Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 4 Issue 1 Article 8 January 2011 Redating Schoenberg’s Announcement of the Twelve-Tone Method: A Study of Recollections Fusako Hamao
[email protected] Follow this and additional works at: https://trace.tennessee.edu/gamut Part of the Music Commons Recommended Citation Hamao, Fusako (2011) "Redating Schoenberg’s Announcement of the Twelve-Tone Method: A Study of Recollections," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 4 : Iss. 1 , Article 8. Available at: https://trace.tennessee.edu/gamut/vol4/iss1/8 This A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part III), edited by David Carson Berry is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. REDATING SCHOENBERG’S ANNOUNCEMENT OF THE TWELVE-TONE METHOD: A STUDY OF RECOLLECTIONS* FUSAKO HAMAO n commenting on a 1936 article by Richard Hill, Arnold Schoenberg recalled how he an- I nounced his new compositional method, based on twelve tones, to his students: At the very beginning, when I used for the first time rows of twelve tones in the fall of 1921, I foresaw the confusion which would arise in case I were to make publicly known this method.