Nottinghamshire Notables A-H May 2013
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East Tower Inspiration Page 6
The newspaper for BBC pensioners – with highlights from Ariel online East Tower inspiration Page 6 AUGUST 2014 • Issue 4 TV news celebrates Remembering Great (BBC) 60 years Bing Scots Page 2 Page 7 Page 8 NEWS • MEMORIES • CLASSIFIEDS • YOUR LETTERS • OBITUARIES • CROSPERO 02 BACK AT THE BBC TV news celebrates its 60th birthday Sixty years ago, the first ever BBC TV news bulletin was aired – wedged in between a cricket match and a Royal visit to an agriculture show. Not much has changed, has it? people’s childhoods, of people’s lives,’ lead to 24-hour news channels. she adds. But back in 1983, when round the clock How much!?! But BBC TV news did not evolve in news was still a distant dream, there were a vacuum. bigger priorities than the 2-3am slot in the One of the original Humpty toys made ‘A large part of the story was intense nation’s daily news intake. for the BBC children’s TV programme competition and innovation between the On 17 January at 6.30am, Breakfast Time Play School has sold at auction in Oxford BBC and ITV, and then with Channel 4 over became the country’s first early-morning TV for £6,250. many years,’ says Taylor. news programme. Bonhams had valued the 53cm-high The competition was evident almost ‘It was another move towards the sense toy at £1,200. immediately. The BBC, wary of its new that news is happening all the time,’ says The auction house called Humpty rival’s cutting-edge format, exhibited its Hockaday. -
With a Sharp Stick) Mp3, Flac, Wma
Various A Poke In The Eye (With A Sharp Stick) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Non Music Album: A Poke In The Eye (With A Sharp Stick) Country: UK Released: 1976 Style: Comedy MP3 version RAR size: 1737 mb FLAC version RAR size: 1397 mb WMA version RAR size: 1371 mb Rating: 4.7 Votes: 266 Other Formats: MMF MP3 MP2 VQF RA AA XM Tracklist Hide Credits A Brief Introduction A1 –John Cleese Written-By – Monty Python Asp A2 –Peter Cook & John Fortune Written-By – Peter Cook Happy, Darling? A3 –Eleanor Bron & John Fortune Written-By – Eleanor Bron, John Fortune The Last Supper A4 –John Cleese & Jonathan Lynn Written-By – John Cleese, Jonathan Lynn Telegram A5 –Alan Bennett Written-By – Alan Bennett –Bill Oddie & Tim Brooke-Taylor & Graeme Funky Gibbon A6 Garden Written-By – The Goodies Appeal A7 –Eleanor Bron Written-By – Frayn –Peter Cook & Graham Chapman & John Cleese & Court Room Sketch B1 Carol Cleveland & Terry Gilliam & Terry Jones & Written-By – Monty Python Michael Palin Portraits From Memory B2 –Jonathan Miller Written-By – Jonathan Miller You Say Potato B3 –John Fortune & John Bird Written-By – John Bird , John Fortune Baby Talk B4 –Eleanor Bron & John Fortune Written-By – Eleanor Bron, John Fortune So That's The Way You Like It (Shakespeare –Peter Cook & Jonathan Miller & Alan Bennett & B5 Sketch) Terry Jones Written-By – Jonathan Miller –The Entire Cast Of 'A Poke In The Eye (With A Lumberjack Song B6 Sharp Stick)' Written-By – Monty Python Credits Artwork By – Terry Gilliam Engineer – Alan Perkins Liner Notes [Sleevenotes] -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Amalgamated Union of Foundry Workers
ID Heading Subject Organisation Person Industry Country Date Location 74 JIM GARDNER (null) AMALGAMATED UNION OF FOUNDRY WORKERS JIM GARDNER (null) (null) 1954-1955 1/074 303 TRADE UNIONS TRADE UNIONS TRADES UNION CONGRESS (null) (null) (null) 1958-1959 5/303 360 ASSOCIATION OF SUPERVISORY STAFFS EXECUTIVES AND TECHNICIANS NON MANUAL WORKERS ASSOCIATION OF SUPERVISORY STAFFS EXECUTIVES AND TECHNICIANS (null) (null) (null) 1942-1966 7/360 361 ASSOCIATION OF SUPERVISORY STAFFS EXECUTIVES AND TECHNICIANS NOW ASSOCIATIONON MANUAL WORKERS ASSOCIATION OF SUPERVISORY STAFFS EXECUTIVES AND TECHNICIANS N(null) (null) (null) 1967 TO 7/361 362 ASSOCIATION OF SUPERVISORY STAFFS EXECUTIVES AND TECHNICIANS CONFERENCES NONON MANUAL WORKERS ASSOCIATION OF SUPERVISORY STAFFS EXECUTIVES AND TECHNICIANS N(null) (null) (null) 1955-1966 7/362 363 ASSOCIATION OF TEACHERS IN TECHNICAL INSTITUTIONS APPRENTICES ASSOCIATION OF TEACHERS IN TECHNICAL INSTITUTIONS (null) EDUCATION (null) 1964 7/363 364 BRITISH ACTORS EQUITY ASSOCIATION (null) BRITISH ACTORS EQUITY ASSOCIATION (null) ENTERTAINMENT (null) 1929-1935 7/364 365 BRITISH ACTORS EQUITY ASSOCIATION (null) BRITISH ACTORS EQUITY ASSOCIATION (null) ENTERTAINMENT (null) 1935-1962 7/365 366 BRITISH ACTORS EQUITY ASSOCIATION (null) BRITISH ACTORS EQUITY ASSOCIATION (null) ENTERTAINMENT (null) 1963-1970 7/366 367 BRITISH AIR LINE PILOTS ASSOCIATION (null) BRITISH AIR LINE PILOTS ASSOCIATION (null) TRANSPORT CIVIL AVIATION (null) 1969-1970 7/367 368 CHEMICAL WORKERS UNION CONFERENCES INCOMES POLICY RADIATION HAZARD -
