Why Book Design Still Matters in the Digital Age Jon Bath
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Number 184 Fall 2012 Visit Printinghistory.Org for the Latest Chapter News
Inside this issue Making Faces 8 Conference Reports 2 Walking Tour of Printer Row 9 Keynote Address 4 New and Returning Members 10 Number 184 Fall 2012 Visit printinghistory.org for the latest chapter news Reports from the 2012 Annual Conference With 127 members attending, the 37th Annual Conference of The American Printing History Association was a rousing success. Hosted by the newly charted Inland Chapter, “At the Crossroads: Living Letterform Traditions,” held October 12–13 at Columbia College Chicago Center for Book and Paper Arts, featured 14 thoughtful presentations, demonstrations in the CBPA print studio, a Book Fair, and Pop-up Museums featuring highlights from the collections of the Hamilton Wood Type Museum, the Newberry Library the Platen Press Museum. Attendees (apprised of events by a hand- some printed program) also toured historic Printer’s Row and were treated to a screening of the film Making Faces. Congratulations to the Inland Chap- ter on a stellar job: Program Committee Co-chairs Celene Aubry, Martha Chiplis and Paul Gehl; Chapter President April Sheridan; Treasurer Greg Prickman and Columbia College Student Board: Hannah King, Kate Morgan, Jenna Rodriguez and Claire Sammons. Thanks also to APHA VP for programs Kitty Maryatt. This issue of theNewsletter features reports on the conference events written by APHA members. The APHA Trustee Richard Kegler, loot in hand, talks with Inland Chapter member David Peat at the Conference Book Fair. Photo: Erin Beckloff. editor thanks them for their excellent work. Panel One and identification. To catalog the Peat’s Press Col- collection in 1965, 300 years after the original cast- David Peat “Just My Type: Unusual 19th Century Types” lection, from 1963–78 he printed a One Line Speci- ing. -
The Press of A. Colish Archives
Special Collections Department The Press of A. Colish Archives 1913 - 1990 (bulk dates 1930s - 1950s) Manuscript Collection Number: 358 Accessioned: Purchase, September 1991. Extent: 5 linear ft. plus oversize material Content: Correspondence, galley and page proofs, drafts, notes, photographs, negatives, illustrations, advertisements, clippings, broadsides, books, chapbooks, pamphlets, journals, typography specimens, financial documents, and ephemera. Access: The collection is open for research. Processed: March 1998, by Shanon Lawson for reference assistance email Special Collections or contact: Special Collections, University of Delaware Library Newark, Delaware 19717-5267 (302) 831-2229 Table of Contents Biographical and Historical Note Scope and Contents Note Series Outline Contents List Biographical and Historical Note American fine printer and publisher Abraham Colish (1882-1963) immigrated with his family to the United States from Eastern Europe in the late nineteenth century. In 1894, at the age of twelve, he took an after-school job with a small printing shop in Bridgeport, Connecticut. Over the next few years, his duties progressed from sweeping the shop and selling papers to feeding the press and composing type. When he was sixteen, Colish and his mother moved to New York City, where he quickly found a position as a typesetter for Kane Brothers, a Broadway printing company. In 1907, Colish left his position as a composing room foreman at Rogers and Company and opened his own composing office. His business specialized in advertising typography and is credited as the first shop to exclusively cater to the advertising market. By the next year, Colish moved into larger quarters and began printing small orders. After several moves to successively larger offices in New York City, the Press of A. -
ERIC GILL SAGGIO an Essay SULLA on TIPO Typography GRAFIA
ERIC GILL SAGGIO An Essay SULLA on TIPO Typography GRAFIA RONZANI EDITORE typographica storia e culture del libro 2 Eric Gill, foto di Howard Coster, 1928 ERIC GILL Saggio sulla tipografia Ronzani Editore Eric gill, Saggio Sulla tipografia Titolo originale: An Essay on Typography Traduzione di Lucio Passerini Seconda edizione italiana interamente riveduta dall’editore con il testo originale inglese © 2019 Ronzani Editore S.r.l. | Tutti i diritti riservati www.ronzanieditore.it | [email protected] ISBN 978-88-94911-15-2 SOMMARIO Introduzione, di Lucio Passerini 7 Saggio sulla tipografia 23 Il Tema 25 1. Composizione del tempo e del luogo 29 2. Disegno delle lettere 45 3. Tipografia 77 4. Incisione dei punzoni 89 5. Carta e inchiostro 93 6. Il letto di Procuste 99 7. Lo strumento 105 8. Il libro 111 9. Perché le lettere ? 