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{PDF EPUB} Rejected Addresses: and Other Poems by James Smith
Read Ebook {PDF EPUB} Rejected addresses: and other poems by James Smith Jun 25, 2010 · Rejected addresses, and other poems Paperback – June 25, 2010 by Epes Sargent (Author), Horace Smith (Author), James Smith (Author) › Visit Amazon's James Smith Page. Find all the books, read about the author, and more. See search results for this author. Are you an author?Author: Epes Sargent, Horace Smith, James SmithFormat: PaperbackRejected Addresses, and other poems. ... With portraits ...https://www.amazon.com/Rejected-Addresses...Rejected Addresses, and other poems. ... With portraits and a biographical sketch. Edited by E. Sargent. [Smith, James, Sargent, Epes, Smith, Horatio] on Amazon.com. *FREE* shipping on qualifying offers. Rejected Addresses, and other poems. ... With portraits and a biographical sketch. Edited by E. Sargent. Jun 22, 2008 · Rejected Addresses: And Other Poems by James Smith, Horace Smith. Publication date 1871 Publisher G. P. Putnam & sons Collection americana Digitizing sponsor Google Book from the collections of University of Michigan Language English.Pages: 441Rejected Addresses, and other poems. ... With portraits ...https://books.apple.com/us/book/rejected-addresses...The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collectio… Rejected addresses, and other poems Item Preview remove-circle Share or Embed This Item. EMBED. EMBED (for wordpress.com hosted blogs and archive.org item <description> tags) Want more? Advanced embedding details, examples, and help! ...Pages: 460Rejected addresses, and other poems. -
Othello and Its Rewritings, from Nineteenth-Century Burlesque to Post- Colonial Tragedy
Black Rams and Extravagant Strangers: Shakespeare’s Othello and its Rewritings, from Nineteenth-Century Burlesque to Post- Colonial Tragedy Catherine Ann Rosario Goldsmiths, University of London PhD thesis 1 Declaration I declare that the work presented in this thesis is my own. 2 Acknowledgements Firstly, I want to thank my supervisor John London for his immense generosity, as it is through countless discussions with him that I have been able to crystallise and evolve my ideas. I should also like to thank my family who, as ever, have been so supportive, and my parents, in particular, for engaging with my research, and Ebi for being Ebi. Talking things over with my friends, and getting feedback, has also been very helpful. My particular thanks go to Lucy Jenks, Jay Luxembourg, Carrie Byrne, Corin Depper, Andrew Bryant, Emma Pask, Tony Crowley and Gareth Krisman, and to Rob Lapsley whose brilliant Theory evening classes first inspired me to return to academia. Lastly, I should like to thank all the assistance that I have had from Goldsmiths Library, the British Library, Senate House Library, the Birmingham Shakespeare Collection at Birmingham Central Library, Shakespeare’s Birthplace Trust and the Shakespeare Centre Library and Archive. 3 Abstract The labyrinthine levels through which Othello moves, as Shakespeare draws on myriad theatrical forms in adapting a bald little tale, gives his characters a scintillating energy, a refusal to be domesticated in language. They remain as Derridian monsters, evading any enclosures, with the tragedy teetering perilously close to farce. Because of this fragility of identity, and Shakespeare’s radical decision to have a black tragic protagonist, Othello has attracted subsequent dramatists caught in their own identity struggles. -
The Humorous Poetry of the English Language, from Chaucer to Saxe
