§I§NPMEMENIEMENNIIMEMEEMAINE

Total Page:16

File Type:pdf, Size:1020Kb

§I§NPMEMENIEMENNIIMEMEEMAINE .. ..... ........................... River Steel for Action Exceptional tapes). nd Mad No. 13 CENTS FIVE TWENTY 1970 15th, August 26 Volume Inv §i§NPMEMENIEMENNIIMEMEEMAINE 2 RPM 15/8/70 ics and sonorites) the synthesizer reflects this era, with its beyond- Cockell andSyrinx the -imagination sounds, and its ability to achieve incredible com- plexities with mathematical pre- to releaseonTrue North cision". It was also pointed up that tone Bernie Finklestein has moved and has a higher than average production by electrical means is full ahead into the recording in- musical background (for the rock not new and that attempts to popu- dustry and this time he's spread scene). As Goddard pointed out, larize this type of reproduction himself out so well he could just Mills-Cockell completed classi- go back to 1930 with the bowing keep the ball rolling. cal studies at the University of of the Theremin, Spherophone, He first made the scene, this time Toronto's Faculty of Music, Croiz Sonore and electric organ. around, with Bruce Cockburn, now studied composition under Dr. The only one which met with any nicely on his way with a True Samuel Dolan and taught at the real success was the electric North single "Going To The Coun- Royal Conservatory of Music's organ. try" dnd album. Next, and shaping electronic studio. He even hob- Perhaps Mills-Cockell' s comment up as a group to keep an eye on, nobbed, musically, with Kensing- to Goddard sums it up nicely. He is Luke and The Apostles, who ton Market, another Finklestein noted: "Because of the instru- have just released their single find. ment the music we play fits into with a follow-up album. What Syrinx and their $12,000 many bags, jazz, classical, east- Almost completed is his next ven- Moog are attempting is to bring ern, folk. The music goes through ture, John Mills-Cockell, who to- their electronic beauty into more many changes. In working in a gether with Doug Pringle, horn prominence and rid its image of small room, the sounds become man, and drummer John Wells form the spooks responsible for the soft and dreamy. Now, we're ex- the group Syrinx. lack of success of the revolution- ploring things using greater vol- ary new sound robot. Goddard, ume. The Toronto Telegram's Peter himself a musicologist, has ob- Goddard did a piece on this trio "Right now it presents a big chal- viously researched this electronic lenge to keep our music struc- in the Aug. 1st editions and ex- newie and explains: "Much the plained the secret of Syrinx and tured. To make a musical entity way the piano reflected the age out of all this potential." what could, perhaps, be their suc- that gave it prominence (the 19th cess. The 27 year old Mills -Cock - century with its inclination to- With the release of their album, ell is a Moog Synthesizer freak wards abrupt contrasts in dynam- sometime in August, Syrinx will be the first group to feature a "Ballet High" -A Pleasant Surprise Moog. True North is distributed by "Ballet High", which played to Columbia Records. better than expected houses at Toronto's St. Lawrence Centre by John Watts for the Arts (1-8), is an amalgam the Cohen bit. On the whole, of diverse elements, the result is lowing an interpretation of Ravel' s "Ballet High" is a beautiful, ex- surprisingly complimentary to "Bolero", the Company leaves hilarating experience. No doubt both. To be quite honest, I went Lighthouse to work their efficient many of the audience, die-hard to "Ballet High" knowing not a way through a couple of numbers ballet buffs, were offended by the thing about ballet and caring lit- before returning with the most up -dating of their art form. An tle for Lighthouse. I came away impressive