123 An Essay on Typography 135 INTRODUZIONE di Lucio Passerini La prima edizione di questo saggio di Eric Gill fu eseguita sotto il diretto controllo dell’autore. Composta nel 1931, venne stampata in 500 copie firmate, su carta apposita- mente fabbricata a mano, nella tipografia che lo stesso Gill aveva impiantato l’anno precedente insieme al gene- ro René Hague presso la casa in cui risiedeva. Il libro fu composto con un nuovo carattere disegnato apposita- mente da Gill per questa impresa editoriale di famiglia, inciso e fuso per la composizione a mano dalla Caslon Letter Foundry di Londra. Il carattere venne chiamato Joanna, come la figlia di Gill, moglie di René Hague. Pubblicato a Londra da Sheed & Ward, il volume portava sulla sovraccoperta la dicitura « Printing & Piety. -
The Evolution of the Printed Bengali Character
The Evolution of the Printed Bengali Character from 1778 to 1978 by Fiona Georgina Elisabeth Ross School of Oriental and African Studies University of London Thesis presented for the degree of Doctor of Philosophy 1988 ProQuest Number: 10731406 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 10731406 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 20618054 2 The Evolution of the Printed Bengali Character from 1778 to 1978 Abstract The thesis traces the evolution of the printed image of the Bengali script from its inception in movable metal type to its current status in digital photocomposition. It is concerned with identifying the factors that influenced the shaping of the Bengali character by examining the most significant Bengali type designs in their historical context, and by analyzing the composing techniques employed during the past two centuries for printing the script. Introduction: The thesis is divided into three parts according to the different methods of type manufacture and composition: 1. The Development of Movable Metal Types for the Bengali Script Particular emphasis is placed on the early founts which lay the foundations of Bengali typography. -
Printing in Bristol the University, Bristol
BRISTOL BRANCH OF THE HISTORICAL ASSOCIATION PRINTING IN BRISTOL THE UNIVERSITY, BRISTOL Price £1.00 1986 A.P. WOOLRICH ISBN O 901388 46 7 I BRISTOL BRANCH OF THE HISTORICAL ASSOCIATION LOCAL HISTORY PAMPHLETS Hon. General Editor: PATRICK McGRATH Assistant General Editor: PETER HARRIS Printing in Bristol is the sixty-third pamphlet to be published by the Bristol Branch of the Historical Association. Its author, Mr A.P. Woolrich, worked for some years for the Bristol United Press and for many years he has collected works produced by Bristol printers. He has written a number of articles relating to the industrial history of the city. His book on industrial espionage will PRINTING IN BRISTOL be published shortly and his articles on the Hornblower-Maberley steam engine of 1805 and on John Farey and the Smeaton MSS have appeared in the Transactions of the Newcomen Society, vol. 56, 1986 and in History of Technology vol. 10, 1985. Although a number of studies have been made of particular firms, this is the firstsurvey of the history of the printing industry in Bristol, and Mr Woolrich hopes it will encourage further research. The Branch wishes to express its thanks to Miss Mary Williams, Bristol City Archivist, who read the manuscript and made a number of very helpful comments and suggestions. Mr Langley of the Central Reference Library and Mr Maby of the University of Bristol Library were extremely helpful with regard to the illustrations, and Mr Gordon Kelsey and the staff of the Arts Faculty Photographic Unit kindly arranged to take some of the photographs. -
The Bookcollection of C.F. Hultenheim, Camera Antiqua, in Selection from Ca 4000 Volumes
THE BOOKCOLLECTION OF C.F. HULTENHEIM, CAMERA ANTIQUA, IN SELECTION FROM CA 4000 VOLUMES Books and prints numbered 1 to 113 was exhibited on The Royal Library´s ”Typographia” sept 10,2000-jan 10,2003. An Exhibition of 20 th Century Typography and Graphic Design Compiled and Edited by C.F. Hultenheim. Litterature: “Typographica, 1900-2000”, Exhibition Catalogue No. 138 The Royal Library Stockholm 2002 1 DANIEL BERKERLY UPDIKE (1860-1941). Printing types, their history, forms and use. A study in survivals. I-II. Full cloth binding. Harvard and Oxford. Printed by the Merrymount Press, Boston 1922. (2). 