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Marco Balzarotti
MARCO BALZAROTTI (Curriculum Professionale liberamente fornito dall'utente a Voci.FM) link originale (thanks to): http://www.antoniogenna.net/doppiaggio/voci/vocimbal.htm Alcuni attori e personaggi doppiati: FILM CINEMA Spencer Garrett in "Il nome del mio assassino" (Ag. Phil Lazarus), "Il cammino per Santiago" (Phil) Viggo Mortensen in "American Yakuza" (Nick Davis / David Brandt) Michael Wisdom in "Masked and Anonymous" (Lucius) John Hawkes in "La banda del porno - Dilettanti allo sbaraglio!" (Moe) Jake Busey in "The Hitcher II - Ti stavo aspettando" (Jim) Vinnie Jones in "Brivido biondo" (Lou Harris) Larry McHale in "Joaquin Phoenix - Io sono qui!" (Larry McHale) Paul Sadot in "Dead Man's Shoes - Cinque giorni di vendetta" (Tuff) Jerome Ehlers in "Presa mortale" (Van Buren) John Surman in "I'll Sleep When I'm Dead" (Anatomopatologo) Anthony Andrews in "Attacco nel deserto" (Magg. Meinertzhagen) William Bumiller in "OP Center" (Lou Bender) Miles O'Keefe in "Liberty & Bash" (Liberty) Colin Stinton in "The Commander" (Ambasc. George Norland) Norm McDonald in "Screwed" Jeroen Krabbé in "The Punisher - Il Vendicatore" (1989) (Gianni Franco, ridopp. TV) Malcolm Scott in "Air Bud vince ancora" (Gordon) Robert Lee Oliver in "Oh, mio Dio! Mia madre è cannibale" (Jeffrey Nathan) John Corbett in "Prancer - Una renna per amico" (Tom Sullivan) Paul Schrier in "Power Rangers: Il film" e "Turbo - A Power Rangers Movie" (Bulk) Samuel Le Bihan in "Frontiers - Ai confini dell'inferno" (Goetz) Stefan Jürgens in "Porky college 2 - Sempre più duro!" (Padre di Ryan) Tokuma Nishioka in "Godzilla contro King Ghidora" (Prof. Takehito Fujio) Kunihiko Mitamura in "Godzilla contro Biollante" (Kazuhito Kirishima) Choi Won-seok in "La leggenda del lago maledetto" (Maestro Myo-hyeon) Eugene Nomura in "Gengis Khan - Il grande conquistatore" (Borchu) FILM D'ANIMAZIONE (CINEMA E HOME-VIDEO) . -
Editable Food Film Catering
EDITABLE FOOD FILM CATERING m. 0410 507 534 t. 03 9808 5885 f. 03 9808 2263 e. [email protected] CREDITS: Film & Television / Drama: WINNERS AND LOSERES SERIES 3 Seven Network Operations LTD T.V Series Line Producer: Chris Page March 2014- April 2014 TIME OF OUR LIVES SERIES 2 Time Productions T.V Series Production Manager: Jenny Barty January 2014-February 2014 CUT SNAKE Cut Snake Productions Feature Film Line Producer: James Grandison November 2013-December 2013 HOUSE HUSBANDS 2 Playmaker1 SPV T.V Series Line Producer: Esther Rodewald April 2013-June 2013 OFFSPRING 4 Southern Star Productions T.V Series Line Producer: Peter Muston February 2013-March 2013 WINNERS & LOSERS SERIES 3 Seven Network T.V Series Line Producer: Chris Page January 2013-February 2013 MR & MRS MURDER Freemantle media Australia Pty Ltd T.V Series Producer: Andy Walker October 2012-December 2012 PAPER GIANTS 2-MAGAZINE WARS Southern Star Productions T.V Series Assoc Producer: Jane Lindsay August 2012-September2012 THE HUNTER Brown Cab Productions Short Film Prod Manager: Pauline Clague May 2012 PLEASE LIKE ME Please Like Me Productions T.V Series Line Producer: Annie Flynn March 2012-April 2012 Bookings. Freelancers Promotions 613 9682 2722 Film & Television / Drama cont: OFFSPRING 3 – 2 ND UNIT Southern Star Productions T.V Series Line Producer: Ross Allsop February 2012-March 2012 WINNERS AND LOSERS Series 2 Seven Network Ltd T.V Series Line Producer: Amanda Crittenden November 2011-January 2012 LOWDOWN Series 2 Highwire Films T.V Series Production Manager: -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
THE CHERRY ORCHARD Zoë Atkinson