work of "The Shining elderly couple nearby left after enthralled by both. People of Leonard Cohen". This the first intermission hissing; is performed by two members of "the most disgusting thing I've "Ballet High" is one of the the Company, dancing to the poems ever seen." From this limited ex- "must sees" that seems to come of Cohen, read by Brian Macdonald. perience with the ballet, it is along more and more rarely. Fea- Highly impressive sculpture is pro- probably safe to assume that the tured are the Royal Winnipeg Bal- vided by Ted Bieler. ballet crowd is in some ways let, choreographed by Brian Mac- similar to the jazz crowd. But donald, and Toronto's thirteen Third part is sometimes confusing, do they know that Bix Beiderbecke piece Lighthouse rock/jazz/clas- sometimes eloquent. It tends to is dead? sical ensemble. be somewhat of a let down after "Ballet High" comes in three Come sing A SONG OF JOY fc parts. The opener is Lighthouse Rainvilles Moving Radio station CHOO's Don Os - playing in the pit in front of the bourne (Ajax) has been giving Sing, sing A SONG OF JOY stage. The group slowly rises to good exposure to the pair's disc stage level and is pushed to the Toward Pop Charts which contributed much to the That day will dal back of the stage on a portable Dot and Morris Rainville, current- successful engagement. Hearts that are pure platform - performing while the ly riding the country charts with The Rainville's head north to moving is taking place. The their Melbourne deck, "Fortunate No man must stand alone wi complete Ballet Company then Kapaskasing for two weeks at Son", are showing early indica- the Westward -Ho, followed by appears on stage with a few mem- tions of making moves towards Reach out and h bers going through exercises on two weeks at the Whitby Hotel, the pop charts. They enter the in Whitby, Ontario. bars while others lounge around RPM MAPL chart at No. 46, this With love that enc and listen to Lighthouse. The week. Their current drawing power plus Then sing A SONG OF JO} Company's unofficial prima bal- the potential of their disc sales lerina, Christine Hennessy, takes The popular duo have just com- the lead in an interpretation of pleted a two week engagement at has created a packed year pf en- Kenneth MacMillan's "Solitaire", gagements for the husband and New LP-featuring the the Central Hotel, Oshawa Ont., wife team. Their bookings now the point being, Christine of the where they doubled the business black tights, is an outcast. Fol- extend into the third week in over their appearance last year. January. SP 4267 LIMITED RECORDS QUALITY BY Tuesday CANADA IN MANUFACTURED Cartridge -Track 8 1000 GHL8TC No. Cassette 1000 GHLCT No. Long 1000 GHL No. Album Play -- CONFIGURATIONS ALL IN AVAILABLE Calgary -CKXL PICK Toronto -CKFH 29 Kingston -CKWS 33 Lethbridge -CJOC 14 Kitchener -CHYM 49 Kingston -CKLC 28 Ottawa -CFRA PICK Leamington -CHYR 37 Vancouver -CKLG 26 Victoria -CJVI 38 Montreal -CFOX 28 Orillia -CFOR PICK Simcoe -CFRS 29 Ont. 17, Toronto Dryden -CKDR 20 Ave. Bayview 1560 Welland -CHOW 26 Weekly RPM Halifax -CJCH PICK Edson -CJYR 14 1580 Box London -CHLO 39 Lake Kirkland -CJKL PICK demos. London -CJOE 29 Saskatoon -CKOM 27 and sheets lead country and pop Interested Hamilton -CHAM 40 Vancouver -CKVN 28 road, the of middle in PUBLISHER CHART label. Barry ACTION the on release Feeling Happy Alberta. in mitments com- all fulfill can they as soon OUTSTANDING as eastward trip a includes ing Feel- Happy the for plans Future 101) GH guitar. rhythm Moffat, Bob and composer; and guitar lead Ferguson, Danny drummer; NOTE" Action &Tube Disc with happy. very more, much it gave instead but something receive to expecting POUND Ridge Powder to came who people, many made and performance, ing mov- joyous, a was It