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1 September 2015 (Series 31:1) G.W. Pabst, DIARY OF A LOST GIRL (1929, 79 minutes) (The version of this handout on the website has color images and hot urls.) Directed by G. W. Pabst Written by Rudolf Leonhardt (screenplay), based on the novel by Margarete Böhme Produced by Georg Wilhelm Pabst Music by Otto Stenzeel Cinematography by Sepp Allgeier and Fritz Arno Wagner Art Direction by Emil Hasler and Ernö Metzner Cast Louise Brooks ... Thymian André Roanne ... Count Nicolas Osdorff Josef Rovensk ... Robert Henning Fritz Rasp ... Meinert Vera Pawlowa ... Aunt Frieda Franziska Kinz ... Meta 1967, age 81, in Vienna, Austria). Pabst directed 41 films Arnold Korff ... Elder Count Osdorff including 1956 Durch die Wälder durch die Auen (as G.W. Andrews Engelmann The director of the establishment Pabst), 1956 Ballerina, 1955 It Happened on July Valeska Gert ... The director's wife 20th,1955 The Last Ten Days, 1954 Afraid to Love,1954 Edith Meinhard ... Erika Cose da pazzi, 1953 Voice of Silence, 1948 Der Prozeß, Sybille Schmitz ... Elisabeth 1945 Der Fall Molander, 1943 Paracelsus, 1941 The Sig Arno ... Guest (as Siegfried Arno) Comedian, 1939 Young Girls in Trouble, 1939 Pasha's Kurt Gerron ... Dr. Vitalis Wives, 1934 A Modern Hero (as G.W. Pabst), 1933 That Night, 1933. Adventures of Don Quixote, 1933/I Don Quichotte,1932 The Lost Atlantis, 1932 Queen of Atlantis, Directed by G. W. Pabst 1932 L'Atlantide, 1931 The 3 Penny Opera,1929 White Written by Rudolf Leonhardt (screenplay), Margarete Hell of Pitz Palu, 1929 Diary of a Lost Girl, 1929 Böhme (novel) Pandora's Box, 1928 The Devious Path, 1927 The Love of Produced by Georg Wilhelm Pabst Jeanne Ney, 1925 The Joyless Street,1923 Der Schatz. Music by Otto Stenzeel Cinematography by Sepp Allgeier and Fritz Arno Wagner Art Direction by Emil Hasler and Ernö Metzner Georg Wilhelm Pabst (Director) (b. August 25, 1885 in Raudnitz, Bohemia, Austria- Hungary [now Roudnice, Czech Republic]—d. May 29, Pabst—DIARY OF A LOST GIRL—2 Sepp Allgeier (Cinematographer) (b. February 6, 1895 in Song of Night, 1931 Comradeship, 1931 M, 1931 The 3 Freiburg im Breisgau, Baden-Württemberg, Germany –d. Penny Opera (as F.A. Wagner), 1929 Napoleon at St. March 11, 1968, age 73,in Ebnet, Freiburg im Breisgau). Helena, 1929 Diary of a Lost Girl, 1929 The Last Fort, Allgeier has been cinematographer on 51 film and 1929 Waterloo, 1928 Spies, 1927 Natur und Liebe television projects, among them 1959 Achtung! Ruhe! (Documentary), 1927 The Love of Jeanne Ney, 1927 A Aufnahme! (TV Series), 1951 Die Passion, 1951 Modern Du Barry, 1926 It's Easy to Become a Father, Grenzstation 58, 1950 Heimat, die uns blieb (Short), 1950 1926 Adventure Mad, 1925 The Love Pirate, 1925 The Helden der Landstraße Chronicles of the Gray House, (Documentary), 1949 Der 1923 Between Evening and große Bergpreis (Short), 1941 Morning, 1922 Der Graf von Wehrmachtsfilm, 1940 Essex, 1922 Nosferatu (as Campaign in Poland F.A. Wagner, photographed (Documentary), 1939 The by),1921 Destiny, 1920 Das West Wall (Documentary), Martyrium, 1919 Vendetta. 1938 The Mountain Calls (as Allgeier), 1937 Silent Barriers (photography), 1936 Louise Brooks ... Thymian Enchanted Forest (b. Mary Louise Brooks, (Documentary),1936 Youth of November 14, 1906—d. the World (Documentary August 8, 1985, age 78, in short),1935 Escape Me Never, Rochester, NY). Louise 1935 Triumph of the Will Brooks has appeared in 24 (Documentary) (photographic films including 1938 director and camera operator), Overland Stage Raiders, 1937 1934 The Legend of William Tell, 1933 Victory of the King of Gamblers (scenes deleted), 1937 When You're in Faith (Documentary), 1933 Love in Morocco, 1931 Love, 1936 Empty Saddles, 1931 Windy Riley Goes Mountains on Fire (as Allgeier),1930 Storm Over Mont Hollywood (Short), 1931 God's Gift to Women, 1931 It Blanc, 