1 A free download from manybooks.net The Project Gutenberg EBook of The Humourous Poetry of the English Language by James Parton Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Humourous Poetry of the English Language Author: James Parton Release Date: October, 2004 [EBook #6652] [Yes, we are more than one year ahead of schedule] [This file was first posted on January 9, 2003] Edition: 10 Language: English Character set encoding: ASCII • START OF THE PROJECT GUTENBERG EBOOK, THE HUMOUROUS POETRY OF THE ENGLISH LANGUAGE *** Rose Koven, Juliet Sutherland, Charles Franks and the Online Distributed Proofreading Team. THE HUMOROUS POETRY OF THE ENGLISH LANGUAGE, FROM CHAUCER TO SAXE. Narratives, Satires, Enigmas, Burlesques, Parodies, Travesties, Epigrams, Epitaphs, Translations, Including the Most Celebrated Comic Poems of the Anti-Jacobin, Rejected Addresses, the Ingoldsby Legends, Blackwood's Magazine, Bentley's Miscellany, and Punch. -
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Letter to John Murray Esquire [Work in Progress]
1 Letter to John Murray Esquire [work in progress] Byron both admired Pope, as an outstanding poet, and identified with him, as a cripple and scourge of dunces. When Pope’s morals were impugned (and on the slenderest of evidence), he was as quick in Pope’s defence as he was when his own far more vulnerable morals were attacked. When someone assailed Pope on grounds which seemed at once literary and moral, and deeply dubious to boot, he was trebly incensed. William Lisle Bowles (1762-1850), was a poet, editor, and a prolix and inexhaustible literary polemicist. He was vicar of Bremhill, Wiltshire, and his most famous poems were his Sonnets (1789, many reprints), which Coleridge, especially, admired. He was chaplain to the Prince Regent, and last but not least a friend of Southey and Coleridge. He had brought out a complete edition of Pope in ten volumes in 1806, which Byron possessed, but sold in 1816, with the rest of his library. Bowles’s introduction concludes thus: If these and other parts of his character appear less amiable, let the reader constantly keep in mind the physical and moral causes which operated on a mind like his: let him remember his life, “one long disease,” the natural passions, which he must have felt in common with all the world, disappointed: his tenderness thrown back on his heart, only to gather there with more force, and more ineffectual wishes: his confined education, intrusted chiefly to those who were themselves narrow-minded: his being used from the cradle to listen only the voice of partial indulgence; of tenderness, almost maternal, in all who contemplated his weakness and his incipient talents. -
The Age of Eclecticism
The Age of Eclecticism Q The Age of Eclecticism Literature and Culture in Britain, 1815–1885 Christine Bolus-Reichert The Ohio State University Press Columbus Copyright © 2009 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Bolus-Reichert, Christine, 1969– The age of eclecticism : literature and culture in Britain, 1815–1885 / Christine Bolus- Reichert. p. cm. Includes bibliographical references and index. ISBN 978-0-8142-1103-8 (cloth : alk. paper)—ISBN 978-0-8142-9201-3 (cd-rom) 1. English literature—19th century—History and criticism. 2. Eclecticism in literature. 3. Tennyson, Alfred Tennyson, Baron, 1809–1892—Criticism and interpretation. 4. Kingsley, Charles, 1819–1875—Criticism and interpretation. 5. Arnold, Matthew, 1822–1888—Criticism and interpretation. 6. Pater, Walter, 1839–1894—Criticism and interpretation. 7. Hardy, Thomas, 1840–1928—Criticism and interpretation. I. Title. PR451.B64 2009 820.9'008—dc22 2009015109 This book is available in the following editions: Cloth (ISBN 978-0-8142-1103-8) CD-ROM (ISBN 978-0-8142-9201-3) Cover design by Janna Thompson-Chordas Text design by Juliet Williams Type set in Adobe Granjon Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 Y CONTENTS Acknowledgments vii Introduction 1 P A R T I T O W A R D A N A G E O F EC LE C T ICI SM Chapter 1 History’s -
The Poets and Poetry of the Nineteenth Century