mertime". Sum- The "In Jerry's Mungo sang and along, chanting everyone "TEN had which Come", Will "Peace song, new a introduced She lot". a care didn't she if here come have wouldn't "she that sang she when wild went crowd The life. and food, healthy people, beautiful peace, love, about songs sings Melanie there. her have to life of Festivals and kitchens free of idea whole the of appropriate very was It kitchen. free the beside right hillside sloping a on more or people 7000 about to sang Melanie 4 -- RPM 15/8/70 McNair Show Books J.R. Prods to Manage "...theprophets of doom, the Feliciano messengers of mediocrity, will Native Talent Graham beoverwhelmedbythe new -No Gimmickry generation of competent, The Barbara McNair Show, anotherCTV crea- production at Toronto's CFTO for view- Rodeo recording artist, Mike Some performers have it. Some tive, confident artisans andby Graham, who splashed across all those of preceding ing on American television, has slateda don't. Jose Feliciano, who ap- genera- heavy schedule of Canadian talentto the national country scene with peared at the O'Keefe Centre tions who have already demon- appear on the show, Skedded for the his initial release, "No Pity For strated their freshness of mind, A Fool", has been signed for (July 20), is one of the very few their talent and their capacity CFTO/Winter-Rosen productionare: with that rare gift of reaching the Michel Louvain, Ian and Sylvia andthe personal management by J.R. audience. You could say his show for inspired leadership." Great Speckled Bird, Daniele Dorice, Productions Ltd. -Pierre Juneau Elan Stewart, the Five Bells, theNoel Graham's follow-up single, "She Coward Revue, Mary Lou Collins, Jan Always Lets Me Down So Easy", by Claire Louise Lalonde Rubes, Andy Kim, Hagood Hardy, also produced by Gary Buck, is Friendly Persuasion, Moe Koffman, showing signs of getting the flip is polished, but, perhaps, well- 4 Rich Little, Sandra O'Neill and Les treatment.
Recommended publications
  • World Digipak Comp B.Indd
    MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output.
    [Show full text]
  • This Is Carmen Lundy, Jazz and the New Songbook: Live at the Madrid, Come Home, Solamente, Changes, and Soul to Soul, Among Others
    Finding Aid to The HistoryMakers ® Video Oral History with Carmen Lundy Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Lundy, Carmen Title: The HistoryMakers® Video Oral History Interview with Carmen Lundy, Dates: November 12, 2014 Bulk Dates: 2014 Physical 9 uncompressed MOV digital video files (4:33:00). Description: Abstract: Jazz singer Carmen Lundy (1954 - ) has recorded fourteen albums and published over 100 songs. She has also acted on stage and is an exhibited painter and co-founder of Afrasia Productions. Lundy was interviewed by The HistoryMakers® on November 12, 2014, in Woodland Hills, California. This collection is comprised of the original video footage of the interview. Identification: A2014_256 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Jazz singer, arranger and composer Carmen Lundy was born on November 1, 1954 in Miami, Florida. Her mother, Oveida, was the lead singer in a gospel group; her younger brother, Curtis Lundy, is a jazz bassist. Inspired by those around her, Lundy began playing the piano at age six, and started singing in her church choir at age twelve. She went on to attend the University of Miami, where she received her B.M. degree in studio music and jazz. At the age of sixteen, Lundy began her professional career in Miami, then moved to New York City in 1978 where she worked with numerous Jazz veterans. The following year, she made her first appearance on an album with a group called Jasmine; and, in 1980, formed her own group, performing with pianists John Hicks and Onaje Gumbs.
