The Study of Yu Xin's Integration Into the Regime of the Northern Zhou
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The Evolvement of Buddhism in Southern Dynasty and Its Influence on Literati’S Mentality
International Conference of Electrical, Automation and Mechanical Engineering (EAME 2015) The Evolvement of Buddhism in Southern Dynasty and Its Influence on Literati’s Mentality X.H. Li School of literature and Journalism Shandong University Jinan China Abstract—In order to study the influence of Buddhism, most of A. Sukhavati: Maitreya and MiTuo the temples and document in china were investigated. The results Hui Yuan and Daolin Zhi also have faith in Sukhavati. indicated that Buddhism developed rapidly in Southern dynasty. Sukhavati is the world where Buddha live. Since there are Along with the translation of Buddhist scriptures, there were lots many Buddha, there are also kinds of Sukhavati. In Southern of theories about Buddhism at that time. The most popular Dynasty the most prevalent is maitreya pure land and MiTuo Buddhist theories were Prajna, Sukhavati and Nirvana. All those theories have important influence on Nan dynasty’s literati, pure land. especially on their mentality. They were quite different from The advocacy of maitreya pure land is Daolin Zhi while literati of former dynasties: their attitude toward death, work Hui Yuan is the supporter of MiTuo pure land. Hui Yuan’s and nature are more broad-minded. All those factors are MiTuo pure land wins for its simple practice and beautiful displayed in their poems. story. According to < Amitabha Sutra>, Sukhavati is a perfect world with wonderful flowers and music, decorated by all Keyword-the evolvement of buddhism; southern dynasty; kinds of jewelry. And it is so easy for every one to enter this literati’s mentality paradise only by chanting Amitabha’s name for seven days[2] . -
Chronology of Chinese History
Chronology of Chinese History I. Prehistory Neolithic Period ca. 8000-2000 BCE Xia (Hsia)? Trad. 2200-1766 BCE II. The Classical Age (Ancient China) Shang Dynasty ca. 1600-1045 BCE (Trad. 1766-1122 BCE) Zhou (Chou) Dynasty ca. 1045-256 BCE (Trad. 1122-256 BCE) Western Zhou (Chou) ca. 1045-771 BCE Eastern Zhou (Chou) 770-256 BCE Spring and Autumn Period 722-468 BCE (770-404 BCE) Warring States Period 403-221 BCE III. The Imperial Era (Imperial China) Qin (Ch’in) Dynasty 221-207 BCE Han Dynasty 202 BCE-220 CE Western (or Former) Han Dynasty 202 BCE-9 CE Xin (Hsin) Dynasty 9-23 Eastern (or Later) Han Dynasty 25-220 1st Period of Division 220-589 The Three Kingdoms 220-265 Shu 221-263 Wei 220-265 Wu 222-280 Jin (Chin) Dynasty 265-420 Western Jin (Chin) 265-317 Eastern Jin (Chin) 317-420 Southern Dynasties 420-589 Former (or Liu) Song (Sung) 420-479 Southern Qi (Ch’i) 479-502 Southern Liang 502-557 Southern Chen (Ch’en) 557-589 Northern Dynasties 317-589 Sixteen Kingdoms 317-386 NW Dynasties Former Liang 314-376, Chinese/Gansu Later Liang 386-403, Di/Gansu S. Liang 397-414, Xianbei/Gansu W. Liang 400-422, Chinese/Gansu N. Liang 398-439, Xiongnu?/Gansu North Central Dynasties Chang Han 304-347, Di/Hebei Former Zhao (Chao) 304-329, Xiongnu/Shanxi Later Zhao (Chao) 319-351, Jie/Hebei W. Qin (Ch’in) 365-431, Xianbei/Gansu & Shaanxi Former Qin (Ch’in) 349-394, Di/Shaanxi Later Qin (Ch’in) 384-417, Qiang/Shaanxi Xia (Hsia) 407-431, Xiongnu/Shaanxi Northeast Dynasties Former Yan (Yen) 333-370, Xianbei/Hebei Later Yan (Yen) 384-409, Xianbei/Hebei S. -
The Late Northern Dynasties Buddhist Statues at Qingzhou and the Qingzhou Style
