•Like World War Three~ by JACOBA ATLAS
CREATOR Master producer Bob Johnston talks: page 9
BOOTLEGS How CAN the music business act? Page 30
Who single A NEW WHO single - the first for over 18 months - is being rush released by Track Records on Jun. 26. h Is the llrat ,_ matllrial from the woup since - The Seekw.- r.- .,. · won·, Get F- SANDY =:::" ~-...;.~·iy~ ~ '-"d. and produc..i by Glyn Johna, Exclusive! Aal
MASTER METH OD IN CONCERT for IMPORTS> Lbu o...-1,2oo~eet rntnl~ rjtl,. ptu, "'111$ of~. GUITAR LINDISFARNE RECORDS by !~:.:u~:=1, 200 .,,._, fflUl.ic -~~tl::~~ tit!N, folk AND Mftt" from ...,,,. Ian.eta • • si...s DICK SADLEIR· BELL & ARC , , , JNZ • .. '°-, In fact. .-V.,Y'diing A new approaeh to study ot tlla guitllr based on pro HALFBREED/ MAIDEN LAW TAPES you WU! l F•11.1r• •· ao,p 1111,nn like ~.,. GloWf, ...,_rnanand gres,sive &11angeme1111 of excerpts from 1he ~rks of AUSEAT$ G0p t,UNl'19dt ,no,- Meo l.u ICOl'.. ot gr&at. masters THllRSDA"r' 17 JuNt SHEFFIELD CITYKA•L low-p'ictd WOtdHnd-tnUIJC ai,uma Prloe SOp Pos, 3p 7,30 p,m. - indud«l9 ftWY ...,... aoftg ICI F-RJ0A"r' 18JUN( M ANCHESTER ?:,";';,.._r:l:,':_~ ~' • c:onsul,,mon tb'1 •Ppott1.b'l"9n\ on~J ....11h • H,,,., Sil'.. , $1)(,elllhac p,'ellM! ,ir,g POUNTNEY HAIR CLINIC H.•t'-1 St reet T•I 01_.31 0~4 o, 20.24 s,.1.,... Aoecr, HoY'lll0w Tet 570 HH/ 7 MELODY MAKEft. June 19, 1971- Pa,e 3 Tht 8 h1N.'" .. WATCHING Tht River Tht 8-• idt. • Dyl,n sona Flow•• wUI probably tum callt d •• Spanbb b The Lovl111 our to be one ur tht mo5t To~/• Is HkcJy to pleaH Elton ·John c()ntroverslat singles th31 CONTROVERSY hi• ardent f1n1 more. A Sot· Bob Oya..,n has evM made. stous ballad v«y m.ue.h la 1h• write, Richard WUllam.s. mOOd of .. Sla n On The Wi•• dow,"' It's SUQI • hJ no by 0 }'1• n stnas tuPt t:bly on Dylan. who •ccompanlH bJm• thb runky, 101rtt1 ◄1)' 1e m.1 m• u lf At tht piano In that rudl~ ber, and he sound, younger mentary but • bsolutc-ly pe,fee1 than ht-'t done In yta n . but FROM DYLAN r ..blon. set for the- treatment be•t# the un• From tbo sound or hls woke, mlstah •ble 1tamp of th• Carl Radl f'., a.ad Jim Keltner fine VUH e,e rtalnJy c,,tehu It was cut durfn, 11-e "New who1o R.uu ell / Bremleit / - and someone (proHbJy &he eu. Mornlnc " u nions - he. bad ■ ■ Clapton "' • d100I .. of rock. Davis) ph:ys knockout • Ude In arr.:angt mt..al Ii'• very far a t old that week, a.IHI he RuUtll's s,Cuo comu do.se gulur th.roughouL from anythln& Dylan•• dOnc comes at:n>ss • UtUc muft'IH to dominating lhe c.,,t, •101'1& It rock1 ttty hard, In a befoN: Hfn thOu&h It hH and b us.ky. U'• ttrtalnty one ~•hh th~ t.lgb t Tul.H Tops - s1rongly perc1Usive wa,y, and etboei of both .. Ltopanl-Skln to add to anybo4y'• Ust of open-air gig allu J••• Davis, Don Prtston. the pr.use •t the end ot lbe PIil-Bolf Hal " and '' Llvht' favou.rtte Dylan sonp. ELTON JOHN is set to head line the next Garden Party open air concert at l-ondon's Crystal Palace .Bowl. pro Solo Hull in moted by Mike Alfandary and ~;r;;a Harvey Goldsmith. The- concert. on July 31, "'ill \ake tt\e same f()rm as Lhe reeent Pl n k Floyd/ Faces/ Mountain/ Nashville page Quiver concert which attraCLed -almost 15.000 to the arena earlier ALAN HULL. singer and keyboard player wit.II In lhe summer. Lindisfame is to make a solo album in Nashville Yu ue -alto H:t to play a, with to!' p(oducer Bob Johns-ton in August. 64 guide tbt eonurt a.long wHh two Amcrioan Johnston was recenlly ln arou:ps - as yet unnam•d. In th1: this c:ounuy to p roduce che days from Jtily 1 to 5. 6 caK or both Yes and Elton Jol'ln, ii i4 lihly th.i.t lhe d11es will rtpre.s.tnt Attrt:'~::i~;. ge Ft,~i~~ Raver ...... , ...- •• ·~· 12 their only ooncerc appe:arane~ 1h1$ ~~'::f~~a•~"!e a~~i ti: ; of tumm.cr . ./au Scene One ..... 16 he has w~tkeet=~•ni~rl':;uiA~;:~t •~: Cttadsma bOsg Tony 1~n 1:~f0f() h~r":.'a~:~ ~I~ Singles ••• , ...... 24 wlll rte<>rd another album. ~t!:'to:;!~lt~, .::hd ~:~= Tony p1Jfflcr. Caught In the Ac:t . .. 25 1 wtf h~v': ehl~~~• ~:n-:ibri:ilcl~:: :i~:~ of'~~ ~n :~~ wl~ GRINGO ALBUM Student Stauwnen1 •. . 28 rea,ed by OJM in July. Till~ Nat,hvllle SttldiO men. fl •• T11,1pio " It rt1t\l~S pOttry wilh JMng K. Soots .... _ 28 should be quite an ~.xperi•n~ lmprovtted music. JAMES GANG: Coming soon for Mm. H, h!ls llnlshed the John and Yol iPleue ..nd me details of J,B.L Loudap•--•-and £nc10SIWff ------• - - - --•---•-, : Name, ______Adchsa,______...,. __ I :•--l:Wi =~~::::=::-:-=-== ::-:::-:::::::::------__:______I~ L~!!:.1!.~!'!.9!!.!::'>~!9.:.!!!:..ML'!!!------...-- ... J I 11, 1971 ANDY lr,ti,f'!r l>.1~, ()layer Y.1lh Frr) 1,.-ft11"' 1h1•,r f.pltl ~ n~ontJ, .ago Will\ tu'!ihnd 10 hu~p.,tr,1 w11h ql~,,d11lJ· f~vrr st tho Will'~l'.ll! ~..,~~:~ ~l::"':i;!onsl,: HOU YWOOO, Tu ..day . he PTQPOled wer~n•\ suit• DENNIS WUson. ol the cancelled able. But it wu acting Ol"I lht ba.Sllli that th, Prtvalc ~ ~.. .".: :.,•:\:.~·= Beach THE oue1, between Sha Na Na, \. MELODY MAKER. J..,. 19, 1971-P- 5 Mamas and Rory set Papas for major ~---Irish gigs_ RORY Gallagher is ,et for Rall, Belfast (23). National StJdlum. Dublin (.24} and to tour an Irish tour from June 18- WaterfoTd (2~). 25 and rnore British dates: Tho gro-up play the Rea,d1n1 T HE MAMAS and Papas have reformed and are during the lauer halt of Fnliva1 on June 21 and spend exi:,ected to include British dates in a Euro• July. ~Ory opens hi& lri&b t SoleRe~: Bron Agency ltd, 29Oxford Street, London WL Civic Hall Wolverhampton 21st June Leeds Mecca Ballroom 29th June Guildhall Portsmouth 5th July Sunderland Polytechnic 22nd June Sheffield University 30th June Middlesbrough Town Hall 7th July Falkirk Town Hall 23rd June Kursaal Ballroom Southend 1st July Manchester Fr~e Trade Hall 8th July East KIibride Town Hall 24th June Birmingham Town Hall 2nd July Albert Hall Nottlnpam 9th July Guildhall Plymouth 27th June Liverpool Stadium 3rd July Barry Memorial Hal 10th July Victoria Hall Hanley 4th July •Sha Na Na (NewSqle:"OnlyOne Seq") wil beappearqin ado concert at SpeaireasyD'th June, LeicesterUrwanity 18th June,~ Pllly1ac:lllicl91h.lune,tlamll PMliorl20th.bie.RailllrWf'estival" Folk aid Progressive Music 2&h June,~ lbnl Homellth ~ ,,..,.~"'111:D ...... MELODY MAKER REPORTERS COVER IBICl THE WIDE MUSIC WORLD IN THE USA Bad trip at Lady Soul back at Fillmore the Apollo From JACOBA ATLAS in LOS ANGELES From VICKI WICKHAM in NEW YORK JTLOOKS like the Fillmore West will go out AT STEVENS was excellent at Carnegie Hall. more with a whimper lhan a bang. Al last C 1 eajoyed bun so much more than when he was week's concert someone spiked the water with at the Gaslight and I'd found him a bit " 11.Rht-weighU LSD, sending 50 persons to the hospit.al on what The audience was great too, but I wish they'd shut up a spokesman described a.s "b'ad trips." lon,e enough ror him to Aet his patter between num bers in because I like the way he talks tool Police are now talking •bout taking away 1.he dance. And the • odded attr ae:uon ' was someone eJ&c I dug much permit held by Bnt Graham more 'thtn 1>erore - Carly Sl.mOP, complete with • •i,eCUII Poli~ estimate thal some l.000 person., drank the LSO -iut-11. • 8-u.uy Lh,hart. S he looked and sounded goOd. l know !at:Cd watef Pl~ around during lhe concert, Someone crom Buny she wu very n.uvous - !IQ nervous Iha, she. couldf\t flnd hfr guitar Jutt l\dDr«- she went on and was tn l.,_e aud1enct said they wcrt. encouraged to drink lhe pb$lt1vt she h ad lncunible larynghi,! Onee on tt.ai;-e, sl'tl: \\"altr by $0meont oo stage. Graham. who has alway5 ,parlded •nd tht. s-p.:iee on ita~e. n1adc. her more yueresllng run the- st.r&lghtest. most together :iihows in the country than the cramped quarte.u dC)Wn•toY,n hid Yes, s.tued that no one on stag~ told people to drink the wate~ Ate.lb.a ot The Apollo. Tbis really b an evenL A big Oo~ and lhat raellher he. nor any or bis stofT knew tbt: Y.'lter Flrst beca1.1se. she hasn'; played lhert- rnr fivt' years - reahy to be spiked s1.nce she became • Lady -so.ul • and AlJ.:mtJC made her a TM •Ht'r &ffeiets or the LSI) water also provid~d 10 orrtsts 18 for uns:Ptt1fied vlot.Uons Stlll other wtn1erh1.nd pauons were i1::t'!~r14:":nJe~:d:: ~~t "fh~eA~~:nj~ ~::;11 ' b':ck ' enough to h11ve Harltm Jumpina. however hOt It is. ~~~•:,~e:~~~o~e•=~~J~h:et~ cl~J:. ~,m~'"-\J~ed"ae~ Lines rormed round t\lery block h seemed, for each of the ~~~t ffu!:~ Gr1.ham say, tha t will nor a.ffect rock sh-ows ,wa nightly &how, - and 1he marquee outside _proda.tmed •· She•s home " with II' huge pic:ture nr ArctJ1a a nd her name Th.\" "Fillmoo: Eas, wJI! dOst- the weekend a( the 25lh with in lhc largest klter'l they could find :!~f!i~eK~:! .s!'n the bill. Atlantic Records has already bough, Inside il was en,i honer th.an outside, and that wu 90 degrees up, and Jam--pacbd The belt.sol'.' Fl•e wUJ ~e the subjecl or a Wtt;kly cu109n A pity bi,:~AfrQ.t are in r111hfon. they really block your v~w s.enu to be aired cm Amt"ncan te.le.viston beglnnll'IJt September _ and unfortunately aren't really ta.Jce-offabJe Hice hat.lJ 11 Tbt- an1maUOTI lS- b'"ln,g done i11 London by ,h~ same folk$ The show st•rted off with ch.e La Roche 8e.y Dancera - who brought us "Yl'IIOW Submarine." Afr-It.tin-type danclni b11l with '-Ii the dance,, in sliver tJftsel and red-tJghts, U,okin,: llke Chrislffll.$ l,fe~ Then [t Wi.S .. A !u:.eeo~s~b~i'~~u:u~~cM':~~ ua~S ~~th~i~;~ntn'!:~~'ld Whiter Shade or Pale" rrom Kina Curtis and the Kln.aplu 1 aud thtl'\ thf! .show reallv :uartetu - "Retoe<:l .. and •· Natural Woman " did MASH) wnl opt'.n In New York the latter p,n of thJs a nd lhc.n left the sta&e U) l\ina CuJ1i.s •gain and cam-e b&cil month. It co~ems a bom loser &,mbJer and. a whore.•house for .. l Say A L11t1c Prayer•·. and •~cau Me"', Jea-vfna yel madam Some pt:Ople have called It .a love story, •· MacCabe again. whllt oomedlan Stu GOU.am did bts bit and lhen and Mrs Miller·· ls se.t in Wa,:hin,tUln State In 1902. FRANK ZAPPA: back on the road returned to the p,.ano. wtuch _l'd m~sed, ro, .. .Brand N•w P~le a.re A)'lni Laura Me••. "SIivi: Your Love .. , •• Brid&e "• '" Spirit fn The Dllrk" Nyro ,s leaving CoJu.mbla, but Mid closing with ·• Ruch Out ar,d Touch ". - to h.r no one will conftrin or Ar,etba is always ,uperb an.cl wllh an aud.lenee or Mr own dec{,..:.~e ~~our:_iJroad hu from Leonard Feather- in Los Angeles peopJe the wa, sopert,-ph&s But. although l ca.n set: the. OtOpOsiUoned the Unhed JAZZ and Jeff Atterton in New York ~~f~~,:c~h~! :!,;~:h ~rl(tdi•d~.f~~ -;.~n~~u:u:n:~~ States Gonrnment. The super .uccus.rut r«)( band wants to drop1-~ the dlstr•~f11g sets. t.he ~tU-5 wa.lklng on and off, the play mjtiury inat.allat-k>ns in (lubing imoels ot U&hts ~nd a.II the lfft-ov-u Lat Crom the Ci,cnnany and Viet,nam a1 no A possible r-enalnance In towns •nd chie, where the tock, who ent~red th~ bus1 4 pa.st few years Jewel Sox Review_,_ A.rc:tha alretdy wur1 a COtJ)()rat.inn has its bu1ld1ng nes$ in 1949 when he cut c:rown - how ca.n )'Ou p0ss1bly top tha,1. t.nd Why do you t::!.";:, J~":t"'"'~~~ ~t~idni~t c:;:: b;:.~esJ,!~ ttlppr_y plants. Thl!' benefactor rout sides in a mJd~town need to? ,-.~e new NK>ms Yn both New York is the Johns Manville Con,. M"nhottan loft, fu1uring Lee HtT brOlher a.nd m•n•3er. 'Rev, Cecil Frankin talk«' .about !!'~0 :;_ereac:u.m~~c~:S ~~ and Loi Angeles have either and the group Is the JPJ Konic z. attd Lennjt Trista.no, Aretha otrerlng to Jo a free cono:.n t.o benefit An1ela Daris ~.xpf1nulon opened up wjth, or .cwhched These were issuitd 011 c.he Knf&ht is now t.nlitting the to. a J1.u Policy At the ?~ gr~:~1'ho~~s; o~g New Jan lnbc:I, whl('h WtlOS· :i~~: ~~~1:-~y kid:!~;~1~rt~~~~p~aLos -~~&•!c:J::1 :~,:: Ga-slight in New York. MUu Jonu on phmo; BIU Pember4 tOdt soon supplemtnted with stemming from lhe. murder or • eat:-fornlan Judge last )'Hr •-id or Senator Hubert ton on bass and Oliver Prestige. Humpla."'1 to find out why b;cc~~u; 1 ~::. P/~fl~!el Jackson on drum$ The. s;roup rc~~I t~ ~n;!,!' a~"!~a~•~:'ma~ ::, ~bhee ~; ~:•s~ oommunicetfons b1okt. down. Wlllia.mJ .1.nd Db.-i)' GIiie.spit. Is eurrendy on a 2-4•-cily tour Once famous for iU g,reat £Iris Pruley has •n-- Jau sides with Miles Davis, her eommunfatic- views. nounmd that he wm record lobn Lee HOOlter is due to 0 0 John Coltrane:, S tan Getz. and play in the club thJs month. :~~fc~n6n! ~ 'The bail 4uut1(1n is now Ir-relevant but Aretha Is still ~~t;,._~ i~~ ,co,~ or others, Presti&e 1n ~:!~~s"d in dutnn.ellng mnnies to the Angel• oav1:S Defmse ~kt!ll~~~\uwri:!~ N~tby, at the .Bitter E.nd, lht show Includes o muJlt al rf!cent )ttrs has been he:,.vUy :r. management tried out Jan performa.nce. a dise,.,ssion on lister Karen The song 11 involved in soul MU$1C -..nd 1 1 .. Merf)' Christmas Da.rlinJ " with a one wt,ek l)oo)dns or Ja~ .i.nd .a c,.uttslion and b1ucs by Charles Eatland, 0 H.nirie H•nciodc. an: t:ldc:~:g~i:: ~:: i~~k~rl~~n th': &::re ~;~'f AA! and will be relc,,.s.ed abo\lt efler lt:odln.a o. Rusty Brya.nt, Hu, ton Puson, the band were too heavy_ for her. Bui Rita sings- good and I \hat tfme of the year. On lhe Wut Coast. Jan •n~~ecfi:~~~· Boog.aJoo Jo,o Jones et a l ha., been l1unC'hcd sucotss(uJ. bl& band In i,ul)U~ ror the 1rktd • Joe "Cruy U,v~ "• Dave Mason•• ·• Only You -and I hit°'!' ~l,J~~m::;:,l•!t5~ fiut ti.me 1n ytar.s (for lwo ~n°R,~;; .~nd ·• 1 Bet You Dldn't Think I Knew How To Rodt 1s pl1y1nfh 111 IS Instrument.I. ~o!~ a ~1~:' r1rilt ':omb1!~t nighlt al Ois-ne.ybnd), Be-n.ny neighbourhood south or .Loi Caner ldr for coocnhagtn to Taught Louis And, aero» lht' road, at The b itter End was Jackie l.Oalu.. =:; rrti:ns~f~Y ~:rt•lhC:~ Anae-le,. Stanley Tut1tnllne 1 Ex-Undertaker, U•Bria.n E.psteln., u-Apple/G.otie Hafflloa: .. e.xt.ra"' mu1idans wue the ~~~\m!~1,:"~f3bm~,~l ,:fd t:: discover)', he's we~lhtrc:d h •11 and comes out JuJt J1cltk ones on strings.. ~'frowt:: b~ri::,,eo.t~:~:ci ~max. Backed by lnete-dibly .gooll mu.sldam and hllUtU and Joe ffenduson. :~tt p~~ s II ~h)f~e ?~ on bass (thet-e's Buas Pemberton on drums. and. aul1ansts In Hollywood, stnl anothC!f Europe, but ~ e trip 1$ • Bryn Haworth and 1,raet Zuuto). Punch room has .switched lO Jan.. mixture o( busintu and • The gult• ri_sts a.re ouu111nding the way they w•avt and ,Known as the Melody Room, ~l.r.suc!;t~n ;:.'~•:nf:idmo~1 .-nltr--wtave whh each othe-r, with JaekJe·, " walking• ball Qm.e, lhat La. Vegis on the Suna-tt St.rip, Jt is pushing It au through. braM~k ~end. hit lbe tppear•n~II wi,h a band or 11 Songs rrqm hts new t1bum on Warne.rs - 0 HQmc ls fo Amtrinl'I dlarts ao hard no !etti~rl~!~L~~Ja~~•d~J combo. My Htad" - "No Reason" •nd " t-t lgher Ground •· "Ot one is beli•vln1 lh.e punch a quartet on Sunday,; t.he. New Yorker• ,,.~ 1alkltl~ So h Setm.