1929 White Hell of Pitz Palu, 1929 Diary of a Lost Pays to Advertise, 1930 Miss Europe, 1929 Diary of a Girl,1928 Fight for the Matterhorn, 1927 Der große Lost Girl, 1929 The Canary Murder Case, 1929 Sprung, 1927 Im Luxuszug, 1927 Alpentragödie, 1926 Pandora's Box, 1928 Beggars of Life, 1928 A Girl in Every Der heilige Berg, 1924 Die weiße Kunst (Documentary) Port, 1927 The City Gone Wild, 1927 Now We're in the ,1924 The Mountaineers,1920 Das Wunder des Air, 1927 Rolled Stockings, 1927 Evening Clothes, 1926 Schneeschuhs (Documentary). Just Another Blonde, 1926 The Show Off, 1926 It's the Old Army Game, 1926 A Fritz Arno Wagner (Cinematographer) Social Celebrity, 1926 Love 'Em and Leave 'Em, 1926 The (b. December 5, 1894, Schmiedefeld am Rennsteig, American Venus, 1925 The Street of Forgotten Men Thuringia, Germany –d. August 18, 1958, age 63, in (uncredited). Göttingen in a tragic automobile accident while shooting the comedy, Ohne Mutter geht es nicht [It Doesn't Work André Roanne ... Count Nicolas Osdorff (b. André Without a Mother] for director Erik Ode). Wagner was Roanne on September 22, 1896 in Paris, France—d. on cinematographer on 145 films including 1958 Ohne September 6, 1959, age 62, in Cannes, Alpes-Maritimes, Mutter geht es nicht, 1958 Wehe, wenn sie France) André Roanne has appeared in 97 films including, losgelassen,1958 The Csardas Princess,1957 Liebe, Jazz 1957 A Kiss for a Killer, 1956 Les indiscrètes, 1956 If und Übermut, 1956 My 16 Sons, 1955 The Ambassador's Paris Were Told to Us, 1955 Napoleon (uncredited), 1955 Wife (as Otto Wagner), 1954 The Faithfull Hussar, 1953 The Babes Make the Law, 1954 Les clandestines, 1954 Oh Fräulein Casanova, 1950 Das Mädchen aus der Südsee, No, Mam'zelle, 1954 La fille perdue, 1952 It Happened in 1949 The Bridge,1948 Palace Scandal, 1948 Girls Paris, 1951 The Sleepwalker,1946 Back Streets of Paris, Behind Bars, 1943 I'll Carry You on My Hands, 1943 Ein 1938 It Happened in Gibraltar, 1938 Café de Paris, 1937 glücklicher Mensch, 1943 Laugh Pagliacci, 1942 Police mondaine, 1936 Jeunes filles de Paris, 1934 Le Bismarck's Dismissal,1940 Friedrich Schiller - Der cavalier Lafleur, 1934 The Voyage of Mr. Perrichon, 1934 Triumph eines Genies, 1938 Das Mädchen mit dem guten Une nuit de folies, 1933 Pour être aimé, 1933 Baby, 1932 Ruf, 1937 Two Merry Adventurers, 1937 Glamorous Colette et son mari, 1932 L'amour en vitesse, 1932 Nicole Night, 1935 Schwarze Rosen, 1935 Turandot, princesse and Her Virtue, 1931 La chanson des nations, 1931 Ma de Chine, 1934 Prinzessin Turandot, 1934 Au bout du cousine de Varsovie, 1930 Le joker, 1930 Accused, Stand monde, 1934 Volga in Flames, 1933 The Last Will of Dr. Up!, 1930 The Virgin of Paris, 1929 Vénus, 1929 Diary of Mabuse, 1933 The Testament of Dr. Mabuse, 1932 The a Lost Girl, 1929 Dolly, 1928 Le chauffeur de Pabst—DIARY OF A LOST GIRL—3 Mademoiselle, 1927 The Chocolate Girl, 1927 La petite Pabst, G(EORG) W(ILHELM) (August 27, 1885-May fonctionnaire,1926 Duchess of the Folies Bergeres, 1926 29,1967, Austrian director and scenarist, was born in Cinders, 1926 The Cradle of God, 1925 La terre promise, Raudnitz, Bohemia then part of the Austro-Hungarian 1922 Maman Pierre, 1921 Missing Husbands, 1916 Têtes empire, now in Czechoslovakia. His father, August, was a de femmes, 1915 Feet and Hands, 1914 Le fils de la railroad official whose career took the family to Vienna divette (Short). when Pabst was still a child. At his father’s urging he first studied engineering. He soon abandoned this, toyed for a Josef Rovensk ... Robert Henning time with the idea of a military career, and finally—to his (b. April 17, 1894 in Prague, Bohemia, Austria-Hungary parents’ distress—opted for the stage. In 1904 he entered [now Czech Republic] –d. on November 5, 1937, age 43, in the Vienna Academy of Decorative Arts, where he studied Prague, Czechoslovakia). Josef Rovensk has