The Late Northern Dynasties Buddhist Statues at Qingzhou and the Qingzhou Style Liu Fengjun Keywords: late Northern Dynasties Qingzhou area Buddhist statues Qingzhou style In recent years fragmentary Buddhist statues have been Northern Qi period. (3) In the winter of 1979, 40 small frequently unearthed in large numbers in Qingzhou 青州 and large fragmentary statues and some lotus socles were and the surrounding area, including Boxing 博兴, discovered at the Xingguo Temple 兴国寺 site in Gaoqing 高青, Wudi 无棣, Linqu 临朐, Zhucheng 诸 Qingzhou, mainly produced between the end of North- 城, and Qingdao 青岛. Especially notable are the large ern Wei and Northern Qi period. There were also two quantities of statues at the site of the Longxing Temple Buddha head sculptures of the Sui and Tang periods. (4) 龙兴寺 at Qingzhou. The discovery of these statues drew In the 1970s, seven stone statues were discovered at great attention from academic circles. The significance He’an 何庵 Village, Wudi County. Four of them bear of these statues is manifold. I merely intend to under take Northern Qi dates. (5) In November 1987, one single a tentative study of the causes and date of the destruction round Bodhisattva stone sculpture of the Eastern Wei of the Buddhist statues and of the artistic features of the period and one round Buddhist stone sculpture of the Qingzhou style statues. Northern Qi period were discovered on the South Road of Qingzhou. Both works were painted colorfully and I. Fragmentary Buddhist Statues of the Late partly gilt. They were preserved intact and remained Northern Dynasties Unearthed in the Qingzhou Area colorful. -
Official Colours of Chinese Regimes: a Panchronic Philological Study with Historical Accounts of China
TRAMES, 2012, 16(66/61), 3, 237–285 OFFICIAL COLOURS OF CHINESE REGIMES: A PANCHRONIC PHILOLOGICAL STUDY WITH HISTORICAL ACCOUNTS OF CHINA Jingyi Gao Institute of the Estonian Language, University of Tartu, and Tallinn University Abstract. The paper reports a panchronic philological study on the official colours of Chinese regimes. The historical accounts of the Chinese regimes are introduced. The official colours are summarised with philological references of archaic texts. Remarkably, it has been suggested that the official colours of the most ancient regimes should be the three primitive colours: (1) white-yellow, (2) black-grue yellow, and (3) red-yellow, instead of the simple colours. There were inconsistent historical records on the official colours of the most ancient regimes because the composite colour categories had been split. It has solved the historical problem with the linguistic theory of composite colour categories. Besides, it is concluded how the official colours were determined: At first, the official colour might be naturally determined according to the substance of the ruling population. There might be three groups of people in the Far East. (1) The developed hunter gatherers with livestock preferred the white-yellow colour of milk. (2) The farmers preferred the red-yellow colour of sun and fire. (3) The herders preferred the black-grue-yellow colour of water bodies. Later, after the Han-Chinese consolidation, the official colour could be politically determined according to the main property of the five elements in Sino-metaphysics. The red colour has been predominate in China for many reasons. Keywords: colour symbolism, official colours, national colours, five elements, philology, Chinese history, Chinese language, etymology, basic colour terms DOI: 10.3176/tr.2012.3.03 1. -
Beyond Buddhist Apology the Political Use of Buddhism by Emperor Wu of the Liang Dynasty
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ghent University Academic Bibliography Beyond Buddhist Apology The Political Use of Buddhism by Emperor Wu of the Liang Dynasty (r.502-549) Tom De Rauw ii To my daughter Pauline, the most wonderful distraction one could ever wish for and to my grandfather, a cakravartin who ruled his own private universe iii ACKNOWLEDGEMENTS Although the writing of a doctoral dissertation is an individual endeavour in nature, it certainly does not come about from the efforts of one individual alone. The present dissertation owes much of its existence to the help of the many people who have guided my research over the years. My heartfelt thanks, first of all, go to Dr. Ann Heirman, who supervised this thesis. Her patient guidance has been of invaluable help. Thanks also to Dr. Bart Dessein and Dr. Christophe Vielle for their help in steering this thesis in the right direction. I also thank Dr. Chen Jinhua, Dr. Andreas Janousch and Dr. Thomas Jansen for providing me with some of their research and for sharing their insights with me. My fellow students Dr. Mathieu Torck, Leslie De Vries, Mieke Matthyssen, Silke Geffcken, Evelien Vandenhaute, Esther Guggenmos, Gudrun Pinte and all my good friends who have lent me their listening ears, and have given steady support and encouragement. To my wife, who has had to endure an often absent-minded husband during these first years of marriage, I acknowledge a huge debt of gratitude. She was my mentor in all but the academic aspects of this thesis. -