$ " and "A Hundred Mountains•• and "c,;.. n nm. week on at 59 wtth a Gary Buone quartet on onLhusiuUcally -a~ut Enrico pinched oft a lot Cocke, •lburn Mcause we ftkfd It'' - bullet. whrch meaos to the Mondays; Em\e Watt, with Tom.as.so, an e1,ght•yta.r-old " Darlin' Se Homo S0011 " . Jac:lde at'Nays wa, a r~ker and ht peopl• •bo ca.re, they are trumpet prodl,v from Brlttln hun't ebangtd at alL He's soundina alunninily 1olld Nd about 10 fflOYe up ~cou~~~:--OCtes~r:'yusf• ~: wtio soo.~ 11 S:t.1rprise hit not rockerlsh . In rac1 he."s .s.oundirie: the bes, · new • artist rve Kate Taylor has been long ago at the New Orlcan, he~rd for a long 11me. It'$ dtifinilely the ye-.ar or Jackie 1.0IIIO.. 11 ~~d~•~et>,~1~ b~e~~!~~~r:~ Jaiz Fenlval. He was !:ut*J:. "~lu: ~eu.~r drummtr Steve Hldeg on recently heard playtng and c11ut;::,a v!,r'ir~e~~I~: ~r,~l!?~hf~h ~mth~•:J:'\r°~e 1£: tem&. She wUI debut at Thursdays and Fridays. 1fn3insc tt a kts>On 1n the •nd th~ title of one track - the Leoi:aard Cohen -. Finl Troubadour upon her A big industrial COl'J)0tatlon New York Jan Adventures of all, on a Tim Hardin Dlbum I want to hear Th'l'I Hlf'IIII ft thowlng unu,ual l nit111ive cone~ ttr"'•• 11tons w11l\ hl:11 111 •Ponaoring and under- l4-year-old pianist brother. toa"r\1n~n:n:" ~:isw~~~:n\.,f,hl ~~O ~~~s, r,'!~~:re.:Ul:Lff11 --back UI th•Alrpba roed.,.. Pettr, and his father. Emle • a.rranged '. Then lh~ tunes 'he dfd 0write are very dllappO.J: Huie crouble :;,!f!:• oi tt~ ~~~~I rnp,C:. Tomas.soi who pl,y,s cltdnet. tn_g. M1' ear late• grammes. aimed at 9tude:nt41 Don Hayftet, who WH lltd to be rmm IS lO 18 year, Qld, ln more lhan a ~•:ni!'!:!:r'srn~;a~;,~:~/!, u~!i't ;;e;, ~:!1 :.k~eP,~~r~~!O::f n~~-~?~ unu wer« ~~el>'~~;p:! " 1nch.1d• t~~ay.~ne :~ at h~fs .!:~ ~::~lf. :ro~k:.;:n ~~ a~,~~ 1ft .. Tha lo the San f"ern1mdo Valley, . . aft.e.r Jutrcrln& .a hea.rt n.tt«c;k. F"antuy ftecord,, orl1h,ally a. Jab; Jabfl and more recenlly 'known. for Its enormous ,ucun "' Ith Crtedenoe Cltar• W11441r R"l'ral, Is heavily lnlo die Jau bu.,lnev again with st ~~~:!a ~\~;r l~h~h~.Sin~I~: cataloauc of Prc,lla~ Record•• under ..a sub•lictnu from =:4J~cy &m~':ni:i&an~~ ~ retonUy bOUSb\ the For the Uffle befn& 1t lee~ Pnttige wfll continue lO be STAN GETZ: openited out of Hew Jersey ~ Hllge -- by its foundr:r, Boll w...,. MEU) DV MAKllR, Juno 19, 1971-l'llo I BOB'S JOB THINGS become a little bizarre when ■ Back to Dylan: Bob .Johnston, who is a producer, holds " Dylan com~ 1nto a a two · and . a • half • hour press confer ~~u:~:·d e;! ~~infi~Y a~ t~ head. Whethff 1t't jUS(. hjm, ence, squatting like an lndian on the floor Of hlm with the Band - of London's Triilent Studio,s. he's ~ot p,eop1e dbwn Lbere And everyone gathers round like kids nround :~o pf!;r~ ai:,lhkor~ ~?. an old s~ilor - catch- artist In 1\e .vor-ld Every~ one down lhere take,s Ad• ing on to every word, s' b J h I vantage of that - me .a, laughing when he o o ns on, wolf. And man, they are laughs, trying to perk such tattlrthtr session,. beautiful time,, If lhtna.- &et his memory. And John record producer to- a pitch that they u e-n't ston drawls on. sounding Tight.. lhen we jusi. For- Lhis Is Bob John s plit. and !lit around f~ 41 ston. almost a SUJ)l'r$t.ar for Dylan, whito." in his own right. The man • KriJ Krl,s toft'el'SOA: Tif£ Y dlg to work with. Cohen, Cash m~·f; e~~ £be:·.:!:~ '1:~l•: ~~is:a~he~EfHf1 i~~ Q>OV[t he's doing. I've done two at thtee movies before gr;:::,·!~j and now w i&h Ca:sh The- film Is golnt ~~~"r.::.~b lO be called The Dcalt r. one Johnny Cash. and I want to write -,o,ne Johnston, casu-l'fly covc ned Lindisfarne, l ~1d1i: %n~•uff tor lt, It ~~d~.!~ :cn~::~l n,arkably rouod, chttry. talks lo Roy ■ The future: fJ"C$b rac~s - sawn off at " We.II had enough the d>in w ith a ~ ttddish BOB JOHNSTON: Superstar producer J·.,~ of th :,f ' ':5roJnJ":i,o !':';~,!!i ::~•,~.. :,,-;;: ~: Hollingworth ■ ~ P.tul 8uckr.nHUm blank C"heque for Bob's. Yep, hadn'1 chaoged producers! ~\~s th:;:: lhcn JOhmton chlllen2~s .. A dAmnNI gf:1'11ut, a Does he like ,ntQ Well you'd XOlna to bt the hlggut that po$iUOn s L-roogly. bt.auUful WIii, Ht puc so ~:~e~C:1.a ~~~l~u l ri! ~t,•u~ better a.sJc. him that. When be ttrin,u: to come down tho This monste.r ot producc:rs much Into t.con.ard's lasl 20 album5, It~ all IOr;.ked camt tilona: •.hue wt"cren't road. J W'lnt to t it back a.nd has Ju,t finished produdn& a 11:t)u,n, t nd boy so did I. I awa)' In Nashville 1rnd that mft.ny others He's an new Undisrarne aJbum - tou~ All over the worid I've ;tot t ht kev!" inno..,.tor, 'r,ia,hvllle Sky• :~~o~em ea~v~,r!t ~.!! and t.hat's more 1ba.n ju,t • with Cohen, s.-pent ,. gO ■ 0.. Loul.t Ann.stronar "I can remttnber one time when we wtr~ ull wa.it· mg a.round the :nudio for him. 'Then he arrived, J1.1st &.oc>k oul a cr umpet and hand.kerdlief, and played. Everyone ebe etoppcd, ind applauded, ·cause- he wt.I comir:ig out with such great big bak baHs Made or gold." ■ On rilaytng the organ: I t'~ N~ I m;~~ f:n·~ !~fj tbtna. Ht wanted aomc 16th century ,ou11J ing things, vid I'd been ~t there Ju,:c mu• 1fng or® nd "" the key- '='1o ~~ 1t'':..!'·,:eJ ~~:!:J with him, COhen is such an l.nC'"n!dJble hwn•n being.." ■ Studfos In England: ·• Now lhe studk.>s an t f::!% ~gr:::,e th~•n~fy :~~~o : ~C: i~'~f nice people he::~~=r~ Th.it ,ruy John• la so good. I lik.o U> gQ tnlo a .studio Wlth nice r::P::e f: :~l!n-lt~ k~~~ci saying they con1 1 do chat u,tn I flnd goodness over here-. But baslcall)' pc-Opie ~I: over here for a sound, I IO\I'\' the sounds )"OU can «el ln Eoglish st.udlos." ■ Oo borill'1f): TARKUS Emerson, Lake & Palmer ILPS9155 I Mf:LOOV MAKER. Ju11e II. 1'71-Ptp U ~ Sandy.;....back 1n■ the studios Karl Dallas on the return of a Very Important Lady ... _IT WAS more llke a party than a recording session. GREYHOUND: racial harm~ Sandy Denny bounced up to me and planted a big, Juicy kiss of welcome on my cheek. Trevor Lucas looned about, opening tubes or Ice-cold Fosters while doing in• comprehensible things with tape machines. Sin&ers Royston Wood and Robin and Barry Dransflrld list• ened crillcally to the chorus tracks they'd Just laid down and hugged themselves with j11s1lflable pride at the Incredible sounds coming out or the big speakers. A lovely lady callrd Joanie who seemed to have detached herself from the Joe Cocker entoufllge In another Island studio downstairs sat and communed with everyone. Only Richard ThompS()n,. his halo,.haind hf'Ad btn\ 1n conc('ntrauon. ~:: c~·~':,a':~ ;..o:,;-:i°'!f~e:s v::~• ~:~~~~~b~ u~11?~~~~~~eo:~~~~• ~m~~ out plugi btt., .a.nd wbsutuUn& new drtu.ilS lhf't'f', IN'mcd oompuulvely rt"fr.Off from t,he Jtntt11t jo) Celebration Fine sounds ... at the "GITANA'' flamenco-£18.12 "FOLK"quality jumbo rig~t / ·£30.52 prices 0 STATUS MUSIC PRODUCTS 130 Shar.k~ell l.ane. Loodon E.8. f1 tsHUI I 111 in I " South Africa! I . ■■ I III. ! ~ ■ ANO WHO ls this be-robed figure. SUnding t11clt and mute b&fore tht, p0rtatc of tambfidgt rrom whence he haa tusi r&ceived an M.A. degtee? It's not • , • surety • • • 0 but yes, it lol Atch loon and ~ctlOl>er to the p0p lnd\lstry Jonrthen King. Well do!"' lldl lot's all hope that his chart outpouf'ings improve aa a re54At of his &Cholarship, We,athermen,. Sak:karln. Hedgehoppers Anonymous et aJ • , • nlbum •.• really ex.cell~t. AU>ert Let no longer musl cian'a. musician, be's Yours AS well •••• J eff Outtt robbed or an hi& albums ••. • Jeff 11 ~~ry. ~:~• wtnde~t r~ril? Oakiol f.Jvb Presley Fan Club • Raver's Getting it on 1n the country COUl'ltt)' m1.1,it or the kmd L OAFING about in the sunshine, communin;: detigned to rtm()Ve warts guide to with nature, sinking pints in the village arnj predtct the future, never• the)C$S ,Jhe ,1hattd with Boob A pub, blowing guitars and drums into the early and And.rold • kind of hours - sounds idyllic. amused se(ttcy. the week And getting it together i:n t.ht country lS idyllic. No At night door1 c:re•ked and ghostly shlp~ could be s«n uoro.,o,, (Crystal hl,o: Fri• wonder ,o many bands- are streaming oul or Lhc big rural cities ln seareh or pe.ac:e and security, far from n,lz7,, mu.log aroond. Nick Potter daJ') To .some. the I0Ut!d of • reve-.aied over brukf&.11 of n.1 12 F•,ru, •s 11.uH m\l~ie. skinheads. aggro, paranoia, smells, dirt and hamburgers. 0111en mer tifld Oi• ,eo.mblfl.,tiot1 They iet'k a breath of fresh a1r and the ch.an« to m:ake xrud, Je.uuce and .stran~" (II M1nolr,,d M•11n:. Oa.moi,d herbs, lhu he had been u much notse a.s they like when t.hc:Y llko. rigid. wilh fear during the rock ~;.• 11 -;;.:•ml1:;e1 J~~.!i~"· :;-.g No On.tr)· neiahb0ur$ ban.a On the walls of t 0ll-3,te, In night when there came a t,pluflthJ'IQ Fomic;1l1 W~U-11 Cll♦ lhe ,him of Old England. Only the cow'& low tnd lhe 1 1Jnl1 lOO lt•td to tate. 8ut ,t'• telegraph wires hum. And when the guitars and drum_, boutld to b• d,ferent, II leul ~~~tJ~nfr!~t~h~t!i~:~,irf~1 A 11e.w ...,..n~,. se1d fade :away at secret mldnJght sess(ons, thue 1, a great r.tlence, .Penny, Mtrk•s ac:tttu report OVAL11 HOUSE FESTIVAL (Owa1 It's no c:ojncidencc thcl Amort.s ~ht-m have been :i!ep!~~.ri~:, r:tdo:l)Ja~~. ~~" fri~=1$~/i:,d!;f · musicians, more than moat, Arthur Brown aod Yea. My tet and htgh sp[r(u. WU Sllould t,., en enjoy1bte. l!orM- need to escape lrom the ex stay was with Mark Ashtotl. subdued. whel\ anoth~r k1nd 9tOW'li sOA Of ,.,..I'll, ,.,. by a-,1~ of our glorious t.ei¢b· one time dtummer with Rare or wiriL oper\td her bed by ""''' M\OOil N,~tiol• ,nd 1f\llJI• nlcolo1ica1 tuper world Bird, who has given up 1he room door and n. discmboditd oe1tt.tU1,fNr.d H.erry Vtnc-. fNI• Their white. i.m;pure rnunes percussive i rL& In prtfercnet: hne bttn assailed with to s.incina, wrltinc and ptay. leg floated over her head ~;inzMt.Q:O~!tl\,•odtu;::,n::~~~ Having dt:nled any respon• 1 more not.s.t, violence, aod. Ing acoustic ,:uhar. s:iblll1y, en my part and r:r, ,:?. °!::.: dt. 'r:.r.r·: reprmton than most c:Hy He ocedtd a dna.mmer to Mark l'lt.ving been a.sleep, we Chris tw.. n M1pti1 ind Joob, dwtlJtrl, Ylho .can relate with reasonable _JOOd _cheer TAMI LYNN ('fllbKU·a and ~~:. )Yor doJ:n =~ ~'!~ :t~!t":m it ~ p~'!'ablfor~~ &trbllArta·• CtuN, 8imai~ham; to the duaJ--carnago:way at pany. and as Bonham and mourning .a. Inn IQ\'e. tll WMfl), Timi tin one OIi ihe the bottom of the houtina Hlseman were 1JggJng out of And hi -cue lhat implies t"!\Otl curiou, _..,.ec.e.. 1tof'I• In ...... town, Mark c•fled rne up. we were all ensconced In Welch pop, c._n.iopp,n-g ,ceord wu cvt"*' ,,.,, yurs 1"90, end Driving to th~ Jonc.ly Jam some kind or communal bed, wt,1n ii hh feG9ftlJ)I' ,h1 WII up::~O:f~~:~k:S t1t 1:t1 twixt forest and aea. twice the mort neceua.ry for mind H ,~ould b4 cxplafoed th:st olvded ttoM Ot Jolt:A"♦ Ncklr,g u d body to enjoy the ,ound l mJssed my way and had our sleeplna qutrlCfS wert wnh t.bcm in Ftbruuy. !° ~'~;. ~t~u~ or a.Otcnee and • diet rnillt to uk • ndent rusU~ separated by rambling stair What I'm doing now Is com-- 1~~: •:~i or whither the oottage. £ vent• cases. ptetely opposite to what l .,.prom,,to,, • I.Jr dolk>I) of .so.I 101 and vegetables. uaUy I called at the POSI Molt ot our top rock ,tars office a white: ha.ired, was dofng with Rare Btrd. and h 'J f() Instantly buy farms or tee- rosy, clluked Oon:et man rc much more rtl8JCed. ludtd mansions 01'1 obtainJng Sausages Thi: so.n,::s arc about people v~Jed: The farm ls ov~ W and upe.rlences and t.hinp back ot the vJllage. Nthut 1 beJleve- In. l hope they are :;e o'!i~wC:~Jo~~,~~ Brown WH there. la;-t YClr, la.nt thl1 IJ out of the.Jr but he', JPliL'' sJn,ce,re. rve only bttn play• reach. lng avit.ar for -1>01,1,t SU months:• tb::t ::,owenl~: • s::•~J~ Mark was an eJtctJlent or a muSk:al h~lth farm, by drummer. WhY did he &ivt it 1 up? • :;nft?'re:'~~ ~~ep::,a~dr: .. I'm ju.st not Into drum· major record comp~y. mini anymore. 1 cot fed U1) Ju a guest u su~h a.o es.\al,lishme1n. euJJer this :;:::, !~n~yr :e.:n ,!'1!., 00 forget. rm much more into :S :he:bC::. "fa' :;:: writJng riow and prefer listenina to Steve Stllls ud :::r&I to de11:'r: f!~"J!~:~ Neil Youn.g." turt>ed truqullfry, e,c_cept to Al' one hesd, due west. Onty a few groups and a.rtllt• have been there to Triplets rehearse. make demo i.ape5t record albums, and c,i.e fn wond-,.ment a, craula.nd u.n• dtaturtMd by motorway dtv,.. loPffl~nt, BB. llUf\001. Ca.JNscor KINETC WAIDIC4£ NDHOUSE NEWS BACKGROUND ON A BIZARRE FESTIVAL- WHICH PLANS TO TAP THE UNIVE!lSE . .. Hey Ho, come to the fair! ANDREW KERR: funny things are "-in9 down on it... fann ••• people as cOffl-e. Come a.nd Wiaht sickened mt, and wbi.t .stt the site. Do you know went on did ,o a certain anything about J.ay linea? No, exte:nL I wanted noLhing Jl°lte Wt.II I'll h.tve to lay • litUe on that. Although Olutonbury li yov." tOH,lly non,eommertiJJ, we We WO,lk dO-Nnhill. lt"s needed l,re.t,d 10 L"lld." quite ~ce,,1 fM the crackling And whe.re did tb:at come bvzz of 400.000 volts passing from? " Pr:ivate source, , from End of the monster festivals ? Rikki Parr. t,ne. of the. the NJF want to pul on Lindiif,unc. Me41icint HUd. th ahalh~ feM.ival c1nd the MM Ren.ainanc:e, Sha Na Na. ~~~:c1;J.m~r1~~:1t ;~~; f T wh~her o~:y o1°r~':~ f~n!:.::tll~lO~e.th~•it,1 th~ under.st-a nds that dj~ctor Storytelltr. TttfY .Reid, Uni• Band in " Be Gllrl '' •nd ,hrM greaL PPS' festJ~1$ will be w-ee.k: .. Ron Foulk (another or Harold Pendl~ton is at.di Vit'l-e aod Wuhhone Ash Tht. Hendrix i n " Exp,enmce." lhc /Jr'&.tninn) ancd my,,c-:f a.rt. makine ht. mlnJ up on a Faces and A1 Koopn, pre • r~:r~ 1~"1eft~~Z~iy no in LOndun at the mornenL J ~« Of thtte a1ttmativ" \lloutly reponed lO be appear~ OactOl:'l-01'1..SU. Bath FestivaJ.. which last oOn·t lhlnk thuf!. Is ever sitts Ing at this event. will not by the now appur l new refea.H It wa. aur• roundtd by compeUn1 rt.II • ! UCI. Dut one bit C1f 1ood came out or it, be adm.ilted " I B. B. KING ~~n~tlll ,~!::• uth~e~ml; l. rornote and keep OP or.m,o1, f,n& each new olbu.m you talks to makf", this old st\l:tf It &Qins lO come right up ag• inst iL'" He is not agal~t tht" 1.s• suinJt of old re-cc,ul,1 On pr-ln• Max Jones ~~~l°'wa~Utlt ,, , ,:~~n:i~::~ TOves ,1 f the- meth0d11 uffd by arrange r-btindle.adtf Maxwell o avl-t. of whon:> h e- s•td: "MaxweU, a dea.r f~nd now dead, he'd Uike my 1101ce a nd gultu p~tt and dub l n : ~ &~t"'~:t~::~~ h:~:n:~.: ti 'rf•h:"cf:t:~•\otodgu; =~~ :,ver, I.hat w ould be all Tight, KJnt has made in C1J1tse:1t of 1 1 f~ : !!~~ ~.;: ~,:n ~Ar: rtcord-::J for Bullet and then went on to cut a ides for •• so many labeJs." Explalni_.,a why be ,at around so much label-wu~. ~~ \! ~edw : e~d 1' ~~i ,;.r~ abOul t0'1ntthfng. u •1.1l.l ly wben I asked ab"Ul m0ney. My control would run out. "say "lhey"d 1';ave 1wo years w i.th an Ol)IJOt\ OIi a t h.lrd.. When th• t was running out l'd ny I wanted mote money, i nd they would gene:rally 111alL And when they sta lled me, well. the nut peraon who offered me tbe money. 1 wanted would be well ahe.d. " So r d malt, Lhe records ind or course t.be man at the B. B. KING: " Don't have to be black to feel the blues " Ori&iM I company woutd hear about them and ,oon be onto me. He'd (Otnp1aln: ..8 , -so- denu,nd, any way l cen. So How ck>et he ~rd the ~~P\~ would be listen• cons:tint stream of re,s.,uel? oncf.