    [Show full text]
  • UCSB Mcnair Scholars Research Journal
    UCSB McNair Scholars Research Journal UNIVERSITY OF CALIFORNIA, SANTA BARBARA 2017 Volume 7 UCSB McNair Scholars Research Journal University of California, Santa Barbara 2017 – Volume 7 Nondiscrimination Policy The University of California, in accordance with applicable Federal and State law and University policy, does not discriminate on the basis of race, color, national origin, religion, sex, gender, gender expression, gender identity, pregnancy, physical or mental disability, medical condition (cancer-related or genetic characteristics), genetic information (including family medical history), ancestry, marital status, age, sexual orientation, citizenship, status as a protected veteran or service in the uniformed services. The University also prohibits sexual harassment. This nondiscrimination policy covers admission, access, and treatment in University programs and activities. Inquiries regarding the University’s nondiscrimination policies may be directed to: Ricardo A. Alcaíno Director, Equal Opportunity and Discrimination Prevention Office 3217A Phelps Hall University of California, Santa Barbara Santa Barbara, CA 93106-2060 (805) 893-4505 Cover photo: Tony Mastres, UCSB Photo Services ii UCSB McNair Scholar Research Journal McNair Program Staff Program Director Dr. Beth E. Schneider Assistant Director Dr. Yvette Martínez-Vu Program Coordinator Marcus Mathis Graduate Mentors Madeline Nolan Cruz Ortiz Jr. Gina Vanegas Writing Consultant Dr. Ellen Broidy Journal Editors Dr. Beth E. Schneider Dr. Ellen Broidy Journal Layout/Design Madeline Nolan Cruz Ortiz Jr. iii UCSB McNair Scholars Research Journal 2017 - Volume 7 Table of Contents McNair Program Staff p. iii Table of Contents p. iv Letter from the Executive Vice Chancellor p. vii Letter from the Interim Dean of Undergraduate Education p. ix Letter from the Program Director p.
    [Show full text]
  • George P. Johnson Negro Film Collection LSC.1042
    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
    [Show full text]
  • Name Artist Album Track Number Track Count Year Wasted Words
    Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B.
    [Show full text]
  • Extensions of Remarks E479 EXTENSIONS of REMARKS
    March 7, 2007 CONGRESSIONAL RECORD — Extensions of Remarks E479 EXTENSIONS OF REMARKS CONGRATULATING THOMAS F. St. John the Baptist, St. John the Evangelist age and bravery. He was awarded the Silver BURKE AS HE IS NAMED ‘‘MAN and St. Joseph where they serve in the Bap- Star for Bravery from the American Police Hall OF THE YEAR’’ BY THE GREAT- tismal Ministry and where Judge Burke serves of Fame, as well as the Legion of Honor ER PITTSTON FRIENDLY SONS as a lector and as a member of the parish fi- Award from the American Law Enforcement OF ST. PATRICK nancial council. They are the parents of five Officers Association for his courage, bravery, children: Tom, a student at Harvard Law and allegiance in the performance of his duty HON. PAUL E. KANJORSKI School; Bill, a student at Fordham Law following an incident that occurred on March OF PENNSYLVANIA School; Margy, a student at Boston College; 27, 1985. He is also an active member and IN THE HOUSE OF REPRESENTATIVES Katey, a student at Lehigh University; and Pat- participant in the Blair County DUI and Drug Wednesday, March 7, 2007 rick, a student at Scranton Preparatory Task Forces. Chief Thomas Miller’s character School. does not go unnoticed and is sure to bring him Mr. KANJORSKI. Madam Speaker, I rise Since 1992, the Burke family has hosted the most rewarding experiences in life. today to ask you and my esteemed colleagues students from Ireland, Japan and France. Chief Miller also recognizes fellow officers’ in the House of Representatives to pay tribute Madam Speaker, please join me in con- spirit and bravery being a member of the Blair to the Honorable Thomas F.
