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{PDF EPUB} Rejected Addresses: and Other Poems by James Smith
Read Ebook {PDF EPUB} Rejected addresses: and other poems by James Smith Jun 25, 2010 · Rejected addresses, and other poems Paperback – June 25, 2010 by Epes Sargent (Author), Horace Smith (Author), James Smith (Author) › Visit Amazon's James Smith Page. Find all the books, read about the author, and more. See search results for this author. Are you an author?Author: Epes Sargent, Horace Smith, James SmithFormat: PaperbackRejected Addresses, and other poems. ... With portraits ...https://www.amazon.com/Rejected-Addresses...Rejected Addresses, and other poems. ... With portraits and a biographical sketch. Edited by E. Sargent. [Smith, James, Sargent, Epes, Smith, Horatio] on Amazon.com. *FREE* shipping on qualifying offers. Rejected Addresses, and other poems. ... With portraits and a biographical sketch. Edited by E. Sargent. Jun 22, 2008 · Rejected Addresses: And Other Poems by James Smith, Horace Smith. Publication date 1871 Publisher G. P. Putnam & sons Collection americana Digitizing sponsor Google Book from the collections of University of Michigan Language English.Pages: 441Rejected Addresses, and other poems. ... With portraits ...https://books.apple.com/us/book/rejected-addresses...The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collectio… Rejected addresses, and other poems Item Preview remove-circle Share or Embed This Item. EMBED. EMBED (for wordpress.com hosted blogs and archive.org item <description> tags) Want more? Advanced embedding details, examples, and help! ...Pages: 460Rejected addresses, and other poems. -
Literary Theory
Literary Theory Field of Study Reading List [Note: where selections are indicated ("from"), the references in square brackets are to one of the anthologies included at the end of the list. Where no reference is included, the student is free to choose which sections to read. This should be noted on the amended reading list.] Classical Period 1. Plato, Ion, Republic, Book X (on art); Book VII (the myth of the cave) (c. 400 BCE). 2. Aristotle, Poetics (c. 350 BCE). 3. Horace, Ars Poetica (c. 20 BCE). 4. Longinus, On the Sublime, Books I-XII; XL (1st c CE). 5. Quintillian, Institutio Oratoria, Book 8, Ch. 5 (tropes) (1st c CE). 6. Plotinus, On Intellectual Beauty (3rd c CE). 7. Augustine, from On Christine Doctrine, Book II (signs), Book IV (tropes) (395-427). Medieval Period 8. Dante, Letter to Can Grande Della Scala (allegory) (1319). 9. Boccaccio, Genealogy of the Gentile Gods (1350-62). 10. Christine de Pisan, from City of Women, chapter 1; chapter 36 (education), (1405). 11. Aquinas, selection from Summa Theologica, 9th and 10th articles (on metaphor), (1265-73). Renaissance 12. Sidney, Philip. An Apology for Poetry (1583). 13. Puttenham, George. The Art of English Poesie, Book 1 (1589). 14. Guarini, Giambattista. The Compendium of Tragicomic Poetry (1599). 15. Boileau Despreaux, Nicolas, Art Poetique (1674). 16. Bacon, Francis, from The Advancement of Learning (1605) [Adams and Searle]; from Essays (1601). 17. De vega, Lopa. The New Art of Making Comedies (1607). 18. Heywood, Thomas. "An Apology for Actors" (1612). 19. Jonson, Ben, from Timber: OR, Discoveries Made upon Men and Matter (1641) [Bate]. -
The Order of Authors: Degrees of 'Popularity' and 'Fame' in John Clare's Writing
The Order of Authors: Degrees of ‘Popularity’ and ‘Fame’ in John Clare’s Writing ADAM WHITE Abstract: This essay analyses Clare’s essay ‘Popularity in Authorship’, arguing that the work can be seen as a central statement in Clare’s recurrent concern with poetic fame and authorial reputation. By connecting ‘Popularity in Authorship’ with Clare’s sonnets on his Romantic contemporaries (Robert Bloomfield and Lord Byron), the essay contends that Clare’s complex understanding of ‘popular’ and ‘common’ notions of fame helps to bring into focus a distinctive contribution to debates about how authors were received by different audiences in the period. Contributor: Adam White currently teaches in English and American Studies at the University of Manchester, where he obtained his PhD. He has published a number of essays on Romantic poetry, most recently on Robert Burns and John Clare. In 2012 his essay on Leigh Hunt, John Keats, John Hamilton Reynolds, and John Clare was awarded second prize in the Keats-Shelley Memorial Association competition. For The Literary Encyclopedia he has written entries on Lord Byron, John Keats, the Brontë sisters, Charles Dickens, and Thomas Hardy. In a letter of 29 August 1828 to Thomas Pringle,1 John Clare states that ‘I would sooner be the Author of Tam o shanter then of the Iliad & Odyssey of Homer’ (Storey 437).2 It is intriguing that Clare should voice a bold preference for being the author of ‘Tam o’ Shanter’ given that earlier in his career he had in fact been called ‘a second [Robert] Burns’ (Storey 105) after the instant success of his first volume, Poems Descriptive of Rural Life and Scenery (1820). -