MEDIA KIT DIRECTOR Clare Watson A Black Swan State Theatre Company of WA production presented in association with Perth Festival ASSOCIATE DIRECTOR Ian Michael SET & COSTUME DESIGNER THE CHERRY ORCHARD Zoë Atkinson Adapted by Adriane Daff and Katherine Tonkin after Anton Chekhov LIGHTING DESIGNER Lucy Birkinshaw Sunset Heritage Precinct 17 Feb – 14 March 2021 COMPOSER & SOUND DESIGNER Party like it’s 1988! Dr Clint Bracknell Black Swan State Theatre Company of WA has announced additional seats have been released for its production of Anton Chekhov’s The Cherry Orchard. CAST Humphrey Bower Presented in association with Perth Festival, The Cherry Orchard is a wildly Emily Rose Brennan Australian take on Anton Chekhov’s comedy of inevitable catastrophe, written by Grace Chow Adriane Daff and Katherine Tonkin. Kieran Clancy-Lowe Michelle Fornasier This immersive experience will see audiences traverse the character-filled Brendan Hanson Sunset Heritage Precinct in Dalkeith 17 Feb – 14 Mar 2021. Sam Longley Hayley McElhinney Black Swan Artistic Director Clare Watson says, “Our 2021 Season ‘With Love’ Bridie McKim marks the company’s 30th birthday year. Site specific Perth Festival productions Ben Mortley were synonymous with Black Swan in our early years. So, it makes sense that Mark Nannup our first performance of the year is performed at such an iconic site in Dalkeith, George Shevtsov on the banks of the river as part of Perth Festival.” Firs’ dog Jezebel, (Irish Wolfhound Cross) and The final play written by Chekhov in his dying days was intended to be his most Arlo (Cavoodle) hilarious comedy. This adaptation takes the story from Russia in the 1880s and replants the orchard to a fictional late 1980s Manjimup in WA. -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
Srinivasan College of Arts and Science
SRINIVASAN COLLEGE OF ARTS AND SCIENCE (Affiliated to Bharathidasan University, Tiruchirappalli) Perambalur-621 212 COURSE MATERIAL OF INTRODUCTION TO FILM STUDIES-16ACCJM8 For II B.A Journalism and Mass Communication Prepared by V.ChandraChowdry & Dr.S.Revathi Core Course VIII - Introduction to Film Studies Objective: To enable the students understand and appreciate the historical, social, political, cultural and economical aspects of film locally, nationally and globally. UNIT I Film as a medium: Characteristic - Film perception: levels of understanding - Film theory and semiotics - formalism and neo formalism - film language - film and psycho - analysis - film and cultural identity: hermeneutics, reception aesthetics and film interpretation. UNIT II Film forms: narrative and non-narrative - Acting, costume and music - Film and post modernism -post structuralism and deconstruction. Impressionism, expressionism, and surrealism. UNIT III Film production: Visualisation - script - writing - characterization - storyboard - tools and techniques. Continuity style: composing shots - spatial (mise en scene) - temporal (montage) - Camera shots: pan, crane, tracking, and transition. Sound in cinema: dimensions and functions. UNIT IV Film festival - Film awards - Film institute’s censorship certification - Cinema theatres and Projections. UNIT V Film business and Industry - Economic- finance and business of film - film distribution - import and export of films - regional cinema with special reference to Tamil cinema. Budgeting and schedules UNIT-I Movie Film, also called movie or motion picture, is a visual art used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.[1] The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. -
HCH 14Th February 2006.Qxd
Halls Creek Halls Creek Herald Bakery Community Newspaper - Locally Owned & Operated Distributed to: Halls Creek, Billiluna, Balgo, Mulan, Ringer Soak, Argyle Diamond Mine, Fitzroy Crossing, Turkey Creek Phone: (08) 9168 5199 Fax: (08) 9168 5299 Email: [email protected] Ed No: 046 14th February 2006 RRP: $2 in Halls Creek. All other areas $3.00 CURBING CRIME USING THE ARTS hildren and Cyoung people in the Shire of Halls Creek will be able to enjoy themselves at a new Mobile Disco and learn dance theatre skills, thanks to a $25,000 grant from the State Government's Office of Crime Prevention. The latest grant from the Indigenous Partnership Fund (IPF) is aimed at pro- viding social and development oppor- tunities for young people while at the same time supporting Anna Jamieson - Youth Services