    [Show full text]
  • The Los Angeles Academy of Vocal Arts
    University of Central Florida STARS Harrison "Buzz" Price Papers Digital Collections 6-7-1982 Application for Grant: The Los Angeles Academy of Vocal Arts Harrison Price Company Part of the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/buzzprice University of Central Florida Libraries http://library.ucf.edu This Report is brought to you for free and open access by the Digital Collections at STARS. It has been accepted for inclusion in Harrison "Buzz" Price Papers by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Harrison Price Company, "Application for Grant: The Los Angeles Academy of Vocal Arts" (1982). Harrison "Buzz" Price Papers. 121. https://stars.library.ucf.edu/buzzprice/121 I I I l I I I APPLICATION FOR GRANT Prepared for : I · Th e Los An geles Academy of Vocal Arts I June 7 , 1982 I I I I I I I I I I I I HARRISON PRICE COMPANY I June 7, 1982 I Mr. Daniel Selznick Louis B. Mayer Foundation 9441 Wilshire Boulevard I Beverly Hills, CA 90212 I Dear Mr . Selznick: The purpose of this letter is to submit to the Louis B. Mayer Fo undation an application for a planning grant for and I on behalf of the Los Angeles Academy of Vocal Arts. The Lo s Angeles Academy of Vocal Arts is a proposed teaching institution formed under the leadership and direction of Mr. I Seth Riggs. Its program will offer a comprehensive and intensive instruction for a full time enrollment of 20 singers with recognized talent and professional potential .
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JOE WILDER NEA Jazz Master (2008) Interviewee: Joe Wilder (February 22, 1922 – May 9, 2014) Interviewer: Julie Burstein Date: August 25-26, 1992 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 129 pp. Burstein: I wanted to start by asking you about your beginnings in Colwyn, I guess. [She pronounces it as “coal-win.”] Wilder: Colwyn, it’s pronounced. [Wilder says “coll-win,” as in collar.] Burstein: Colwyn. Wilder: Yeah, Colwyn. Burstein: . Colywn, Pennsylvania, and about your family. Where were your folks from? Wilder: My – I think – I know my father’s family are from North Carolina. I think my mother’s family were also from North Carolina. Apparently they had come North much earlier than my father’s family, because my mother was born in Pennsylvania. My father was born in North Carolina. He left – my grandfather brought his family to Philadelphia – to Colwyn, as a matter of fact. That’s something I don’t really understand. I don’t know how they managed to end up in Colwyn, but that’s where they did. My father was 12 years old at that time. He’s now – he’ll be 92 in November – the 23rd of November. Burstein: So this was in 1912 that they came there. Wilder: Yeah, in 1912 he came – they came to Colwyn. There were – in Colwyn, I think there was my paternal grandparents and my maternal grandparents, and my aunts and uncles, and my family.
    [Show full text]
  • James Gang James Gang Rides Again Mp3, Flac, Wma
    James Gang James Gang Rides Again mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: James Gang Rides Again Country: UK Released: 1970 Style: Psychedelic Rock, Classic Rock MP3 version RAR size: 1200 mb FLAC version RAR size: 1583 mb WMA version RAR size: 1474 mb Rating: 4.8 Votes: 583 Other Formats: MP3 VOC AC3 APE MPC MP4 MIDI Tracklist Hide Credits Funk #49 A1 3:54 Written-By – Peters*, Fox*, Walsh* Asshtonpark A2 2:04 Written-By – Peters*, Fox*, Walsh* Woman A3 4:37 Written-By – Peters*, Fox*, Walsh* The Bomber (Medley) (7:04) Closet Queen A4a Written-By – Peters*, Fox*, Walsh* Bolero A4b Written-By – Ravel* Cast Your Fate To The Wind A4c Written-By – Guaraldi* Tend My Garden B1 5:44 Written-By – Joe Walsh Garden Gate B2 1:36 Written-By – Joe Walsh There I Go Again B3 2:50 Written-By – Joe Walsh Thanks B4 2:20 Written-By – Joe Walsh Ashes The Rain And I B5 4:56 Written-By – Dale Peters, Joe Walsh Companies, etc. Pressed By – Monarch Record Mfg. Co. – △14798 Recorded At – Record Plant, N.Y.C. Recorded At – Record Plant, Los Angeles Published By – Elkan-Vogel Published By – Friendship Music Inc. Published By – Pamco Music Inc. Published By – Home Made Music Mastered At – Artisan Sound Recorders Credits Arranged By – The James Gang* Arranged By [Strings] – Jack Nitzsche (tracks: B5) Bass – Dale "Bugsley" Peters* Design [Cover Design & Illustration] – Bob Lockhart Drums, Percussion – Jim Fox Engineer [With] – Llyllianne Duma*, Mike Stone, Stan Agol Guitar [Six String] – Dale "Bugsley" Peters* (tracks: B5) Guitar, Keyboards, Vocals – Joe Walsh Pedal Steel Guitar – Rusty Young (tracks: B3) Photography By – Tom Wright Producer, Engineer – Bill Szymczyk Notes © MCMLXX ABC Records, Inc.