2 DANIEL BERKERLY UPDIKE (1860-1941). Advertising card for a Boston tea merchant, “The Cup of Human Enjoyment”. Elihu White Foundry New York. In a frame, 15 x 8,5 cm. 4 BRUCE ROGERS ( 1870-1957). Bookplate ”Anne Lyon Haight”. In a frame, 5,5 x 5 cm. 11 JOHN S. FASS (1890-1973). The Hammer Creek Press type specimen book. Number 22 of 100 copies. Paper binding. New York 1954. 12 SAMUEL A. JACOBS (1891-1971). Christmas Tree, E.E. Cummings. Half cloth binding. Published and printed by S.A. Jacobs, New York 1928. 17 RAY NASH (1905-1982). PaGA, Printing & Graphic Arts, 1953-1965. The Stinehour Press, Luneburg. Unbound in box. 22 LEO LIONNI (1910-1999). World Geo-Graphic Atlas. Full cloth binding. CCA, Chicago 1953. 34 THE STINEHOUR PRESS. Goodspeed´s Book Shop, Catalogue 500. Paper binding. Boston 1961. 58 FRANCIS MEYNELL (1891-1975). Ten poems, Alice Meynell 1913-1915. One of 50 copies. Full vellum binding. The Romney Street Press 1915. -
The Story of Perpetua
The Story of Perpetua 3 Tiffany Wardle March 10, 2000 2 4 Essay submitted in partial fulfillment of the requirements for the Master of Arts in Theory and History of Typography and Graphic Communication, University of Reading, 2000. This essay relates the origins of the typeface Perpetua and Felicity italic which were designed by Eric Gill and produced byThe Monotype Corporation.Although the type and the collaborators are well known, the story has had to be pieced together from a variety of sources—Gill’s and Morison’s own writings and biographical accounts.There are accounts similar to this, but none could be found that either takes this point of view, or goes into as great detail. In 1924, an essay directed towards the printers and type founders was calling for a new type for their time. Entitled ‘Towards An Ideal Type,’ Stanley Morison wrote it for the second volume of The Fleuron. In the closing statement there is an appeal for “some modern designer who knows his way along the old paths to fashion a fount of maximum homogeneity, that is to say, a type in which the uppercase, in spite of its much greater angularity and rigidity, accords with the great fellowship of colour and form with the rounder and more vivacious lowercase.”1 Two years later, in 1926, again Morison is requesting a “typography based not upon the needs and conventions of renaissance society but upon those of modern England.”2 Only two years previous had the Monotype Corporation assigned Stanley Morison as their Typographical Advisor. Once assigned he pursued what he later came to call his “programme of typographical design”3 with renewed vigour. -
A Short History of English Printing : 1476-1900
J \ Books about Books Edited by A. W. Pollard A Short History of English Printing BOOKS ABOUT BOOKS Edited bv A. W. POLLARD POPULAR RE-ISSUE BOOKS IN MANUSCRIPT. By Falconer Madan, Bodley's Librarian, Oxford. THE BINDING OF BOOKS. By H. P. HORNE. A SHORT HISTORY OF ENGLISH PRINTING. By II. K. Plomer. EARLY ILLUSTRATED BOOKS. By A. W. POLI.ARD. Other volumes in pi-eparatioit. A Short History of English Printing 1476-1900 By Henry R. Plomer London Kegan Paul, Trench, Triibncr & Co., Ltd. Broadway House, 68-74 Carter Lane, E.C, MDCCCCXV I-'irst Edition, 1900 Second (Popular) Edition, 1915 The rights of translation and of reproduction are reserved Editor's Preface When Mr. Plomer consented at my request to write a short history of EngHsh printing which should stop neither at the end of the fifteenth century, nor at the end of the sixteenth century, nor at 1640, but should come down, as best it could, to our ovm day, we were not without appre- hensions that the task might prove one of some difficulty. How difficult it would be we had certainly no idea, or the book would never have been begun, and now that it is Imished I would bespeak the reader's sympathies, on Mr. Plomer 's behalf, that its inevitable shortcomings may be the more generously forgiven. If we look at what has already been written on the subject the diffi- culties will be more easily appreciated. In England, as in other countries, the period in the history of the press which is best known to us is, by the perversity of antiquaries, that which is furthest removed from our own time. -
Editorial Comments