<50, and wha t ere yOu when thls fellow ('.&me up J t::~} fr~~~hi\~'a nda.'; m"a"iy ~~P1~ doln1'? • and I'd tetl hi'm: didn't jump at lbe ide,i, f.e continued; "8\lt striou• who hove uoubles or one sort .. I would ralhC1' t hat the,y • Weli, you wouldn"t oay me: s lv. I'd s.ay that 1.ocb,y y(>u tat anothtr. N;)w I h411e more did.11'1 dO It-, urdeu thfl ma)(e .. And you know whn1 .. ~1,•Ytho~t~ ,-::u~d ll,•i;~~ don't have VI be, black 10 ,:et 8.8. loOked his tnoit innocent~ myself in hb pie.et and the real meanl.ng of bluu, .,r ~~s~~~ ~~Y'ta~l ,!'ii;~ Si: :rd~!~Tu PNC:Laf!ol:.bL\k: :::i '' ( never did H k t.hAt much, 1 thought Ir they were tn a live In poverty or hr- the bh,e!I tO ain tt them, but I h 's all riJhL But .xld R issues t◊ming out on all sldes. that think lhe most lbal I ner while club a.nd m,.ued 10 let f ~u';!~' tn order t<1 feel th'! think lt helps." u lt@d for was five lhouan,d me: play, wh:at would 1 be caft ~ a lh.o,n in the aide of an udst," d olla r,, the wa)' 1 was thinking? .. I don'I think JIO . J like to c:a:l~ all O~l· ol:a!f~rdi~re reoorded."' - " ( asked Sannr. F'rttman, t hink back to before f left Modem-RPM seuiOn$ from R.B wetll on to uplatn WilhOUt • doubt. t.he my dn.tMMer and bandleadtr, homt-, when I was concerned '50 onwards reappt3ting ~n 0 M emptlis Blue, BO)' fs u ldng should we lH him play . about m>·S.t>lr ind my own J "wen. that was Johnny and he came up and caned a ~~,~ ::: ti~ ~!1!t ~~6;~ gave him • , tandin1 ovation "I l'iad stood down and let him g.o ahead, and you know I wane~ him to play well. I ::; ~u~rt ~~~y: :~:r ....~cir' ~:: !h~'b't'~i~~ed lO him and " Wu I ltalous? We.J I ~ liked them c)appfni: hJm and • II· I'd want-4 hfm lO suc- cetcL If r wu jealous it wu or th~ 5tandinR ovation lh!ly'd never gjven 10 me, "So he played a nolht.r, and 1 JOi ned him for th.at. Then l ltJJd him: • If y(N keep going. wC'11 tr,ee1 o.n the road some• tfme: I can foresee u11en1, and I 1.hfnk J dld th.ll niAht. "After that I didn•t .ee him again until two, three yur, a,to, and of course J didn't koow wh.at his name ::~~r~n1~:3 ~!d~n~r5a;" 1r wu going co play filhnore East opp()She Johnoy Winter, ., Naturally I dtdn't con.n,cl hlin with th.ts .a:uy from :::u,t~n~~~/~ :::t:, ~~~; il and I did.n•t as.k. You heard th~ o~: ~ht'~f, 11~ tahJa1o~~: ~ee-ha ,,.. nobOdy wlH know he'• a fatJca&S. "So anywa.y, on opening nlaht J went 10 the pla~ an hour before lime to see evetythlng ready. and the fint thing J uw w11 tMt r•Uow. And stUI dldn'l know ttlc n4me, onJv th~ face, an; ~1k:;:~~thr'1:,~~:ie we met.. And lhat's wheo t .ro...... un...d .out who Joh11n.y W intet A quutloo umaloed lo be ontwtftd .J)Jd 8.:S. M lieve :tid ,!~,~~ th~~u:u.siir~ft~ the authenUc f,eling? " Oh, I.he feeliog." fie ~~~:' r:;1~1~~oul~~ ~~~t bl! had to MY he waa proj~dioed towards the 8r1Wh groups, bf:CIU.H: .. if ft WU not ror them I don't btUtve tnaft)' bonlst I• paslmlnlc about the future of the music after h is deoth. " We lost a. lot of SOOd mus1clans durl.ru:c the put few years. . but lhe yo·ungJteu don't Hkc it. they claJm It's too alow for them. They pre- fe:r rock ·n· roll, but SQme or the £nali,h boy• come hu'C': i nd they can really play _ And I tell thtm: don't worry "bout what pe<>ple H.Y. just you keep Of'I doins It be with JOHN KONGOS ■ I:"- relgnod -. Blind Dtite with John Kong.. aa to-It-going to ..... piece, - ~=:..rly~- it would"" llt ' were sorted out Ind Kongos arrived at lhe MM to g;.,,, lnlel· ligont end construe• reconJati.. -• played on theto ...... He didn't d;g 1/>e new Joe Codcer re- ,._, buttumod out to be a wffd Odmir1lr of Amoriean root< ood roll pianist / s1"°er l•on RuaeN. OE COCKER: J " High Time We Went " (Fly). I think I have heard this before, if '----✓ I remember it just goes on and on. You want me to tell you BRETT what J think, Well rm not wild about it. I'd like it if they MARVIN changed chords a & THE THUNDERBOLTS bit. It's stayed in the tonic chord all the time, but it's got a 12 INCHES OF. .. nice atmosphere. THERE"S MORE ENTERTAIN• But it's not for me. I MENT, GOOD IDEAS AND MUSIC don't think it will be MAKING ON Tt·OS ALBUM a hit. God, Fly will THAN ON A NY HALF DOZEN stop all promotion BY THE HEAVILY-HYPED,COUN TRY COTTAGE,MEAN 'N'MOODY, on my single for MUSIC FOR NOW PROTEGES OF saying that, when MOREAFFLUENTLABE1.S. they read this THE THUNDERBOLTS HAVE A RAUCOUS, BEERY GOOD TIME they'll probably STAGE ACT. bum all my photos ..• LET':$ HAVE SOME GOOD too. OLESTOMPIN MUSIC FROM THE THUNDERBOLTS A N D FORGET ABOUTTHECRAP •• , PETE GIBSON$ BEAUTIFUL Is lhls T NEW ALBUMS FROM COUNTRY JOE&THEFISH QUIET DAYS IN CUCHY BILL HALEY ROCICAROUNDTHECOUNTRY MADE IN SWEDEN MADRIVER nlOM1VUIIIMICNIT1IAIIMl'LMTICDCMD ...... VlllGIR ~-24 OU01U> ff Wt Caffee,~ Poster and JteadpholleS 30 secs &om1btteftham CourtRd.tube MEt..ODY MAKER. J1111e 19. 1971-P■ae 2 1 The answers I READ ln the MM that King Crimson didn't play encores, so lf Messrs. EdgeU and Beatharn were surprised, how much more sur fallen prised were we? Nowhere on the tour were an audience stoked up ,o cheer for more (phoney?) or were encores considered part of the set (phoney?) although twice we ~eclined to give an encore and on one occasion were booed accord• idols ingly. Indeed:, what ciu1 follow "Oe.vfl's Tri• angte" Mr. Edgell? It's not meant to be followed - bul ll wou.ld make. a good fake cncC>re. a.rte, "Schizoid Man," es, :~e~•~r ~eth:ta~~ H'::fn;r~::sa!nt~: of pop· c~ i~~t~l We!c!!~ec~1:::K:re)~ FlrslJy. strong demands from some 'te,ilty warm peC>ple, and secondly, because the band ravere eniC>Y playing toeether and want~ to stomp some more. BOB FRIPP: demands from warm people lb~t!c!s~~~:=f~~: ~':•t'~r::~\t;,r:, to b.oa.r t..,o or three: songs, al though we bei:ame • llttle Two wedt.s .ago they suted tired (cratefulf.V) or th• word11 " Epitaph " and •• Schl.wid"l ~h:U'n~~ia~tl:tt~~e,t!!~e~~~ Why not play more from aultabte ror feeord m•cerla1 •• Ur.ard .. ' WeU. lf• the l'ft0Sl difficult c,inu,on music: to play :::ju:c~rc!: o~fth be ~rrt1!~ Uve and we would rathu use Thls Is absolute rubbllh, ou.r tlmo to wo.r)( on ne.war 1 have obtained thl!I album matel'fal so that younger CONGRATIJLATJONS, Peto and would rate ll at OM Of Crimson peNOMlitie-s can Slnfl.dd on SUPl!rb li<ling the bfft llv~ He.ndrix record tmtrtt mOft'c completely. durin.a Kins Ctlm.&on's •ct at ings available In bolh qu.allty and content. Merely the After aucb an cnjOyable l Our ~~~inr:'r1i~~vie•~ria~f:.~J•~ uittenot c>f the mt,w Hen• I regrel Wt anyone. has aur. DAVID O'CONNOR, 307 drix b THE CRAZE FROM FRANCE Screen AND U.S.A. ~i· !The reor end of A!ricon music) pr1nt1ng ~ Thonks for supporting us ot our lost Implosion ot lhe Round Ho use. We'll be doing onolher gig for freedom ol 80th ain ebSOrblng and ..-1i1 fyln9 ert fol!" er,d ~ the Lyceum in The Slrond - 20th June, 7,30 p.m .• ofltebJe production technique.. Mtill.e bea~t1ful multl~ :1iour rints '°' your own p!eesute, or pmu posters. See you there? ., T-shirts~ wallpaper. e.tc., to eam extra cash- thore aro plenty of customers. (OMPLOE KIT only £9.50 (plus 60p P· & P-) mcrudes screen, three colour in~, sq~egee, steooil 1erials 11nd all sundries end instruet1cM1.s. Yov ere :ay to print _ no •xtra.i required except a fla t 84.lr Danta an ~HM records face, e.g . table. tiM not convinced, send &,a.e fo< .f·ree eMmple of ;,i~I and outline- of technique. Otherwise send choque. [!] P.OR to:Youne, 27 Wllbutv Villn, Hov.. Sus••• oy Allow 2 1 day$ for dftlivery Morch Artists .... 22-MEt.OOV MAKER, JIUlc IV, 1971 The Blues .. T HE BLUES will Chair, and hr l&Ys • Ummm Mmmm, I'm fn the mood to, never die, as long you '; and the women looked Swingi_ng as there is someone to around on.d 11u1htd, tnd I sing It " says Arthur w enl home and made that The ,ong. ' Big Boy_' Crudup. the " While I was ln 1:)ia:flnd legendary Mississippi la.s t year, we we.re down at Delta bluesman. the st.udfo and we f tc>pped to get lunch. We were rla)lt with King •• For the: blues is only ocron the strtet trom the tasetl on a man•s feelings. Roebuck pub and wo w ent JI you fttl mfstreatcd that's story acrou there. I d idn't know that yo1.1 weren't allowed to tht' way you slna the blues. ao out ID get a Jan~wkh a.nd and through th~ blues be come b11 c.k and U l IL I don't mg • reeling • , • if you like veal, and that', all they feel that you ain't had the had, a nd so lhe boy went on aero-, the ,trett for lhf blues then you ain't going ham sandwfch and cam~ bae'k. to e\•en try to sing It." of with It, Ru t one of the. Som In For·ett, Mls.sl,s{ppl, waitresses- MIN' h im 11,n.d c,m e <..rudup, now Jixty-&:lx. has cot down and told him thn we 126 1rack:s durin& • thltt)'• coudn't e-1, the sandwic,h year recording petiod. He down the.rt. And wh.en 1 gOI w~nc to Ctik•eo in the mid-. black lO l.he ,tudlo. they th1rt1es and beg11n bis career wanled to know iC l could while livini (n an abandoned Big mak e • JontJ about 11, and I p1ddng crate under 39th Slrt-tt •• L" $ti.don ::~d ~~~I!• ft" • IHt: n~ it~:• l:~ " I wai, around a lot of chic o ( the olbum • Rl)f, pU1),ef'S thOt.1gh l]()nf: of them buck Man••• was mAking ttrords I found • guhar on a dump, p1.1,t It baek 1oge,hu ind started playfn.a. Boy Complicated I learnt rr,y own self, I lc•rnt how 10 play on four string.J, ARTHUR CRUDUP: born w ith the blues and then I add~ me another or the mt)(len, bluHmen, radio sution: recorded tor the l..ch Mt" we-re milho4 sellers he u.y.a:; .. Th,y Just don·t ~-~. ~13\h~:erce.~d~u~dsf!~ b<"cau.se $ix morilhli ago I got have 1he feeling. You Uike a strin& I pllly thai a while . arid FJre- labe.l a.l'ld "for o wom•n As to how Prtsh:y Obt.a\ned • l!!tttr frOm his wife ttlUn,t called Mi$S LUHan of Mis bis comp0$1tlon.s, he rxplains· rnr ~bout the nu.mbus Pre, p,ucher IC a pre.t.ht'f sets u my flr1t tf:c:ordin,: 1 had sissippi, but later 1 found out " I made. lhe numbers, but lift ech1t3tJon and RO to be.en pla)'ing the gul tar sb .sley mnde, and sent me 11 co,Jlt-11:t: to lean, how to MOnlbS. .. th.a.t it was for Decca," toured ue I don't write no t<,ngs, .amaU cht,que. CONTEMPOJlARY Rlr.B, West Cou1 with a To:..- Oavour. II with Elmore J amt:s and Sonny •nd Ir you want " sona or ., Years bA¢k, ptople hked recOr'ded by aiuita.r£1t-~.r Bee (£,dward Wll:loa) Hoastoa Boy WUHam.t0n. :~:,~hin~~e o;:n.:!tiodf~:: rco ~! and band on 8£E HOUS1'0N ,ArbooUt 1050). The 111111k: the l)'Pe of bl<1es tht"Y could up In II •· W t used to play tor :~Jul:Soxh~ve ~: ~te~· 'ia:Z danoe to, and 11,1 iht! &t>·le or is • kind ol $0Ul-0lues-t'Odc. and hatd--drivfn,: da8" mule Race records Saturday niatu parues in tho ou, on rcrords tic ht.rd dancinf. ch1n,ied .•• Roc.k and "EYtJ')'bOdy asks me above most of lht lime. Thru or tbf! c.racM are purely lasuu1111e1111&1 Oe.e.p South al)d 11,e.,. Elmore some, bought tht retords and all tho.1, well, tht mu.1ic had the bllJff how if ii tha t I - •• Bu»,v Btt." •• Break Away " a.nd .. FR'ddy'• Baf •• ••• aad a nd Sonny Boy s.bl.rtecd., a went on a nd made them. I u-, ch11oic too, and so you'll while th ey sock -alot11 all rich-I the,, a.re nothl.ng to fall allioot He first rtcord~d ror Lesler recording together-. but llnd thal fn every blue,c fi~:r-t:e~s:; :~n s~rth th1i Ovt.t. AnOthe, Jllllt•kftOW'tl sln,ier, Wlffit> MoJe:U:e. taku OHr Melrose (who wai almost in Elmore ~nt to Chica.go but ~ ~~te.(hia~yht'"wa:!fJ ru!"!bc!~ pl:1)'cr, ht's sUII £01 blues he hu aJways h:sd them on '- N~we-r" a.Ad •• Love.sick Man ., wltb Ho11scoa•• pa,ltar comp1ete control Of •· r•~ ''• they couldn't get him back to It but ht never did, s.t1 I b,n he will play a kind of a ;1nd ht arn'I aot nOthlns \O do lndJng the pwnpina cu tet (guitar. barltooe, tenor. drwns, llas Ulucs t~eordinga in ChJcu o) t\nis:h tht: recording So Sonny didn't know nothing 1bw1 It swing, $0 th)t If yc-,i,1 w.. nt to but open his mouth. And ancl tn.tm~O. Tbe. stnc:ln_e: Is • bit s1raJn.ed la the faJllloMblt. on Rt.A 't Bluebird label. In Boy ~ me a11 d got me, a nd I •· 8u1 J learnt Jat er lhat 1 1 thJIL'i tht way It is Wllh tht soul stylt, but on the whole the mtl!lc I,, not bad a, u lht: middle and late forc(es. he Presley had pot a lhout.and !;f"y~~a:-s~t !nJ'1:,::~~ blues A man that had the 00 .swflc:hcd to RCA'• V;ctor, and S:!d~t~';f a;.~i:~rs, ~[~ dollars ll"I a Memphis &n'k It JUa,1 )lkC }'OU do the otd bluu. illld had them all hts his ~cords conlinut.d to «U hf~ he can hve 1he.m any ~!7:,~r1~ :°~011~!i1~e- ~;~ 1:'~!:-~na::- 1 Find M.)I Bab)': to tlntsh OUI H1: didn't knnw n,e and d1dn'1 bl1,1u Goo.a• Get Be.tte.r."' .. You Thln.k. rm Your· Goocl t1wq.• C)'n 1he nce-markeu . H e the record:' t.,\ow where to find me e1 • .a Umr he gtlf ready. But the f t.turned to MlstlHlfnpl afrer a He helped I.he growth or I never got It. They 3.1ve h tC\ man thllit's Just lum lng. Ws • "' Proud To B~ A jllack Man·· ud " Th• Hustler." TltJs ii a Elvis P ruley't empire when my (cx)-man•e er Ltsttr Mcl Hult bit too comoltc:ated fof new na111« n.o.t a n• w champ Oft this- showfog. but • falr. !~~rtr:1rCJ:S s;:rs~ ~:!:t: Prttlty rt:conted a !cw of his rosi:, • nd after • while I him'' to-mJddhnc slnge.r and solid ~tar pl&)'~r with l.tie-vitabae. a. L Crvdup WN feawr-ed on I.he numbers of w hich •• That's AU fo-u nd out that tbty had btC:r\ Roebuck Kln& sh.a.dinp in bis WOf'k. ArhooUe att u:su.U, behl:ad ._,. Jam<1us Kfn.t 8 is,cuh Flour Riaht. Mama ." a nd " My Baby drawinx money rmm ll, thing won hwhl~ In blues, but In this ease pootendal ~ " f"or int:tanct. you i.ake PAT GRIFFITH Should hur before thtr IHp. - M.J. •That's AU fU,1:ht. t,,1)' M11m1 and 'My Raby Left Mt ' • , I made t hem, and they • re uptempo song$. ihen I m1dc "8ooglt ln Tht" Mor nJna • v. hkb 1- rm 1he LP I made ovn he.re cslltd • Roebuck Man ' and rt·a ,il,o uptempe>, so th111t if you want lO d1nce, you cu dance. B~•uie Sou- them coloored Peos>le . :~exer~;;~- !~! ~~( !:1•~; ,:dw~~Pu~%:; ~n~,1~'1i!":i:~!~ ~e~ e~; hou1f:e nc~~~~ ·~~ Mu!fc. orlg1na l blul!:s ts whert! h all a tarted from You take 8.0, Kin,i's • Stan.din& At My Window • That't m,y tune and o.l~ ' M:ock Mc M.. m a • I ma<>e chot, whfch shows ch• t before t':::Y ir~~h~,::ec1i~~iu:: :• lyric,," It wa,n't uuUJ four yHt, 110 tho.I Crudu9 , tarttd to perform for large a1.1111 t nce1 when he appea rt:d a t th.f UnlY'ertlty o( ChicllRO .. My m11.n1,ger dtdn't want me to d ~ 101.1~ becaustt 1 would find out ton much 1boul the .dtuatl°" or thl1 bh:i t$ Thert'• ma ny ~ ma n who I.I here tOday. iand whO Lt handlc,ipped bet-a use ht didn't know this • ht dtdn't know th111." Backing '1USCN.u cm, ouflJ1,,A-1tUWt1 JlllC:NO iOIU JVHJll MINltiCIS • OOHIT'S lffll.T&A.aP1.lrllt•llT f lA.wtO. A•l.ll 14.M A l11l!CM Of TlJi lill($$(( MfmQ\I flCM "11$ClUA AM Ull tnl A 11'.Ctll\' OIIGNAI. NJ!b fWIM Si.f'IJtllAW' atOlloct ISISTtll Of JllA,1 PROGI.ClO If MIA A Sl.l'l Qlllf.10, .Wiat.Al AIIA(MIA UIO Y JllltlfO f;\IAUlflUO 10 Uf YC1i MO'l11itG IN lMf IIHHtT KUSM.MD 1(101(111 T. ,ol\1'.S, n ~LUOH A Wltl[ JO NlS, 1$1\All'S tOI' IICICIC Ii IIOlt IANO 11!