Journal of British Studies
Journal of British Studies 'The show is not about race': Custom, Screen Culture, and The Black and White Minstrel Show --Manuscript Draft-- Manuscript Number: 4811R2 Full Title: 'The show is not about race': Custom, Screen Culture, and The Black and White Minstrel Show Article Type: Original Manuscript Corresponding Author: Christine Grandy, Ph.D. University of Lincoln Lincoln, Lincolnshire UNITED KINGDOM Corresponding Author Secondary Information: Corresponding Author's Institution: University of Lincoln Corresponding Author's Secondary Institution: First Author: Christine Grandy, Ph.D. First Author Secondary Information: Order of Authors: Christine Grandy, Ph.D. Order of Authors Secondary Information: Abstract: In 1967, when the BBC was faced with a petition by the Campaign Against Racial Discrimination (CARD) requesting an end to the televised variety programme, The Black and White Minstrel Show (1958-1978), producers at the BBC, the press, and audience members collectively argued that the historic presence of minstrelsy in Britain rendered the practice of blacking up harmless. This article uses Critical Race Theory as a useful framework for unpacking defences that hinged both on the colour-blindness of white British audiences, and the simultaneous existence of wider customs of blacking up within British television and film. I examine a range of 'screen culture' from the 1920s to the 1970s, including feature films, home movies, newsreels, and television, that provide evidence of the existence of blackface as a type of racialised custom in British entertainment throughout this period. Efforts by organisations such as CARD, black-press publications like Flamingo, and audiences of colour, to name blacking up and minstrelsy as racist in the late 1960s were met by fierce resistance from majority white audiences and producers, who denied their authority to do so. -
Congress Report 2006
Congress Report 2006 The 138th annual Trades Union Congress 11-14 September, Brighton 4 Contents Page General Council members 2006 – 2007……………………………… .............4 Section one - Congress decisions………………………………………….........7 Part 1 Resolutions carried.............................. ………………………………………………8 Part 2 Motion remitted………………………………………………… ............................28 Part 3 Motions lost…………………………………………………….. ..............................29 Part 4 Motion withdrawn…………………………………………………………………….29 Part 5 General Council statements…………………………………………………………30 Section two – Verbatim report of Congress proceedings .....................35 Day 1 Monday 11 September ......................................................................................36 Day 2 Tuesday 12 September……………………………………… .................................76 Day 3 Wednesday 13 September...............................................................................119 Day 4 Thursday 14 September ...................................................................................159 Section three - unions and their delegates ............................................183 Section four - details of past Congresses ...............................................195 Section five - General Council 1921 – 2006.............................................198 Index of speakers .........................................................................................203 General Council Members Mark Fysh UNISON 2006 – 2007 Allan Garley GMB Bob Abberley Janice Godrich UNISON Public and Commercial -
Modern Records Centre Annual Report 2014-2015 2 Modern Records Centre Introduction