Horace Smith - Poems
Classic Poetry Series Horace Smith - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Horace Smith(31 December 1779 - 12 July 1849) Horace (born Horatio) Smith was an English poet and novelist, perhaps best known for his participation in a sonnet-writing competition with <a href="http://www.poemhunter.com/percy-bysshe-shelley/">Percy Bysshe Shelley</a>. It was of him that Shelley said: "Is it not odd that the only truly generous person I ever knew who had money enough to be generous with should be a stockbroker? He writes poetry and pastoral dramas and yet knows how to make money, and does make it, and is still generous." <b>Biography</b> Smith was born in London, the son of a London solicitor, and the fifth of eight children. He was educated at Chigwell School with his elder brother James Smith, also a writer. Horace first came to public attention in 1812 when he and his brother James (four years older than he) produced a popular literary parody connected to the rebuilding of the Drury Lane Theatre, after a fire in which it had been burnt down. The managers offered a prize of £50 for an address to be recited at the Theatre's reopening in October. The Smith brothers hit on the idea of pretending that the most popular poets of the day had entered the competition and writing a book of addresses rejected from the competition in parody of their various styles. James wrote the parodies of Wordsworth, Southey, Coleridge and Crabbe, and Horace took on Byron, Moore, Scott and Bowles. -
ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
Women and the History of Republicanism
Australasian Philosophical Review ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rapr20 Women and the History of Republicanism Alan Coffee To cite this article: Alan Coffee (2019) Women and the History of Republicanism, Australasian Philosophical Review, 3:4, 443-451, DOI: 10.1080/24740500.2020.1840646 To link to this article: https://doi.org/10.1080/24740500.2020.1840646 Published online: 23 Apr 2021. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rapr20 AUSTRALASIAN PHILOSOPHICAL REVIEW 2019, VOL. 3, NO. 4, 443–451 https://doi.org/10.1080/24740500.2020.1840646 CODA Women and the History of Republicanism Alan Coffee King’s College London Sandrine Bergès’s[2021] fascinating lead article has justifiably stimulated a vigorous debate amongst the respondents that will contribute significantly to scholarship in this field. In this short editorial coda, I cannot do justice to all of the responses, even though each is valuable and instructive. I should like, first of all, brieflyto review each contribution. In the remainder of what I have to say, I shall then respond in more general terms about the nature of the overall project of reading his- torical women philosophers as part of the republican tradition, with the aim of tackling what I consider to be some misconceptions. In so doing, I will address myself mostly to Karen Green’s[2021] article which is the most sceptical about the endeavour, although I shall also engage with Lena Halldenius [2021]. -
Home Editorial Authors' Responses Guidelines For
Home Search Every Field Editorial Search Authors' WHY THE ROMANTICS MATTER Responses By Peter Gay (Yale, 2015) xvi + 141pp. Guidelines Reviewed by Lisa M. Steinman on 2017-04-24. For Click here for a PDF version. Reviewers Click here to buy the book on Amazon. About Us Masthead This book could have begun with a variant of my favorite opening line--from Steven Shapin's The Scientific Revolution (1996): "There was no such thing as [Romanticism], and this is a book about it." As Gay's prologue notes, "if there were Feedback German romantics and French romantics, they did not start from the same initial impulse, did not develop the same cultural expressions in their literature and their art" (xii-xiii). Proposing, then, to talk of romanticisms--the plural is used throughout the book, as in most discussions of romanticism(s) these days--he treats the movement as a "large . far-flung family" (19) rather than as homogeneous. Gay nonetheless finds certain shared preoccupations, primarily in French and German literature, visual art, and music between the late eighteenth century and the mid-twentieth century. Peter Gay died at 91 in 2015, the year this book was published. Not surprisingly, since his thirty-some previous books have covered Weimar, Freud, the Enlightenment, and Modernism, a good deal of this new book highlights modernity and modernism with some glances back at the eighteenth century. Thus he tacitly argues that the romanticisms he explores not only emerged from the Enlightenment but also persisted well into the twentieth century. As Gay concludes in a brief epilogue, twentieth-century novelists, poets, composers, painters, dramatists, and architects "lived off the [romantic] past" (116), suggesting that modernity is a cluster of romanticisms under a different name. -