~('110ft, AN [Ull(M(\'I Y(l\$ lTIU AUIJM IM)M VA.RUY Of N-AHlll4.l. MOST Of IT 0•1GJHll MIC.Ill' ,. Yf.11'( Cl\fAlM IH~OUP SIP SL(l\'i\V A.II:! nwo, fl lllalt.lMf.fii::110 J~ RAIMIG TM( SlllllS, uoa lllf1Slll AH nu SllllLTfll PlOPU ll"IO •tNOlS JA(S-llS lOIO, &MLS , JOJ.S • KIHHCllOMlllll 1'1Hl..lltlll1Ml H lJHOl-1 llSlf-. fD UU llAllliftll MYPNtllC flllYIN:.'tlS Of A l'Qf' GAMU,f4 1110\1 0111£ 0-f fllAllCI S tGt ,v, (XCfl!IG ll(W OOS( 0:F l(DN flllSS[LL CA'1Ult:lfti llltl 1010 $ MUSIC. NOT Ollnt l.-'I~ JAU. NOl 11ow,afl.COMPO$lllS MICMllC!X0\18iO APOl( Wl A.LL lHl PlfllfSUl' Of HIS ll',t n«fOltMANUS A 01.WJf 60UA- NOVA, 11 HAS A MAGIC Alt 01 llS OWN, l ll(W H111U~!Hll HIii& A1 P£Rl. 8llt .WIOU Y, COUJClll:fvt. ,01111WI Of Otil Dt AJioll~'$ MOST PIOOUC[O tY $(11610 MIJIOU , If 1$ GOOD SltMJ.llll VlltM(TTYA 1'0r$lfll. Wtl It.ALL UCTtlfM[tl (1000 I-OIIW Ul. Alfll1$fOOAY '"""""" M(CICINC WI C™ on Sta!Tordshi:rt c:eramlt• 'cos they've ot1ly gut an utd 'J<''E COCKER: " Hlab 11me lhJ1 week L"-11~,.1t.)r ta pe rtcardf'r and We Went " (Fly). First one~· pltttfr. mike. impressions might suggest MDIPHJ.$ HORNS: •• Wooly Bully" (Atlantic). Wooly CURVED AJll; "B•ck Str'Mt thli Is an Important, excit iJ lhc wonl, lt't, llS tbrilJ• 1 ing come-back for Joe, fni .u ti l. IN A NEW SINGLE ON PYE 7N 45077 ~" ·Fl~(C fl'D.irl.ALU11ro Al 1!0US£t'.llh1CV•"81• •~~0PLA,f t "i'WNY,r 19 lt71-Pqot 25 CAUGHT IN THE ACT Gentle rock from long tall Tami SPINNERS THl .Splftl'ltrs have dent 11 &(lllll'l, Ille)' rtt,wlu·1, J•m•i,adt two-Ott.. \hOWJaltd ...Hf' e:On• cert hall, whit ronc fat11 •II •round the.. cou,ury. au, pruch lnt to tho c•nvt!~ed 1, one thll'lt, Rec•ltth19 ·" w1Uoi, In ::d::."(_,~,::1c~• l11uuh c•b•r.t tt,ke:dub,11 !~ham._:car, &'II I\\ lhe T•lk Of Ttto NO~. lrutn, lu·l $111tda1. at the t.lld or • 1t1t•n da)' beokll'lg, tbe Llvu-p.ol ,nnap did Juu 11'11.s-, Ttlt,1 m • de l'lO I Utmpl to H• ur&I\IJ.. Oltlr PrOttafflma, slid!· l1tt lO '"-• Ir u,,u., fOH1u11a, &tld to1.111d tt1e 1oln1 • mue l\lrcl tot' tha rl"t faw IIUfflb•r_.. But IUC-h H " Tl'le Mancl'lu:tor f Aamb1•r.'' at1d •• Oirty Otit T"own" 111uldtly brolcit dowu, tt11 b l rrtu,. and tlHlf' Nnal •• 81;ae:'i And Wh11e •• ar1tl " Wfrn•••h " h •d- m•mbt l"S • "t•sln9ll\8 '"" 1re1Jp. Their C"llfNltl TY ur1t,. PO'S• !!~J?, h:!bfi1:"!. '::,'-J~ttt~ s~ 0:!~1,e,,,':,up, 0~tiey ,::">' j~~~~ sc..,11e. - 9Aft1!1ARA DRILt.S""· MUNGO JERRY chee~d. whlle Mungo per• off lhtir IUI album), ft•Y AFTCft nefo1 Hlfnt• Jerry for ro,m@d lhe w&r,,t SH I h.tVO \.ho tMrd time. I "'"" want to ~::::~uri!Z'-:!r.~ .~"... :di~~~:. hur •11tono o:, u,it. group • re ~:r:a~f!;d rr:,rn,,an)' .~':r:~i!hl 1 !lot p,osrenlve • . , bu:ou,e SpttNII," a typlclll sllfflt ::.~~.,~::t. ":.:"~, ~h~!'t,:: som•how Ult)' mu1a10 t • It\ tl\lfflittr, not pla :,t d '" lhe b•" m• h1l1 au ract, sd1ool c:hlhlr•n LINDISFARNE prot.rcnJvely worse. lradltl-on, i,,ce•I• j.irlllt-d 1111111 UP io tllo • •• ., ...., sw•~ted l• • fflOIIOtOIJOU.S "••t f,OUl'tNlt. WHAT a tfl'f'A",ed 8t1-t Mff 0!:1i!,.!:1·u,d~ll~mMa,g~::: pumptd out at fnucdlllle All too '"qu, nU)'. Donel Llndisr&nM • ~t Tlle,r n•lly voh1m,. ..,w .... tflls ..1'19 Alld ffltd-e diit.i,tefu l rtmUllls, a, e. The. ' " " "•dlate wtrbat !!:Ji:!u.'' .,:.. ",~~~P::p,a~!~ tho ,,,., .. Sh• Rode," <• lrlltk whlt:tl st.l"Ved ,u -.f'III time• CHARLES AZNAVOUR ft n VOL. 2 86415 .£;~tes Rt1YMOND LEFEVRE THEME FROM'BEETHOVEN'S'Sth '8AR1 REX FOSTER ROADS OF TOMORROW 80432 CtiQRLES "'1~~ .QZNQVOUR YESTERDAY WHEN I WAS YOUNG BAR2 BQRUNDI STEIPtiENSONBLACK FACIO SANTILLAN BARUN DI BtACK PARTS 1 A NO 2 SORTILEGE OE LA MEMPHIS SLIM BAR3 FLUTE DES A NDES VOL. 2 BLUE MEMPHIS 920214 521133 albums must have. f9und it difficult ~~~n1:t~o~.,Q1,~r Fr~l~ kttp 1wl.ke Ions e11ou1b to recall of '65/60 1cems ~o have finish thl'.ffl, Not e.nn lM M e 11 fl w e d con1lderabfy skilful orchestrations. asln,n 1 sMte 30 mutl~a.ns:. plu1 ~!:"a~;u:;~ :1-/; ~~~r~~'w: cflOrus, can Hft tbern OtJI. or reco,.dcd Hve In a Wooditock lha. rut. The finAI downer is club, h11vc a logic: a,nd th.at thl!I rull•prlce album IHU o meagre 241 minut~. j~;!p~~t~ ~;re 1i~tf- "n~~r; Uke, thar.s # here we,•ve• pre-Dylan American rollt rn becn, baby . . - A.L. fhwour Mcut of them, ft 1ctmt, llke ".RoJl On R<1sle, ·• .. DANDO SHAFT" (Neon). h11 bas iuued before, nnd Al, with their Rtsl; this theJr there ute 11110 a couple Of 1cc:ond nlbum has a very tn,dldoqa1, frieluded. which deflnflc Identity, an/J o,ne- that lead.s mti to 11~1pect thllt he is it would be very difficult l-0 roars copf~ se with anythin,; else. In ~!:n °i1::t•:!~~t,;'~.~:: comparlsoo w-Jth tht: flrs.t ~rore HV('rtlna to lheJr album .they b11 ve Jntruud original. a nd mo« niitural, the stylltlic varittY 1>r Uieir mu,ic:ti l My NAM€ 15 Ml JoM€S . W£ f<.£Jt$of.J l' M. H£1(£ 1s f() TEJ.L You /fe,our A Gi F-'IRPORT CONVENTION: "-'ngel Oelight •• (Island) .. Thnt the group originally set out to re• cord a single an~ then found themselves with al most enqugh material for an album seems 10 have had a considerable ,nfluenc• upon the finished product. Fairport's high jinks 1n• the Angel HEAD. HANDS and FEET: British Band music? ,, a.n alb11m ror late nlghl country nno.ur :md the u$u11) Ou• Dudgeon ha, u5ecl bis SPRlNG: .. Spring•• (Nt on). huvy bu'5 line wh1t:h wa, produclion &kills co e.ffec.t, ~~f:a,:n '':r ~~~:mcJ:!~ ~ CcmlnE In a treble fold-out Uste.f\ln,t a fter the. EpUogul>.. •me l{roup·., ltBdffl'lark m.irstualling. D. line-up i h~I •ha,. mandollt1, h•r;,sJch.ord 31~eve with a Gone With TM and as aucb It eu« a weary bfl•ides xui14rs. Hts Wind type soldier bleeding to frame At Hmu the 1yrlci •~ tbrnt11hou, 1ht1t t.t,~,e ye11r b<-,,de M•~a Cartlt - DaVJ, (lath in a .strum. I ·pul this • Huie hdv)' gofnc and pr•• c•retr II'~ 11 mu« ror Free JobrtStOl'le, Chrh and C!fcn - 1,a.dltlonal m1,111lt background rens antJ would ro11kt1 • usdu, lncludn HOc)k foot. l>ave and malt,;5 itt rrarlt it1tt· on the turnt.blc with r.-.serv•• add1h6n to rec<'\rcS (Ollecrlon,; Tlml Arthur, Ron C.hesterman, ruTI1r..ntaU)'1 while i1 a e!ttct 1.s dons " Trying 10 sell by tht t~;t:~ar:hof:•t::k~: :::!~ not yel 1>mhran-nx: fru. for it D11inny Ttiomp5on und Riek nOl Pl'rm1tled to llmit h.15- cover," I 101d my1elf, Jnste at-d Of 11'1.e Umt they comt off. - Wake m111, composina. The auer.llt.>n 10 Spring ~•mt u • ttrt.al IUl'- JIU'. could c;i.11ly tut.ve been t1l1td 1 ·• Thr, 8tst Of f rec ' - c.c. Pav}' Johnuone·.,_ ln\t~ dC1tail is strlklntr, with every nimet11.1I &JtOls have n<-'I ex vn,(.- ind r-vtry inftrument f~!~e i;;"C:~o:~u!~ri,~~~1n::U~i ;)Clh,. gone un n\'rik cd in thit' be1ni;: moulded ,nto a Ctwn· mit'aty Mtllc>t«m sounds pa.in. ~nd no rlo,,ht 1hi, a1bum plete uri.lt. a llAht harmoov Produced by Gu, Oudacon, of w,ll 1dunce bit renuU1dC1n 11\ ■ I now• whh 111,armth &nd Elton John Fame u tht MORE ON P40 rurth,t,r The mS1tQtfH•·nh he- it"nthus1aJrn - A .M. Welsh Roc-ktl.t ld Studios this Here's where to book them. Bookings: 0252•42959 or 01•486 4353 Management: 'lllb Martin 048·62 62487 Here's what they've recorded. AlbUffl:"UP hill all theway" lhl238 Single: "P. F. Sloane" BIG 138 ,c...... ~ Costing a years work Let it come out like it goes in-but bigger. Rrmcmbu the old sa\1n~ '".b.11 goes 1n mus1 com~1.•ut'. \nJ that'• the"" II could be ""h 1nu It , not true. Your sound can be• " bole l < \ ' .. 1t·~ ~~ ~ '.$\l .~ t ►f". • ,;. ... ~ t ' " '!!' j·· How they ..:,, ,. .. t • . .. , , ... are i ...... ' ', ' " ... ,r _,. ., ,. made l ' .- ~ .. ~-- THERE a.re tlve main ~•:;; ' ...·t.. '~ SOWCe$ of bootleg nicord· ~ ► ~.. ,,,,...; .. ...! .,., ! !1r:~1:'1nth ie v~co-::th ,., i .~ ... ""'· :,.., ~ which record companlf$ un .. pu-t a stop to ~- Well, wl ,.~... ,.c - • Tapl11.g concerts Ls ri.ow (Otnm.OG pnu:du. MM ,...... ,. 4r...,. l)()rWt Mark Phunmer N> Wffl~ f'1:lffl Odc•ao's rec.flit London A~rt Hall u..~crt with the news l.bat tnian)' me.mbtn ol lM 11\Mllm« sf/e'IIM"-d to 11,ave • eauectc tM,CbiM OJI h.i.s (Or bcr) h,p, to sta •M &tLbouaJa rew or thit11t g;pta wtu t\lru up u boot• ltgr, It's quJl·e posslble now to respect the arUtt't wi* to man good-q1i1aJlo,, booUc,-. • • • at le.ut. unL.11 be's dt a.bl~ recon:nn.,. with some of Bob Dylan takes • n ry actlv th-o stecll!IO cusctu matbinMI interest in wb.at'a done wit now On the inatke.t. Short Of his repe.rtoir• - ht does.ft' scarchtnc each mffllher ol lhc 41 0 audttnct: on t.tl.lJ'y, wh1u CAN li~ wu~ug~m~i./ ~e lQJ~• be done? want all this ,stuff iuutd... 111 lhe same cate-&ory falls Dntd Mlchollt, anisian I.be- tapln.g or ndlo &Qd TV lt&:al ldVlstr to Pofydot R shows. Tbe BBC2 sufos l.n cc,.rd,. (amone 1.l-.eir victim Conet:n. j_j an obvious havtt been CSN&Y and 1.e 2.~eUn) told the MM abl)U 4',if:; ei: l~!!.u sou~ a meetlng bckl re«nlly, 11 ~f~::d rohnusP~~ s:t::; tended by oil the mator r Show I• snot.her, The S\ICC1!1$$• tu~-~~~m •~: ~ rbnl Hendrl>t'• ¥arious Bae broa.dca5ts. from the, L\llu Show to T0p Gtar, A forthcomlna Bo.alles album Is Mid to coD.Slst « tape, m•d• from S.l\ar,kf Club amt \h«i The essen r~::::y~ i~d 1i!tb::: dfst'&nt past. The UDC do t, ~tii!.t~':.tr::r.~ ~~: =pOS.. bl• I.hat tbtH lapta: havt been .. ftC(lull'td " from 50t,1rtt. Obvious H MELODY MAKER, J<•ne It, It'll.:.._ 31 Al Aronowitz reports on a weird iam session at New, York's Fillmore East OHN'S amp wua•t w0f4c..lna IN CAS E you J propcr.y :and he kept fum'bu,., with IL Accord1n1 to haven't noticed, Walley, h!1 flngen at,o kept John and Yoko are Jn The ballad of- f~~~ ea~e! ·~oh~ t~J~ town. A c~~!::.N:an11;!r orK!~ know •he chords,. he. would Fillmore, lhe securily arrantc- motion to Zappa, who would And in case you mcnll for John and Yoko •itP "P nut 10 ~in'I Md show haven't noticed, it cer were lncTedlbly cump,t,x. h.im _the ri$.ht onu. John Wb tainly isn't their fault. •• Th~)' cleued out 1ht': back• ra~c n·atc-d with Uppa'J ~ t.if st~ area within 10 h., rnlddJo Rnser u • Won. They are gifted, of minutes." Wal.e;y "Out .. Pu.nlr motioned to Johll, wntu · VOU w11n\ lO do ll? Go ahead course. with their own front, )OU 'S'Udd~oly HW tll and d~ u,·" Watie.y wr:tu. style of spreading the John, 1he-se en.ck■ stre.unmg Out of •• John tvmec:I to the 1udJen~ word and if that style ,,, 1-1~:~o-:;.ar!,:n':rii!: o.:; ~:. b~~~,t•~~ tJJ:,ncebem~ and &-tuck his 1ruddlC flna•f seems to take llP much no fnflmtNimal $lf;lure. driven from Amsterdam, Ul), Whlle Zapp,i "'·• CO'l'I.• flnl.shtd hit Interview with Within minutes, the vibet in duotln& 1hc( audtcn,ce. Ltnnon of their time, I'm sure Zappa, John and YoJco 11tayt~. lhe win.it had chi.nged. It was working the band. wrecll• John a.sll:ed :a.bout. thal In~ havoc with the ttmJ)()•. it won't spoil yours, wu li'kt: e 1omb. There were N? one nr~d." iltinn~i:~ ,o1'rJw1l~~ ~~fci::.~.. ptoPlt plu.1 the told how tllftl,b iJ -◄ •~"' dates.: 18.:i)'s.Club1:: llnlint~e. £550; June ~o. Morqu« Club. WJ1rdour StrN't, London, \V.1: : \ ! ' I h~~~:c-r.~fd~:C~~j~;,;':;~~;; 1 • / HankSu,tc.Swan,ra;Jt.ine-2.7, - ,,, j / 1"'ox Club, Cro)doq; July ~ s, H-rc:~~;~~~b:~v~:J~:;!~:~~: 1..,ondon. W.1: July J, BNidef'd~n. Kent ;_,; I , 4 las mankavs andDan nus A!l.1.Ut'8o~a L...... ::-L_:l,_~~~ ~..J.__J / ~ ...,.._..IHI~-. "'' n.,,. ""14.uaitll'I • • " DOING his thlaa" became one or tlle ,reat Cliche _phraee PLUMMER or the Sixties. But • i'life!l!Dltobego- also It lm't a bad JIIJ, way' 1iack In this ax.lom to rouow u ~try, &olng back to what a receipt for suc would be termed really an cess. cient In the States. I keep For showbiz In ab Its upect• Is lltcored with seeing groups over here forgotten men and who never really Jt111de It In w<,mer, who Mve dis,. the States doing the thing carded their "1'hlne .. they were doing when they 10 don the Ueody 11'9p left and makina It in Brit plnp of somdhlng new. ain.." ael!':, w~!P!:nf!n :J: Outside EMl'1 office, &t,e 1umed by a passion to atreet, of London are one large rn•k~ •• mes.iage " fi1m, walking mus of umbr~UH, and (and buf1\t.d to • cinder In the procm). H's next c::lot)r to lhe office General happened wilts ttoups - Johnson head man or Chairmen • and singers. ol th.! Board and I wtrt talking. But not, lel II be 1-0ld, In EMI they were throwJng a wllh Pet.er Noone. Ever\ party for lht Chalrmt'l'I with ,11 thOU &h he', just made tht o1d faces, hb flrst slntte without the 1-lermui',: ,-Cermlts tag, The title ls •• Ob You Suggested Preuy U,ln&11., - and PETEii NOONE, dlgo '" Mts h's nclnt µp the chart &town" '' lt't • Th(ngs' F - not 'l'hlng ' '' e-mphuisH Pt.~er. Q r The 1oni ,us wrillt.n by Utvle Bowie, o.f " Sptce ~d,..11l~111thtr•"\~ :it~ :, rJ1~tt: Herman Most, who heard II ~n a demo 11 t MID£M. <;ann'N. CHAIRM1:N OF TI-IE BOARD: heavy lyrics "Mlckie thova,ht read Peter il would be just ~!t~~.'"! :n~·~~~:r;~ 11 was a rantastic :t0na, too." Noone Sully tor 1he song. Bul p•rade, and Chfit he - why ju.st "Peter ~f"Son.a,l!y - will follow. N'oon~ '7 Diet this r11can ·• I realty like Ame,, a n up-dated image ror rica." he says candidly. The General the young man who •• or co11r1e. lhf: pollce became a dollar mllllon.. ann'l like ours, But olre 11 the ,r·nde-r ece or 1h ere·• nine months' IIP After all. the flict 11,1.m me,. Th~ .n1n'1 remah" that Pettr Js ,1111 1-J"rman co mutio11s or ~::ri~a~tsom ewhe~ in of t,he B,oard fans. The sun is aUo out for r.:~n•,~,) N~:g,o~r,~e been around for 10 Pathetic yurs, ,o ,ome people, think I'm ol (j J lhey're illegal. But they're big business. While people buy them in huge quantities at inflated prites~ the "straight" record business gets .more and more irate. So do musicians. Now at last, there is talk of stamping NT'a' ,IAII. out bootlegs. Can it be done? If so, how, and by whom? The MM, the l , first paper to spotlight the mushrooming British bootleg scene two years ago, investigates it again from all angles • • • )32 OW DO the artists. and managers and record con,panies go about stoppi~g aU !his piracy? There · th~~. ow~,\~u~i.ln~~~":tso H are so many ramifications, and some a,nswers are easy, some close to 1mposs1ble, ~on«Jt PEOPLE WHO collect recotds - often fanatical In - alainttacllmont ar1illts. AndID who- • wouldn't want 1o be in on • priv.