *Audiotape Recordings; Authors; *Blindness; *Braille;Government Libraries; Large Type Materials; NonprintMedia; *Novels; *Short Stories; *TalkingBooks IDENTIFIERS *Detective Stories; Library ofCongress; *Mysteries (Literature) ABSTRACT This document is a guide to selecteddetective and mystery stories produced after thepublication of the 1982 bibliography "Mysteries." All books listedare available on cassette or in braille in the network library collectionsprovided by the National Library Service for theBlind and Physically Handicapped of the Library of Congress. In additionto this largn-print edition, the bibliography is availableon disc and braille formats. This edition contains approximately 700 titles availableon cassette and in braille, while the disc edition listsonly cassettes, and the braille edition, only braille. Books availableon flexible disk are cited at the end of the annotation of thecassette version. The bibliography is divided into 2 Prol;fic Authorssection, for authors with more than six titles listed, and OtherAuthors section, a short stories section and a section for multiple authors. Each citation containsa short summary of the plot. An order formfor the cited -
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Literariness.Org-Michael-Cook-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial inves- tigation is explored through clear and informative texts offering comprehen- sive coverage and theoretical sophistication. Published titles include : Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian ( editor ) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Richard Dyer Production Sound Mixer
Richard Dyer Production Sound Mixer Credits include: THE NEVERS Season 1 Showrunner: Joss Whedon Sci-Fi Period Drama Series Season 2 Showrunner: Philippa Goslett Executive Producers: Andrew Bernstein, Bernadette Caulfield Douglas Petrie, Ilene Landress, Jane Espenson Producer: Duncan Muggoch Directors Andrew Bernstein, Joss Whedon David Semel, Zetna Fuentes DoPs: Seamus McGarvey, Ben Smithard Richard Donnelly, Kate Reid Featuring: Laura Donnelly, Ann Skelly, Olivia Williams Production Co: Mutant Enemy Productions / HBO THE GREAT Producer: Nick O’Hagan Period Drama Director: Matt Shakman DoP: Anette Haellmigk Featuring: Elle Fanning, Nicholas Hoult, Gwilym Lee Production Co: Thruline Ent. / Echo Lake Ent. / MRC Studios / Hulu BLACK MIRROR: Smithereens Producer: Madonna Baptiste Dystopian Sci-fi Drama Director: James Hawes DoP: Lukas Strebel Featuring: Andrew Scott, Topher Grace, Damson Idris Production Co: House of Tomorrow / Netflix HARLOTS Producer: Grainne Marmion Period Drama Series Director: Coky Giedroyc, Philippa Langdale, Jill Robertson DoP: Rasmus Arrildt Featuring: Jessica Brown Findlay, Samantha Morton, Lesley Manville Production Co: Monumental Pictures / ITV / Hulu KEEPING FAITH Producers: Pip Broughton, Nora Ostler Drama Series Directors: Pip Broughton, Andy Newbery DoP’s: Steve Lawes, Bjorn Stale Bratberg Featuring: Eve Myles, Hannah Daniel, Bradley Freegard Production Co: Vox Pictures / BBC Wales / S4C ABERFAN: THE GREEN HOLLOW Producer: Jenna Robbins A film poem commemorating the Aberfan disaster. Director: Pip Broughton -
Recreational Reading