Title Change of Suspension Systems of Daggers and Swords in Eastern
Change of suspension systems of daggers and swords in eastern Title Eurasia: Its relation to the Hephthalite occupation of Central Asia Author(s) Kageyama, Etsuko Citation ZINBUN (2016), 46: 199-212 Issue Date 2016-03 URL https://doi.org/10.14989/209942 © Copyright March 2016, Institute for Research in Humanities Right Kyoto University. Type Departmental Bulletin Paper Textversion publisher Kyoto University ZINBUN No. 46 2015 Varia Change of suspension systems of daggers and swords in eastern Eurasia: Its relation to the Hephthalite occupation of Central Asia Etsuko KAGEYAMA ABSTRACT: This paper focuses on changes in the suspension systems of daggers and swords in pre- Islamic eastern Eurasia. Previous studies have shown that scabbard slides were used in the Kushan and early Sasanian periods to suspend a sword from a bearer’s waist belt. This method was later replaced by a “two-point suspension system” with which a sword is suspended by two straps and two fixtures attached on its scabbard. Through an examination of daggers and swords represented in Central Asian art, I consider the possibility that the two-point suspension system became prevalent in eastern Eurasia in connection with the Hephthalite occupation of Central Asia from the second half of the fifth century through the first half of the sixth century. KEYWORDS: Hephthalites, Sogdians, Central Asia, bladed weapons, Shōsō-in Etsuko KAGEYAMA is Associate Fellow at Nara National Research Institute for Cultural Properties. * This paper is based on my article published in Japanese: E. Kageyama, “Change of sus- pension systems of daggers and swords in eastern Eurasia: Its relation to the Hephthalite occupation of Central Asia”, Studies on the Inner Asian Languages 30, 2015, pp. -
Xiao Gang (503-551): His Life and Literature
Xiao Gang (503-551): His Life and Literature by Qingzhen Deng B.A., Guangzhou Foreign Language Institute, China, 1990 M.A., Kobe City University of Foreign Languages, Japan, 1996 Ph.D., Nara Women's University, Japan, 2001 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) February 2013 © Qingzhen Deng, 2013 ii Abstract This dissertation focuses on an emperor-poet, Xiao Gang (503-551, r. 550-551), who lived during a period called the Six Dynasties in China. He was born a prince during the Liang Dynasty, became Crown Prince upon his older brother's death, and eventually succeeded to the crown after the Liang court had come under the control of a rebel named Hou Jing (d. 552). He was murdered by Hou before long and was posthumously given the title of "Emperor of Jianwen (Jianwen Di)" by his younger brother Xiao Yi (508-554). Xiao's writing of amorous poetry was blamed for the fall of the Liang Dynasty by Confucian scholars, and adverse criticism of his so-called "decadent" Palace Style Poetry has continued for centuries. By analyzing Xiao Gang within his own historical context, I am able to develop a more refined analysis of Xiao, who was a poet, a filial son, a caring brother, a sympathetic governor, and a literatus with broad and profound learning in history, religion and various literary genres. Fewer than half of Xiao's extant poems, not to mention his voluminous other writings and many of those that have been lost, can be characterized as "erotic" or "flowery". -
The Tomb of the Sogdian Master Shi: Insights Into the Life of a Sabao