-per. ~ by an ev- ery ...... ,..on wi i. pinned the ...... failh -.ya ac conlad • super1-? OF COUll8E ...... -,..... -.. -- ., MELODY MAKER. Juoe 19, 1971- 35 J ness. While people buy them in huge traight" record business gets .more bw ~ at last, there is talk of stamping , how, and by whom? The MM, the ~ming British bootleg scene two years 11ngles ... • companies go about stopping all this piracy? There lhtir own internal sec:urit). rs are easy, some close to impossible. The prefslnt: plants are also l coneenued about how ii e fftct:t l.:,y like .. Bootleg Kin.st•• Jeffrey Collins. Who".s openly Haun• them. MMt pJanu can ,pot i lQ htm, a booties quht easily (Jt wa, lt,nan. of plradn3 the ' ' LlVll' :£~s,e1'ie.nioc 00 1lb\1nt He wu J\nf:,d sueh • pl1n1 which recently I/ow Obviou;.ly that i.6n"t going t.o cause much of • problem. to a ttporttd the u.iste.n~e or t ad of havin& to put up will\ lj per 1tnt on lca:itimatc £l albums 1 0 1 ~:i';'.u. ":b1c: \\"t,lt:::: L~· ~l ~u.dJ.' ;~.pp~r : j~1:~o~1 ~ asked to pres, in l•r&e quan 4 r~·~c~~~~:s°'w~ ~!i:?me:r: t~:r,u:~!t~:, i~ •u he's made CSOO.OOIJ, and the way the l•w ,tands he mla:tn JOb they've bt:tn uked 10 undtmtk~ ls genuif\e But you wouldn't have her any other way. Because she's special. She's your future wife. And together you're starting out on a completely new way of Jife. With new responsibilities. This is where we can help. We know the money problems you'll have and we can help }'ou manage them in the best possible way. For instance, if you start putting a bit aside in a deposit account, we can help you save up for your future expenses that much quicker. Because your money will earn interest. And we want to help. Because you're a very important customer to us. And here's why. Take how much you earn a year and multiply it by the number of vears you plan to work. Allowing for a few rises, you'll find at least £50.000 will pass through yoor hands before you retire. Quite possibly much, much more. Figure it out for yourself. That's a lot of money. but it has got to go a long way. Why not send for our free booklet? Write to Barclays Bank, Room 333, 54 Lombard Street, LondonEC3P 3AH. Or pick one up at any Barclays branch. BARCLAYS a good bank t8 get behind you. O..rways tohelpyou manage ,noney better Barc:1ay$ Bank MELODY MAKER; Ju9f 1•, 19'/l--l'Qlt a7 B YNK 1 In lnaland? Wtll., I "u on a -;:.um~iu': !~ ,"fe19: 1:1":~! toot wldl Mkeb Ryder - me&l'lt as • oorapllment and I Mercury were bl~ o. mt WII impress.eel to know that to llp here la NY, a:pd 10 he knew me well ~nough to whn I went 10 Londo" with k"ow that 1 would unde-r.,taod Mltch we were auppOlfd lO Getting what be mHnl by lbat a c~~ fourtnn bot •• comme:nL al5! 1 "He'll never dO anythlna w'fJ ~~,o~oi nm'::': '\1 like thl l. It I PIil on eitbe.r. was •II c,.nceneli We theekH 1 hat', Qne thine rm suu of. Into the Park .L.an-e Ind lat The drummer [ wa, with at th·ere de,cldlng whl.t to dol the trme, who turned out to •• And I ran fnlc> l,c\u RL'lnff be e very e.vU ca1. Lhe.t J had no Idea er at the lime. Whel\ ~h~m a:i:ur(n •l'Jnd~~ "!~~ be walked Jnto the room, that me. r spent • Jct of ti~ in good Buzz u.me nlBht ,Ix minutes after Wales rehe1rctt1.1 with • tne, Bobby threw him a .50 ,;r<>up, E)·e.t of 81ue. 11:nd cenL piece and said 'Oo get the.n we. came lO t.ond~ and recorded the album!' :: ,!.~:;l ,<:!e, c~i;rett~.,k~;::_ what he thought or hJm. 1 feel very clo" to him In ~It Dues ~\.~n~• ::: lu~Y~~d ~= SO Ou:i%y reaUy bas paJd when he 11.)'I certain thlnp 1 from Linhart like th(lt, :!tu~:ub~sttd,:; a=: 1.b!.: 0 of Q:T8!1S In CJ.veland, • l~~:d ol lhJ11?;:{ WJ1, ~o'J Ohlo, where the penalty for know lhe long cut on the po,suaina: m11rfJuam1 ln ,ny tecond•aldt' - • Slna JO)'.' amount J1 3 to 15 yoara In lhe Sta te Pen. "111.al WH • test. ll didn't mun I Wat ~1::~:: k~•~y ~iJ\r::~l1inft heavy eho.nae. t - how can f perfect ud they a.I ve perfect WJJ rtlng to be. In tind I was. But, wow. wonde-rln& if I was have Ptf(eet hearing. the aofey but that wa,s all 1 could going to go awo,y for JS years tf!II them. Bta Jim Sullivan fot 5flffltthlng. 1f l'd kru>wh ~~~h~ij:;: fll;~e~Opm:cg~i_'• played , itar and ~eshav Sat.he what the penalties were I 1 th t>l•)'ed Tabl• Ht pl~td Tabla could have a.voided II alu,. de~'tt:a•r' w!! !~bte 1~ (or tho sound tr•tk of • Help• aethor," c;:qntorm to mlJltarv Ufe and other Beatie Tb.e dnu1 hang,up.s ate. In gave. l'l'lt •n honourable di•• and a couple or char«e. album,. Lhc l)IJ.t tOC>, " I think. th• •• I met ~ lot of ftne people pl~~~~ tt1~ r:Cx::a~"!'1t -~ ~~~~;~yth~~f'n!~e':J:~o~! in t.hert thCI\Alh end th•nk• to tlilt WIii It, Why did J t~Otd Wrona (nt you and to be able aome very patient l)e(lple got ~~o 1/t~%I '~!a::ed '!;J~ :~rn:u~ • mtdlocre Jeve1 All I knew was a bunch of cltehet that I would play ove.r ud ovtr ilit1in ngtlrt!tt the wrong chord. Each day I'd S-l(lfl ploy l'ng and they'd say • no - ,izo :te:dt'o ::~, :~:ro :r~1fl0:! !':~ l~~u.''!nt~ I~~~:..1 ~ "SALE" ! 01~tn!,~~)'a ,~~a rm:!Ult~ ~~f~d ~Jo :.,v~7ayrn~e !~i: *WT WEEK l~f:mn::ht:!n .ft'~ri: ant!: DON'T MISS we u,cd to skip luneh and hove then j.11-u. session.,. "After J &O-t out of the OUR AMAZING "TOP TEN" ALBUMS NIV>' I w~t down to stay , .....,a with friend.$ In M14rnl and ... met David Crosby, Freddie fA'll(US. Em"'°" 1-N fr P,l,,,.t £21$ £1 85 Neil and people Uke that at1.d ---[ 2.40 "AM, Ptl,il Mc(~y £20$ .. got tutned on to .n whole sne:leal krnd of music. I'd fOUFI WA.Y 8 STAffT C"Olby, Srilt. Nntt & YCKing £A 30 £3,70 g~n w~~lnf ~;jk~mfnt~ro: MUD SI.IDE S\.IM., J.otMl l♦yb" C216 CJ.85 11 0SJt.i$A, Otib,111 t2 20 t1H ~~~ J~~t ~wC~r !~/'~!~! ~~~~'111 ~:.,w:1c~k~! ·1t~ that's wh:n I Wlll'll 10 do. I hod tr!ed to play guilar fc..r !OOH~ t1m.e buL a:iuld never do It. But that night 1 went homf, took some duadrlnll! and 10 hours later I'd figu red wt • :Wng, and lWO weeks ~ll~~r r djfd;; ~;:it ••~v:~egi, didn't know how to ,lay thll! gulta.r. and they didn't know either, JO I ju.st pulltd It off. " So I turnt-d into • folk singt>-r tor • whil~ Evcntu• ll)' fl,.. .,..., all I did Wtl..$ to 1witoh ¢ver U--t'rk• ... ..,a to o.leictric 0;nd do th.e ume NANT\JCICET SlflOHl\!ot Mounaon u,s [ 1.85 thlngs and add buii and HOU$( ON THE HILL AIMMnu U:1& c, 8!> drums and suddenly l'm a SONGS FOR aE.GtNHtRS. Grwi.m Ntlth rock 'r, roll singer. which is £~40 £206 1 9 TAPESTRY ~ K,no £2.16 (1 IS w~~:,! ';V:,~~fnaw!~':w'1~b;i11 10 SUMME.R SOl!:TIC(, Jmow how Jon_g It took lO Jt'l nltat on bas, and Luther Rbt l ,m Hin Mi ddy Prior U tS ., .. off ii. but J made up my m.tnd on drumt, who both played abad of dme that I wu nol with Ten Whee) Drive. Start• going to ta.ke it anymore. lng next Wtdnesday we·re recording the new atbum, Obtainable '" I'm from Cleveland. J whkh we'll do Jn four weeks alwa ys wanted \0 be a mu.1ldan and r.ny parent• u led 1&~ it wlJJ be out on Aurust to discourage me, .My dad is a .. Thtre-'11 be 13 sont., - From The Following Branches tool and dJe man in t teel and ten ot chem mine, One of the WAS a fine entertainer before otheo Is ' Let's Get To- Or by mail o rder from Musicland:Music House: !~~Y i:: a:1~be;~:u::J~d f~~.' d\~e {~~; ~{ ti°?~t probably n,vu make it 12 Neasden lane NW.10 me originalJ y. 0 0 anywt.Y and they wanted to •• They und co give me a 'Nllfoic\a aave me the hu.rtac:he ot • credit on It-age for getting Jt &oJ.n& lhrOUah ft and ,.mng.. to their attentJon. Th:at was a 11• CHUACk STil(l"T, 11,INQSTON, 9.IRAEY They ft.It 1 could bt I ffne 44 M AWW::K $flll;ltT, LO!IIDON, W. t. blgb•scbOOI ouuJc. teacher-. big thrill whe tt J'd be In the 44, L(Wl$kj,M ttlCH SfRrtt, UWISHAM.,.S,¥1'.ll audience 11:nd they'd do that I a.J. 1'1.ATUNC AVU«.ll.lUMl' 0,4,1(,, COOWtil'll,MIDOLlSlfX. But when I was 7 or 8 I Uke t.hat stuff! 1l&. HIGH Sll'liUl,W.t.ffOflO, HlU.S. dec-Jded I wa, really golna to "Thee. w11.s a.n uoder, 163. a U.9UflH HIGH AOAO, IOL81.JNrl 1.c»,OQN, ,-w.a. do Jt. J h,id drum le110.ns Z2t. ~H fl.OAO, "40UNSI.OW, MIDOLDE-X. whtl\ I was a icld, and I had g:rou:nd radio statJon out ot tJll."()111011lt.OROAO. L0'1100flC.¥1. II, group, for • tong time and Ne'W Jene)"' fa r a whne caned 1w. tROMl'TOf" 111~0. l(NtGMTSIIIIIOGl,lONOOIN,.$.W..l. WFMU •nd they had me ovu ..._ ftlNO'SflOAO¥CHU..$£A, LOtlOON,'-"'.i. :i( vf::,e~d ":1"~! !, s:: and let m.e sing at tong u I 66. "THl IIIIOAOWAV. (Al.INCi. LOl!riOOH. W.S. = wanttd to arid they taped It $,a, Mftf'HtAOS IUSH lil.Al'lkn , U)\9AIOGl ROAO,.l.ONOOM, W.S,. or 16 when they realJHd I wa, le•nlnc In d111 direction. all and about a quarter of the.Ir torrnat i.t one point -was '"1 wanttd to so to a musk. con.,uvatory to learn more ~~e/~:U:~ldm:1iY.t t~p,: about m\ls.tc and when I got w ouJd coll up and compla·ln out of b.lgh••chooJ J found out that th.tY wanted to hear th.It to &O to the school I someone eJsc ! wa.nted you had ,o be tn the " Once when I'd played The ~o,:.~r:!~~ ~ i~ir .~am e,as!~ht:~:Kd oyJ~~ot~~rn:~ mu.sic. tears I WU so happy, •• I'd dOfl• cvet')'thl.r,g - .. I know BObb)' very brieft)' c.hOir, t,.and orchfftra. led the tad very deeply. He d~•n•.1 orchcsua, and writ.ten so:ng• bclltVd In tolkln,a about and sung all the 1olos but I slmple sJtuatfon•. simple -<0uldn•t a:tt JntO t.be • Choc,J. 0 1 1l wa, very dJsappointlng ;;:~iasor : h:lm?J: ~~: '-v~! " The tfavy had a Con HY hello, hOw are you bu!. .servatot)' !P WashlngtOn and you do n'l me:io lt ..• You l was ~.e.noua.h to aet. l~to &Ol a loc or nen e to HY you lh•t. 1t d.fdn"t last Iona - • are my friend • • : h";.:~1c:~ %':.~rt{'ao~:'~~~ " Pe,ople wall u •nd there. UtN or m,rchl~. and f =f~;g 1~t~:t 'rod l-::y•: NOW EXTENDED 'TIL 26th JUNE couldn't believe lhal shlnfP& ltt--ep the q)nvemtlon up but your 1ho« wu the most 0 1 MAIL ORDIER ■Y RnuRN OF POST Jmp0rtant thing ~t~,1~ 't:e1~!r ,\~:"r~~ YOU CAH OROfR ANY ALIUM YOU WJSH AT 11,i Off USU.Al. RITAJL PtUca hlrn he Just walked up to me •• Mutlcally. I WU not technlcally s ood at rudin• I ~~e t•:~~ ~~uy!;1'f'fee~vf,z; JUST DEDUCT 1 fi'K> FROM THE USUAL !IET"AIL PRICE ~ald pl-.y daocci•band aod IOOklng fn a m i.rnrr • and it rock at1,d rall but stand{ng :~.sJm~~~~ f!dm~~ /~0 1 Jolt pfayed ,ir. melody and we did ll in one 1.akc.. t!~v~ruL f1u\nJ~: ~~:!! n.Unt. ihtl't the wav lhue BASIE'S ou can't thlnM happen "Naturally the. tong was rtontded hy n,11,ny pebple and I wish r had hl'ld a-ente Cnoui:h fO put IL dnwn under my ntme bt'ca uic I'd prob• $1.y be b llllle bit more BASS finandaJly -1: tablt' than I 11r,1 now1" fight Sadik 11 gratdul thal he .....a , lfOUttd di.Iring Lhe btbrlp and POSt bop era, " 1 think Che •ttl(ude r,f mu... kians In MAN ... thtt rorlits 11nd tlflies was more to help one anothfr and listen to one an~thef". 1 1.11cd to go lD Oud Puwc.11', hnu,1•, I used to go to Monk'.s houit and Monk u1ed tn come up to my ht,u&f', We used lo f:llt• City Hall chanie ldtU There was no such thln t l!lt th•L Ume ur tcylng to cut. uch other. " It seemed like more musl• N the I 940s pianis~ saaik Hakim played and re• den~ g.1lhered and got 1ogtlher In New York then. I corded with all or them - Bird, Prez, Ben, Evt,body was trying to 16,n Dexter, Lockjaw. He was known as io\rgonne ln r,,t Nf)W It aeems llke Thornton In those days. evCr,ybl}(ly hide, •• If lt'J a mrntery Se<.'tf"t 10 know about In 1he 1950s he blew with 'We haw used the C4S 1 FET Mikff for O\lt t 18 months now and ore highly defightitd witft the sound on.d works 10 were othtr oroups we hove looned them to." wyi Mk.le Parish, soUnd Mgitttttt of wonders n,. Eqvol.<, "t hove O sele<.tion of At DYNAMIC ■ AKG d)'nomics or• used in Bolh lh• D190 nearly ~ery re Interested In full Li terolure1 Nom• • Nome of Or9Cll'lftotlon Addreu • A.K.G. EQUIPMENT employ thtH elffll'onJc engineen dealJng u:duslvely with microphones If lnformol chat, without obllgotio"• oboul the use of t:ondenser mk,ophonn and the tec::IMiciil • in general, pbtote write to u, .or- let.phone Mra. Stembtidve for oppointm.,._ A.K.G. EQUIPMENT LTD., 182-1 Kensington, LONDON W a four-page Melody Maker spotlight on sound techniques · HE trend for rock groups to mike up T their instruments through small amplifiers and then through a large PA system instead or playing instruments directly through a large stack is catch• Ing on ,n this country. Miking it 1t orfAinated in 1~10 St.at(!:. - and it's m~ing ure hard ror f(,a.d1es who roost now monitor and ICl up an)'thlng up Io 2.o microphones on a stegt ln..,tead of one for ~ach vocalist W~e o~t FJ~~j•~·ghi~':n!~~dr:;n::~l:f::,~~~· kllO'lts 1U tht prc-.blen,s. Currf~tl\ wo rlclnr. fo: Graham De lJ o.ncl Arc, Baiz 1., ,n 1trcai1 dtmano ffGfll Amfri~n hands Vf:illma En,:1•nCed IO u til gel n ,te)Od 0 3 sound thrnw Somt groups ~frfgisi:~r::,h~~ u:i, •~::~!! 7tt~i~,o~ fi:, 0)1~!-UD P~:~~~ 1 114 ,~: ~~;;.. ~~~. '~~rcb" :'~~t; :'~h~fm~~~~yon~ on~~: ~r~~1~tm'.;':":nd Barrington the people_ In tflt front row •~~!eten~': ~et b1utt:d OUl 11111d Lhe one,s bH• _guftar. one on the than \Ising lots of mike~ •II at lhe back etn'l hCilr four Tot CODCIS, on the drum kil, over tht drum$. nukes "Tht' birnd h111.l thern point• two vac:11 mikes. one each on lhev ust ace R£ 16 OT' RE 11>.;. Marsh-Ward !ni -.JJ ro1.n1d lhe hall, an-cl tht two guiuir emps. two on !'Nit.le by £1eclrovofcc. An thf' pi1i,o and one. oo tht American finn and they an• tone rcspon~c ~ven with a :~l~Pt~~ t:narr~ti 11~1,' :f 1~~ Usie)' orsan, which takn amoo,: lhe: but (n the ~uy long dlble from 1htm l ~"!~"1o\l~h~~~;ntw~~ r~~( am~ and so the drummf'..r net-ds a ICNld or pQWt-r 10 be he.rd abt,ve the insc.rumcni.s They lake the bottnm skln.s off lhc drums and roe the mike lnftdt' to Re.t the: but IOOnd •• I don't think il'I a. rf'ally good ldtll but I WIISn'l the MIUnd t>nglnf"e-r for him. Thtre WfH~ really more mikes then ht actually n"edr-d - one on ea.ch drum and two overhead• ~~e!Ji~guft 8 thb~t cymbals 1s " Th~ Band UJc ;, German m:tkc of microphone c.Utd Sennhe.l11e:rs which are sMpe-d like cigar, a nd were u.sed fn Ule Star Club in 1-lamburg when the Beatles wtrc play• ing thot"re long aau For U1t guuar amp rni~ts they hnc Sl'I Amufoan make, an Alt~• Laru-u:is H ear thefr latest disc 20" T!cy ui:S< Ha~e t~I ,,:~ "Malt and Barley Blues" lor the vocals, two fqr earh of the Lesll!yi. four on I.he drums, 1wo on the 1u1u1r Qnd bass and others suateg.1e&Jly placed In cabinets here and there ,. • Add"" la P A 01!:pJ'1fflel'l1. P'(9 8t1~na.~ CQrt.mu.nic.tt1lOme Llf'Mtd. & • °'ct11111J Ro.er Royr.1on. Hen, • Pleas.e \n(l nM, ntOf't".flbOl.tt Ptu!,ps EL60ot2 ~l!m-,t'fl.. ~t9h q1,14h'lv • ITIICfOIIN)ne • My -r Sctmt-r Ouk:r • N11111c • ·• ------. - ---T w1:i,1~ Roger b pa111,mutrr at la•hlng bis mike over the hud, of lhe N!t l of l h t 'nho, Tin, Turner, hi mis , tress or Uu: phalHc S)'mhol Mtss Turne r. durln• her MER THEFAMILY. elevating •nd •limulatlng pi:rlormancu with the lkt" We've been in the microphone same high acoustic quality I.hat has and Tina Turner Revue. business for over 40 years now. set standards all over the world. displays III relaU.on:shlp with her mM;ro phone., suit•bly And in all that time we've built All these products are shown sheathed one huten• to up quite a family. and explained in detail in the Beyer add. that 1, pun:ly uirual.. Ribbon mikes, moving coil mikes, Dynamic Catalogue. Sh!,~P~~rtlebyo; !