appeared in acting for two years. In 1910, after varied experience at over 76 films including 1936 Quarrymen, 1934 Za theatres in Switzerland and Germany, Pabst went to the ranních cervánku, 1933 Public Not Admitted, 1933 The United States to join the Deutsche Volkstheater in New Inspector General, 1933 Diagnosis X, 1933 Sister York, appearing in plays by Hauptmann, Schnitzler and Angelika, 1933 The Undertaker, 1932 Lelicek in the others. The theatre was controlled by labor unions and he Services of Sherlock Holmes, 1931 Milácek pluku, 1931 met a number of prominent American socialists, including Business Under Distress, 1931 The Last Bohemian, 1930 Upton Sinclair. It was at the Volkstheater that Pabst first A Girl from the Reeperbahn, 1930 Das Mädel aus U.S.A., tried his hand as a director, soon realizing that he had a 1930 Plukovník Svec, 1930 The Virgin of Paris, 1929 much greater talent for this than as an actor. In 1914 he Diary of a Lost Girl, 1929 Der Ruf des Nordens, 1929 returned to Europe to recruit new performers but, with the Der Monte Christo von Prag, 1928 Zivotem vedla je láska, outbreak of war, was detained in France as an enemy alien. 1928 Der erste Kuß, 1928 Sextánka, 1927 Schweik in Pabst spent nearly five years in a prison camp near Brest, Civilian Life, 1924 Bílý ráj, 1921 Roztrzené foto, 1919 where he organized a theatre company and presented Akord smrti, 1914 Zamilovaná tchyne. He also directed 14 French plays for the entertainment of prisoners and guards Czech films between 1920 and 1939, including, 1920 alike. In this way he acquired his lifelong admiration for Komediantka. French culture, but his imprisonment was nevertheless a painful experience which marked him deeply. Fritz Rasp ... Meinert (b. Fritz Heinrich Rasp on May 13, 1891 in Bayreuth, Germany –d. November 30, 1975, age 85, in Gräfelfing, Bavaria, West Germany).
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    Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films,
  • BFI Southbank Will Mark the Centenary of the Weimar Republic with a Major Two-Month Season Running Friday 3 May – Sunday 30 June

    BFI Southbank Will Mark the Centenary of the Weimar Republic with a Major Two-Month Season Running Friday 3 May – Sunday 30 June

    Thursday 28 March 2019, London. BFI Southbank will mark the centenary of the Weimar Republic with a major two-month season running Friday 3 May – Sunday 30 June. BEYOND YOUR WILDEST DREAMS: WEIMAR CINEMA 1919-1933 will celebrate one of the most innovative and ground-breaking chapters in the history of cinema. The first major survey of Weimar cinema in London for many years, the season will reveal that the influential body of cinematic work which emerged from this remarkably turbulent era is even richer and more diverse than generally thought. Thanks to brilliant aesthetic and technical innovations, Germany’s film industry was soon second only to Hollywood, catering to a new mass audience through a dazzling range of styles and genres – not only the ‘haunted screen’ horror for which it is still chiefly renowned, but exotic adventure films, historical epics, urban tales, romantic melodramas, social realism and avant-garde experiments. Most surprising perhaps is the wealth of comedies, with gender-bending farces and sparkling musicals such as I Don't Want to Be a Man (Ernst Lubitsch, 1918) and A Blonde Dream (Paul Martin, 1932). But Weimar cinema wasn’t just dazzling entertainment: throughout this period of polarised politics, which was increasingly overshadowed by the rise of Nazism, it also posed vital questions. From an early plea for gay rights – Different from the Others (Richard Oswald, 1919) – to stirring critiques of the capitalist system such as The Threepenny Opera (GW Pabst, 1931) and Kuhle Wampe (Slatan Dudow, 1932) the films still speak urgently to contemporary concerns about a range of social issues.