    [Show full text]
  • Harlem Blues and Jazz Band and Barbara Mcnair Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 3-2-1996 Harlem Blues and Jazz Band and Barbara McNair Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Harlem Blues and Jazz Band and Barbara McNair" (1996). Center for Performing Arts Memorabilia. Book 78. http://opus.govst.edu/cpa_memorabilia/78 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. The •:1 IV ;;: v THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY From the Executive Director, Richard Kordos As you sit waiting for the lights to dim and the show to begin, The Center think back a few years to the first time you became aware of the for Arts and Technology idea and heard the excitement about building a performing arts at Governors State University center here, in the south suburbs of Chicago « perhaps in your backyard. You may have thought it was a great idea, but would Richards. Kordos, Executive Director it ever happen? And if so, when? Now, before the lights dim, look around you at the walls, the presents seats, the carpet, the lights, the speakers, the drapes -- see the colors, feel the comfort, hear the sounds of the people sitting nearby.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • KLASSICS LIST Criteria
    KLASSICS LIST criteria: 8 or more points (two per fan list, two for U-Man A-Z list, two to five for Top 95, depending on quartile); 1984 or prior release date Sources: ten fan lists (online and otherwise; see last page for details) + 2011-12 U-Man A-Z list + 2014 Top 95 KSHE Klassics (as voted on by listeners) sorted by points, Fan Lists count, Top 95 ranking, artist name, track name SLCRPS UMan Fan Top ID # ID # Track Artist Album Year Points Category A-Z Lists 95 35 songs appeared on all lists, these have green count info >> X 10 n 1 12404 Blue Mist Mama's Pride Mama's Pride 1975 27 PERFECT KLASSIC X 10 1 2 12299 Dead And Gone Gypsy Gypsy 1970 27 PERFECT KLASSIC X 10 2 3 11672 Two Hangmen Mason Proffit Wanted 1969 27 PERFECT KLASSIC X 10 5 4 11578 Movin' On Missouri Missouri 1977 27 PERFECT KLASSIC X 10 6 5 11717 Remember the Future Nektar Remember the Future 1973 27 PERFECT KLASSIC X 10 7 6 10024 Lake Shore Drive Aliotta Haynes Jeremiah Lake Shore Drive 1971 27 PERFECT KLASSIC X 10 9 7 11654 Last Illusion J.F. Murphy & Salt The Last Illusion 1973 27 PERFECT KLASSIC X 10 12 8 13195 The Martian Boogie Brownsville Station Brownsville Station 1977 27 PERFECT KLASSIC X 10 13 9 13202 Fly At Night Chilliwack Dreams, Dreams, Dreams 1977 27 PERFECT KLASSIC X 10 14 10 11696 Mama Let Him Play Doucette Mama Let Him Play 1978 27 PERFECT KLASSIC X 10 15 11 11547 Tower Angel Angel 1975 27 PERFECT KLASSIC X 10 19 12 11730 From A Dry Camel Dust Dust 1971 27 PERFECT KLASSIC X 10 20 13 12131 Rosewood Bitters Michael Stanley Michael Stanley 1972 27 PERFECT
    [Show full text]