~g~:,;::. Jieadphones. s tands, accessories, Which, if y9u are a t all interested 1u re11., to t"ndow dccidt"dly equipment, is u..omechanlcal <"harac;terbtJcs the lot. in better somet.hing to her lns1rvment.: ge,1tures Over 50 in fact. you should send for. which httve betn known to brfnJ a bot nush t.o the All these products. made to the chC'tka-, Mos1 or the bla showb~ • inaeri, Busey, Sinatra, JontS, etc,, have whac ls known in the lradt" a.JI ., microphone technique,"' which means they know !~~h h:n'7ie '3'e'~itc~hrooih Which St more than an be nid for many emauv, and ~"ho<' ap;:~~~oOla~ ,::5'J~ (1ubs, pubs and ballrQO,ns, So!'r'le tnat mikes like Jack the Ripper treaced hi.11 surgi¢al cqujprnenL nere is always lhe. bl0ckhcad who lnslsts on blowing ll'lt0 M,; mkrophone to tee it It Is working, which h.» the tfftt.t ot • roe«- nfne pie :~r-u,the d.eUcate moving MIKE ANO TINA TURNER: sexual relationship Generation Otben sjmply drop them to the floor with • sict enln1 {9:ampian} U,ud, atand on them. oc- tap W.m with .small h.a mintn. ft"';'!~ifn:P• the whltt; " JS EST AB LISH ED FOR 40 years. After i uch lreatme-nt, It is a alowlng tribute to the work Where design and quality matters. f~a~ 1 , uu capab~:r:sle:~~~f~ of carryingt ~~:e:: out ,,, function, Quite why so ma11y with hideous voices find It 11ccu eao- lo ompllf.y thetn Is as great an enigma as: fa ces the c1mvman who lalbour, tlnder tho b.urd e.n er the uafY who wbh the:lr tea. wre, 10 be lm1t10rtllilil'N on film., It, 1, a quotfon .,._.t no doobt occutrcd I.() AdOlt voo Bliltcnblatt -and would ~x PlaJn why he never actually Invented the microphone: arid went on to fritter b.1$ $UbstanU.I fortune o,n Ms ill-fated &rus-nau[n& mach inery, Which lnddenlllllf ""'" and rot lbc be:ntftt of students. <>per.led on a croa-threadltd !tplndlo of eocenulc, motion, encaaed ln an oll bath~ chaln drlwa ~ by the. four ICROPHONES will M play an Important part In Ille success of the Electric Ugh! Or chestra wb"n -dlls ambi tiOIII musical brainchild what's of Move lead guitarist ELD, ELD Roy Wood talces th" ro•d later this yaar. "Before we co on the road,. we wlll h~ve a plle or mlltn and ex~rfmfflt to ste what ls best suited ror each !::tt~:r"·~r~!1'':10~:¥~ all this then ? hlH. ,. W& are aJ:tudy trying out a variety or pick-ups spedally ~1:tl:~a~ a;:~•l~::1-:, 1 the studJo.... :1:c,~~he :irm/:ghab~ a!f~ JlOy Wood 31)tftd$ • lot of naahr. W~ wllt be wstng \hem IA(lc my lime creath:i g sound dtec-c, • ' ror •trlnga. as -won u ln seJeet baMOOn and ~ hlJ hon,e UnJe Atton •t Sunon Cold.fie.ld, u The Fttl\Ch horn wcn't 1 1 ~,:~ !f!:o~hot>,.>'e ict~. • :r,;e•o• l~~rm=,: ' "'At home:"'I am not able to 0 ~•di.ly produ~ tht< flffttLs I t:'.!:.t!. ,:•:.~1f J1~ can in • 1tudlo wlth • proper gel picked up tty th°' "()Cal console, so l h1vl\ var1ou, mlke. mlket. to n:Cl"el.te lhe pm,e "Thett wlll also be oo ntt!d ,or a mforophone for the souods." upl a.ln-e-d Roy. drums bt-cauff Bev Deva.a. l.i Oslng • 8. & O. 2000 hip(' one or th• loudttt dnammeJ1; ncorder, made b}' B•nk & Oh1rJtrt. he Re-ts a l"lch vocaJ ~~sh':," .:r~erta~,: d!es~~ sound With a Beyer mien,.. ~~:r ::y drJ"t1!~~•~:l).tbln.k r:::n~,:wJ=, 1fo: t.fttcts Uk~ • Sp.a.rky=-t)'Pf ~~:.~ r:ru~fnJru::5, ex~ 10-,md. p.t=rlrnent with con:tae1 mlku., ,.. u,, clapped out and tbls \ill.ft~ on• for each drum an.d prokbly be1ps me to Re-t thll SOUftd,.. ad..mltted Ro1, ~~.f. them throuah • Hoe went on.: •• l am also ln the r~rdlng .studJOs, able to &C!t varioiu \' '" ~e?!=~~·:'l:t~~:~k~~· -1 ~r.:~':f/n°'!=f'Jbr,xflwoolllltt \ . : Aur. VAJ02a Vocal l ....,...,..,.,.,em: Nair• : C-on!r(W con1ore-ampl1fler -• ·--"~"~ \, 41/td tNO speaker C()hi-lTU'IS 8ffn5J# you lhre quality and -~ · :...... I 1ersat1hty 01 rocordtng ' ' •tUQ,o conffof during t1vo l------·----·-----"""'1J Derfour1ancM,-bom 1ndoo1s ar,d outdOGIS ICROPHONES can M be classifi ed in sever~! ways, according to their physical design Everything you (such as carbon, crystal, ceramic, ribbon, ribbon velocity, dynamic (mov ■ Having trouble ing-coil), capacitor (con• elec:lrifying your denser), and semicon violin? ever wanted ductor. Then .. stuff it with 0 c.onon woof.. or evfll In ~=fatf:~ :~o t~ei,~t:; better Kapok which can be bought in ~~~ ~~~a8~~tt~ ,:r:-~ Woofwotths for fiUing phone sentlllvlty at various cushions. end use • De angles) as dJrec::UonaJ, omnt. to know Armond contact mik•.'' d irectlonaT1 bl~lrecUon.tll, A.civic• from East of poly-dlr""llonal, svper-dlrec £cten·s Dave Art>us who tlonll, hypt-MlJreettonaJ, and has been p!ayiog-a,,d cardioid. Vet. ,u-.other catt.· having 110uble with gory could rercr to special amplifying VH>lins for application modds, for ex• th6 1ast- am.pie, n dlo, dual SlfffO~ about mikes ... Deve - oft putting conti.ct, Up. and lavaJfer. his mi<• t!Yough en the £1,eyclop•~ln Orlllln• microphone Include the ordinary stand nlca defines II m1erol)hone as blmorph (two elemt'nU PIil by microf)hone. appar«atty a device for converting acousUe powe:r Into eJe,clric ~oy~~,~~ r;1._~:;::~e :::!~e~ it •-ed good but lie power which hli.t euenually models 1.nd the tou.n.d-ceU. In Donald Aldous wasnot-.!by sln,llar wave chartctetistics, which ..uve ra.l elements are anyone himsall. but The.rt lf'1! many ways In 11.1:cbd In • pile $Ning a violinist in which 1his eonveulon c:an be Mart-sh.a~ or cardioid. Tt\f.s action did get people achie.ved, a, lndltated by the PO: :S,'on~~~pa~':,i:::;,cy :i; makes It noi.,tM11Jcr tmln1tJng interested. cla.ss-ltl<:atic)n.s above. l.eL'11 oulpul. but ml.in dlStdvenllge against unwanted •OUnd have these t)'Pet with a glance at ~danC'e. wh1e,b means that mkrophon.es are nitable .. for 1ht now obsolescent CAtbon lhe unit ITIUlt M l ~ loc~ted --(which mlcropbone, although, -ar 100 far from the prt,amphffer hf&h-g.rade awdio rtcordlng you get with any course, h IJ atlll widely us.cd 1npuL Thi$ means long leads ,nd, In Ill basic form. t.hl• acoustic fns1n.ment ln telephony, a.lrcraft •nd 0 when fitted w ith a e.111er,:ency communkeUon i~;:;b1!~Yian~ '~/1 a:n::~,.~cg ~.~ • ~~aph~~msu:oo:~:;•~C:e pck. up) Md not beiog sy4tenu. place •nd tl'le other a fixed abJe to get enough Operating on lhe contaet ~~~!nedm~~d ~:e s'hrefdr~; back pl.ate This Is a capsule Vo&l..fflt; t'O rise above resJ.tu.nca varl.1tfon princlplt, earthed. the sound pre:nure comprtt• AMther type of m..iCN)Ohone :.":e~r~;t~~o! ~~mJ,a~: therutotth6bancL $CS the carbon uanulcs and t, the ribbon (or vtlod1y), ln ragm cause:, changu In Che Oave has tried solid .so produce ;an 111 1Cern11tin,a: which a very thin me.t■Jllc capacitance, and a volla,te violins whiieh would cut electric re11ist•nce wllieh ribbon ls suspended In • chan«e occurt across the tap,. out th6 feedback modul~tes the- currtnl $UP• .sttong magnetic ~tld, Soun~ ,ute due co current ch.•n.Rtt probJems ,and ove •nibtt tts "an ~n\~• taJnmt'n1,•• fa1l11 intc.1 thrtt sections, He u lls them RAY RUS 1 "ohaaes.'' Tht-. Jlrtt •ubtltled SELL'S con ~h ~o!!:rt!."•em "Thai H e111,n· F~tlfo' ,.. ts ••· Thett' .,. prob :t~Xo~ sale on Blue Note: cert at the lems heft, of ICA last week l'OUrHt bttlUIC the Ant Council'• A.1 O"'MUI of that t(!COtd WO$ will )lnow, It c.tontflU or nll'I\I a good ctiarttable atatua I nu:.h with Utle, tuc-h a.t example of prohlbtu It fro• ·• tave Vlbrat.Jon1." "Peace." the kind of cnterin1- Into 1'0)'• " Wipe Aw:sy The Evil .. and alt)' agrcemtntJi "The Moppy MedJum." Most he l p which of thtm havo vocals, the Arts •nd ■ 11 1h, JlnaD-- S liver a:lya ttlot It features Council or clal p.araphHnl• •• lhtte yc>uog, and vlbrafn Great Britain II• wtileh aur• iln~." One. of 1hem. Andy has been giv round• 111cord~ Ocy, m•de eome lmpre.ssion lnl•• Wttat'r hap-. bue wlt.h an Uet calJC'd Andy ing lo British pening It tbal th, lllfld lb~ Bty Si11 ttrs, Jazz musl ., He Is an extremely glhed council pay, the mutldian, who previously sang cta n s for (IIU.tlclan's feu. 111nd played pu1.no wlth his som" Ume TONY OXLEY: assisted wblli!! the n eord sister11." writes Jiorae-c, •• More. now. company COD• h~•~a~:a!n~~~!cdRo':1~h It.., support b of ce.rned pay. the 1tadlo course. hotly Crilltb:ed cott-1. " Jaekie VerdtU. formttly by i;c,me commentators, Th• count.U has not .set with th~ Swut Jn.splraUMt, th really mallet you £ee1 what who maintain ... that Jau. t..:.t~'":.;;: i! ;f~•: she is aln_g1ng, O.all Ntl$0n, evolved as IL did because Helping or • p,od thing to do to - 0 ot tts straltt.nfd dr.. •Dd the (kl Ulal the op. ~~;r!~~:le ~ "'lo,~:•~~~Se~~ wmstances, and that to porwnlllH for COffllnt.tdal vatocy or M'-'IIC. and sina• AC:Ordln, aft thtte_ at 'with a beautifully eclea.r. warm ft!: "t~ IHH In tlaeory If nol 1111 sound." ~=:;::td;UI apl.rtt., I• bound to b9 a-e lhe dtalh or the music. arsumant aaalftfl .,.urtently ln produe,. helps l, 10 ftu11ee the Jan commtnt to tht tffccl lhJt N'~l ArdJey - an )'OU,_.er Cc:ntre S JETHRO rnm7~ TULL usE Ltl...l \vwLl L\ 171. MALDEN WAY, NEW MALDEN. SURREY. Ot 603 2954 r more etails and Free catalogues send your S.A. . . BUYING OR SELLING? Vhic:hever it h, the Classified A~vertisem•qt.columns ~f MelOdy Maker it the aruwe r for yo11. Full detoih on oppl► KING STREET RECORDS I ' c.:ofion lo tho AdvertlHm•nt Manoger, Melody Mob,, 120 KING STREET, HAMMERSMITH, LONDON W6 161,166 Flt.ti SITNt, London. E.C.4 , -- cnry R. ll. Schmln -.lolht tn.10 an .-.KG DIN mike on 1 • sled Md le INt throuah the ~•••• SN.. waU W£M ,1'1\TY fllJl~S'l lf}NS?_ ::ri,111,e C::""v'l~ir. ;!! :.; wa y 11 lh•t you Jtt • mucb bttttr 1one1 wltb more c1ar WHAT equipment ill Ina 1or an o,p nb t, wbo wUJ Jty, fb-an you would wilh a pl•Y • HunmOnd 8$ with :~f~P oj, the wed by Ror)' Gal• two 1.A.sllc ton'll oablnets, ~=•ttu=:~i 1,ffl lagher and his sup. which Js their slandard ~t~ method. Jt.1llan also • much betttr fde• poning musicians? - :rllceTbi~dab~lt ~~~ t:o;r; of w bal ~ ,cu.lids Hite Ir, Andrew McPhay, r,owtr. who hu ltft io riell'llloo to the mt or the YE have joined the battle against the Dundee. form his own a,ou9, 1"helr band, becaute everythlna Soul PA b a WEM 1,2410 watt g,Oes tluovab1 the PA. n,e P bootleggers, ■ ROfl' plays a Fender comprlsln.,g eJ1ht • x 12 On July g they will i.sue The l'latten' oldie, • Swett Str&loeutel'. • Fender columns and four horn :in~rhJ, ":;r:1.··t: p~.~ Telecuttl' - a Mnn columns wllh two AudJo. why mott band:, do not llke. Sweet Lovin." Th@. record has become • sought after t.tn 0 item s1nce its re.lt!ase in 1966 add r~entf. bootlea D35. He .... a Vox AC30 master mb:en and ~o!! •~• f~J!'e ••~ 1111plllltt, oceaslonally wltll 100•Wlll1 .slavo amp.,. Their b•;1k! 0 Ulcn-rorc ca11' t do any dan• ~11\h~ofc. ~: a treble boost•• or a nciwut 1,.P1 tltlH ••Otokffl ~p~ ':~: ~~n~~fc::;:~ ~ ~~iar Stramp Po- Baby c;o.,.. Barricades.•• was tclea..ted on 1 _, uspllller containing June 4 on. Cb~11ll1 :~~ atr~R ZX~ ~~ :~d:~::r ~:~ D~~~ :e~r~'11'i:~d; :r·lhePy~:~rod=~ ~ (Lshu,d). They wilt not be! worked In their tortbcomtna To two U.lnch teo..wau LP. ,. Going 6ack Detroit.'" Celestfon speaken. For 11 1 Preaumably Pye v.ould lik'l to cmulat• the .._.CCNI -,f !:~1fc'.s W-~y °:~n::;J 1!,°'th: >.re there any boolo on Taml Lynn's re,cotd, which was Issued by Mojo after bane Scates for • tour al 1he tnd makh18 ll lute or c,n you hootJeggod up North. ~ ~·~."~1~· ~ or J une. PETU put .me In touch with :an MeanwhUe It look.J like MoJo h ave picked -another win Stnmp -~ Sb Writings of Breuker ntu.iJc, particulerly •• Snt:lhcld 40~70,'' whkh ts " duet (o,- !ft;,n a!t1~·:1tlr~"\:O~~,~~ bas&•clarlDe-t. "Gib Mir Nach'' comes fr Q-m ll'lt Hulon wblth ~~~~.T~unk~h ~,amr:11l ' .. •. 1969," and is. i$ second!!. o; ·,. .. etular song featuring Jea,unt1 ,, ' 0-~vioutly th.cre'ti too much lt':;~ mus1e here lO describe! ln d~ taH, and l can bvl recommend {:t: • I~•• the pla)'ing or Rob du 8(1.h: on. _piano Md ora:11.n. and ~'-:~. Willt!m v1n Manen's ar,-..dng !, ., ...... ~ombon~ partlcul.arly _on .~\"1r-, Std!! two . .. The Mes.sage... ls an \., --~' opera writte.n hy Ureuke·r 11nd ,hts performance was :eccSrdtd .. i. ~, ~!n~~,~M~~rrn:;.:~e~~ htar the audience- responding fj;_.--~; ;:.:!i!"i=Ctse~l&v:~u~h! .. ,-;t-· di:rint~t.illle,, Into $0me humor .. , ou.s clarint\ a.nUts. .. Sutrc.ring.. is • totnbH' ~' ) • j fllegy, with m0$l dcliQtlt- wnt. ,,. ''-11 .. !!'lJ~d!hJot h'"!~ b':":•bi~1: ✓• "r.·, . ! Bre_uker voc:f a.nd •• CollblM Stomp" Hves op to itt rame • • r with • eod•Ofxletand Nish. OM of the mo,t .;>utstanding mov~ent& i.t "Trauennuslt ·· which mopes a lClnl 11\1.e a ) ;~~P:{;f· ;::S!~~.t~s~ '1~ ·; i : · ct W•a.-per'S' .. Traue"lnfon,e •· Van Manen prove$ h1mulf t() be a 5U"Pfltbly re.sourceful trom• bontst here., penetratlng lhe : - i: rffds' meandering lines with • j,.bbing, .staccato impr4'viS• at.kin which rivals Paul Ruth• =· ':.. /:: erford. Bl'nnlnk's alt.0 solo is u halfy and scary as )"lu'd .. •·<..., wiih. .. ~ WH!em. Brwker Is a.n nton• ;~ i&hlnC musician, and tllo.se '), \ albums reftect his very lnttr• .. ·-~··· est1ng and broad ~on«pt or ::- ,'i music. Hear them,-R.W. •. • ·<. I ...... · _.,. . ' ., ., ·" NAt ~--·' COLE 9 In brief 0 professional thouah 1he cook• f'ltANK WESS: "' Wets To Int I.!!. but that'& life I guess ...... (S'"" 23U OJI) , l~~mc!'i~~::ntr;i~I:,ty ':'ij!!; and ,uchlike, "Wlllow w~ep In Mtm_phlJ or even Pletea make a nice, friendly, For Me·• ls one or the bttl Muacle Shoals. .. whe.s-e these u-aclc• were eut. "6 .art Of nol'le - exoepl and be.si known1 and a very it tilt U.et when Roland u s~red , xample or tlute play "Undl!r Ho1i" "Wu&Wlltd Ing lt i.s- - hoppTna alonii Ko," Rt.)' Brya.nt't "Cubinu IClrt 11 • • his moat lnHnita,y e{oquend )' ovu che Stax - I nd tltere Uffl!J a lway.s tD ~s~?!i'" s:r~ °lot,~:, m.o:en:~: (Mu.ttle Shoals?,) rhythm 8 ?a!'_&b• chance that a nur,y :~:~~I :on~~~~m~!igotid~ .,... rttOrdlng wlll ni•ke It ?1~G:!1~~L b;• ~~~w ~us~t Sea.fed., Oellvered " are other =. thac 11t•un(i(,r$10(ld rtpute. and '" Ooh ChUd .. th. 0 !.u{r: .::r:,,, -~~:t -~!! oi ~mn.!"\uTJ" ! :f:' ofku ~~u~i: ,i;:J ~~~ 1une on w}lfch vibu and w11- Dfu11 ch-~~•• « sot somethtna, to do w ith co prnduction. Hot t.UY to tt.O wa,guitu CQmbitif: tor an oul.lng birf()re ttute and brass ~~ {S~!x' ' 1{:; prccitte why hordes ot u1.ke ove1. Good &ound bul becaUle. fl r.ealares lb~ produ<:ets. c;<),dJ tto, engineers unrottuD<ly my copy 1elodk -al\d often w:se~me '""stick-4 ·• on thts track. - te of FrH IJc. Weas ~~:deJ~·:t~lp •i: M,J. acluttered but not wilh this ffule-fln.d ~ba.nd dish, News from the hea PUhSE of the music scene Guitar Winwood Vox organ foursome US album for homes from withdrawn and clubs Selmer NITED Artists Inc. have agreed to withdraw U all existing copies of the double album "Win• FOUR new Gibson gu1te.rs wood" rcelased last momh in America only. which are now being marketed in has been the subject of a recent temporary re the UK by s,,m.,.. straining injunction obtained by Steve Winwood The SG-200 ls a double. and Island Records Ltd in Los Angeles. cut.tw,y mOdcl wJlh-. a body Announcing th~ dtcis1on, made after amicable dis of clca.r grade poplar fintthed cusstOns between VA Bnlsh head Martin Davis and ~ch~-G~~~ e:J~c:,n ~ Winwood's mana.ge:r, Chris Blackwell. UA said chat flngtrt>ot.rJ t, rosewood with although they (e.lt the set was of considerable merit lhey dot,t-ed inla)ls and the 22 f:tt.s we.re roore interested in retaining artl&t company relations are nickeJ silver. The brl4gt has been newly desl&ned with wh~:~ ~~S!