Modern Records Centre Annual Report 2014-2015 2 Modern Records Centre Introduction 2014-2015 has been an action packed year. We have developed links and projects with new and different audiences and researchers, extending our educational work and introducing many more students and schools to the archives we hold. Nuala’s Archives aLive project was particularly exciting and certainly enthused some of our younger visitors. The Centre also started to work with the Students Union on a series of talks and exhibitions and this has provided a foundation for a programme of events which we hope to develop in the next academic year. Details on all of these activities are included in this report. The fiftieth anniversary placed significant demands on the Centre and provided impetus for the digitisation of large amounts of the University’s material including many photographs and student publications. Our front cover this year shows the building of the main Library in June 1966 and highlights the dramatic changes which have occurred to the Warwick campus over the 50 years. We have delivered talks to external audiences, hosted exhibitions and even took part in the Cheltenham Science Festival alongside Warwick’s Science Faculty with tea, cake and photographs of our LEO computer material (suitably protected). An interesting and eventful year! Annual Report 2014/15 3 Collections/Accessions We received 62 deposits during the year ranging in size from a few items to several hundred boxes. Some of the highlights are listed below. By far the largest deposit during the year was the archive of the Writers’ Guild of Great Britain, which arrived in March 2015 and fills well over 400 boxes. -
Regional Feelings Prevail in Nuneaton, Near Birmingham
FROM THE LONDON END them in the third by-election result Regional Feelings Prevail in Nuneaton, near Birmingham. Here the young Labour successor to the IN A remarkable analogy to recent ment's economic and industrial pro- former Labour Minister and leader trends in India, this week's "mini- gramme for the regional develop- of the left wing Transport Workers election" in Britain has shown ment areas to reverse this trend. Union, Frank Cousins, managed to strong support for regionalism. The The fact now is that no seat in hold the seat with a majority re- Wilson Government will now have either Scotland or Wales is now safe duced from 11,000 to 4,000. to seriously consider decentralising from Nationalist raiding parties. In The Liberals polled a respectable Government within the United terms of the United Kingdom Par- 7,600 votes—an increase on their Kingdom if it is to withstand the liament this represents a serious showing in the 1966 general election. rising tide of nationalist opinion in threat to Labour's majority which It seems where there are no region- Scotland and Wales. is heavily dependent on Scottish al or nationalist elements at work and Welsh seats. and where there is no recognised It is fashionable to attribute the left alternative for frustrated Labour Labour Party's failure in the Glas- It must also be said, however, that voters, the Liberals can still make gow, Pollock election and the heavy the Scottish and Welsh nationalist ground. They recognise, however, drop in vote in the former Labour manifestations are not identical. -
Scanned Image
i' . ' - _‘ . I | . r advocates of trade union? ndependence ’ .. \ and socialist structural reforms. Today, no-one on the Left can fail to see the drift of the Wilson administration. It was no left-winger, but Beg Paget, who rightly likened the new Bill to the Statute of Labourers, which directly provoked Jack Cade's Rebellion. Even more appositely, Ian Mikardo has char- acterised it as a horse out of Mussolini's stable. The whole measure can only be construed as the culminating attack in a whole series of forays against the basic freedom of Labour in this country. Of course, Frank Cousins is entirely right to insist that events in Westminster will not determine the fate of Benito Brown's new Bill. But this fact should not make socialists indifferent to events in Parl- iament. The factories will decide the —.v— _ issue, but they will decide it much more A NEWS ANALYSIS FOR SOCIALISTS effectively if, from the beginning, there is serious political resistance, The mutineers in Parliament can act as a focal lens, through which the mounting trade union discontent can be brought to white Stand Fasti Fight the Mussolini Labour Laws I heat at the exact point where it can be effective. As we go to press, two dozen members of Parl- Out of Parliament, many unions are already iament on the Labour back benches have just taking preparatory steps to meet the new abstained for the second time running in the threat. But if the new MPs will stand crucial divisions on the new Prices and firm, they can act as an inspiration to Incomes Bill. -