Othello and Its Rewritings, from Nineteenth-Century Burlesque to Post- Colonial Tragedy
Black Rams and Extravagant Strangers: Shakespeare’s Othello and its Rewritings, from Nineteenth-Century Burlesque to Post- Colonial Tragedy Catherine Ann Rosario Goldsmiths, University of London PhD thesis 1 Declaration I declare that the work presented in this thesis is my own. 2 Acknowledgements Firstly, I want to thank my supervisor John London for his immense generosity, as it is through countless discussions with him that I have been able to crystallise and evolve my ideas. I should also like to thank my family who, as ever, have been so supportive, and my parents, in particular, for engaging with my research, and Ebi for being Ebi. Talking things over with my friends, and getting feedback, has also been very helpful. My particular thanks go to Lucy Jenks, Jay Luxembourg, Carrie Byrne, Corin Depper, Andrew Bryant, Emma Pask, Tony Crowley and Gareth Krisman, and to Rob Lapsley whose brilliant Theory evening classes first inspired me to return to academia. Lastly, I should like to thank all the assistance that I have had from Goldsmiths Library, the British Library, Senate House Library, the Birmingham Shakespeare Collection at Birmingham Central Library, Shakespeare’s Birthplace Trust and the Shakespeare Centre Library and Archive. 3 Abstract The labyrinthine levels through which Othello moves, as Shakespeare draws on myriad theatrical forms in adapting a bald little tale, gives his characters a scintillating energy, a refusal to be domesticated in language. They remain as Derridian monsters, evading any enclosures, with the tragedy teetering perilously close to farce. Because of this fragility of identity, and Shakespeare’s radical decision to have a black tragic protagonist, Othello has attracted subsequent dramatists caught in their own identity struggles. -
Select Bibliography
SELECT BIbLIOGRAPHY Aesop. Aesop’s Fables. With instructive morals and refections, abstracted from all party considerations, adapted to all capacities; and design’d to promote religion, morality, and universal benevolence (London: J. F. and C. Rivington, T. Longman, B. Law, W. Nicol, G. G. J. and J. Robinson, T. Cadell, R. Balwin, S. Hayes, W. Goldsmith, W. Lowndes, and Power and Co., ?1775). Aesop. Bewick’s Select Fables, In Three Parts (Newcastle: Thomas Saint, 1784). Aesop. Old Friends in a New Dress; or, Select Fables of Aesop, in verse (London: Darton & Harvey, 1809). Aikin, John, and Anna Laetitia Barbauld. Evenings at Home; or, the Juvenile Budget Opened. Consisting of a Variety of Miscellaneous Pieces, for the Instruction and Amusement of Young Persons (London: J. Johnson, 1792). Alberti, Samuel J. M. M. ‘The Museum Affect: Visiting Collections of Anatomy and Natural History’, in Aileen Fyfe and Bernard Lightman (eds), Science in the Marketplace: Nineteenth-Century Sites and Experiences (Chicago and London: The University of Chicago Press, 2007), pp. 371–403. Allen, David Elliston. The Naturalist in Britain: A Social History (Princeton: Princeton University Press, [1976] 1994). Allman, George James. ‘Critical Notes on the New Zealand Hydroida’, Proceedings of the New Zealand Institute, 8 (1875): 298–302. Allman, George James. ‘Description of Australian, Cape and other Hydroida, mostly new, from the collection of Miss H. Gatty’, Journal of the Linnean Society, 19 (1885): 132–61. © The Author(s), under exclusive license to Springer Nature 277 Switzerland AG 2021 L. Talairach, Animals, Museum Culture and Children’s Literature in Nineteenth-Century Britain, Palgrave Studies in Animals and Literature, https://doi.org/10.1007/978-3-030-72527-3 278 SELECT BIBLIOGRAPHY Allman, George James. -
SPECIAL ARTICLE OPEN ACCESS P.B. Shelley's Poem Ozymandias In