~!,m~~;ct~m~~W:~· Spencer Divis croup, mut'I$ to ad1ust the: intona• Tn.fflc. Blind Faith, and material that featured Wfnwood Uon, Jamming wlt,b fritndt indudln,t Eric Clapton STEVIE WINWOOO: considerable merit Tbut are two pick-ups. one. tt~':d;:i~blrfn ~~'bt b:~ 1tt i.n solid... brass mounting rin~. TM. g_Utar bu volumt.: and tone controls and two rr l!ln•t often that a com· "on-off.. 1.H~ Jwitche.. A MCAs gnome sweet gnome plete.Jy unknown a.rtlst - un~ standby effect is crnted known to Brit1i11. that is - wht.n both 1wJtches are jn the Tidae - •• Do~ The Fcm~I<' &t.ts tb~ hJ&l'l,.pOWe-red. VIP ••off•• ~lion. The system is 'plOg~E !~!~dpem:~~:~, Explorer." The only diffc-rcnet treatmcnL free of in~nnodulatlon. p.lastic gnomes from g.a.r, - lhC$e gnomes a.re etird• But Juch ts the c:.ue with bc&rd CUt·0ULs to stand in RuS!IJOtt rolk slnj:t r Ivan The $(HOO lt e.ueuy the dE.ns ftlturint; these and tt>OOrd sh<>ps, s.me, but with a sincJe pkk such ~her kitsch obiet d'art Rebroft, who amved tbi• op, The, S8◄00 is a Jong scale But the gnome mot.If wtn wttk from se,;fn. Ivan. who (34j inch) double cutaway as ers8ti wdls .an:I wheel• also be uted ro promote bass guftar with simllw feat• barrows .should havt .l Stoe: " Fi&hl The Flab " spot in hl.s PtO:!Jrammes. Each week thrO'Us.bout the season,... • port,ble TV wlll bt given away u each camp to the. Ptr60n who loses the most weight du.ring the week !1~":oct :nv()rJ:;1tb:u::!C:.l~, Slim Soln. It compris~• two metal dl5C$ whfcb rotat• ,-,n ball bearlngt., The. user Sll,nds on lhe dJacs: 1.nd does a vari ety or exer-ciaes, 41 w: ai•;~f:1lt~ n:rn;:d!~ ~~•nyFt~!nor,M~~~~~d, Pw1lhc.h and Skfgnu,. 1,500 for Youth Music Festival OVER l,$00 c.htJdren trorn Brand, BBC you\h musle: Ot' 1chool11 all ove.r the coun1.t1 ganlHT Ancbony Frlue.Green. duslcal clulnettltt. Jatk :I~ d:~tii~t:.iaoJh~!,:I t:! Bryn,t,t, PSalon guJtartM Ivor Y9Uth. sponaored by lbe Malranta Ud ordl•tn. and Muaical lnsttuntent Pr EASYRIDER 00 OCTET GOGGLEBOX AMBROSE: a thriving IU'sery l'IE death ALL AT £1.90 pair T of Bert Ser,d C W O {plus I 0p l) & p ) IO VELVET FLARES T '-hr\ C11.-.-, \ '~ t5 tl ,i;-, Ambrose, 10 NAYLOR ROAD Je,,e p ~ <:1-. •~ e I r , ,r ECONOPTICS CO. '~!31 '9"" ·,~.,.- .H'ltl' , • v end the enigma l MAIL ORDER 0 N LVI LONDON, N20 I"~' 1Op 1T ' " p~ ,,.,, • u c 'I'• tic, imper Ambrose: turbable JANE GREY Dept. M band leader 69 A"1n loy Ror,d London S E 19 with the dry, melancholy drawl, ends a glamorous royalty's lfCOID URGAINS chapter in 10" OH UP TO C15 .., ~--, -.~ .. ,...... ;i.,.. . ,. ""~ the memor II .., _.,-..,.cl:~•u.,11• , t..,-.~!\I, able history of dance o .... ,., ...... ,,.. •• _.,..._ ,....., to,lo••.. • ••.. , -col .Jtll music. There JTOto-11.Knowic• co m darling l ,.C.,.tw. J-IN(...... N,¥U will never be anyone ,so.....,Tl>I . •Ol..., •4tl..,.. I UI.""'" ~ more svmpto Mt-'llo ... ll', •· _,., 7,.NCh, matic of the by CHRIS HAYES days in whJch he Hved. Darling or society and royalty. Ambrose fronted with dignity and eleg>oce • c-risp. dyrnamic, versatile band playing_ ex.Qulsfte ar• ni.ng:tmct1t!, with swinging choruies by gifted soloists. His star-studd~ specially• augm~nted 2-0-piece outfit bro, aet IL to11ether" One c.an who can lead • band. the bpt alklna me to IQ down to undttltand thlll kind of rHC'· sort of guy who would ht Southffkl 10 hNr lhem. He d on, head bOy -at .school t•m no rans me up and Hid how 1ood Out U:us we-ck, ]lilt rar the •oi>d a t undersrond;na bu,f.. they were So r ftnally we.el nd nf'ls fllhe:r, down lo Sou~nd. ancl won• ~1~~~Jo~ r:: •h~in~ll;~r:l ., I did a f'tW cOsti~n.J to dered why lht. band wttu•& The strange lack or act1v1ty, Peter lt1ed to urn aome b.r~ad, bul I'm not ta1k1na to me. They J111t didn't fruits 0 piec;e. toa~lher the- rtasiOns ror 1 on involuntary drop~uL !:Y •1i~~•,•~iin,!~t !~~ c~t ;'~b~t~ ~n~ ~t~m~o~ alive Wl>Tk n'l play. It was I ?oke you In " red jacket, lll\d bl\le "e. They hadn'1 really expect• co:nermongcr·, c..or,, he put l0• "After I h!ft Vu, Slod\\tyn Pf& ea.me along and 1hat Wu td rnt to come d9v,n, •nd they of his th 11 touldn'L rHII)' pity. I 101 t..m~ : : cfok~ ~~ :~i:.~rcce ,; barra,sed u weir. Tht)' Md p.r1ce and talked with • rnf,r.. ::::e :::c~'::·~~!r,;;' ar~: 1 Ju~t 13ked rnt. d own a, • )ob . 1ure or ahrvs,. wry grin., and so I ~et s11Spidot1.!I now WM.n hqpe :!~~ ::~~:~~-~f.1 !1. Harvest case of an a week. Tht b•ml wu-~,~= com, people rh11 me up" pleteJy unde-r nhear.sed ai11d or • 11 the aia, we did, 1 only en MARTIN Fo_rd:, in his Joyed the lul 9ne. J Ju•r did• Discipline own word,, 1s a con• Auditions n'I th Jn, I Jtuek OUf 11kt a 50re lbUrl1b. II WU a b•d doctor, a French horn Would Peter'"11 kind or mualc "Whtn I lr tl Yes r novcr m11.rri•4• find nrcided a di• have tn be free a r1d heavUy player, and a fixer " - •orct. Although they wen not so long ago be Md a defi nite plan for what improvl.ationaT? I wa, 11) do, but I ha1S an ~!=~'r et~>'~~ :>'u:.Jcally we 01 0 11 wu researching in ex-Yes man ldu of aeHlng a band to~eth =~ w:u~ M " ea,;;:Jn: ~':•'!\e-:! HCIS at the Natural er. What foxed me wa,,: 3ettlna I rttt off wilb Yes, U would lbe pc:Qple, I even h1d a rom h ave to be • band with di.I• History M useum, ~n)' lhat would havt put up Problems dplfne. I don't like O'lt.rlonr South Kensington. " GROUP split" an- times 1>.ettlng lOU&het Md blnM.lon or bad hick and miss the mo ney. P<>r f'Jt1-ct1 bread 11010• a nd iii hn-portanl to lOllJthe.r, td opportunities. " Afltr th.a t 1 spent two hav·e Oilnp llke the b•,s and So why sbould this guy nounces the MM Pt ttt Banks, ag.ed 2.4, b. • ~::,g:,o l~:o~~lt ~Ul I rould- $11 back and (;Iv• London's headJines. 0 Musician to months t.ryfo,c: to get a ba nd dri.rm, work.Ina tc.>gf-tMr. Wish good guit.atlJl. He wag whh a 811~~~~~e:s1ci!~ :r'~:~ti.!: tn,:e1her but got Int(> tlnJ1n(.it1 I bone Ash ar~ an e·.. mpfe of •Ion rnusicla.n .stt.oo a lood gtQl.lp Yt-s He IC!ft them " The peoplt I 11ppro:achtd quit." Whal happens with two kJtti-.n, and • girl were already In 01-t.ibhahcd problems, I've goL pretty set • v,ry good bud wha play fiffll broadside, tn hJs ow,, on a nJc-e Juel. Thty are the when a top, player de ~~. ~~~~ t!'~~~~;~ ho ~)':Smt:iaS::.f::,r\-1!' b1nd1 and didn't want 10 Ide.as about what I want lo wards "It's a bf~ aw Alo~~ J~o~:;~,~~ leave. Ian Wtllace with Kins do. but 1 d0/t'I wa,-n to be a bn c band I have attn In a rul tet-u~ chronic "1 lc's cides to make a break Some w(luld agree th.at worried, ainxhn•• on~ dflterm• lr:adf'r.'' ,vear.'' Peter ,, mort 1h1m j118l a Crim,on was lntcrested but llffl'Y simple really be and leave a successful lne~kt~ :n:n~ ";J~,~~1~e:· Is Bob Fripp rang him the next •• I don't want to tell other How ltu Peter $urvlved iln• good guitarist He is an ex- pc,ople wh,u tn play. ll'a a:or ancl11ly? cavse Ford I,: on 1he brink band? laoklni for a 1111, Wh•t makes day and that blew it out.. or fully lntroduc.lng a ;"l~nvu~n:!~: to be co•opfttatlve" All loo orte.n, what,tver f:S~!t:!~ "':~:r hter•• f'Ufl lntert:ttl~ 11 that ,. Thr: only 0th.tr thins r Wh11 S('.)rt of bands would hunt ot new llte 1hat Brit• the reasons for a sudden promislnc tlandard. he was In the mld11. or fur• could d,> wa, a.udidon mua.1- Peter' Jlk~ 10 play with - sort Bankruptcy 1111 studios have never and hasty dep,erture, often 1her1n« hb carur. aalnlna: cltu'I, ond I ro1 • thnu11.i1nd Mac.hint for example? nolly txperleac First class script : all you need t o know about the film a nd television indust ries. Cast of thousand s: w ho•s whata ndwh.,.• to find them. Top product ion values: hard-bound. s tiff•indexed fo r easy reference. Box.. office appeal: pe rsona lities, o rganisations, companies, legislation. technical facts. alp habetical and c lassified directories. A great s how and excellent va lue- all for only D ·ZII. Get yours from Sundry Sales Dept. IPC Bu■in e.. Pn■■ (Sal.. & Distribution) Ltd~ 40 Bowling GrNn l.He, London EC1P1DB Kine and TV Year Book1971 O H N TOWNSEND J and Keith Clark de fy categorisation Not only do they resent it. but it's also difficult to IM HART AND MADDY PRIOR: "Slill!Mer impose an all-embracing T SolsUce " (8 & C R~ords CAS 1035). It IS ~ description upon them. be hoped that the response to Steeley Span s .. Please To See The King ·• will now transpose Of course~ theR ere cer- 1e10 t.haractfrllliCS Ul their itself to bring this exceptional rec?rd by two. of p,erfOt"m•nces which un he the group's mem~ers to_t~ e atlen~on QI a wide compared to other m115klan.1 audience_ For while avo,dmg the distasteful label un lM tolk club c:iroult of .. folk mi~s/onanes," Tim and Maddy ~ave made TJ\t':)I havt be~o rt ferrtd t<> a record that contains a similar embracing appeal 1s eountry sinatti.o ror ln H&net and 11 l! true thAI to Steelcye. Keith ~ played banju. 11,e thirteen 1(:COIN-,.'a()rqna.B l+~ ANNE) BRIGGS GMW- Lor,don Council ROYAL F~TIVAL HALL 1he hardest job was picking Just eight tracks. (Dlfldl:W• Jotwl..,,_eo,\, c.u ., -11WED.n.., JUNEc1.10...., 30th,..,...,...,. at __8 p.rn. Apart from his work with picking just 8 ttacks was a slow IU .H. 9-0.., 01.ta ,,...... Pentangle, John Renbourn has process. IRflTJAIIIKll•--111-• made 4 solo albums. But it was time well spent. -TLUfl'IC- -:?.:;'· This sampler is his fifth. And at 99p for the album it'll be _,. ,"' - ' __ l ... .-t.. :?:; kl, a cross section of some of his money well spent, too. .. _ t-:.. ~:~;·. beat work to date. , ...... " 'With so much to choose from, Transatlantic Tra Sam 20...... -...... r .. --- ' • ~:: . .-~. IIIIIIIIIUlllllllll.11 · ■ miiii i:. .. g INIIIIIWIIIIQIIIIIIIMIIIIHllfflMIII T HURSDAV gust AT FO)C, ULING"YON CHt ■aN, N.l.1 FARRIERS FOUR GYPSY MOSES .N H I Wfl f'k COm t A.ll Ye SICYPOIIT ADI KEITH CHRISTMAS AT w~. Ktng , 1<'.i Ruaci. n nund nw AT cou~eek Shctt, TDWI • ~l.. , IV, Ill ROMAN ORGY 1.JMI p ,m , Hi1fl ROid L4'1 10IL. DANDO SHAFT 808 DAVENPORT TttOU ■ADOUR, 11 ~ I l p,m estival at NATURAL ACOUSTIC NOEL MURPHY JOHN TOWNSENO BAND KEITH CLARK AT llll!ADIN(; TOWN HALL WltT LONDONPOU( CLU ■ Wti11e- H•rl, KlnM; St. ff111111n,f, . MICHAEL CHAPMAN 1.mHh {nr su,mrord ■N)(I IC. Stalltwt) 1 -~A,mtlcCOLL, PIO~'Y HIGO Duke's pad JOHN MARTYN ■~lllkY TAYLO~ WIZZ JONES M0 11 DAY HERE is to be a folk festival, organised by Pl:TE BERflYMAN T Sandy Glennon. at Syon Park, Brentford, the $AT.. JUHi. lt • t 1.Jt ALLI.Y, WALTDN-ON•THA.NU, borne of the Duke. ~f Northumberland, on Augus t TJClll:f'l5 a l dt.lOf l ib C'tiurcb s1ne1, 14 and 15, with ce,hdhs and concerts. Main guests MIKE MARAN att the lan Campbell Group on Saturday after JULIE FELIX: Sunday evening s pot CEILIDH noon. Steeleye Span on Saturday evening, Ralph MeTell (on Sunday afternoon and J ulie f"ellx on A new t.lub, Aqu.arluJ F'o1k Is Opening thl• v.uk II will Sunday eve11ing. 0.t>Cralft on Wl'dne.sdays at t~ Oth.e.r artists booked are • prize of an oudJ\loo wUh Birdcage-, Town Cenue. Bonded BoolS, Anne BrlgJs, l'ransa.llanue Rttords Ad· Harlow, £$.'le>c, ind ts teln.it lrokea Consort., Lht:c Orans mlssi.on costs Cl a day ot sponsor~d by Hattow Town Delru, Georae- Dea<;on and Ct.SO fnr tht weekend, ' Council Ad.ml..,.l()n for Ian A. Anderson (f 4n th-0 mttmben 11 !.Sp, Jeremi MariQn ROS$, t8U, Johnny Mike R•ven Show. R•dio One T• r.lor pla{., on J\l:nt 30, with Handle, Johll James, Nie this Saturday~ with assl..,unce. Jone&. the l\1cALmans, GO, 1 ~Jl'otJJ fl -~~u1~0 !4)~~~1!~ Uan McPhN"Son, Paul Mc ~t ~he:,~:t·rn.;;lJlror ~! (July 23) .n me programme on Wtdnes Bob lnvt.npon rn•kcs o.n Neil. the Ml.rldtn Ra.tllCT$, day, June 23. IPPt•ronce ,1 the OukC nf Mr, Fox. Barry Roberts, fl• Afttt the re-lNae of lhelr Wellh,gton~ 119 Ban, Pond ODU Stewarl, Cyril Taw. nnt atncle " M■ nchest4!r . .. Jeremy Taylor, the Ro:l,·. 't!~":v!h::c:~~~1·,wo Tinkers. Martfn WlnS()r and ·::r:~n~~f~::[ be~~rt:t:i~ Redd SulUvan, b)' GranadA T~tvltlon in th._ ~~1::,~~,h~~ l:as:~~!~:~ In addition there will be city at dawn. TM group"s th 0 debut album wUJ be luued ~n $:!f:eY &J'ce:.1°-rTe/ ,1:! ~:.,ni ~~~ '~!!ldw li~o:,~hn~~ soon on the n4!N Nepentha lmcd at the ,\1tmphi1 Club. s,turda.y. and Dlz 01.slty, Alt-• label, Lec,da earlkr thit month foT a ,1\1~,son and fritnds on Sun~ A maKi-single by Saffron is pro,aramme in Ihe a·ec 1 day. Compere&, whQ will alto eneded to t>c Issued In 5ff1es "Anuomy or .Pup." be pt rfc rmin~ are Ian Ca.mo ti-ie pmu•mme wlll lncludt! btU, Bob Oavu,port. Db. Dfs row~~r::e~J( y~w;y a~ Lie ...equenc:o, of t'1c ,ii,01,1p in the Je}', Hamls.b lmlaeh, AltJt: Saffron if, in concert with YQl'k$2'1rc O•lct, o.n interview Atter1on &fl d 'Redd SuHl\lan. Keith Christmas ■ t St. 1v~, In l.ondon and '1ectlons from on July 30, and 1$ 111ppearlng the-Ir album "The Cipsy." It r:~r;,:;~~,,.-i:!~~,:i~i: ~1~ al Cambridge FestlVtt,1. will be.- broadcast In Jenutry, Gr~l• r Lo.ndon CouMII ROYAL FESTIVAL HALL (>;rector; John t>e1,i.son, C.8..E, FRIDAY TUESDA Y THE GREATEST FOLK EVENT EVER! Al.LAN ,-ULLINGt• Cl!NTlltE. AT CAffo•o IUSING I UN Soulh&at• !lln1tr, San1wrlter, Mu lU•inn. 4 SQUARE CIRCLE Wrleom~ non•m•mhtn and p•r-• Oavt Coo:pt.r, Qu.a rt,;,r Office MONDAY 28th JUNE at CITY HALL CIVIC CENTRE,ST.ALBANS,HERTS. Two performances 7 pm and 9 pm T;ekets av~ilable from 14th June ftom; St. Albans Town Hall bo)( off lee T1ektl prices: t. l.00 and ti .2S Open between l0 am and 5 p,n F'reo f,t:khibition in a ltemoo n f rom 3- p m featuri ng M aF'thalt and ~~:!~-~~~4s~,~:-o::r::~~ iiill-t~Mf MM • ;... l ti, Marc Ellington BROTHERHOOD OF BREATH is currently on tour with Curved Air Management 603 0773 • ,267 1114 and The1 ~ick Abrahams Band . Agency NEM S His new album is out nowon B&C(CASIOll) t&C~W31SohoS SUNDAY, JUNE 20th TERRY KING ASSOCIATES presents at 7.30 p.m . DANTA LYCEUM STRAND STEAM HAMMER GRINGO LONDON, W.C.2 Tel: 01-836 3715 DJ JERRY FLOYD TICKETS 50p ON NIGHT . Doors open 7 pm. SPl~~E~!~y ~ l~~!D~~E~2ev ~!m~!ev Uus.1 o fo, W~y$1adtvm 'lt4 Ol,IOl 8363 GLENCOE Fndav Sotutday Sunday GUEST D.J . currently appearing on the RICKY BARON RICKY BARON with KING B MICKY DEAN S pll'l• tM Hot 60 Sound, Spins Cha,1 Sounds Ne\1111 n.,...... U.S.A. lfnl)Onl &pin S•"'· Ft.oa.. . U,6 ,A, WISHBONE ASH Tour •l'ld P1ehl110f~Pi>P•nd A.otk lmporta•nd Chan. So'-'ndl plu1 Old and New, Moivtett plu1 toop.,.nw-Roclr Pr•hb101MISG.il •ndJt-e11H FOR THE 20. + A~m111,11on GUYS 40p.. OOU.S 30p M 0t1t1•1• F OR THE 20s +• Adm111101t60pfo, !tit 18 •+ Adm1t1iofl GUYS40p.OOllS30p JOHN SHERRY ENTERPRISES 01-734 8823 M.. .. JuM 21• PURPLE GANG 6•turd•y, Jg-1 ttb. S.12 MIClnfaht Th.n, Juo,2'~ TEMPERANCE SEVEN ARTHUR BROWN'S =-~~ 281n COUNTRY JUG O..J. RAl PH GRlY KINGDOM COME Thur!:- J ,Jt,/ 11, aoa KlRR'S WHOOPl~ IAND GNOME SW EET GNOME ,+. SUPPORT ~ TICl.t.ls 50p adv8nce ll'OfTI "-oofd RDolll I ------, ~ u1W$t~1,.St Albont. 