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES The Poets and the Poetry of the Nineteenth Century £0}C (poets ant t$i (poettg of f$e QXtnefeenf^ Century (HUMOUR) K - George Crabbe to Edmund B. V. Christian Edited by ALFRED H. MILES LONDON GEORGE ROUTLEDGE & SONS, LTD. New York: E. P. DUTTON & CO. In the prefatory note of the first edition of this work (1S91) the Editor invited criticism with a view to the improvement of future editions. Several critics responded to this appeal, and their valuable sugges- tions have been considered in pre- paring this re-issue. In some cases the text has been revised and the selection in varied ; others, addi- tions have been made to complete the representation. The biographi- cal and bibliographical matter ha= been brought up to date. —A.H.M. PREFATORY. This volume is devoted to the Humorous poetry of the century. With a view to the thorough representation of the humorous element in the poetic literature of the period, selections are included from the works of the general poets whose humorous verse bears sufficient proportion to the general body of their poetry, or is sufficiently characteristic to demand separate representation, as well as from the works of those exclusively humorous writers whose verse is the raison d'etre of the volume. The Editor's thanks are due to Messrs. William Blackwood & Son for permission to include two of " " the Legal Lyrics of the late George Outram, and a selection from "The Bon Gaultier Ballads" of late E. Sir Theodore Martin and the W. -
Gillian Russell Sir Playbills
GILLIAN RUSSELL “Announcing each day the performances”: Playbills, Ephemerality, and Romantic Period Media/Theater History F THE DIVERSE RANGE OF PRINTED EPHEMERA IN LATE GEORGIAN BRIT- ain, the playbill, with the significant exception of the lottery ticket, was the most ubiquitous. Its presence as part of a late Georgian media ecol ogy is apparent in a comment made by Samuel Taylor Coleridge in a letter to Sara Hutchinson in 1802. Fancying himself as a stage manager of the de ity’s theater of nature in the Lake District, Coleridge writes: “Blessings on the mountains! to the Eye & Ear they are always faithful. I have often thought of writing a Set of Play-bills for the vale of Keswick—for every day in the Year—announcing each Day the Performances by his Supreme Majesty’s Servants, Clouds, Waters, Sun, Moon, Stars, &c.”1 Coleridge imagines himself as a kind of diurnal historiographer, the playbill repre senting the possibility of inscribing and retaining traces of the constantly changing beauty of the natural “scene.” As stage manager of God’s theater of the world Coleridge not only exemplifies a Romantic poetics of ephemerality—which in its epistolary instantiation is itself to the moment—but also the embeddedness of such a poetics in the practices of collecting, as indicated by the fact that a file of playbills for the Keswick Theatre does in fact survive, in the playbill collections of the British Li brary.2 These playbills serve as a correlative of and also, we might say in their status as printed ephemera, an enabling condition of Coleridge’s the ater historiography of the everyday natural world. -
PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/147542 Please be advised that this information was generated on 2021-10-09 and may be subject to change. ψ UTA JANSSENS MATTHIEU MATY AND THE JOURNAL BRITANNIQUE 1750-1755 HOLLAND UNIVERSITY PRESS AMSTERDAM MATTHIEU MATY AND THE JOURNAL BRITANNIQUE Promotor: Professor T. A. Birrell "Le Docteur Maty" engraved by Louis Carrogls de Carmontelle Musée Condé, Chantilly MATTHIEU MATY AND THE JOURNAL BRITANNIQUE 1750-1755 Proefschrift ter verkrijging van de graad van doctor in de letteren aan de Katholieke Universiteit te Nijmegen, op gezag van de rector magnificus Prof. mr. F. J. F. M. Duynstee volgens besluit van het