The Tomb of the Sogdian Master Shi: Insights into the Life of a Sabao Albert E. Dien male and a female. There is also mention in the Stanford University report of animal bones but nothing more was said on that topic. he most interesting evidence of the The total length of the tomb was 47.26 m, and presence of Sogdians in China thus far is it was made up of a long ramped passageway, T the tomb of Master Shi (Sogdian name with fve air shafts along its length, an entry Wirkak) which was found in 2003 in Xi’an, in way that had been blocked up with bricks an area where other such tombs have been and a stone door, that then led into the tomb excavated, in what may have been a cemetery chamber itself, 3.7 x 3.5 m [Fig. 1]. The walls for high-ranking Sogdians who lived in Chang’an of the passageway, entry and chamber had during the Northern Zhou dynasty (557–581 CE) been covered with a thin layer of white plaster (Xi’anshi 2005; see also Wang 2008). Besides on which murals of some sort had been painted being so important as a source of information but nothing of this survived. The chamber concerning the Sogdians in China, the tomb contained a stone vault, the shitang 石堂 or also provides new information concerning the ‘stone hall’ as it was called, 2.5 x 1.55 m, that offce of sabao 薩保 or merchant chief, the head was covered with reliefs to which paint and gold of the Sogdian communities in China. -
The Transition of Inner Asian Groups in the Central Plain During the Sixteen Kingdoms Period and Northern Dynasties
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2018 Remaking Chineseness: The Transition Of Inner Asian Groups In The Central Plain During The Sixteen Kingdoms Period And Northern Dynasties Fangyi Cheng University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Cheng, Fangyi, "Remaking Chineseness: The Transition Of Inner Asian Groups In The Central Plain During The Sixteen Kingdoms Period And Northern Dynasties" (2018). Publicly Accessible Penn Dissertations. 2781. https://repository.upenn.edu/edissertations/2781 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2781 For more information, please contact [email protected]. Remaking Chineseness: The Transition Of Inner Asian Groups In The Central Plain During The Sixteen Kingdoms Period And Northern Dynasties Abstract This dissertation aims to examine the institutional transitions of the Inner Asian groups in the Central Plain during the Sixteen Kingdoms period and Northern Dynasties. Starting with an examination on the origin and development of Sinicization theory in the West and China, the first major chapter of this dissertation argues the Sinicization theory evolves in the intellectual history of modern times. This chapter, in one hand, offers a different explanation on the origin of the Sinicization theory in both China and the West, and their relationships. In the other hand, it incorporates Sinicization theory into the construction of the historical narrative of Chinese Nationality, and argues the theorization of Sinicization attempted by several scholars in the second half of 20th Century. The second and third major chapters build two case studies regarding the transition of the central and local institutions of the Inner Asian polities in the Central Plain, which are the succession system and the local administrative system. -
Preservation of Lilong Neighborhoods in Shanghai
PRESERVATION OF LILONG NEIGHBORHOODS IN SHANGHAI: SOCIAL CHANGE AND SPATIAL RIGHTS A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Historic Preservation Planning by Ran Yan August 2013 © 2013 Ran Yan ALL RIGHTS RESERVED ABSTRACT As once the most common form of dwelling in Shanghai, the Lilong has played a vital role in Shanghai’s local culture. Gradually declining in number during the second half of the 20th century, it is now faced with a challenging and undecided future. This thesis aims to further the discussion of the preservation of Lilong neighborhoods in its fundamental relation with people and basic social context. Four case studies, Tian Zi Fang, Jian Ye Li, Jing An Bie Shu and Bu Gao Li, are used to add some realistic, specific details and to deepen the reflection on this topic. Each of the cases has its special architectural features, residential