1 the Party Has a Life of Its Own: Labour's Ethos and Party
The party has a life of its own: Labour’s ethos and party modernisation, 1983- 1997 Karl Pike Thesis submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy January 2019 1 Appendix A: Required statement of originality for inclusion in research degree theses I, Karl Pike, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Karl Pike Date: 14th January 2019 Details of collaboration and publications: K. Pike, ‘The Party has a Life of its Own: Labour’s Doctrine and Ethos’, Renewal, Vol.25, No.2, (Summer 2017), pp.74-87. K. Pike, ‘Deep religion: policy as faith in Kinnock’s Labour Party’, British Politics, (February 2018), https://doi-org.ezproxy.library.qmul.ac.uk/10.1057/s41293-018- 0074-z 2 Abstract This thesis makes a theoretical contribution to interpreting the Labour Party and an empirical contribution to our understanding of Labour’s ‘modernisation’, from 1983- 1997. -
Appendix a Governments and Ministers Responsible For
APPENDIX A GOVERNMENTS AND MINISTERS RESPONSIBLE FOR BROADCASTING, 1954-80 Party Prime Minister Date of Appointment Postmaster-General Date of Appointment Conservative Sir Winston Churchill 26 October 1951 Earl De La Warr 5 November 1951 Sir Anthony Eden 6 April 1955 Dr Charles Hill 7 April 1955 Harold Macmillan 10 January 1957 Ernest Marples 16 January 1957 Reginald Bevins 22 October 1959 Sir Alec Douglas-Home 18 October 1963 Vl 0 Labour Harold Wilson 16 October 1964 Anthony Wedgwood Benn 19 October 1964 0- Edward Short 4 July 1966 Roy Mason 6 April 1968 John Stonehouse 1 July 1968 Minister of Posts and Telecommunications John Stonehouse 1 October 1969 Conservative Edward Heath 19 June 1970 Christopher Chataway 24 June 1970 Sir John Eden 7 April 1972 Labour Harold Wilson 4 March 1974 Anthony Wedgwood Benn 7 March 1974 Home Secretary Roy Jenkins 30 March 1974 Merlyn Rees 10 September 1976 James Callaghan 5 April 1976 Conservative Margaret Thatcher 4 May 1979 William Whitelaw 5 May 1979 APPENDIX B MEMBERS OF THE AUTHORITY, 1954-80 Chairmen Terms of Office Background Sir Kenneth Clark KCB 4 August 1954-31 August 1957 Former Director of the National Gallery and Surveyor (later Lord Clark OM,CH) of the King's Pictures; Chairman, Arts Council of Great Britain Sir Ivone Kirkpatrick GCB,GCMG 7 November 1957-6 November 1962 Former UK High Commissioner for Germany; former Permanent Under-Secretary, Foreign Office Rt Hon. Lord Hill of Luton PC 1 July 1963-30 August 1967 Former Secretary, British Medical Association; former Postmaster-General; former Chancellor of Duchy of Lancaster; former Minister of Housing & Local Government and Minister for Welsh Affairs Rt Hon. -
Who Banned the War Game? a Fifty-Year Controversy Reassessed
Who banned the war game? A fifty year controversy reassessed Cook, John R. Published in: Journal of British Cinema and Television DOI: 10.3366/jbctv.2017.0351 Publication date: 2017 Document Version Author accepted manuscript Link to publication in ResearchOnline Citation for published version (Harvard): Cook, JR 2017, 'Who banned the war game? A fifty year controversy reassessed', Journal of British Cinema and Television, vol. 14, no. 1, pp. 39-63. https://doi.org/10.3366/jbctv.2017.0351 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 23. Sep. 2021 1 'Who banned The War Game ?' : A Fifty Year Controversy Reassessed John R. Cook Introduction It is now over fifty years since Peter Watkins' famous nuclear film, The War Game, was banned from TV amidst a veritable firestorm of controversy. The furore around its censorship helped elevate it into one of the iconic films of the 1960s, particularly when, after being granted a limited cinema release in 1966, the film went on to win an Oscar in Hollywood for 'Best Documentary Feature'.1 This was much to the chagrin of the BBC which had commissioned and produced it but in November 1965 announced it had taken the decision not to show it on TV, ostensibly on the grounds that Watkins' carefully researched documentary dramatisation of what might happen if a nuclear attack occurred on British soil was too 'horrifying for the medium of broadcasting'.