Coordinator, police, in reducing Trish McKay - Shire President and Tom Stephens - MLA anti-social behaviour and deterring crimi- school principals and necessary to use drugs Billiluna communities, would allow them to be nal activity. the Community or alcohol to have a would provide young included in regional, An initial cheque Development and good time." people with a variety of state and interstate for $13,750 was pre- Justice Departments. Mr Stephens said the skills such as costume events. sented to the Shire by "This is a great thing "Mobile Disco" would and set design, music He said the latest ini- Mr Tom Stephens for the Shire of Halls be similar to "Bluelight (such as guitar), song- tiative was yet another MLA, Member for Creek community as a Discos" conducted by writing, jewellery mak- demonstration of the Central Kimberley- whole," Mr Stephens Police and Citizens ing and dance that State Government's Pilbara, on behalf of said. -
Event RECAP July 21-23 Wired Café San Diego, CA July 21-23 July 21-23 2011 WIRED Café
EVENT RECAP JULY 21-23 WIRED CAFÉ SAN DIEGO, CA JULY 21-23 JULY 21-23 2011 WIRED CAFÉ From July 21-23, 2011, WIRED hosted the 3rd Annual WIRED Café @ Comic-Con. Throughout the weekend, over 3,000 guests received invitation-only access to WIRED’s full-service Café, which provided a media preview lounge, gadget lab, cuisine, cocktails, and a host of activities and interactive demos from WIRED partners, including HBO, Microsoft, History Channel, MGM Casinos, Budweiser Select, and Pringles. An all-star cast of celebs stopped by to sample the food, drinks, and gear, including Justin Timberlake, Amanda Seyfried, Jon Favreau, Rose McGowan, Natasha Henstridge, Olivia Munn, John Landis, Adam West, Billy Dee Williams, Kevin Smith, Nikki Reed, Kellan Lutz, and the entire cast of HBO’s True Blood. All of these celebs were captured by the WIRED.com video crew and featured on WIRED.com. Both Access Hollywood and CNN camped out all day to interview the stars of True Blood. PRESENTED BY SPONSORED BY WIRED CAFÉ SAN DIEGO, CA JULY 21-23 SAN DIEGO, CA JULY 21-23 WIRED CAFÉ 5 “I love the WIRED Café, it’s one of my favorite spots at Comic-Con.” —Kellan Lutz KellanWIRED Lutz CAF/ TwilightÉ SAN DIEGO, CA JULY 21-23 SAN DIEGO, CA JULY 21-23 WIRED CAFÉ 7 Lucy LawlessWIRED CAF /É SpartacusSAN DIEGO, CA JULY 21-23 JULY 21-23 CELEBRITY ATTENDEES 6 / 7 / 8 / 1 / 9 / 10 / 2 / 3 / 4 / 5 / 11 / 12 / 1 / Justin Timberlake and Amanda Seyfried, In Time 2 / Rose McGowan, Conan the Barbarian 3 / Rutina Wesley, True Blood 6 / Eric Balfour, Haven 7 / Aisha Tyler, Archer 8 / Nikki Reed, Twilight 9 / Jon Favreau, Cowboys and Aliens 4 / Skyler Samuels, The Nine Lives of Chloe King 5 / Tony Hale, Alan Tudyk, Adam Brody, and Jake Busey, Good Vibes 10 / Dominic Monaghan, X-Men Origins: Wolverine 11 / Kristin Bauer and Alexander Skarsgard, True Blood 12 / Kevin Smith, 4.3.2.1. -
PDF) ISBN 978-0-9931996-4-6 (Epub)
POST-CINEMA: THEORIZING 21ST-CENTURY FILM, edited by Shane Denson and Julia Leyda, is published online and in e-book formats by REFRAME Books (a REFRAME imprint): http://reframe.sussex.ac.uk/post- cinema. ISBN 978-0-9931996-2-2 (online) ISBN 978-0-9931996-3-9 (PDF) ISBN 978-0-9931996-4-6 (ePUB) Copyright chapters © 2016 Individual Authors and/or Original Publishers. Copyright collection © 2016 The Editors. Copyright e-formats, layouts & graphic design © 2016 REFRAME Books. The book is shared under a Creative Commons license: Attribution / Noncommercial / No Derivatives, International 4.0 (http://creativecommons.org/licenses/by-nc-nd/4.0/). Suggested citation: Shane Denson & Julia Leyda (eds), Post-Cinema: Theorizing 21st-Century Film (Falmer: REFRAME Books, 2016). REFRAME Books Credits: Managing Editor, editorial work and online book design/production: Catherine Grant Book cover, book design, website header and publicity banner design: Tanya Kant (based on original artwork by Karin and Shane Denson) CONTACT: [email protected] REFRAME is an open access academic digital platform for the online practice, publication and curation of internationally produced research and scholarship. It is supported by the School of Media, Film and Music, University of Sussex, UK. Table of Contents Acknowledgements.......................................................................................vi Notes On Contributors.................................................................................xi Artwork…....................................................................................................xxii -
Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public). -
Mark Wagner's Stunt Resume
Mark Aaron Wagner HEIGHT: 5’10” Weight: 165 lbs. Stuntman / Stunt Coordinator/ Actor S.A.G./ A.F.T.R.A./ U.B.C.P./ A.C.T.R.A Suit- 38-40R, Shirt- 16x34 International Stunt Association- 818-501-5225 Waist- 32, Inseem- 31 KMR (agent)- (818) 755-7534 Shoe: 10 www.MarkAaronWagner.com (Online Demo) Current Resume on IMDB.com Feature Films (Full List Upon Request) Once Upon a Time in Hollywood Zoë Bell/ Rob Alonzo Captain Marvel (driver) Hank Amos/ Jeff Habberstad Ant-Man and The Wasp (dbl. Paul Rudd) Brycen Counts Peppermint (stunt dbl.) Keith Woulard Deadpool 2 (driver) Owen Walstrom/ Darrin Prescott Bright Rob Alonzo Predator Marny Eng/ Lance Gilbert Captain America: Civil War (dbl.- Paul Rudd) Sam Hargrave/ Doug Coleman Three Billboards (dbl.- Sam Rockwell) Doug Coleman PeeWee’s Big Holiday (dbl.- Paul Reubens) Mark Rayner Maze Runner: Scorch Trials ND George Cottle Ant-Man (dbl.- Paul Rudd) Jeff Habberstad Stretch (dbl.- Patrick Wilson) Ben Bray Captain America: Winter Soldier Strike Agent Tom Harper/ Casey O’Neil 300: Rise of an Empire Artemisia Father Damon Caro Iron Man 3 Extremis Soldier Markos Rounthwaite/ Mike Justus/ Jeff Habberstad Secret Life of Walter Mitty (dbl.- Adam Scott) Tim Trella/ Clay Cullen Dark Knight Rises ND/ Driving Tom Struthers/ George Cottle Gangster Squad (dbl.-Frank Grillo) Doug Coleman Men in Black 3 ND Wade Eastwood/ Simon Crane X-Men: First Class MIB Jeff Habberstad/ Brian Smrz Girl with the Dragon Tattoo Drving Jeff Habberstad This Is 40 (dbl.- Paul Rudd) Joel Kramer The Master (dbl.- Joaquin Phoenix) Garrett -
The Besieged Polis Citizen Insecurity and Democracy in Latin America
Organization of American States The Besieged Polis Citizen Insecurity and Democracy in Latin America Kevin Casas-Zamora JUNE 2013 Table of Contents Acknowledgments . iii Disclaimer . iv Chapter 1—On the Relationship between Citizen Insecurity and Democracy . 1 Introduction . 1 What do we understand citizen insecurity to be? . 2 How does the state of citizen insecurity affect democracy? . 4 How does the state of democracy affect citizen insecurity? . 11 Where to now? . 13 Chapter 2—Anatomy of an Epidemic: Violence and Citizen Insecurity in Latin America . 15 Introduction . 15 The objective dimension: crime and victimization . 16 A look at factors associated with the objective dimension of insecurity . .24 The subjective dimension: fear and perceived insecurity . 31 Findings and final reflections . 36 Chapter 3—Can We Live Together? Citizen Insecurity as a Threat to Democratic Coexistence – with Consuelo Amat . 38 Introduction . 38 The variables and the model . 39 Analysis and results . 44 Findings and final reflections . 50 Chapter 4—The Wounded Leviathan: Crime, the State, and the Erosion of the Monopoly on Legitimate Violence . 53 Introduction . 53 The proliferation of private security services . 54 The persistence of lynching . 62 Areas of contested sovereignty . 66 Findings and final reflections . 73 Chapter 5—There Is a Way Out: Some Proposals to Address Citizen Insecurity in Latin America . 75 Bibliography . 93 Appendix . 105 Cover photos credit: Carol Garcia/SECOM, accessed via Fotos GOVBA on Flickr, available under Creative Commons Attribution 2.0 Generic license The Besieged Polis: Citizen Insecurity and Democracy in Latin America Latin America Initiative at Brookings ii Acknowledgements any people collaborated in the preparation of this study .