composition, history, and current problems all of which provide some insight into the uniqueness and individuality of every Lilong neighborhood. In the end recommendations are made to address to Lilong residents’ right and to call for an equal way of Lilong preservation as a means to a better living environment for everyone and a more equitable society. BIOGRAPHICAL SKETCH Ran Yan was born on August 9th, 1988 in Beijing, China, where she grew up and finished her early education. In 2011 she received her Bachelor of Engineering degree in Historic Preservation from Tongji University, in Shanghai. With a background in both architecture and historic preservation, she continued on to graduate study in the Historic Preservation Planning program at the City and Regional Planning Department of Cornell University. -
The Sogdian Caravan As Depicted in the Relieves of the Stone Sarcophagus from Shi’S Tomb of the Northern Zhou
The Sogdian Caravan as Depicted in the Relieves of the Stone Sarcophagus from Shi’s Tomb of the Northern Zhou Rong Xinjiang Key words: Sogdian sabao sarcophagus caravan Following the excavations of tombs of Yu Hong 虞弘 and one of them is carrying a cargo pack on his shoulder. and An Jia 安伽, the tomb of Shi 史, the sabao 萨保 of A man is leading a horse laden with cargo, another man Liangzhou 凉州 under the Northern Zhou, provides a is resting on the ground as he tends to two laden camels. rich source of visual materials for the study of Sogdian Further behind are two donkeys laden with packs. The immigrants in China. By referencing other written and upper scene must be a depiction of the sabao, the Sogdian visual materials, the present study is a brief analysis of caravan leader, paying homage to the nomad the Sogdian caravan as seen in Shi’s stone sarcophagus. (Hephthalites or Turks) chief, while the scene below depicts the caravan at rest. I. The Sogdian Caravan Depicted in Shi’s Similar scenes can be found on screens from other Stone Sarcophagus stone sarcophagi. For example, the stone slab numbered On the third scene of the west side of Shi’s stone sar- D from the stone panels in the Miho Museum collection cophagus (W3, Fig. 1) is a depiction of a Sogdian chief (Fig. 3) depicts foreigners leading camels laden with hunting in the forest above and a caravan procession large packs, accompanied by one foreigner to the right below. Leading the caravan are two equestrian male and another behind. -
The Evolution of the Story of the Wife of Emperor Wu of Liang in the Baojuan ∗ Texts of the Sixteenth–Nineteenth Centuries
《漢學研究》0254-4466 第 37 卷第 4 期 民國 108 年 12 月(2019.12)頁 159-203 漢學研究中心 Narrative of Salvation: The Evolution of the Story of the Wife of Emperor Wu of Liang in the Baojuan ∗ Texts of the Sixteenth–Nineteenth Centuries Rostislav Berezkin∗∗ Abstract The story of Emperor Wu of the Liang dynasty 梁武帝 (r. 502-549) rescuing his wife Lady Xi 郗氏 from an unfortunate rebirth as a snake was a common subject in popular literature related to Buddhist beliefs in late imperial China. Its history can be dated back to the twelfth century, when it quickly spread throughout the country. It is interpreted as a foundation of monastic Buddhist rites for the salvation of the dead, and it has also appeared as a narrative used in ritual storytelling and drama in several areas of China. Although Lady Xi’s story played a major role in the dissemination of Buddhist ideas and rituals among the common folk, its history and cultural impact still remain understudied. The present paper explores the development of Lady Xi’s story in the particular literary form of baojuan 寶卷 (precious scrolls) with the focus on performance traditions of southern Jiangsu. It compares three different Manuscript received: March 28, 2019; revision completed: May 6, 2019; approved: October 8, 2019. ∗ This research was assisted by a grant provided by the Chinese government foundation for research in social studies: “Survey and research on Chinese precious scrolls preserved abroad” 海外藏中國寶卷整理與研究 (17ZDA266). The author also expresses his gratitude to Paula Roberts for help with language issues.