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Space and Culture, India Zhatkin and Ryabova. Space and Culture, India 2019, 7:1 Page | 56 https://doi.org/10.20896/saci.v7i1.420 SPECIAL ARTICLE OPEN ACCESS P.B. Shelley’s Poem Ozymandias in Russian Translations Dmitry Nikolayevich Zhatkin †*and Anna Anatolyevna RyabovaÌ Abstract The article presents a comparative analysis of Russian translations of P.B.Shelley’s poem Ozymandias (1817), carried out by Ch. Vetrinsky, A.P. Barykova, K.D. Balmont, N. Minsky, V.Ya. Bryusov in 1890 – 1916. These translations fully reflect the peculiarities of the social and political, cultural and literary life in Russia of the late 19th – early 20th Centuries, namely weakening of the political system, growing of interest to the culture of Ancient Egypt, and strengthening of Neoromanticism in opposition to Naturalism in literature. In the process of the analysis, we used H. Smith’s sonnet Ozymandias, P.B. Shelley’s sonnet Ozymandias and its five Russian translations. The methods of historical poetics of A.N. Veselovsky, V.M. Zhirmunsky and provisions of the linguistic theory of translation of A.V. Fedorov were used. The article will be interesting for those studying literature, languages, philology. Keywords: P.B. Shelley, Ozymandias, Poetry, Literary Translation, Russian-English Literary Relations † Penza State Technological University, Penza, Russia * Corresponding Author, Email: [email protected], [email protected] Ì Email: [email protected] © 2019 Zhatkin and Ryabova. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/2.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. -
Jane Stabler, “Religious Liberty in the 'Liberal,' 1822-23”
Jane Stabler, Religious Liberty in the Lib... http://www.branchcollective.org/?ps_articles=jane-stabler-religious-liberty-in-the-liberal Jane Stabler, “Religious Liberty in the ‘Liberal,’ 1822-23” Figure 1: Thomas Philipps, Portrait of Lord Byron (1824) To think about the Liberal as an important event is to enter contentious territory. William Hazlitt (who was a contributor) described the journal as “obnoxious” in its day (Complete Works 12. 379), and in the following century, it was usually regarded as a failure or, at least, a disappointment—something that never really came together before it fell apart. In 1910, Barnette Miller described it as “a vague, up-in-the-air scheme, wholly lacking in coordination and common sense” (113). Metaphors of death and still-birth pervade the twentieth-century criticism: according to C. L. Cline “The Liberal died with the fourth number” (247); Leslie P. Pickering summarises the project thus: “in as meteoric a manner as it lived, so did the journal die, bearing with it to its untimely grave the ruined hopes of its progenitors, until now its name conveys but little to the minds of the many” (7-8). The seminal study by William H. Marshall declared, “the real question does not concern the causes of the failure of The Liberal but the reason that any of the participants thought that it could succeed” (212). In Richard Holmes’s biography of Shelley, the journal “folded quietly . after only four issues, the final collapse of Shelley’s original Pisan plan” (731); in Fiona MacCarthy’s biography of Byron, the Liberal was a “critical and financial disaster” and, after Byron’s final contribution, it simply “folded” (456). -
El Otro Romanticismo Ingles.Pdf
Universidad de Huelva Departamento de Filología Inglesa El otro Romanticismo inglés: Parodia y crítica en The Anti-Jacobin, Warreniana y Rejected Articles Memoria para optar al grado de doctora presentada por: María del Rocío Ramos Ramos Fecha de lectura: 26 de junio de 2020 Bajo la dirección de la doctora: María Losada Friend Huelva, 2020 El otro Romanticismo inglés: Parodia y crítica en The Anti-Jacobin, Warreniana y Rejected Articles Tesis doctoral Programa de Doctorado Lenguas y Culturas Universidad de Huelva Curso académico 2019-2020 Mª del Rocío Ramos Ramos Directora: Dra. María Losada Friend AGRADECIMIENTOS La elaboración de la presente tesis doctoral no habría sido posible sin la valiosa colaboración de una serie de instituciones y personas que me han asesorado y apoyado desde el comienzo, partiendo del Ministerio de Educación, Cultura y Deporte que me concedió una beca FPU para dicha finalidad. En el contexto académico es ineludible agradecer a numerosas bibliotecas como la Biblioteca de la Universidad de Glasgow, la Biblioteca de la Universidad de Edimburgo, la de la Universidad de Cambridge, la de la Universidad de Bristol o la British Library, en las que pude realizar diversas estancias de investigación, sin olvidarme de la Biblioteca de la Universidad de Huelva y su personal, especialmente a Aurora Romero y Esther Lorenzo, cuya ayuda en los últimos años ha sido inestimable. Me gustaría agradecer también al Departamento de Filología Inglesa y a mis compañeros, por el interés que han mostrado y por el ánimo que me han transmitido. He de hacer mención especial a la profesora Mercedes Guinea Ulecia, por haber confiado siempre tanto en mí, así como a Edurne Garrido Anes, María José Carrillo Linares, Gladys Méndez Naylor, Juan Gabriel Vázquez González y un largo etc., sería injusto seguir enumerando a compañeros, pues olvidaría a muchos.