164 TUGboat, Volume 39 (2018), No. 3 Editorial comments first issue; the second part, covering the growth of the TEX user and developer community, will appear Barbara Beeton early next year in the second topical issue. Passings: In addition to the published proceedings, the Patricia Monohon discussions and several ancillary interviews have been (30 May 1941{6 April 2018) recorded and transcribed. This material is (or will Vytas Statulevicius (yJuly 2018) be, when ready) posted online at https://history. computer.org/annals/dtp/. What I've read so far Patricia Monohon was a long-time member of TUG, is fascinating. The history \extras" by and about the and served on the board from 1997 through 2002. Seybolds, father (John) and son (Jonathan), reveal More importantly, she was responsible for moving how much easier we have it now that computers are the TUG office from Providence to San Francisco so much larger and faster. in 1993, and remained in charge of the office until I've been privileged to be involved at the AMS 1997. During that period she was instrumental in in efforts to bring the Society's publications from selecting the sites for the annual meetings in Santa traditional typesetting to full composition by com- Barbara (1994) and San Francisco (1997). Patricia puter, and many of the names that appear in these also proposed the site for the 2003 meeting on the recollections are familiar to me | I've even worked Big Island, Hawaii, and served on the organizing in various contexts with some of them. (For example, committee. -
Oak Knoll Books
OAK KNOLL spring SALE LARGE DISCOUNTS ON Antiquarian & Publishing BOOKS ABOUT BOOKS 1-4 BOOKS 20% OFF 5-9 BOOKS 30% OFF 10-25 BOOKS 40% OFF 26-99 BOOKS 45% OFF 100+ BOOKS 50% OFF CATALOGUE M562 Titles may be combined for discount. Thus, by ordering one copy each of five differ- ent titles you will receive a 30% discount. This applies equally to the trade as well as to our private and library customers. We have multiple copies of some of these items, so if interested, please ask. All books are subject to prior sale and must be ordered at the same time. These discounts will only be offered through JULY 15, 2009. For mailing within the United States please add $7.50 for the first book and $1.00 for each additional volume. Canada- First item $8.00, additional items by weight and ser- vice. All other- First item $9.00, additional items by weight and service. We accept Visa, MasterCard, American Express, and Discover. Orders are regularly shipped within seven working days of their receipt. OAK KNOLL BOOKS . 310 Delaware Street, New Castle, DE 19720, USA Phone: 1-(800) 996-2556 . Fax: (302) 328-7274 [email protected] . www.oakknoll.com ANTIQUARIAN 1. (Abbey, J.R.) CATALOGUE OF HIGHLY IMPORTANT MODERN FRENCH ILLUSTRATED BOOKS AND BINDINGS FORMING PART V OF THE CELEBRATED LIBRARY OF THE LATE MAJOR J.R. ABBEY. London: Sotheby & Co., 1970, small 4to., stiff paper wrappers. 179 pages. $ 55.00 S-K 1184. Foldout frontispiece and 62 other full-page plates. Some plates in color. -
Merrymount Press Records: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8j96csq No online items Merrymount Press Records: Finding Aid Finding aid prepared by Diann Benti and Kate Peck. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © January 2020 The Huntington Library. All rights reserved. Merrymount Press Records: mssMerrymount 1 Finding Aid Overview of the Collection Title: Merrymount Press Records Dates (inclusive): 1893-1950 Collection Number: mssMerrymount Creator: Merrymount Press Extent: 364 boxes and 236 volumes (439.92 linear feet) Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection consists of the business records of the Merrymount Press of Boston, Massachusetts, and papers of its owner Daniel Berkeley Updike (1860-1941). The Press, which operated for 45 years, was known for its excellence in typography and design, especially in the field of decorative printing and bookmaking. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. Preferred Citation [Identification of item]. Merrymount Press Records, The Huntington Library, San Marino, California. -
The Work of Bruce Rogers Noted in the Catalo Ue Has Been Arran Ed in Chronolo Ica O D G G G L R Er
P HOTO BY WM . H . EULER T HE WO RK O F BRUC E RO G ERS JACK O F ALL TRADES 2 MASTER O F O N E A CATALOGUE O F AN E X H I B IT I O N ARRAN G E D BY T H E AM E R I CAN I N ST ITUT E O F GRAP H I C ART S AN D TH E GRO L I E R C LUB O F N E W Y O RK C B Y D . B PD I K E W ITH AN I NTRO D U T I O N . U M A L ETT E R F ROM J O H N T . C CUT C H E O N AN D AN ADD R E S S BY MR . RO G E R S NEW Y ORK O X FORD UNIVERSITY PRESS 1 9 3 9 O I BY O O U N EW O INC . C PYRIGHT, 9 39 , XF RD NIVERSITY PRESS , Y RK , PRINTED IN T HE UNITED STATES O F AMERICA P R E F A C E THIS catalogue was prepared to accompany an exhibition o The Work o Bruce Ro ers arran ed b a oint com f f g , g y j mittee of The ri merican Institute of Graphic d rts and — B ai an F d ick . The Grolier Club David Silve, Ch rm , re er nt and F B H . Ke red Car r . W Adams r Melbert . , y ” y, y ” , ic a d It was shown at the house o The Grolier er W r e .