1. A Traveller’s History of Britain (Non-fiction) 2. Cards on the Table; by Agatha Christie 3. You’re Coming with Me, Lad; by Mike Pannett 4. Must You Go?; by Antonia Fraser (Non-fiction) 5. A Man Without a Country; by Kurt Vonnegut 6. The Newsagent’s Window; by John Osborne 7. Marie Antoinette: The Journey; by Antonia Fraser (Non-fiction) 8. Not on my Patch, Lad; by Mike Pannett 9. Constable on the Prowl; by Nicholas Rhea 10. The Lovely Bones; by Alice Sebold 11. Maggie’s Tree; by Julie Walters 12. Bad Science; by Ben Goldacre (Non-fiction) 13. Miss Pettigrew Lives for a Day; by Winifred Watson 14. Shadow Child; by Libby Purves 15. C’est La Folie; by Michael Wright 16. Constable in the Shrubbery; by Nicholas Rhea 17. Brideshead Revisited; by Evelyn Waugh 18. The Girl on the Platform; by Josephine Cox (Quick Read novella) 19. Traitors of the Tower; by Alison Weir (Quick Read Non-fiction) 20. Constable Beneath the Trees; by Nicholas Rhea 21. Chickenfeed; by Minette Walters (Quick Read novella) 22. Twenty Tales from the War Zone; by John Simpson (Non-fiction) 23. Snow; by Orhan Pamuk 24. A Pocket Full of Rye; by Agatha Christie 25. I Walked the Line; by Vivian Cash (memoir) 26. The Great Gatsby; by F Scott Fitzgerald (Intro. by Tony Tanner) 27. Jeeves in the Offing; by P.G. Wodehouse 28. All These Lonely People; by Gervase Phinn (Quick Read novella) 29. Storyteller: The Life of Roald Dahl; by Donald Sturrock (Non-fiction) 30. -
Hyde Park Corner”
CREATED BY Peter Morgan EPISODE 1.02 “Hyde Park Corner” With King George too ill to travel, Elizabeth and Philip embark on a four-continent Commonwealth tour. Party leaders attempt to undermine Churchill. WRITTEN BY: Peter Morgan DIRECTED BY: Stephen Daldry ORIGINAL BROADCAST: November 16, 2016 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. EPISODE CAST Claire Foy ... Queen Elizabeth II Matt Smith ... Philip, Duke of Edinburgh Victoria Hamilton ... Queen Elizabeth The Queen Mother Jared Harris ... King George VI Vanessa Kirby ... Princess Margaret Jeremy Northam ... Anthony Eden Eileen Atkins ... Queen Mary Harriet Walter ... Clemmie Churchill John Lithgow ... Winston Churchill Clive Francis ... Lord Salisbury Nicholas Rowe ... Jock Colville Pip Torrens ... Tommy Lascelles Harry Hadden-Paton ... Martin Charteris Ben Miles ... Peter Townsend Lizzy McInnerny ... Bobo Macdonald P a g e | 1 1 00:00:16,040 --> 00:00:19,480 "My husband and I are deeply touched by our welcome here." 2 00:00:19,560 --> 00:00:21,680 -Ma'am? -Yes. How long do we have? 3 00:00:21,760 --> 00:00:23,040 We land in ten minutes. 4 00:00:23,840 --> 00:00:24,920 No. Martin. 5 00:00:25,680 --> 00:00:28,200 -Will there be a microphone? -I'm sure, ma'am. 6 00:00:28,280 --> 00:00:30,120 "Little more than 50 years ago..." 7 00:00:43,440 --> 00:00:44,680 [brass band plays] 8 00:01:06,600 --> 00:01:11,400 "My husband and I are deeply touched by our welcome here this morning. -
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth -
Stage by Stage South Bank: 1997 – 2002
Stage by Stage South Bank: 1997 – 2002 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Trevor Nunn. Photograph by John Haynes. 1997 McGuinness (Mutabilitie), and Tennessee January: Richard Eyre is knighted in the New Williams (Not About Nightingales); and Year’s Honour’s List; his new production of new versions of Bulgakov’s Flight by Ron King Lear, starring Ian Holm, causes long Hutchinson, and Ravencroft’s The London queues outside the Cottesloe. Cuckolds by Terry Johnson. Work begins on renewing the front of house Othello, directed by Sam Mendes, embarks on and continues for over 12 months. The work a world tour which includes first visits by the includes giving the Theatre a new main National to Korea, New Zealand, and mainland entrance, closer to the riverside. The fourth China. year of stand-still grant from the Arts Council of England results in a reduction in real terms of October: Trevor Nunn succeeds Richard Eyre £1.9 million; one of the results is a straight run as Director. of performances of Guys and Dolls throughout the summer instead of the usual choice of With funds from the Royal National Theatre repertoire. Endowment Fund and the National Lottery Fund, the NT buys the Old Vic Annexe, home New plays by Peter Gill (Cardiff East), David to the Studio.