college van decanen in het openbaar te verdedigen op vrijdag 14 maart 1975 des namiddags te 4 uur door UTA EVA MARIA JANSSENS-KNORSCH geboren te Bielefeld HOLLAND UNIVERSITY PRESS AMSTERDAM i ISBN 90 302 1103 2 No part of this book may be translated or reproduced in any form by print, photoprint, microfilm, or any other means, without written permission from the publishers. © 1975 by Holland University Press bv, Amsterdam Printed in the Netherlands for Gerry ACKNOWLEDGEMENTS The following people have helped me in a variety of ways with my research and with the preparation of the manuscript: the Reverend Lekkerkerker of Montfoort unravelled some of Maty's family back ground; Irene Scouloudi and C. F. A. Marmoy of the Huguenot Society of London stimulated my work with their ready interest in the subject; Miss Oldfield of the Director's Office of the British Museum extended to me the special privilege of consulting the minutes of the board meetings; Alan Schwartz and Antoine Keys er kindly provided specialized scientific and medical information; Hans Bots of the Institute for Intellectual Relations in the Seventeenth Century at Nijmegen University cast a trained eye on the manuscript; A.J. -
Bibliography
BIbLIOGRAPHY MANUSCRIPT SOURCES Edinburgh, National Library of Scotland (NLS), Blackwood Archive. Edinburgh, National Library of Scotland (NLS), John Murray Archive. London, British Library (BL), Archive of the Royal Literary Fund, Loan 96 RLF. London, British Library (BL), Papers of William Windham, Additional Manuscript 37914. New York Public Library (NYPL), Henry W. and Albert A. Berg Collection of English and American Literature. New York Public Library (NYPL), Carl H. Pforzheimer Collection of Shelley and His Circle. Reading, University of Reading, Special Collections (URSC), Longman Archive, URSC 1393. PERIODICAL SOURCES Anti-Jacobin Anti-Jacobin Review Analytical Review Athenaeum Blackwood’s Edinburgh Magazine British Critic Champion Cobbett’s Weekly Political Register © The Author(s) 2021 335 M. Sangster, Living as an Author in the Romantic Period, Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print, https://doi.org/10.1007/978-3-030-37047-3 336 BIBLIOGRAPHY Critical Review Eclectic Review Edinburgh Annual Register Edinburgh Monthly Review Edinburgh Review English Review Gentleman’s Magazine Literary Gazette Monthly Magazine Monthly Review Morning Chronicle Morning Post New Monthly Magazine Penny Magazine Poetical Register Quarterly Review Spectator St James’s Chronicle, or the British Evening Post Tait’s Edinburgh Magazine The World PRImARY WORKS Annual Biography and Obituary, 1830, Vol. 14 (London: Longman, Rees, Orme, Brown, and Green, 1830). Austen, Jane, Jane Austen’s Letters, ed. Deirdre Le Faye, 3rd edn (Oxford: Oxford University Press, 1995). Austen, Jane, Northanger Abbey, ed. Barbara M. Benedict and Deirdre Le Faye (Cambridge: Cambridge University Press, 2006). Austen, Jane, Later Manuscripts, ed. Janet Todd and Linda Bree (Cambridge: Cambridge University Press, 2008). -
Neoclassical Satire and the Romantic School 1780–1830
Super alta perennis Studien zur Wirkung der Klassischen Antike Band 12 Herausgegeben von Uwe Baumann, Marc Laureys und Winfried Schmitz Rolf Lessenich Neoclassical Satire and the Romantic School 1780–1830 V&R unipress Bonn University Press Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. ISBN 978-3-89971-986-4 ISBN 978-3-86234-986-9 (E-Book) Veröffentlichungen der Bonn University Press erscheinen im Verlag V&R unipress GmbH 2012, V&R unipress in Göttingen / www.vr-unipress.de Alle Rechte vorbehalten. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages. Printed in Germany. Druck und Bindung: CPI Buch Bücher.de GmbH, Birkach Gedruckt auf alterungsbeständigem Papier. Power above powers, O heavenly Eloquence, That with the strong reign of commanding words, Dost manage, guide, and master th’ eminence Of men’s affections, more than all their swords; Shall we not offer to thy excellence The richest treasure that our wit affords? Samuel Daniel, Musophilus: containing a general defence of learning (1599) Rouse up, O young men of the new age! Set up your foreheads against the ignorant hirelings! For we have hirelings in the camp, the court and the university, who would, if they could, for ever depress mental and prolong corporeal war. William Blake, Milton (MS 1800–1804) Contents Preliminary . ............................... 9 Introduction . ............................... 17 I. The Classical Tradition and the Poetics of Satire . ........ 49 II. -
Drury Lane Addresses by Byron and Others Edited by Peter Cochran
1 Drury Lane Addresses by Byron and others edited by Peter Cochran This site presents ten separate texts (three by Byron), each illustrating, in different ways, Byron’s relationship with the Theatre Royal, Drury Lane. Sheridan: two perspectives 1: Alexander Pope: Epilogue to Rowe’s Jane Shore 2: Samuel Johnson: Prologue Spoken by Mr. Garrick at the Opening of the Theatre in Drury-Lane, 1747 3: Byron: Address, spoken at the opening of Drury-Lane Theatre, Saturday, October 20, 1812 4: James and Horace Smith: Cui Bono? By Lord B . 5: Thomas Busby: Monologue submitted to the Committee of Drury Lane Theatre 6: Byron: Parenthetical Address, by Dr. Plagiary 7: G.F.Busby: Unalogue 8: Byron: Epilogue to The Merchant of Venice Intended for a Private Theatrical 9: John Cam Hobhouse: Prologue to Charles Maturin’s Bertram 10: Byron: Monody on the death of the Right Hon. R. B. Sheridan spoken at Drury-Lane Theatre The Theatre Royal Drury Lane was one of the two patent or monopoly theatres of Byron’s day (the other being Covent Garden), which were licensed to play “tragedy” and “comedy”. Only at these two could Shakespeare be put on. They were in competition with at least eight other unofficial London theatres, where spoken dialogue was theoretically forbidden, and which therefore put on harlequinades, operettas, equestrian and other animal shows, pantomimes, clowns, aquatic events, and numerous other entertaining and popular hybrids. The monopoly of the two huge patent theatres was resented as elitist and anachronistic by many people: Byron never refers to it, but takes it for granted. -
Romantic Poetry
THE NEW PENGUIN BOOK OF Romantic Poetry Edited by Jonathan and Jessica Wordsworth PENGUIN BOOKS CONTENTS PREFACE xxiii INTRODUCTION: THE ROMANTIC PERIOD xxvii 1. Origins xxvii (i) Revolution and Romantic Vision xxvii (ii) A New Style and a New Spirit xxx (iii) 'And All Things In Himself: Romantic Platonism xxxii 2. The Romantic Poets In Context xxxv (i) The First Generation xxxv (ii) A Gap xxxix (iii) The Second Generation xli (iv) The Sense of an Ending xlvii THE POETRY /. Romantic Hallmarks 3 1. CHARLOTTE SMITH: To the South Downs (Elegiac Sonnets 1784) 4 2. ROBERT BURNS: To a Mountain Daisy (1786) 5 3. MARY ROBINSON: A London Summer Morning (1794; publ. 1804) 7 4. SAMUEL TAYLOR COLERIDGE: Kubla Khan (Nov. 1797; publ. 1816) 8 5. CHARLES LAMB: Old Familiar Faces (1798) 10 6. WILLIAM WORDSWORTH: Lucy Poems (winter 1798-9; publ. Lyrical Ballads 1800) (i) Lucy Gray (c. Nov.) 11 (ii) Strange Fits of Passion I Have Known (c. Dec.) 13 (iii) She Dwelt Among the Untrodden Ways (c. Dec.) 14 (iv) A Slumber Did My Spirit Seal (c. Dec.) 14 (v) Three Years She Grew (Feb.) 15 7. THOMAS CAMPBELL: Hohenliuden (1801; publ. 1809) 16 8. ROBERT SOUTHEY: The Inchcape Rock (1803) 17 9. WILLIAM BLAKE: And Did Those Feet (1802-4; engraved Milton c. 1808) 19 10. WALTER SCOTT: Lochinvar (Marmion 1808) 20 11. THOMAS MOORE: Oh! Blame Not the Bard (1810) 21 12. LORD BYRON: 'Revelry by Night' (Gkilde Harold III, stanzas 16-18, 21-8) April 1816; publ. Dec. 22 13. JOHN KEATS: To Autumn (Sept.