01onr1igtnatdDor • Z~PLIN CLUB at I ' kmgs headMerto nl : every FRIDAY I • FRI.18th, 7Pm. I : ANViL! I CLOUDS ------' HAVE BEEN ADDED TO THE US: ATTRACTIONS ON FRIDAY, JUN FOR THE NATIONAL JAZZ &; FESTIVAL AT READINQ WH QUADRILLE WILL INTRODUCE THEIR So\.lnd& of the 705 GUITARIST, BIUYCOLQU Frt, June 18th. 8-7 p.m. tt+~ AFEWNEWID 01-435 1776 V 116111 AGBKY 014 SUNDAY cont flo.lrida, . June l 7th A.N,C:. a.n.th Datl ·-·GARY WtielMilldly, Jut1• 23rd GYPSY WRIGHT + BARKERS F,._., ,.._ 2SlhT.8.A. EXTRACTION Sundly, Jw. 21th +LOBO ...... 8.30 P1m.-l o.m. -ft:li,- 71 (?( :l1) .a,. PRESENTS AN J} ,1[\,V~.l,[\;:Q/ EVEN ING WITH GROUNDHOGS and SPECIAL GUESTS BLACK AUGUST •HOUSE HEAVEN1111111111 • H .., t.le•n..ct a. , Sound, OSIBISA Vffcl11,e&day Jun~ 23rd,, 8 p m , IJthl• • nd Sot.ind• by Z•u. Cephi«l ti,c. TONIGHT. THURSDAY, JUNE 17. 8 p.m. + PREMONITION KINGSTON POLYTECHNIC WATFORD TOWN HALL P • n.-hyn ftNd, kifl$IIIOtM,1i,on lti.lYI.. f!~ 6•f..• BJ8 Enquiries: Aylesbury 84568 + BLIND M, ,..,nJOp MAN Sound• y J~,.. 19111 BoppOIIQ G!I u,. 'Wl'f t,~ It!• Us.-... Th-t lnc,ectlbl11 -ft~ 7i (,;"( ;tr) .a,. MARKET SQUARE JJ J.."\ -lJ ,e\.l,[\ ,::C,} AYLESBURY SHAPlus Specl~I - GuestsNA M EDtCINE - HEADNA IMPLOSION Td:tt1 60f> •l'ltdventc: SATURDAY pl•• ROUNDHOUSE, CHALK FARM Nt 19 GENESIS CHAMELEO N SOloln6- from Ul• 50• 0 J Gre••Y ft•i,1 ;u30 SUNDAY, JUNE 20th BAYOU FlYER UGITTS SOUN'DS OF THE FOftTltS A.II an,,i. bo,o1;11d "''"V-V" '\Ir 930 1111 AdMttl•Ol'I $Op Trespeuers ••e,Ol,ll'ld 3.30-1 1.30 w ALL GOOD. CLEAN FUN SUNDAY, JUNf 20Jb 7,30..1 1 Q BRINSLEY SCHWARZ CM U • TRIDENT MAN B.B. BLUNDER Sonic Sound .+Ule• N/ W: PATTO COCHISE WELCOME HENRY COW•GUTS ROYAl HOUOWAY COWG( toi, A 30J. fOHAM, SURREY -BACK Ftldr;, June 18th. S U can:lt o,ify ROGER RUSKIN SPEAR MAN AGEMENT, 01 -272 0741 Ring Cambridge 54312 or642 63 SPIROGYRA COLIN SCOTT 30p &Jng.._ 60p double 8 30 JEFF DEXTER * Haymar'ket Theetr-•, Basingstolto (Toi. 6566) Satt,uday, June 191h, tit 7.30 p.m UGHTING BY HEAVY LIGHT & PAUL TURNER f.r1doy JuM 1Bin . and l'lttf)' frn»v 1t 8 Pm FILMS + STALLS + THINGS PRINCIPAL EDWARDS MAGIC THEATRE WEM AMPLI FICATION THIRD W ORLD WAR SOUNDS OF WINOS JERI CHO JONES Alf se&ts SOp - bookable 1n advance TIMBRE N/W PA.ETTYTMING5 ttEIBBITS &RR19EN AVERY HILL COLLEGE. BEXLEY RD . EL THAM, S.E.9 BU 267 THE BROAOWAY, W IMBLEOON - GOING DOWN BA LL - - Ho R• -opening under new 1TK1na9emenl To ,he e.e,e. TRIO Iden Okll.. , UttP A•INM9 AMAZING BLONDEL - HOW UCENS UffTIL.2 • m - 25 LAOtES fR{E W£EKOAYS liEFOAE 10 p M Jun, STRAY NEW TEMPERENCE SEVEN 74 CHARLOTTE ST .• LONDON,W, 1. FREDDIE MAC SOUND BREWE~ S DROOP Tetephone 636 0036 2 July FAIRPORT LES FLAM BEAUX ABC, OLD KENT ROAD DISCO 8AA • FREE FOOD 639 2 784 CONVENTION flUOAY, 26.ttiJ\JN( , Qp m Ml Jo m Adm t1 SO on door 21st JUNE. for 6 d•'/9 City Rock at City University, E.C.I' foes. June: MAN 2 2nd p l• • CIG-'RETTE & BURN ING BOOTS NextWeek : ,.,.. - "'' FUSION ORCHESTRA SPONTANEOUS COMBUSTION f,or:to, ,_ '"" PUTN EY BRIDGE IMAGf Mon . f",rt, 7.4-$ p fft, oNif S.o.,r~y. 4 16p.m &7 .t!Spftl . . \.II ,~... ltlll INFORMATION 1w, .... ~ Every Tues, Bp.m. l5p • Angel SEAlS AT NORMAL PRICES ""....,..,, JIGSAW UNIVERSE UXBRIDGE TECH STV0£N1'S' VNtON w.._,.,,_~ would Ilk• 10 •potoglH to KEITH UlW VAN DER GRAAF GENERATOR HAWKWIND FUSION ORCHESTRA and AMfRICA wish to apologlset for lheh' tor t1.-.i111g to cancol tt>o concffl on Fuel~.- Jun• 18. dlM' 10 cirnffto -~ ADMISSION ,::;=:: ~ ~ non-appearance 81 •t&n09• beyof\d ~• tol'llrol --:; FREE DEA L CLUB In Kanl SIQnod. 8,endon f'r;nt, Soc■• S.cr411iy on June 14th This WIJ; dU& to a br• k~ down on tti.11 Journey beck HEADS, HANDS AND FEET from Gennany...... M1GHtv ~··· NOTICE TO APOLOGISE STUDENT UNI BABY to the people of Finchley, Southend, Derby. Worcester, Exeter. socw fOIIOWIIIBUFfAlO • JEAMDOJ TWO SHOWS at 6,30 p.m. and 9 p.m. \ . NEW cn:1AZZMEN FRIDAY, 2nd JULY MOTO-POP ODEON FRIDAY, 18th JUNE BIRMINGHAM ~:i:::s 6 EXCITING MOTOR RACES ffom 6 30 pm IO 8 45 pm FRIDAY, 9th JULY and hom 1 30 p m FUN FAIR, MOBILE FASHION SHOWS, DISPLAYS, etc ODEON LEWISHAM Tel. 8521331 All Seals, 60p. Bookable in Advance from, O 0EON 80)( OFFICES NUCLEUS LONDON ENTERTAINMENTS LTD. 01-4374080 01-437 7415 C OLISEUM Monogon RUPERT RHYMES invite your enquiries for the following selected artists: SUNDAY, 27th JUNE PRETTY THINGS ol 8 pm. JOHN & TONY SMITH RADHA KRSNA TEMPLE p re.se nt MIGHTY BABY (and in alphabetical order) SOFT BLONDE ON BLONDE : BRAM STOKER MACHINE EGYPT : FLYING FORTRESS : HARFLm & IN CONCERT PERKINS : ORIGIN : RAW MATERIAL SEATS, £ 1.50, £ 1.00, 80p, 50p. 8ookable ;n U.F.O. : WARHORSE odvo,1<.~ from: Colheun. 8..>x Office (W• {oo,k f~ tO tneellf'lf .r/ OIJI lrH:1#1 $.cl9tMY fllffldl 41 t/J,I Tel. 01-836 3161 Slw(lield ..84tu ...w,'·n~r ~>'1 O pen do;!y 10 o.m. (except Svndays) r---_-_-_-_-_-_-_-_:-_:-_:-_-_:-_J------L------.--_-_-_-_-i-he-_ -_ -M-_a-_n--.,--g--e__ m_e _n_t"' ~o~i-:_-:_-:_:-_:-_:-_ :;-ii=:===:==:======::::. AlBEMARLE CLUB kings Head merton '"""" °" THIAOWORLOWAR Gooshay1 Orh,• w,sh to thank ro, u.itinw H ■roldH ill, Romford 1s•s feta really n , c; $81 l ast OAVW ,1t1Qfofuiat lMPLOSIOH l HEROU,..DHOUst, lASTSUN• Nt.HMoldWoodStation VAN DER GRAAF _ _I_ Monday.seevov again soon1 eru,or,ywecouldntmibfl•rd~ 1JO ~youthci1no1.l:f'laoo:n THURSDAY. JUNE ,h _ _Friday 18th. DONT M ISS ~-_ - 17 PRETTY THINGS p,osent, GENERATOR BRONCO AND COCHISE PIED BULL THE NAG'SHEAD, HIGH WYCOMBE, presents HAWKWIND All seats 40p Enclose S A E for postal booking ANGEL. ISLINGTON ENTS PO Bo, 14& SHEFFIELD 5 10 2UB 1 LIVERPOOL RD., N.1 &Razz ACTS BOOKED THROUGH A.H.A. 01-734 8902 EVERr SUNDAY 8 p.m. CLOUDS p.m 45p 1 30 Rock Music 25 SUNDAY, JUNE 20th. ADMISSION 50p •S We were turne1 COYNIMHU ML IIHODU a CY ■ll ~auTON ERTAIIMENT ,.....,, __,,_ HIO ....._..,.,_.n,.,JONNN• OAlftB.O QU.U1ff ENT .....,. LIMON nuo WITN OUlffl ,_ ~ fO Ml IUIIONI caPS WAIIEI PENTHOUSE CLUB ST. NICHOLAS ST., SCARBOROUGH have great pleasure in presenting on Britain's FRIDAY 18th JUNE Family COMMERCW GROUPS 'THE DYNAMIC BRASS/ROCK BAND and ARTISTS .. !P:!~:..,~- ~::, :"~!t':~ ARETHA FRANKi.iN requ1rod for .. W•II, I al·n•, 114111 •t.m C«,or• ~s.t,lonatt tf>d•Y ••• •ttd f •ll'l'l 1H1t ••m RECORDING Ul~'lu:::.r, •~•)'tllMld dru.m• by mer ll'ld (eact,, .or 1.1tellme, and • 1t.tp,1m1 111otJ,t e'Vtft a.mo11t Tit• latt,,1r rep,uenu • '"' hip Jau •Ill•, wu urtaJnl)' ,tun"lnJI) effedlVt UI♦ Of ffl ■ • 11et. eul l1> win frl•11CU .tl\d MAJOR COMPANY ht-ff\l"'tl pttpl1 b)' Jfwlnt wllh ~::eb.!~1 •:,:.,,u.~a wl~::t th': th• ,,, ... •t lbf M on,,.wii Jb.l' Ring; Ja.rgut •• Ob■ 41l 10 f t.It ec:rosf., Futlval l•tt wt fft n4 . •nll 'W'l'!leJI, '001'11 ill lnu1rw-•I•, WIiiiam, WH pratlltlng the IAN WARNER i~'f,:o1"r~ f'l'\t.ltl c. • piquant)' •nd EXCITING ~EAVEN \tc.h11lqu, 1.r h•c:emmwnlade • c.ovple of hours -.Ner m•ll.lnt t11, oppuran~ Ofl U1e ,,co.id 0 1-734 3251 ne early Bar Restaurant blll or u,o FUU, 1111(!tnU1on.ail h,~':,h:;o~•P;:.~uJ~J:;_~•.... ~~ ~: ~------, J•n:: F'ttth,•t. • nd 1111:e "• sa id, mu1lc. ha• wide cot11nslt'. Larr, TOP PROFESSIONAL MALE m. 60p 9 till late ht ml,.. d Famlly, who follo111uid tllm. To• bid, '":h"' Kbi:.-~!: •••Y•!l.:'d ::::,«,Muslin .p r• y,r boek) I• •tfll GO-GO GIRLS BOBBY ADRIAN tllt re, ot C:OUI'$.. , • 1td f!i;S SINGER ~~""~'!· requires --======'!.! ...._"II Fuu-o':'.... , .,i:~r,_,•,:~: flan In .. :.~Ro9e, "~ !'tt~~:~,~ REQU IRED 1 11 J:::;~ .:::::( :P::: YOUNG IMAGE ~r,t=:.~ :0.:::: .:. c::~1u:: • r llft U I; t•l ag•inst Ult.- p,otmlOnalfV u.90nenc:41d Of\i.1 An evening of fun. thrills ••••!'Ids no rurtMI" lho11, ,11 , :'~1':n 1,;;c:1.1T•d•"dou11':!~~; 730 5181 / 2 ll•l\+l'IQ •l'ld Ml'lt«f ,ned1ut'l"I· for progreuive group with wtiof\t p,op"°up to full.. l finantlltl'f heavy financial backing and c:~or:•;:o:~:u::'1·,.~~,.:1·:,e,; 91111.•r, olfflfft ovtr11oweri1tgl)I' IL.------' dmlltlil lllt-~th OOMt9C1 1n and excitement M 011 Sunday. 1 fl,.t EXPERIENCED LEAD VOCALIST ,«~ntly 1.«1111.-d fro1n HHdliN f c,,I, of U.5 hU ,plll from 110~• bffi>d, , ..h utoblith•d bond-, ,..w bor.d will\ it(OIIP""I),, m...sl bto funl)' 01~,os 77'S MISSING? From dretaing room 11 Th._ Gray,, ~. Cto~. on Sur, MIGS, O'I• p,oto~~ H,H Amp bekln0 1f'IC1 IQ Ovnoe-ue!'JCe Cot11k' 11llnd Record Co e.e,1ng Suo.t. London Melody Maker Thriving Young Record Company would like to meet compatible manage ment/agency organisation with a view to jointly promoting bands and artists. Iprofe lRISTu ionaf ORGA-NIST FOJII Cardltf night fnggroup d~b. m u-•1 b• 1c,,od_ ri:-aef•r to •«ompany cab•"•' , tc. M'u Jt un p41d &U too,,.. ,-on! CALLINQ A LL DISC JOCKEYSIII At ..,t N tt .,.. •'Cl"' ot mOl't openinOf "' tM f!e\d ot tlldlOI Wt ,,_ ,.,_tcf'y actl\lt 1n 1hit fltld, ~"9 p«JQttmmn IOf d\l'tlf'MI-' rN-iotltltlCMW: l,el us help you wllh lrN • dvict, al'ld 1111 b.ntfltt of our eupe,tily ..ulpped 0.J Reeord,ng Sa 1io, Aud,t.on ,..,.• • Ind~~ l p 4 -TRACK STEREO RECORDING at Your Van Recovered Any time - Day or N igh\ £5PERHOUR Phone: 01-145 2166 01 •349 1303 W• hew 1..-.Ubl1 •t .. umet lot yovr UM In tl\t 1eudio, free of c:ha,o,., WCIW,g dn.i~ Hlfflmond AIROPlANE sms O!'Ottl, F'1nde1 a~tfb90ft HOWARD CONDER MUSIC CENTRE 8 Ed•n St., KJ1111U UGHT SOUND S1UDIOS London'• Lea HA'fM.UI ... S-...... ~ .,.,..,. u:n ll.lOWUJ ~ ...... It • U20 Hffll.f'f ~. .., . ltl~ WHl ,..,, t1H MAJM. Coo,goo ..,1,, ....,. -.d IU4 lWWHI ,,_,6" S ...... '""""' plO SOUND CITY, FENDER, GIBSON, WEM GUITARS MIXJCAH C-,1'."', p:,lo HI Q & AMPS. FENDER, FARFISA, HAMMOND, RMI U.."-AYA ....,...,-lr UJ HATMAN 1»114 ~ • USO PIANOS & ORGANS.' HAVM AN AND LUDWI G aoro.rolll'J., -• .- -.t. 111 DRUM KITS. PLUS SHURE MIKES ANO ALL °CUJ1'0M I UIU ffl.UIII ·~~:..-:~ ., TOYOVtlfKHIC4tlOM wt W01,110 lllnlAA'lNO "PAJfff' ('YMl.t.ll Wll'I '°"' ottrm .._ ._(llli..nw,,1t.t11,CNe• ,._ . ~~;_.\lA6\.E ttOV'\ ~,::,.1~~~.,,=M W NDNA~= N!O I:QUI:NUM':-.::~;,.· ._ ·~: Studio,. °"oups, & Touri ful ly attted f l'U.Mal: lt" IJQ,IM- UO kAYM,AN $~ ~...... CHO OUTKM "GIN!( • • .,... 1110 -.ATM ,o1, C:.,... 111 Fo, ,,mt!• Wt•ib COfltx-t RILL HOAOE U,ll>W,O "° IIO, -I°" UI WIIWIO '"'11 S/.,Dt,o,.. I.Q 10/ 18 Clttton Street, London EC2P 2JR CAti.TON t.,_, YO..,,, lt.J OlT,.,.IC 'M.W' ~ Ill -.uo,W10 'k!W 9ello(. IIMlll! ,u-,,c ..,_. u • u t tT uo Telephone: 01-247 9981 •'-'• CMI IDOW,&11 1' • t i;le,oi. 111 17 •~, •• ~• 1,r, 111 uaWlo 'Wfl o,:,... , .,_. t·no ~i:-.;:: ~\~~- '•'7:. :::: lootat ,,,_.,_. "°""• ._.. ~ W<.ONOH.AMO of.A, 11- c~'-Mfll' C~N) wm; n ""'1:rc o-. ~ O'AMAU.,.,...,_,~ no,w,. Sr.wo:1,-...... )!f.AOS. ,,,t:u, u,K'fl lUO'W\6, ~IS. l l'lb;IAH,, ''"l!. .. Ji1'MAN H>if.N.. Wvr-uY. '1-""0 'l\ll()n. l f(OtOj. ~ •ct •A.Of. rMliKlut,,,'ES,. •ocK.S. Wl'S. Ot)NCS .,, flt.1u1ftt- .1.r1,,rOlfC»IT Ot-4 NnmMO\la°' ..,___,,,,,..__11, H?•-,._ _,..,!IS - if'V!Ct- !,A~U - '"'" OCH.IJ',Gf - C',t,IJ~ If PAYS TO,., \IS . vnn INSTRUMENTS FOR SALE INSTRUMENTS FOR SALE *SUPERB SOUND* BAND BOX *PULSATING POWER * {Wo~~iwt~~ l.TO WOlVfRHAM P'TON 111, on,nvn,cl'll rou ••c .see• Ml w.11 bf h All you need. from 5 watts practice to 100 watts m ulti See your dealer or write for 21 Upper Klrkoa,o details and leaflets to: W ak•fl.eld. Yorka. T•PM • c. ...n es Cartridges - by moil order. $ .A E. for rist. NOW YOU CAN HIRE MUSIWSE1TES 1 OOs: of u tl8$ to choose, from - Pop, Jan,. Fo4k, etc. trom less then 1 ¼P a day eich . Free brochure from: MIIUIN OU ""',h - ...... MIIITIN 012.H,.. ,_ . • , ...... R o•JONO'll...., _ • • •••• •• •• • •••• OYATIOH ...... •• • • • • ...... , , ., &"l ;t1.J1 ,~,.,.,...... ,. ~,00.,.._ ...... • ·······--...... ·•• .. , .. ,1oi.,, lff.00 SOUND CITY AM PU FICA TION '1'4MAMA ,OIIO ...... • ••••• • ~to TAM.HA ,Ota,!) , , , •, •.• , • • ••••••• , • lt,.JO MJIVIQ- •• , •••• •••••• ,. ,. ,,,, .,, '17.00 ELlCTIUCS ,...._ ,..--....,_ ...... c,u.eo IMITUMM.t ,...... ,. l,r,.> wlfll - , • • . .. . 161.IO ..... , ..~-- ••• ••••••••••••••u• •1••• . S.::,00.00 ~y ,.a.-~ 1..... 1 '-""-•- •• •• .• ....,o 0 19J.ONSO.._._.., . •. ••• . ••• nM.00 =: ~'e' . ··::: :::: ::: ...... :::::= ~Aallf,,__,, ...... ,...... - ...... g,jMOtra:.....,l ...... '"-- loldMQMTH71--- •··•••·•· · . • , •••.•. ,. U'l.00 ....,,...,_,..._.III. P/ u'1, _.. _ . • • . INM ...... _. .. _...... ,...,..._. JIINTINUlT "- l'wl ,.,,_, ___ • Mt.N ~.....::-=..u .=.:-.=: NA.TM.AN 101• ...... - , • , ,. • UHM ...... ,...... ~ ..... ,.....• . ..a..... :.= AMl'UFICATION =: ...... ::-t..;.~C4":·: ··: .. ·•: ··· :.:·~= =-""'_....._.~ ...... ___,.,.... w.UINIW.tll,...... _ tl'IMMINAU.IOw...... • •••• .... ~=--=~!',l'::'--:.~ .. ··········:·: :: ~•-11.100-...... tll JUHMAU...... ,. ...,_ •••n ... ORGANS wo•~....,___, ...... - I.DWIIIT"...... lOWlff...... , ...... ,.. -.··..,... -- I JOIN ntE Hihi::81.ifiiii :tUPER GROUPS AND LEAVE NOTHING TO YOUR IMAGINATION. SAY IT All ClEARL y Bill LEW1 NGTON 1HS"-""""'1 A.....,lot1.,_~I.., TJ, Ot--2400"'9 HIiu~, t.O.S...>O .. "' Mn,tl>,\Y ,-uo SAXOflMONIS YA.MAK.t.To,'1,NW, ...... 200 ....tt 400W1itt 600Wll,\t 800 WIit 1000Wlltl '(~_... .~__...... tll1 PA Svs•m PA S'(f1tm PA Svs-1tm ,. A. Syaiem PA. s ,,1,m Sll.MDS.,.Adu'I,~ -'HO IUUCHl'II: TtiJFTO""-, •~...._ m &.W.K.1 £372 £729 £1,085 £1.442 £1,798 tlwtt-t M.Al'!liM.~ ... 1'9tOI.U.XOftfOMS lOt.AMt ,.....,11~ ,,.__ 061 ~Ml.'11.M"! .... ~ ,,,, SOUND EQlftPMENT 'fN,V,W,,.f... PZ...... ,,. DRUMS TAPE RECORDINGS INSTRUMENT REPAIRS .,. 6p per word u.~---~ 8P ~r "rord (Trade ...... Sp) YOUl't OWN 1'APflJ RECORl>ING.S ---~.Of)M... lo-1 ll41 TIIANSF&IUIIIO ON YO HI Fl Mt\ft', ...... ~ l,S dr~m,•~a;~~,'ls!,~~. p~d RECORDS. Stnd 8 .A.I: for drtllib l"OI.MANO't'. -.~ U6 rJO:. Y.w,A,t\,t.~tlN,_~ PMM an,ytlmt 01·221 20$ {1 2.tl• ;;OIJ~h ~orr~~1• Scn,by. Ya.r .,..... 41111. • ,...., .....- .-,a.- 0 11 '°' ttvMflln ...... ,,., aC:!":.onC: :ur~!~ ,!~' '~;,b~ '·OOOIU MtCM C IN. WUI ~au. - Onnae. 01-ast 1111 ffl-n & DISCO EQUIPMENT ,, ...... A LUDWIC,, ONO Ch or rttmlt r ltZ~ ~~:t:tfWctlOr CH?I, -Top Gu t, Bp per word ALL DRUM KITS WI.Ottd lot DIStOTHlOUl:S. Succ-c:,.s- f!l)fflK ....,..., <"ath. - 111$ 0 30. w hh •vPttb e-qulpmetn. 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A, -• a,o ~ .....,.,._...... _t,&Suolo• WO S/S Rt>f\e Ou.,.I. 1educ.d 10 .• £48 Gln'$Cl4.,,,._._, as ...... ,.~ .. IMl'AClf,11_,.""'-...• U0 AIJ tn-• o4 ln,auinents bo"9hc fwoadl voii ,._.._'11 ao OtK.O IP,ff ..clfil 1a...... 11m --.Sott a-G.,;,o,. lu H• UI lllwANP. ,...... £125 0.00,, ..,...... °"', ,,os '"I•°' Cl•m0,91.ns, rtHDU • .,._ ...,._ ...... ,_ ~.. Vii IUTI't~lT ._ 1r C...b Ito Guhus. Sht hM~y a u HlwANP...... £162 Otd-.OMM$1!'Ml••»C..I> CtO ~t~lltlvtou•n- 41:IZ lllw CABS...... £113 buty CkuMSend R.M.. PtMlt~ K:il• E. l 0N00N. W 1 Ttl 01•431 ?211 ... •"'""•M- P.11 azdi..,.• - t-y pc.-l.J'"9 75w P.A. CABS...... £9:i • Hue.Purchase fac:,1t11n PfNOEJ ANO C.1&!.0N v1.rA.1t~ ... A"-'H2' ~VI! ...... 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